Rites of Spring | |
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Background information | |
Origin | Washington, D.C., U.S. |
Genres | |
Years active | 1983–1986 |
Labels | Dischord |
Past members |
Rites of Spring was an American punk rock band from Washington, D.C., formed in late 1983. [7] Along with Embrace, and Beefeater, they were one of the mainstay acts of the 1985 Revolution Summer movement [8] which took place within the Washington, D.C. hardcore punk scene.
Musically, Rites of Spring increased the frenetic violence and visceral passion of hardcore punk while simultaneously experimenting with its compositional rules. Lyrically, they also shifted hardcore into intensely personal realms and, in doing so, are often considered the first emo band, [4] but the band itself rejected any association between themselves and the emo label. [9] [1]
The band only performed 19 shows, 16 in the DC area and 3 outside of DC. [10] Vocalist/guitarist Guy Picciotto and drummer Brendan Canty went on to play in Fugazi with producer and former Minor Threat singer Ian MacKaye in the late 1980s, while bassist Mike Fellows formed Miighty Flashlight and has had a solo career.
Picciotto, Canty, and Fellows had previously played together in the short-lived hardcore band Insurrection. The trio was joined by guitarist Eddie Janney—formerly of the Faith, Skewbald, and the Untouchables—and began writing music together in December 1983. The band finished several songs during this early period, like "All There Is", "End on End", and "By Design". The group made a demo recording at Inner Ear Studios in April 1984, but Fellows moved to California. "We thought he was leaving forever", Picciotto recalled. "And then we just kept practicing without him, hoping he'd come back. Lo and behold, three months later, he returned." [7]
AllMusic 's Matt Kantor described the band's music as being at times "fast and furious", while also being "at other times lush and evocative though always with a sense of drive and melody". [11] Though rooted in the loud-and-fast style of hardcore punk, Rites of Spring is to be among the first bands who played music in the emotional hardcore genre, [12] or what is now commonly and retrospectively called emo-core, a precursor of screamo. Jenny Toomey notes that, "Rites of Spring existed well before the term did and they hated it." [9]
They were influenced by The Faith (Eddie Janney's previous band) and their 1983 EP Subject to Change with their introspective lyrics and angry, melody-tinged songwriting. [13]
The band is named after the symphonic ballet The Rite of Spring by Igor Stravinsky. "We were reading about Stravinsky and the first [performance] where everybody beat each other on the head", Picciotto explained. "Whenever you fuck with someone musically and they take their music really serious, they're gonna fuck with you back." [7] Picciotto also said the band chose the name to reflect their desire to revive the D.C. punk scene. "We were trying to create a rebirth of what's going on here", he said. "It seemed to be stagnating for a long time and we just thought the name kind of fit the way we felt, a springtime type thing." [7]
Rites of Spring was the band’s first album. Its twelve songs were recorded at Inner Ear Studios in February 1985, produced by Ian MacKaye of Fugazi and Minor Threat and Michael Hampton of The Faith and SOA. It was released on vinyl in June of that year as Dischord Records No. 16. The album was re-released on CD and cassette in 1987, with an additional track from the same session, "Other Way Around", as well as the four songs from the Rites' follow-up EP, All Through a Life , Dischord No. 22. The CD and cassette originally retained the number "16", while the 1991 repress, as well as the 2001 remastered version of the same seventeen songs, were numbered "16CD" and given the new title End on End . Their first demo of six songs was recorded in April 1984, almost a year before the sessions that became their debut album. It was released as a CD EP and 10" vinyl record in 2012 on Dischord Records with the catalog number 176. The band broke up in January 1986 soon after the sessions that produced the "All Through A Life" recording. [10]
Picciotto, Janney and Canty formed One Last Wish with Embrace alumnus, guitarist Michael Hampton. They recorded one studio album, entitled 1986, which was released in 1999 due to the band breaking up after mixing was finished. [14]
The Rites of Spring personnel reunited for a quasi-reincarnation called Happy Go Licky, releasing an LP/CD of various live concert recordings though never producing any studio work. The music was much more experimental than Rites of Spring, heavily improvised and featuring tape loop effects. [14]
Picciotto and Canty eventually teamed up with bassist Joe Lally and former Minor Threat, Skewbald/Grand Union, Egg Hunt, and Embrace singer Ian MacKaye (co-owner of the band’s label, Dischord Records) in Fugazi. Mike Fellows went on to do session work for the Drag City label and form Miighty Flashlight, releasing an eponymous album under this name in 2002. [14]
Picciotto himself doesn't recognize the attribution of having "created" emo. When asked about it in an interview his response was, "I've never recognized 'emo' as a genre of music. I always thought it was the most retarded term ever. I know there is this generic commonplace that every band that gets labeled with that term hates it. They feel scandalized by it. But honestly, I just thought that all the bands I played in were punk rock bands. The reason I think it's so stupid is that – what, like the Bad Brains weren't emotional? What – they were robots or something? It just doesn't make any sense to me." [15]
Dischord released the band's only demo, entitled Six Song Demo, in October 2012. All tracks on the demo were previously recorded versions of songs appearing on the Rites of Spring album. [16]
Ian Thomas Garner MacKaye is an American musician. Active since 1979, he is best known as the co-founder and owner of Dischord Records, a Washington, D.C.–based independent record label, and the frontman of hardcore punk band Minor Threat and post-hardcore band Fugazi. MacKaye was also the bassist for the short-lived band the Teen Idles, and frontman for Embrace, and Pailhead, a collaboration with the band Ministry. MacKaye is a member of The Evens, a two-piece indie rock group he formed with his wife Amy Farina in 2001 and in 2018 formed the band Coriky with Farina and his Fugazi band mate Joe Lally.
Fugazi was an American post-hardcore band formed in Washington, D.C., in 1986. The band consisted of guitarists and vocalists Ian MacKaye and Guy Picciotto, bassist Joe Lally, and drummer Brendan Canty. They were noted for their style-transcending music, DIY ethical stance, manner of business practice, and contempt for the music industry.
Guy Picciotto is an American songwriter, musician, and record producer from Washington, D.C. He is best known as the guitarist and co-lead vocalist in Fugazi and as lead vocalist of Rites of Spring.
The Argument is the sixth and final studio album from the post-hardcore band Fugazi released on October 16, 2001, through Dischord Records. It was recorded at Don Zientara's Inner Ear Studios in Arlington, VA and the Dischord House between January and April 2001. It was the band's last release before going on hiatus in 2003, until the release of First Demo over thirteen years later.
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period.
State of Alert was an American hardcore punk group formed in Washington, D.C., in October 1980, and active until July 1981. S.O.A. was fronted by Henry Rollins, then using his original surname Garfield.
Happy Go Licky was an American post-hardcore band formed in the spring of 1987, and which broke up after their final show at Washington, D.C.'s 9:30 Club on New Year's Day in 1988. The group was a short-lived reunion of the renowned D.C. hardcore band Rites of Spring.
Washington, D.C., hardcore, commonly referred to as D.C. hardcore, sometimes styled in writing as harDCore, is the hardcore punk scene of Washington, D.C. Emerging in late 1979, it is considered one of the first and most influential punk scenes in the United States.
Skewbald/Grand Union, also known as 2 Songs, is the eponymous archival EP featuring the only studio recordings by American hardcore punk band Skewbald/Grand Union.
One Last Wish was a short-lived post-hardcore band from Washington, D.C. It was formed in May 1986 by members of Rites of Spring and Embrace, and split up in January 1987.
Fugazi, also known as the EP 7 Songs, is the debut eponymous release by the American post-hardcore band Fugazi. As with subsequent release Margin Walker, Guy Picciotto did not contribute guitar to this record; all guitar was performed by Ian MacKaye. It was originally recorded in June 1988 and released in November 1988 on vinyl and again in 1989 on the compilation release 13 Songs along with the following EP Margin Walker. The photo used for the album cover was taken on June 30, 1988 at Maxwell's in Hoboken, New Jersey.
The Faith was an early American hardcore punk band, from Washington D.C., with strong connections to the scene centered on the Dischord label. Along with Minor Threat, the Faith were key players in the early development of hardcore, with a (later) melodic approach that would influence not just associated acts like Rites of Spring, Embrace and Fugazi, but also a subsequent generation of bands such as Nirvana, whose Kurt Cobain was a vocal fan.
The Untouchables were an American hardcore punk band that arose from the Washington, D.C. hardcore punk scene of the late 1970s and early 1980s. The band existed from October 1979 until January 1981 and released four tracks.
End on End is a compilation album by American punk rock band Rites of Spring, released in 1991 on Dischord Records. The album consists of the group's first album Rites of Spring and its EP All Through a Life, along with an extra studio track.
Rites of Spring is the only studio album by American post-hardcore band Rites of Spring. It was recorded at Inner Ear Studios in February 1985 and released on vinyl in June 1985 as Dischord Records #16. The album was produced by Ian MacKaye and contains twelve songs.
Michael Hampton is a guitarist in the Washington, D.C., hardcore punk scene.
The discography of Fugazi, an American post-hardcore band, consists of six studio albums, four EPs, a compilation album, a soundtrack album, a demo and a series of hundreds of live recordings. All of the band's releases have been published by Dischord Records, the independent record label co-owned and operated by Fugazi singer and guitarist Ian MacKaye.
Rozzlyn Rangers was the name taken by the 5 original members of the Dischord House in Arlington, Virginia in October 1981: Ian MacKaye, Jeff Nelson, Rich Moore, Eddie Janney, and Sab Grey. Dischord House housed Dischord Records. Despite its terribly low ceiling, many DC punk bands practiced in its basement over the years: Minor Threat, Skewbald, Iron Cross, The Faith, Second Wind, Rites of Spring, Embrace, Three, Fugazi, Beefeater, Fidelity Jones, Happy Go Licky, Kingface, One Last Wish, The Evens.
Subject to Change is the first and only EP by American hardcore band The Faith. It was released in December 1983 through Dischord Records. Like other influential D.C. records, it was released after the band had broken up. For the band's only other release after their split LP with Void, Edward Janney added some second guitar.
First Demo is a demo album from the post-hardcore band Fugazi released on November 18, 2014 through Dischord Records. It was recorded at Don Zientara's Inner Ear Studios in Arlington, VA and the Dischord House in 1988. It was the band's first studio release in over thirteen years, since the release of The Argument in October 2001. First Demo was released on LP, CD and as a digital download.