RCA tape cartridge

Last updated
RCA Sound Tape Cartridge
RCA Quarter Inch Tape Cartridge 2A.png
Size comparison of RCA tape cartridge (right) with the more common Compact Cassette
Media type Magnetic cartridge tape
Encoding Analog
Capacity30 min per side, two sided
Developed by RCA
Dimensions5 × 7.125 × 0.5 inches
(137 × 197 × 13 mm)
UsageHome audio recording
Released1958
Discontinued1964

The RCA tape cartridge (labeled the RCA Sound Tape Cartridge [1] ) is a magnetic tape audio format that was designed to offer stereo quarter-inch reel-to-reel tape recording quality in a convenient format for the consumer market. [2] It was introduced in 1958, following four years of development. This timing coincided with the launch of the stereophonic phonograph record. It was introduced to the market by RCA in 1958. [3]

The main advantage of the RCA tape cartridge over reel-to-reel machines is convenience. [4] The user is not required to handle unruly tape ends and thread the tape through the machine before use, making the medium of magnetic tape more friendly to casual users. In addition, since the cartridge carries both supply and take-up reels, the cartridge does not have to be rewound before the tape is removed from the machine and stored. Because of these conveniences, the RCA tape cartridge system did see some success in schools, particularly in student language learning labs.

The same design concept would later be used in the more successful Compact Cassette, introduced by Philips in 1962. Similar to the Compact Cassette, the RCA cartridges are reversible so that either side can be played. An auto-reverse mechanism in some models allows the tape to run continuously. Equal to 8-track tape and Stereo-Pak, the tape runs at a standard speed of 3.75 inches per second (IPS). [5] This is double the speed of the Compact Cassette and half of the top speed of consumer reel-to-reel tape recorders, which usually offer both 3.75 IPS and 7.5 IPS speeds. Such consumer reel-to-reel machines are capable of superior audio performance, but only at the faster speed.

The RCA tape cartridge format offers four discrete audio tracks that provide a typical playtime of 30 minutes of stereo sound per side, or double that for monophonic sound. Some models can also play and record at 1.875 IPS, doubling playing time with a significant reduction in sound quality. [6] This speed was of too low quality for music on these machines, but was acceptable for voice recording.

With two interleaved stereo pairs, the track format and speed of the RCA tape cartridge is the same as that of consumer reel-to-reel stereo tape recorders, which run at 3.75 IPS. It is possible to dismantle the cartridge, spool the tape onto an open reel, and play it on such a machine. In fact, RCA offered an adapter for their Sound Tape Cartridge machines to enable them to both play back and record traditional reels of tape up to 5 inches in reel diameter.

Unlike the Compact Cassette, the RCA tape cartridge incorporates a brake to prevent the tape hubs from moving when the cartridge is not in a player. Small slot windows extend from the tape hubs toward the outside of the cartridge so that the amount of tape visible on each spool can be seen.

Despite its convenience, the RCA tape cartridge was not much of a success. RCA was slow to produce machines for the home market. They were also slow to license pre-recorded music tapes for home playback. Cost was also an issue, with a single cartridge costing US$4.50 in 1960 ($46 with inflation today) compared to a 1,200 foot (365 m) reel of tape, which cost $3.50 ($36 today). [4] The format was advertised nationally by RCA as late as fall 1964. [7]

The physical tape width and speed of the tape and even the size of the RCA tape cartridge is similar to, though incompatible with, Sony's Elcaset system, introduced in 1976. That system also failed to achieve much market acceptance and was soon withdrawn.

Related Research Articles

<span class="mw-page-title-main">VHS</span> Consumer-level analog videotape recording and cassette form standard

The VHS is a standard for consumer-level analog video recording on tape cassettes, introduced in 1976 by the Victor Company of Japan (JVC). It was the dominant home video format throughout the tape media period in the late 1970s, 1980s, 1990s, and early to mid 2000s.

<span class="mw-page-title-main">Cassette tape</span> Magnetic audio tape recording format

The Compact Cassette, also commonly called a cassette tape, audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. Invented by Lou Ottens and his team at the Dutch company Philips, the Compact Cassette was released in August 1963.

<span class="mw-page-title-main">Digital Audio Tape</span> Digital audio cassette format developed by Sony

Digital Audio Tape is a signal recording and playback medium developed by Sony and introduced in 1987. In appearance it is similar to a Compact Cassette, using 3.81 mm / 0.15" magnetic tape enclosed in a protective shell, but is roughly half the size at 73 mm × 54 mm × 10.5 mm. The recording is digital rather than analog. DAT can record at sampling rates equal to, as well as higher and lower than a CD at 16 bits quantization. If a comparable digital source is copied without returning to the analogue domain, then the DAT will produce an exact clone, unlike other digital media such as Digital Compact Cassette or non-Hi-MD MiniDisc, both of which use a lossy data-reduction system.

<span class="mw-page-title-main">8-track cartridge</span> Magnetic tape sound recording format

The 8-track tape is a magnetic-tape sound recording technology that was popular from the mid-1960s to the early 1980s, when the compact cassette, which pre-dated the 8-track system, surpassed it in popularity for pre-recorded music.

<span class="mw-page-title-main">Videotape</span> Magnetic tape used for storing video and sound simultaneously

Videotape is magnetic tape used for storing video and usually sound in addition. Information stored can be in the form of either an analog or digital signal. Videotape is used in both video tape recorders (VTRs) and, more commonly, videocassette recorders (VCRs) and camcorders. Videotapes have also been used for storing scientific or medical data, such as the data produced by an electrocardiogram.

A cassette deck is a type of tape machine for playing and recording audio cassettes that does not have a built-in power amplifier or speakers, and serves primarily as a transport. It can be a part of an automotive entertainment system, a part of a portable mini system or a part of a home component system. In the latter case it is also called a component cassette deck or just a component deck.

<span class="mw-page-title-main">Nagra</span> Series of audio recorders produced by Kudelski SA

Nagra is a brand of portable audio recorders produced from 1951 in Switzerland. Beginning in 1997 a range of high-end equipment aimed at the audiophile community was introduced, and Nagra expanded the company's product lines into new markets.

<span class="mw-page-title-main">Elcaset</span> Analog audio format based on tape

Elcaset is a short-lived audio format jointly developed by Sony, Panasonic, and Teac in 1976, building on an idea introduced 20 years earlier in the RCA tape cartridge.

<span class="mw-page-title-main">Reel-to-reel audio tape recording</span> Audio recording using magnetic tape spooled on open reels

Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the supply reel containing the tape is placed on a spindle or hub. The end of the tape is manually pulled from the reel, threaded through mechanical guides and over a tape head assembly, and attached by friction to the hub of the second, initially empty takeup reel. Reel-to-reel systems use tape that is 1412, 1, or 2 inches wide, which normally moves at 3+347+12, 15 or 30 inches per second. Domestic consumer machines almost always used 14 inch (6.35 mm) or narrower tape and many offered slower speeds such as 1+78 inches per second (4.762 cm/s). All standard tape speeds are derived as a binary submultiple of 30 inches per second.

<span class="mw-page-title-main">Video tape recorder</span> Tape recorder designed to record and play back video and audio material on magnetic tape

A video tape recorder (VTR) is a tape recorder designed to record and playback video and audio material from magnetic tape. The early VTRs were open-reel devices that record on individual reels of 2-inch-wide (5.08 cm) tape. They were used in television studios, serving as a replacement for motion picture film stock and making recording for television applications cheaper and quicker. Beginning in 1963, videotape machines made instant replay during televised sporting events possible. Improved formats, in which the tape was contained inside a videocassette, were introduced around 1969; the machines which play them are called videocassette recorders.

<span class="mw-page-title-main">Microcassette</span> Audio cassette format

The Microcassette is an audio storage medium, introduced by Olympus in 1969.

TEAC Corporation is a Japanese electronics manufacturer. TEAC was created by the merger of the Tokyo Television Acoustic Company, founded in 1953, and the Tokyo Electro-Acoustic Company, founded in 1956.

<span class="mw-page-title-main">Stereo-Pak</span> Magnetic tape-based format for audio

The Muntz Stereo-Pak, commonly known as the 4-track cartridge, is a magnetic tape sound recording cartridge technology.

Since the widespread adoption of reel-to-reel audio tape recording in the 1950s, audio tapes and tape cassettes have been available in many formats. This article describes the length, tape thickness and playing times of some of the most common ones.

<span class="mw-page-title-main">Loop bin duplicator</span>

A loop bin duplicator is a specialized audio tape machine used in the duplication of pre-recorded audio cassettes and 8-track cartridges.

<span class="mw-page-title-main">Fidelipac</span> Magnetic tape sound recording format used in broadcasting

The Fidelipac, commonly known as a "NAB cartridge" or simply "cart", is a magnetic tape sound recording format, used for radio broadcasting for playback of material over the air such as radio commercials, jingles, station identifications, and music, and for indoor background music. Fidelipac is the official name of this industry standard audio tape cartridge. It was developed in 1954 by inventor George Eash, and commercially introduced in 1959 by Collins Radio Co. at the 1959 NAB Convention. The cartridge was often used at radio stations until the late 1990s, when such formats as MiniDisc and computerized broadcast automation predominated.

<span class="mw-page-title-main">History of multitrack recording</span>

Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other. Because they are carried on the same medium, the tracks stay in perfect synchronization, while allowing multiple sound sources to be recorded at different times.

<span class="mw-page-title-main">EIAJ-1</span> Standard for video tape recorders

EIAJ-1 was a standard for video tape recorders (VTRs) developed by the Electronic Industries Association of Japan with the cooperation and assistance of several Japanese electronics manufacturers in 1969. It was the first standardized format for industrial/non-broadcast VTRs using a helical scan system employing open reel tape. Previously, each manufacturer of machines in this market used a different proprietary format, with differing tape speeds, scanner drum diameters, bias frequencies, tracking head placement, and so on, although most used 1/2" wide tape. As a result, video tapes recorded on one make and/or model of VTR could only be interchanged with other machines using that specific format, hampering compatibility. For example, a reel of tape recorded on a Panasonic machine would not play on a Sony machine, and vice versa. The EIAJ-1 standard ended this incompatibility, giving those manufacturers a standardized format, interchangeable with almost all VTRs subsequently brought to market around that time. The format offered black-and-white video recording and playback on 1/2″ magnetic tape on a 7″ diameter open reel, with portable units using smaller 5″ diameter reels.

<span class="mw-page-title-main">Quadraphonic open reel tape</span> Discrete 4-channel quadraphonic sound system

Quadraphonic open reel tape or Q4 was the first consumer format for quadraphonic sound recording and playback. Pre-recorded tapes in this format were introduced in the United States by the Vanguard Recording Society in June 1969. Specialized machines to play these tapes were introduced by electronics manufacturers such as TEAC Corporation at about the same time.

References

  1. "Simply 'snap-load' and Record: RCA Sound Tape Cartridge (advertisement). Tape Recording, October 1959, 16
  2. "Restoration Tips & Notes » 0.25" cartridges". Richardhess.com. Retrieved 2012-04-06.
  3. RCA Victor Announces Major Break-Through in Recorded Sound
  4. 1 2 Stereo Goes Back On Tape Popular Mechanics, September 1960, P. 205
  5. RCA Sound Tape Cartridge (1958 – 1964), Museum Of Obsolete Media, retrieved 22 September 2016
  6. Cartridges and Cassettes, Vintage Cassettes, retrieved 22 September 2016
  7. "RCA Victory 'Instantape': The All-In-One Stereo Tape Cartridge Recorder" (advertisement). High Fidelity, September 1964, 117.