The Faith | |
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Background information | |
Origin | Washington, D.C., United States |
Genres | |
Years active | 1981–1983 |
Labels | Dischord |
Past members | Alec MacKaye Michael Hampton Ivor Hanson Chris Bald Edward Janney |
The Faith was an early American hardcore punk band, from Washington D.C., with strong connections to the scene centered on the Dischord label. Along with Minor Threat, the Faith were key players in the early development of hardcore, with a (later) melodic approach that would influence not just associated acts like Rites of Spring, Embrace and Fugazi, but also a subsequent generation of bands such as Nirvana, whose Kurt Cobain was a vocal fan. [2]
The band formed as a four-piece in the summer of 1981 and featured Alec MacKaye, former vocalist for the Untouchables, on vocals, Michael Hampton and Ivor Hanson of Henry Rollins' first band, State of Alert on guitar and drums respectively, as well as Chris Bald on bass. [3] They called themselves the Faith and played their first show at H.B. Woodlawn High School in November '81. [4] Alec described the name as "a positive kind of sound, not negative like so many others". [5] "We felt that (The) Faith was a stronger-than-macho name. We did want something more hopeful and less nihilistic, in spite of our chaotic and sometimes destructive approach to performance." [6]
Filling part of the void left by Minor Threat's hiatus, the Faith quickly became one of the most popular bands in D.C. After recording a demo in December 1981, the band released a split LP with fellow D.C. hardcore band, Void. [7] It was released by Dischord Records, a local independent label founded by MacKaye's elder brother Ian MacKaye and Jeff Nelson of Minor Threat. The first pressing of the record sold out in two weeks. [5] It featured the song "You're X'd", which addressed the straight edge philosophy popularized by Minor Threat and S.O.A. [7] And at the same time it was a strong critic to the people that did not take the straight edge movement seriously and only pretended to follow it in order to sympathise with other people. [5] The Faith members stated that they felt rather frustrated and angry because "people tend to compare the two sides of the record which is sort of dumb, we would have reviewed it as two separate bands—not comparing—instead of saying 'Oh, Void is so crazy and the Faith is just boring typical hardcore'." [5] "Our approaches to music were so different that there isn’t much point in comparing the two sides…they are never close enough to compare, only to contrast and to complement." [8]
In 1983 the Faith released an eight-song twelve inch EP called Subject to Change. It was produced by Ian MacKaye and showed the band progressing into more melodic territory with the addition of a second guitarist. [7] Edward Janney, formerly of the Untouchables and Ian MacKaye's short-lived Skewbald/Grand Union, joined the Faith at the end of 1982 to play second guitar and made his recorded debut. [5] The addition was made because they wanted to get some more complex guitar ideas into the songs and soften the impact of guitar malfunctions, which were a constant threat during good shows. They also wanted a fuller sound and liked the way Eddie played. [6]
The Faith was short lived; following the seminal split LP with Void, they played their last show in August 1983 and their EP was issued four months later. [2] According to Ian, "People were very unhappy; they just loved that band." [9]
After the Faith broke up, guitarist Eddie Janney formed Rites of Spring with Guy Picciotto; while Hampton, Bald, and Hanson went on to join Embrace with Ian MacKaye on vocals. When Embrace broke up in early 1986, Chris Bald rejoined Alec MacKaye in Ignition (with Alec on vocals); meanwhile, Janney reunited with Michael Hampton for One Last Wish following Rites of Spring's breakup (later reformed as Happy Go Licky). [10] Finally, Hampton and Hanson reunited in Manifesto in 1991, [11] while Alec MacKaye sang with the Warmers during the mid-'90s. [7]
This article is written like a personal reflection, personal essay, or argumentative essay that states a Wikipedia editor's personal feelings or presents an original argument about a topic.(August 2018) |
The Faith took hardcore punk to new places in the early 1980s. [12] Even during their existence, their music hinted at what was to come, softening the standard-issue hardcore approach somewhat with better-developed melodies and a more inward-looking perspective. To be sure, it was high-energy, high-velocity punk, but its subtle deviations from the norm opened up new vistas for the D.C. scene. [11]
They were influenced heavily by the first wave of US and UK punk rock. Though the sound of the late '70s can still be heard in their demos, the Faith are leaner, faster and more direct than their predecessors. [12] Chris Bald would write most of the lyrics while Michael most of the music. Chris defined their lyrics as "very personal, all I can really write about is things that influence me in my life. Whatever influences our lives is what we write about." [5] Reason for which they never really were interested in writing about politics as many other bands, if not all, were doing it.
Minor Threat's influence is still obvious in tracks like "Face to Face", but the Faith definitely had their own thing going on. For one thing, Alec's voice is totally spiteful, and the slow songs really have a darkness that no other D.C. band came near to. [13] His intense vocals were what really set them apart from any of their hardcore contemporaries. Instead of just the normal-typical hardcore brash screaming and pushing everything all in one verse, Alec had a way of making these minute blast songs almost melodic without compromising or losing any intensity. [8]
By the time they recorded the Subject to Change EP – which was first released in late 1983, shortly after they disbanded – the Faith had adopted a more melodic and emotional approach, perhaps owing to the addition of a second guitar player. The two guitars together seem to chime, creating an unusual – for hardcore – sense of melody. And instead of employing hardcore's usual strangled bark, Alec MacKaye makes sure his words are clear and easy to discern: the Faith's musicality often trumps their rage. [12]
Their songs not only stand up with the best of D.C. hardcore, but with hardcore as a whole. [8] After breaking up in 1983, the members from the Faith continued to shape the sound of D.C. punk in their later projects. Nearly all of their membership moved on to either Embrace or Rites of Spring. An often under-appreciated D.C. band, They went in two years from being one of the most pissed off and aggro early hardcore bands to introducing a melodic element that would have a huge influence on the future of D.C. punk. [14]
Their split LP with Void As well as their more catchy but still raging EP Subject to Change. Known for their inward-looking lyrics—a pioneering thing in a scene more given to social and political themes—and the gruff allure of Alec MacKaye's vocals, the Faith was highly esteemed by local punk fans. [9] They have probably made a deeper impact on the underground. They created the sound that went on to shape much of what came after, especially later period D.C. bands. [12] The Faith shows why hardcore has lasting power, how even music recognised mainly for its brevity and brutality can convey something emotional and immediate, even several years on. [12]
Minor Threat was an American hardcore punk band, formed in 1980 in Washington, D.C., by vocalist Ian MacKaye and drummer Jeff Nelson. MacKaye and Nelson had played in several other bands together, and recruited bassist Brian Baker and guitarist Lyle Preslar to form Minor Threat. They added a fifth member, Steve Hansgen, in 1982, playing bass, while Baker switched to second guitar.
Ian Thomas Garner MacKaye is an American musician. Active since 1979, he is best known as the co-founder and owner of Dischord Records, a Washington, D.C.-based independent record label, and the frontman of hardcore punk band Minor Threat and post-hardcore band Fugazi. MacKaye was also the bassist for the short-lived band the Teen Idles, and frontman for Embrace, and Pailhead, a collaboration with the band Ministry. MacKaye is a member of The Evens, a two-piece indie rock group he formed with his wife Amy Farina in 2001 and in 2018 formed the band Coriky with Farina and his Fugazi band mate Joe Lally.
Minor Threat is a compilation album by the American hardcore punk band Minor Threat. It was released in March 1984 through Dischord Records. The compilation consisted of the group's first and second extended plays, Minor Threat and In My Eyes. The 1984 Minor Threat LP featured the same cover as the 1981 Minor Threat EP, depicting vocalist Ian MacKaye's younger brother Alec. The image has been imitated by punk bands such as Rancid on their album ...And Out Come the Wolves and in the Major Threat ad campaign by Nike.
Dischord Records is a Washington, D.C.-based independent record label specializing in punk rock. The label is co-owned by Ian MacKaye and Jeff Nelson, who founded Dischord in 1980 to release Minor Disturbance by their band the Teen Idles. With other independent American labels such as Twin/Tone, Touch and Go Records, and SST Records, Dischord helped to spearhead the nationwide network of underground bands that formed the 1980s indie rock scene. These labels presided over the shift from the hardcore punk that then dominated the American underground scene to the more diverse styles of alternative rock that were emerging.
Rites of Spring was an American punk rock band from Washington, D.C., formed in late 1983. Along with Embrace, and Beefeater, they were one of the mainstay acts of the 1985 Revolution Summer movement which took place within the Washington, D.C. hardcore punk scene.
Embrace was a short-lived American hardcore band from Washington, D.C., active from the summer of 1985 to the spring of 1986. Along with Rites of Spring, and Beefeater, it was one of the mainstay acts of the 1985 Revolution Summer movement, and was one of the first bands to be dubbed in the press as emotional hardcore, though the members had rejected the term since its creation. The band included lead vocalist Ian MacKaye of the defunct hardcore punk act Minor Threat and three former members of his brother Alec's band, the Faith: guitarist Michael Hampton, drummer Ivor Hanson, and bassist Chris Bald. Hampton and Hanson had also previously played together in S.O.A. The band played their first show on July 28, 1985, at Food for Thought, a former restaurant and music venue located on Washington, D.C.'s Dupont Circle; their ninth and final show was held at the 9:30 Club in March 1986. The only recording released by the quartet was their posthumous 1987 self-titled album, Embrace, being influenced by the Faith EP Subject to Change.
Dag Nasty is an American hardcore punk band from Washington D.C., formed in 1985 by guitarist Brian Baker of Minor Threat, drummer Colin Sears and bassist Roger Marbury, both of Bloody Mannequin Orchestra, and vocalist Shawn Brown. Their style of less aggressive, melodic hardcore was influential to post-hardcore; their sound was partly influenced by The Faith and their 1983 EP Subject to Change. Other influences include Descendents, Buzzcocks, and The Clash.
Embrace is the debut record and the only release by the American post-hardcore band Embrace.
State of Alert was an American hardcore punk group formed in Washington, D.C., in October 1980, and active until July 1981. S.O.A. was fronted by Henry Rollins, then using his original surname Garfield.
Washington, D.C., hardcore, commonly referred to as D.C. hardcore, sometimes styled in writing as harDCore, is the hardcore punk scene of Washington, D.C. Emerging in late 1979, it is considered one of the first and most influential punk scenes in the United States.
Government Issue was an American hardcore punk band from Washington, D.C. active from 1980 to 1989. The band experienced many changes in membership during its nine-year existence, with singer John Stabb as the only consistent member in an ever-fluctuating lineup that at various times included notable musicians Brian Baker, Mike Fellows, Steve Hansgen, J. Robbins, and Peter Moffett. Government Issue originated from the Washington, D.C. hardcore scene but added elements of heavy metal, new wave, and psychedelic rock on later records. Though this has caused the band to be sometimes overlooked in relation to other Washington, D.C. hardcore acts, their stylistic diversity made them influential to later punk rock groups. Government Issue performed occasional reunion shows in the 2000s and 2010s with various lineups, until Stabb's death from stomach cancer in 2016.
Skewbald/Grand Union, also known as 2 Songs, is the eponymous archival EP featuring the only studio recordings by American hardcore punk band Skewbald/Grand Union.
One Last Wish was a short-lived post-hardcore band from Washington, D.C. It was formed in May 1986 by members of Rites of Spring and Embrace, and split up in January 1987.
Void was an American hardcore punk band formed in Columbia, Maryland, in 1980. The group was a pioneering force in the thriving Washington, D.C., hardcore scene during the early 1980s, successfully combining elements of punk with heavy metal in a style that was accepted by the scene's otherwise exclusive community. Void's punk metal fusion sound was marked by guitarist Bubba Dupree's innovative guitar work and the "unhinged" vocals of John Weiffenbach, which resonated in the band's chaotic but popular live performances. Like many of their contemporaries, Void had a short-lived recording career, limited to the split album Faith/Void Split with the Faith on Dischord Records. However, they have enjoyed an enduring cult following among hardcore aficionados.
The Untouchables were an American hardcore punk band that arose from the Washington, D.C. hardcore punk scene of the late 1970s and early 1980s. The band existed from October 1979 until January 1981 and released four tracks.
Rites of Spring is the only studio album by American post-hardcore band Rites of Spring. It was recorded at Inner Ear Studios in February 1985 and released on vinyl in June 1985 as Dischord Records #16. The album was produced by Ian MacKaye and contains twelve songs.
Michael Hampton is a guitarist in the Washington, D.C., hardcore punk scene.
Rozzlyn Rangers was the name taken by the 5 original members of the Dischord House in Arlington, Virginia in October 1981: Ian MacKaye, Jeff Nelson, Rich Moore, Eddie Janney, and Sab Grey. Dischord House housed Dischord Records. Despite its terribly low ceiling, many DC punk bands practiced in its basement over the years: Minor Threat, Skewbald, Iron Cross, The Faith, Second Wind, Rites of Spring, Embrace, Three, Fugazi, Beefeater, Fidelity Jones, Happy Go Licky, Kingface, One Last Wish, The Evens.
Subject to Change is the first and only EP by American hardcore band The Faith. It was released in December 1983 through Dischord Records. Like other influential D.C. records, it was released after the band had broken up. For the band's only other release after their split LP with Void, Edward Janney added some second guitar.
Youth Brigade was an American hardcore punk band from Washington, D.C., formed in late 1980 and disbanded in 1981. They released the Possible EP and appeared on the Flex Your Head compilation, both on Dischord Records. Although active for less than a year, they were nevertheless contributors to the development of D.C. hardcore punk and have influenced many other bands. Several members briefly reunited for performances in 2012 and 2013.