Tefifon

Last updated

Tefifon
Tefifon logo.jpg
Media typeAudio
Encoding Grooves embossed on plastic tape
Capacity15 minutes, 1 hour, 4 hours
Developed byTefi
DimensionsVaried
UsageHome audio, educational
Released1940s
Discontinued1965
Tefifon portable radio with cartridge player (the Tefi "Holiday Super II") Tefi Holiday Super II v.jpg
Tefifon portable radio with cartridge player (the Tefi "Holiday Super II")

The Tefifon is an audio playback format, developed and manufactured in Germany, that utilizes cartridges loaded with an endlessly looped reel of plastic tape. [1] It is somewhat similar to the later 4-track and 8-track magnetic audio tape cartridges, but with grooves engraved into the tape, like a phonograph record. [2] The grooves were engraved in a helical fashion across the width of the tape, in a manner similar to Dictaphone's Dictabelt format. The grooves are read with a stylus and amplified pickup in the player's transport. [3] A Tefifon cartridge, known as a "Tefi", can hold up to four hours of music; therefore, most releases for the format are usually compilations of popular hits or dance music, operas, and operettas. [4] Tefifon players were not sold by television and radio dealers in Germany, but rather sold directly by special sales outlets affiliated with Tefi (the manufacturer of the format).

Contents

History

1930s

The Tefifon format was developed by the German entrepreneur Dr. Karl Daniel and his "Tefi" company in 1936. A few years earlier, devices using phonographic grooved tape like the Tefifon were produced by Tefi for special purposes, like the military, and were designed for voice recording. Prior to the Tefifon's introduction, Tefi had introduced a device capable of recording and playback under the name "Tefiphon" (note the alternate spelling) and another device only capable of playback under the name "Teficord". Both use loose tape, unlike the cartridge-loaded tape of the Tefifon.

In 1937, a half-speed 9.5 CPS (3-3/4 IPS) format was developed for talking books for the blind in the early run-up to World War II. This was continued, albeit scaled back until vinyl disc technology could catch up in quality if not time, since the 4-hour Tefi cartridges recorded at 19 CPS (7-1/2 IPS) could carry 4 hours, the talking book could carry twice that, or eight hours.

With no way to get an eight-hour recording done all in one session with no mistakes, these extremely long programs were transcribed first onto 15-minute cartridges (30 minutes of Talking Book) and later 1-hour cartridges (2-hour Talking Book) and then assembled by playing them back in succession much as a long radio program is spread over many sides and assembled later on-air to sound as if the whole thing is live.

1940s

The first Tefifon players and cartridges for home use came available in the German market towards the end of the 1940s, but could not compete with the popular phonographic disc format readily already available at the time. One reason was that well-known artists were committed exclusively by contract to major record companies, most of which had no interest in offering their artists' albums on Tefifon tapes. As a result, most Tefifon releases were of relatively unknown bands and artists. In addition, the Tefifon saw competition from phonographs equipped with record changers, some of which could allow for up to three hours of music without interruption.

1950s

The Tefifon was offered in the 1950s as a standalone device, but also in combination with various types of radios, including portable and home models. The chassis of the radio sets were often purchased ready-made from third parties, with a Tefifon playback transport being added to it as a finished product. The sound quality of Tefifon tapes is superior to 78 rpm records made of shellac, but is still less than that of 33 rpm LP records made of vinyl. In addition, the mechanical stress on the stylus and supporting cantilever is quite strong, so this wears out relatively quickly.

1960s

The last innovation of the Tefifon format was in 1961, with the introduction of stereo sound, but this was not commercially successful. [5] Tefifon production at its main plant in Porz am Rhein was halted in 1965. Afterward, the rights to the name were acquired by the Neckermann mail-order company, which also took over the sale of existing Tefifon products. Even though the Tefifon was little-known outside of Germany, it was imported and sold in the United States for a very short time by Western Electric's Westrex division from 1963 to 1964 under the "Westrex" name.

Technical details

A stand-alone Tefifon player with cartridge loaded Tefifon 4078533.JPG
A stand-alone Tefifon player with cartridge loaded

Tefifon cartridges were made in four sizes: [6]

The larger cartridge also had several differences from the smaller units. It featured a spring to assist in removing the tape for playback, and a plastic cover over the tape to protect it. The cartridges also have a cardboard protective case. [6]

A Tefifon cartridge would be inserted into the machine, with the reader tape around the capstan. The machine would then be started. The tape would be read with a stylus, which moved across the grooves, in a manner similar to a phonograph record. However, the tape would be stored in a cartridge, like later magnetic tape systems. While there was no way of moving to a specific track, the stylus could be moved to a variety of positions on the tape. [3]

Related Research Articles

<span class="mw-page-title-main">Phonograph</span> Device for analogue recording of sound

A phonograph, later called a gramophone, and since the 1940s a record player, or more recently a turntable, is a device for the mechanical and analogue reproduction of recorded sound. The sound vibration waveforms are recorded as corresponding physical deviations of a spiral groove engraved, etched, incised, or impressed into the surface of a rotating cylinder or disc, called a "record". To recreate the sound, the surface is similarly rotated while a playback stylus traces the groove and is therefore vibrated by it, faintly reproducing the recorded sound. In early acoustic phonographs, the stylus vibrated a diaphragm that produced sound waves coupled to the open air through a flaring horn, or directly to the listener's ears through stethoscope-type earphones.

<span class="mw-page-title-main">8-track cartridge</span> Magnetic tape sound recording format

The 8-track tape is a magnetic-tape sound recording technology that was popular from the mid-1960s to the early 1980s, when the compact cassette, which pre-dated the 8-track system, surpassed it in popularity for pre-recorded music.

<span class="mw-page-title-main">Phonograph record</span> Disc-shaped analog sound storage medium

A phonograph record, a vinyl record, or simply a record or vinyl is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the outside edge and ends near the center of the disc. The stored sound information is made audible by playing the record on a phonograph.

<span class="mw-page-title-main">Edison Disc Record</span> Type of phonograph record produced by Edison Inc. from 1912 to 1929

The Edison Diamond Disc Record is a type of phonograph record marketed by Thomas A. Edison, Inc. on their Edison Record label from 1912 to 1929. They were named Diamond Discs because the matching Edison Disc Phonograph was fitted with a permanent conical diamond stylus for playing them. Diamond Discs were incompatible with lateral-groove disc record players, e.g. the Victor Victrola, the disposable steel needles of which would damage them while extracting hardly any sound. Uniquely, they are just under 14 in thick.

<span class="mw-page-title-main">Magnetic cartridge</span> Electromechanical transducer used in the playback of records

A magnetic cartridge, more commonly called a phonograph cartridge or phono cartridge or (colloquially) a pickup, is an electromechanical transducer that is used to play phonograph records on a turntable.

<span class="mw-page-title-main">Capacitance Electronic Disc</span> Analog video disc playback system

The Capacitance Electronic Disc (CED) is an analog video disc playback system developed by Radio Corporation of America (RCA), in which video and audio could be played back on a TV set using a special stylus and high-density groove system similar to phonograph records.

<span class="mw-page-title-main">Stereophonic sound</span> Method of sound reproduction using two audio channels

Stereophonic sound, or more commonly stereo, is a method of sound reproduction that recreates a multi-directional, 3-dimensional audible perspective. This is usually achieved by using two independent audio channels through a configuration of two loudspeakers in such a way as to create the impression of sound heard from various directions, as in natural hearing.

A skip occurs when a phonograph (gramophone), cassette tape or compact disc player malfunctions or is disturbed so as to play incorrectly, causing a break in sound or a jump to another part of the recording.

<span class="mw-page-title-main">Sound recording and reproduction</span> Recording of sound and playing it back

Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording.

<span class="mw-page-title-main">Fidelipac</span> Magnetic tape sound recording format used in broadcasting

The Fidelipac, commonly known as a "NAB cartridge" or simply "cart", is a magnetic tape sound recording format, used for radio broadcasting for playback of material over the air such as radio commercials, jingles, station identifications, and music, and for indoor background music. Fidelipac is the official name of this industry standard audio tape cartridge. It was developed in 1954 by inventor George Eash, and commercially introduced in 1959 by Collins Radio Co. at the 1959 NAB Convention. The cartridge was often used at radio stations until the late 1990s, when such formats as MiniDisc and computerized broadcast automation predominated.

The history of sound recording - which has progressed in waves, driven by the invention and commercial introduction of new technologies — can be roughly divided into four main periods:

Cook Records was a record label founded by Emory Cook (1913–2002), an audio engineer and inventor. From 1952 to 1966, Cook used his Sounds of our Times and Cook Laboratories record labels to demonstrate his philosophy about sound, recording equipment, and manufacturing techniques.

<span class="mw-page-title-main">LP record</span> Vinyl analog sound storage discs

The LP is an analog sound storage medium, specifically a phonograph record format characterized by: a speed of 33+13 rpm; a 12- or 10-inch diameter; use of the "microgroove" groove specification; and a vinyl composition disk. Introduced by Columbia Records in 1948, it was soon adopted as a new standard by the entire US record industry and, apart from a few relatively minor refinements and the important later addition of stereophonic sound in 1957, it remained the standard format for record albums during a period in popular music known as the album era. LP was originally a trademark of Columbia and competed against the smaller 7-inch sized "45" or "single" format by RCA Victor, eventually ending up on top. Today in the vinyl revival era, a large majority of records are based on the LP format and hence the LP name continues to be in use today to refer to new records.

<span class="mw-page-title-main">RCA tape cartridge</span> Magnetic tape audio format introduced in 1958

The RCA tape cartridge is a magnetic tape audio format that was designed to offer stereo quarter-inch reel-to-reel tape recording quality in a convenient format for the consumer market. It was introduced in 1958, following four years of development. This timing coincided with the launch of the stereophonic phonograph record. It was introduced to the market by RCA in 1958.

<span class="mw-page-title-main">SoundScriber</span>

SoundScriber is a dictation machine introduced in 1945 by The SoundScriber Corp.. It records sound with a groove embossed into soft vinyl discs with a stylus. Similar competing recording technologies are the Gray Audograph and Dictaphone DictaBelt. The machine can record 15 minutes of dictation on each side of a thin (.01-inch) flexible 6-inch vinyl disc spinning at a rate of 33+13 RPM, at a density of 200 grooves per inch. The discs originally cost about 10 cents each. The machine has two tonearms: a recording arm driven by a worm gear that creates the groove with a diamond stylus, and a pickup arm with a sapphire stylus for playback. A foot-operated playback/pause—and-reverse switch is used for transcribing.

<span class="mw-page-title-main">Dictation machine</span> Device for recording human speech

A dictation machine is a sound recording device most commonly used to record speech for playback or to be typed into print. It includes digital voice recorders and tape recorder.

The Seeburg 1000 Background Music System is a phonograph designed and built by the Seeburg Corporation to play background music from special 1623 RPM vinyl records in offices, restaurants, retail businesses, factories and similar locations. Seeburg provided a service similar to that of Muzak.

Matthew "Mat" Taylor, better known by his YouTube handle Techmoan, is a British YouTuber and blogger, specializing in consumer tech reviews and retrotech documentaries about technology of historical interest.

<span class="mw-page-title-main">Music technology (electric)</span> Musical instruments and recording devices that use electrical circuits

Electric music technology refers to musical instruments and recording devices that use electrical circuits, which are often combined with mechanical technologies. Examples of electric musical instruments include the electro-mechanical electric piano, the electric guitar, the electro-mechanical Hammond organ and the electric bass. All of these electric instruments do not produce a sound that is audible by the performer or audience in a performance setting unless they are connected to instrument amplifiers and loudspeaker cabinets, which made them sound loud enough for performers and the audience to hear. Amplifiers and loudspeakers are separate from the instrument in the case of the electric guitar, electric bass and some electric organs and most electric pianos. Some electric organs and electric pianos include the amplifier and speaker cabinet within the main housing for the instrument.

<span class="mw-page-title-main">DC-International</span> Tape cassette format developed by Grundig

DC-International is a tape cassette format developed by Grundig and marketed in 1965. DC is the abbreviation of "Double Cassette", as the cassette contained two reels; International was intended to indicate that, from the beginning, several companies around the world supported the format with suitable tape cassette tape recorders, recorded music cassettes and blank cassettes. Since DC-International did not compete effectively against the similar Compact Cassette, it was discontinued in 1967.

References

  1. "Tefifon (1950 – 1960s)". Museum of Obsolete Media. 9 June 2015. Retrieved 29 January 2019.
  2. Knibbs, Kate (7 April 2015). "A Look at the Tefifon, Germany's Doomed 1950s Music PlayerÂ". Gizmodo. Retrieved 29 January 2019.
  3. 1 2 Techmoan, Vintage Electronics - The Tefifon , retrieved 1 February 2019
  4. Wenz, John (8 April 2015). "This Was Germany's Music Format That Never Took Off". Popular Mechanics. Retrieved 1 February 2019.
  5. Hoffmann, Frank (12 November 2004). Encyclopedia of Recorded Sound. Routledge. ISBN   9781135949501.
  6. 1 2 Techmoan, Tefifon Update - more info, more music, bigger.... and smaller. , retrieved 2 February 2019 via Youtube