Excuse 17 | |
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Origin | Olympia, Washington, United States |
Genres | Punk rock, queercore |
Years active | 1993–1995 |
Labels | Chainsaw Records, Kill Rock Stars, Candy Ass Records, Atlas Records |
Past members | Becca Albee Carrie Brownstein CJ Phillips (Curtis James) |
Excuse 17 was a punk rock band from Olympia, Washington, US, that performed and recorded from 1993 to 1995. The band consisted of Becca Albee (vocals and guitar), Carrie Brownstein (guitar and vocals), and Curtis James (drums). The band recorded two full-length albums and a single, and contributed to several compilation albums.
Brownstein, Albee and CJ (Curtis James) Phillips came together to form Excuse 17, a band that lasted only a few years but would prove to be influential. [1] [2] Brownstein and Albee both played guitar and sang and CJ played the drums. The band quickly recorded a demo tape and then began recording for various compilations on independent record labels. Their first full-length recording, Excuse Seventeen , was released jointly on Atlas Records (LP) and the queercore label Chainsaw Records (CD). [3] They released a second and final album, Such Friends Are Dangerous , on the indie label Kill Rock Stars in 1995, which displayed a boost in recording quality. [4]
The band often played shows with Heavens to Betsy, including touring, not surprisingly since both bands were an active part of the riot grrrl scene. [5] They also both appear on the compilation LP/CD Free to Fight . Corin Tucker from Heavens to Betsy struck up a friendship with Brownstein and they dated for a time. [1] They decided to form Sleater-Kinney, a side project that soon evolved into their main focus as their respective groups ended. However, Excuse 17's recordings are still valued by fans of Sleater-Kinney, those interested in riot grrrl and queercore recordings, and record collectors in general: Such Friends Are Dangerous was named one of the fifty best indie rock albums of the Pacific Northwest by online music magazine Pitchfork . [6] Albee also recorded with Tucker as Heartless Martin, releasing a cassette on Chainsaw Records in 1993. [7]
Following the dissolution of Excuse 17, Albee has built a successful career in visual art. Her work has been praised by publications including Bomb , [8] Tom Tom , [9] Artforum , [10] and Aperture . [11] Her papers are being preserved by the Fales Library at New York University. [12] As of 2017 she is a photography professor at the City College of New York. [13]
Sleater-Kinney is an American rock band that formed in Olympia, Washington, in 1994. The band's lineup features Corin Tucker and Carrie Brownstein, following the departure of longtime member Janet Weiss in 2019. Sleater-Kinney originated as part of the riot grrrl movement and has become a key part of the American indie rock scene. The band is also known for its feminist and progressive politics.
Queercore is a cultural/social movement that began in the mid-1980s as an offshoot of the punk subculture and a music genre that comes from punk rock. It is distinguished by its discontent with society in general, and specifically society's disapproval of the LGBT community. Queercore expresses itself in a DIY style through magazines, music, writing and film.
The port city of Olympia, Washington, has been a center of post-hardcore, anti-folk, and other youth-oriented musical genres since the late 1970s. Before this period, Olympia's The Fleetwoods had several Billboard chart successes between 1959 and 1963. Olympia saw a rise in feminism in the music industry, where artists commonly addressed rape, domestic abuse, sexuality, racism, patriarchy, classism, anarchism, and female empowerment in their songs. It was a center for the riot grrrl movement of the early 1990s, which featured Bikini Kill and Bratmobile.
Team Dresch is an American punk rock band originally formed in 1993 in Olympia, Washington.
Heavens to Betsy was an American punk band formed in Olympia, Washington in 1991 with vocalist and guitarist Corin Tucker and drummer Tracy Sawyer. The duo were part of the DIY riot grrrl, punk rock underground, and were Tucker's first band before she co-formed Sleater-Kinney.
The Need is an American queercore band formed by the singer and drummer Rachel Carns and the guitarist Radio Sloan in Portland, Oregon, in the mid-1990s.
Corin Lisa Tucker is an American singer, songwriter, and guitarist best known for her work with rock band Sleater-Kinney. Tucker is also a member of the alternative rock supergroup Filthy Friends, and previously recorded with the indie rock group Heavens to Betsy and The Corin Tucker Band.
Carrie Rachel Brownstein is an American musician, actress, writer, director, and comedian. She first came to prominence as a member of the band Excuse 17 before forming the rock trio Sleater-Kinney.
Sleater-Kinney is the debut studio album by the American rock band Sleater-Kinney, released in 1995 by Chainsaw Records. The album received favorable reviews from critics.
Dig Me Out is the third studio album by the American rock band Sleater-Kinney, released on April 8, 1997, by Kill Rock Stars. The album was produced by John Goodmanson and recorded from December 1996 to January 1997 at John and Stu's Place in Seattle, Washington. Dig Me Out marked the debut of Janet Weiss, who would become the band's longest-serving drummer. The music on the record was influenced by traditional rock and roll bands, while the lyrics deal with issues of heartbreak and survival. The album cover is an homage to the Kinks' 1965 album The Kink Kontroversy.
All Hands on the Bad One is the fifth studio album by the American rock band Sleater-Kinney, released on May 2, 2000, by Kill Rock Stars. The album was produced by John Goodmanson and recorded from December 1999 to January 2000 at Jackpot! Studio in Portland, Oregon and John & Stu's Place in Seattle, Washington. The music on the record ranges from softer melodies to fast punk rock guitar work, while the lyrics address issues such as women in rock, morality, eating disorders, feminism, music journalism, and media.
Call the Doctor is the second studio album by the American rock band Sleater-Kinney. It was released on March 25, 1996, by Chainsaw Records to critical acclaim.
Donna Dresch is an American punk rock musician, perhaps best known as founder, guitarist and bass guitarist of Team Dresch.
Such Friends Are Dangerous is the second and final studio album by American punk rock band Excuse 17, released on April 24, 1995 by Kill Rock Stars. The album received generally positive reviews from music critics.
Excuse Seventeen is the debut studio album by American punk rock band Excuse 17. It was released in 1994 on vinyl by Atlas Records and CD by Chainsaw Records.
Wild Flag was an American four-piece indie rock supergroup based in Portland, Oregon and Washington, D.C. The group consisted of Carrie Brownstein, Mary Timony, Rebecca Cole and Janet Weiss, who were ex-members of the groups Sleater-Kinney, Helium and the Minders.
Riot grrrl is an underground feminist punk movement that began during the early 1990s within the United States in Olympia, Washington, and the greater Pacific Northwest, and has expanded to at least 26 other countries. A subcultural movement that combines feminism, punk music, and politics, it is often associated with third-wave feminism, which is sometimes seen as having grown out of the riot grrrl movement and has recently been seen in fourth-wave feminist punk music that rose in the 2010s. The genre has also been described as coming out of indie rock, with the punk scene serving as an inspiration for a movement in which women could express anger, rage, and frustration, emotions considered socially acceptable for male songwriters but less commonly for women.
Becca Albee is an American musician and visual artist who was a founding member of the band Excuse 17, which was an early pioneer in the riot grrrl and third-wave feminism movements. She is based in Brooklyn, New York.
Yoyo A Go Go, usually abbreviated to Yoyo and often typeset in various ways, was an independent music festival in Olympia, Washington, first held in 1994 and followed by successor festivals in 1997, 1999, and 2001. Five- and six-day concert marathons featured dozens of punk and indie rock acts stacked back to back, as well as a variety of associated entertainment and small-scale local retail. The concerts took place at the historic Capitol Theater and showcased performers from the local Olympia music scene, while also including national and international artists.