Alternate picking

Last updated

Alternate picking is a guitar playing technique that employs alternating downward and upward strokes in a continuous fashion. If the technique is performed at high speed on a single string or course voicing the same note, it may be referred to as "tremolo picking" [1] or "double picking".

Contents

Alternate picking involves a continuous down-up or up-down motion of the picking hand, even when not picking a note (except when the gap lasts longer than one full up-down motion). In this manner, an up-beat (such as an even-numbered eighth note or, at faster tempos, sixteenth note) will always be played with an upward picking stroke, while the down-beats are always played with downward picking strokes. This allows for fluid incorporation of legato-based notes such as hammer-ons and/or pull-offs in the middle of picked phrases.

The technique has many advantages and some disadvantages, largely depending on the licks the guitarist is attempting to play. For example, during fast passages, alternate picking is necessary in keeping the picking arm from tiring out. At very high tempos, alternate picking is essentially required, since techniques like downpicking are made not feasible.

Most scalar runs are most easily played using alternate picking. Similarly, the complex, syncopated rhythm guitar patterns found in death metal require a good alternate picking technique to play fast and accurately.

On the other hand, large arpeggios (especially those spanning more than one octave) are very difficult to play using pure alternate picking and almost impossible to play at great speeds, which is why many guitarists choose to employ sweep picking to play these arpeggios (e.g. Glenn Tipton, K. K. Downing, Frank Gambale & Mario Parga). Similarly, some kinds of licks are easier when played using such specialized techniques as legato, economy picking (a hybrid of alternate and sweep picking) or tapping.

Despite some of the well-known disadvantages of the technique, some guitarists (such as Al Di Meola, Steve Morse) emphasize the near-exclusive use of alternate picking, even in situations where another technique would be easier, claiming that pure alternate picking leads to a more consistent sound and allows for greater control of tone.

Alternate picking can be heard in almost all styles of picked guitar music, from jazz and bluegrass, to heavy metal. Victor Wooten uses his thumb for alternate picking, as displayed on his DVD Super Bass Solo Technique.

See also

Related Research Articles

<span class="mw-page-title-main">Rhythm guitar</span> Technique providing rhythm and harmony to an ensemble

In music performances, rhythm guitar is a technique and role that performs a combination of two functions: to provide all or part of the rhythmic pulse in conjunction with other instruments from the rhythm section ; and to provide all or part of the harmony, i.e. the chords from a song's chord progression, where a chord is a group of notes played together. Therefore, the basic technique of rhythm guitar is to hold down a series of chords with the fretting hand while strumming or fingerpicking rhythmically with the other hand. More developed rhythm techniques include arpeggios, damping, riffs, chord solos, and complex strums.

In music performance and notation, legato indicates that musical notes are played or sung smoothly and connected. That is, the player makes a transition from note to note with no intervening silence. Legato technique is required for slurred performance, but unlike slurring, legato does not forbid re-articulation.

In music, tremolo, or tremolando, is a trembling effect. There are multiple types of tremolo: a rapid repetition of a note, an alternation between two different notes, or a variation in volume.

Sweep picking is a guitar playing technique. When sweep picking, the guitarist plays single notes on consecutive strings with a 'sweeping' motion of the pick, while using the fretting hand to produce a specific series of notes that are fast and fluid in sound. Both hands essentially perform an integral motion in unison to achieve the desired effect.

<span class="mw-page-title-main">Palm mute</span> Muting technique for guitar

The palm mute is a technique for guitar and bass guitar known for its muted sound. It is performed by placing the side of the picking hand across the guitar's strings, very close to the bridge, while picking. The name is a misnomer as the muting is not performed using the player's palm.

<span class="mw-page-title-main">Clawhammer</span> Banjo playing style

Clawhammer, sometimes called down-picking, overhand, or frailing, is a distinctive banjo playing style and a common component of American old-time music.

<span class="mw-page-title-main">Tapping</span> Guitar playing technique

Tapping is a playing technique that can be used on any stringed instrument, but which is most commonly used on guitar. The technique involves a string being fretted and set into vibration as part of a single motion. This is in contrast to standard techniques that involve fretting with one hand and picking with the other. Tapping is the primary technique intended for instruments such as the Chapman Stick.

Lead guitar is a musical part for a guitar in which the guitarist plays melody lines, instrumental fill passages, guitar solos, and occasionally, some riffs and chords within a song structure. The lead is the featured guitar, which usually plays single-note-based lines or double-stops. In rock, heavy metal, blues, jazz, punk, fusion, some pop, and other music styles, lead guitar lines are usually supported by a second guitarist who plays rhythm guitar, which consists of accompaniment chords and riffs.

<span class="mw-page-title-main">Fingerstyle guitar</span> Playing technique

Fingerstyle guitar is the technique of playing the guitar or bass guitar by plucking the strings directly with the fingertips, fingernails, or picks attached to fingers, as opposed to flatpicking. The term "fingerstyle" is something of a misnomer, since it is present in several different genres and styles of music—but mostly, because it involves a completely different technique, not just a "style" of playing, especially for the guitarist's picking/plucking hand. The term is often used synonymously with fingerpicking except in classical guitar circles, although fingerpicking can also refer to a specific tradition of folk, blues and country guitar playing in the US. The terms "fingerstyle" and "fingerpicking" are also applied to similar string instruments such as the banjo.

<span class="mw-page-title-main">Herman Li</span> British guitarist

Herman Li is a Hong Kong-born British musician who is one of two lead guitarists for the power metal band DragonForce. Li has played with the band based in England since it was formed in 1999 by Li along with Sam Totman, both of whom are also the remaining original members of the band. Before DragonForce he was in the black metal band Demoniac.

Downpicking, sometimes referred to as down-stroke picking, is a technique used by musicians on plucked string instruments in which the player moves the plectrum, or pick in a downward motion, relative to the position of the instrument, against one or more of the strings to make them vibrate. If down-strokes are played without the addition of upstrokes, the tip of the pick never comes in contact with the strings as the hand moves back up to repeat the down-stroke.

<span class="mw-page-title-main">Shred guitar</span> Virtuoso lead guitar solo playing style

Shred guitar or shredding is a virtuoso style of playing the electric guitar, based on various advanced and complex playing techniques, particularly rapid passages and advanced performance effects. Shred guitar includes fast alternate picking, sweep-picked arpeggios, diminished and harmonic scales, finger-tapping and whammy bar use. It is commonly used in heavy metal, where guitarists use the electric guitar with a guitar amplifier and a range of electronic effects such as distortion, which create a more sustained guitar tone and facilitate guitar feedback effects.

<span class="mw-page-title-main">Outline of guitars</span> Overview of and topical guide to guitars

The following outline is provided as an overview of and topical guide to guitars:

<span class="mw-page-title-main">Hybrid picking</span> Guitar-playing technique

Hybrid picking is a guitar-playing technique that involves picking with a pick (plectrum) and one or more fingers alternately or simultaneously. Hybrid picking allows guitar players who use a pick to perform music which would normally require fingerstyle playing. It also facilitates wide string leaps which might otherwise be quite difficult. The technique is not widespread in most genres of guitar playing, but is most often employed in "chicken pickin'"; rockabilly, country, honky-tonk, and bluegrass flatpicking styles who play music which occasionally demands fingerstyle passages.

Hybrid picking involves playing with the pick and the right hand m and/or a fingers...at the same time. The pick is held in the usual way...and the fingers execute free strokes in the typical fingerstyle manner...Hybrid picking allows fingerstyle-like passages to be freely interspersed with flatpicked passages...without any delay.

Economy picking is a guitar picking technique designed to maximize picking efficiency by combining alternate picking and sweep picking; it may also incorporate the use of legato in the middle of alternate picking passages as way to achieve higher speed with fewer pick strokes. Specifically:

<span class="mw-page-title-main">Classical guitar technique</span>

In classical guitar, the right hand is developed in such a way that it can sustain two, three, and four voice harmonies while also paying special attention to tone production. The index (i), middle (m), and ring (a) fingers are generally used to play the melody, while the thumb (p) accompanies in the bass register adding harmony and produces a comparable texture and effect to that of the piano. The classical guitar is a solo polyphonic instrument, and it is difficult to master.

<span class="mw-page-title-main">Flamenco guitar</span> Acoustic guitar used in Flamenco music

A flamenco guitar is a guitar similar to a classical guitar, but with thinner tops and less internal bracing. It usually has nylon strings, like the classical guitar, but it generally possesses a livelier, more gritty sound compared to the classical guitar. It is used in toque, the guitar-playing part of the art of flamenco.

<span class="mw-page-title-main">Chuck Wayne</span> American jazz guitarist

Chuck Wayne was an American jazz guitarist. He came to prominence in the 1940s, and was among the earliest jazz guitarists to play in the bebop style. Wayne was a member of Woody Herman's First Herd, the first guitarist in the George Shearing quintet, and Tony Bennett's music director and accompanist. He developed a systematic method for playing jazz guitar.

<span class="mw-page-title-main">Guitar picking</span> Guitar playing technique

Guitar picking is a group of hand and finger techniques a guitarist uses to set guitar strings in motion to produce audible notes. These techniques involve plucking, strumming, brushing, etc. Picking can be done with:

<span class="mw-page-title-main">Chris Brooks (guitarist)</span>

Chris Brooks is an Australian author, rock, metal and fusion guitarist most noted for his debut instrumental album The Master Plan and his subsequent work with members of Yngwie Malmsteen, Black Sabbath, Lana Lane, and fellow Australians LORD.

References

  1. Julin, Don (2014). Mandolin exercises for dummies (1. ed.). Chichester: Wiley & Sons Ltd. p. 9. ISBN   9781118769539.

Further reading