Midwest emo

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Midwest emo (or Midwestern emo [1] ) refers to the emo scene and/or subgenre [2] that developed in the 1990s Midwestern United States. Employing unconventional vocal stylings, distinct guitar riffs and arpeggiated melodies, [3] Midwest emo bands shifted away from the genre's hardcore punk roots and drew on indie rock and math rock approaches. [4] According to the author and critic Andy Greenwald, "this was the period when emo earned many, if not all, of the stereotypes that have lasted to this day: boy-driven, glasses-wearing, overly sensitive, overly brainy, chiming-guitar-driven college music." [5] Midwest emo is sometimes used interchangeably with second-wave emo. [6] Although implied by the name, Midwest emo does not solely refer to bands and artists from the Midwestern United States, and the style is played by outfits across the United States and internationally. [7]

Contents

Characteristics

According to The Chicago Reader critic Leor Galil, the second-wave bands of the Midwest emo scene "transformed the angular fury of D.C. emo into something malleable, melodic, and cathartic—its common features included cycling guitar parts, chugging bass lines, and unconventional singing that sounded like a sweet neighbor kid with no vocal training but plenty of heart." [8]

Incorporating elements from indie rock, the genre also features "gloomy chord progressions" [9] and arpeggiated guitar melodies. [3] Midwest emo is also commonly associated with the use of math rock elements. [4] Texas Is the Reason guitarist Norman Brannon has stated that the 1993 albums The Problem with Me by Seam, In on the Kill Taker by Fugazi, and On the Mouth by Superchunk were particularly influential on the development of Midwest emo and have been "name-checked by every second-wave emo band I knew". [10] Post-hardcore band Jawbox also impacted the sound of Midwest emo, being cited as an influence by such bands as Braid, Elliott, and the Jazz June. [11] [12] [13]

The definable traits of the Midwest emo have proven to be easily fused with other genres of underground independent music. Revival bands including The World Is a Beautiful Place & I Am No Longer Afraid to Die mixed the Midwestern emo sound with genres such as post-rock and orchestral music. [14] Other outfits, including Patterns Make Sunrise, The Pennikurvers, and Everyone Asked About You, introduced elements of twee pop and indie pop into the sound of Midwest emo. [15] This proved influential to the aforementioned Emo revival scene, with groups like Dowsing and Empire! Empire! (I Was a Lonely Estate) taking a similar approach.

History

Cap'n Jazz in 2010 Capn-jazz.jpg
Cap'n Jazz in 2010

The Midwest emo scene came into prominence starting in the mid-1990s with bands such as American Football, [8] Chamberlain, [16] The Promise Ring, [1] Cap'n Jazz, [17] Cursive, [18] Rainer Maria, [19] Mineral and The Get Up Kids. [20] Braid has been regarded as an important act to propel the Midwest emo sound across the United States. [21] [22] Some of the acts to practice the sound were originally not from the Midwestern United States, with Sunny Day Real Estate being from Washington and Mineral being from Texas. [20]

Midwest emo saw a notable resurgence over the late 2000s and early 2010s with labels such as Count Your Lucky Stars Records, [23] as well as by bands such as CSTVT, [21] Oliver Houston, [17] Camping in Alaska, [24] Into It. Over It., [25] Algernon Cadwallader, Snowing, [8] and Joie De Vivre. [26]

In the 2020s, Midwest emo became a meme on TikTok with videos parodying the genre's stylings. This includes the use of long naming schemes, relationships, and poor singing quality. [27]

See also

Related Research Articles

Emo is a music genre characterized by emotional, often confessional lyrics. It emerged as a style of hardcore punk and post-hardcore from the mid-1980s Washington, D.C. hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the early-to-mid 1990s, emo was adopted and reinvented by alternative rock, indie rock, punk rock, and pop-punk bands, including Sunny Day Real Estate, Jawbreaker, Cap'n Jazz, and Jimmy Eat World. By the mid-1990s, Braid, the Promise Ring, and the Get Up Kids emerged from Midwest emo, and several independent record labels began to specialize in the genre. Meanwhile, screamo, a more aggressive style of emo using screamed vocals, also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the Year, Thursday, the Used, and Underoath.

Alternative rock is a category of rock music that evolved from the independent music underground of the 1970s. Alternative rock acts achieved mainstream success in the 1990s with the likes of the grunge subgenre in the United States and the shoegaze and Britpop subgenres in the United Kingdom. During this period, many record labels were looking for "alternatives", as many corporate rock, hard rock, and glam metal acts from the 1980s were beginning to grow stale throughout the music industry. The emergence of Generation X as a cultural force in the 1990s also contributed greatly to the rise of alternative rock.

<span class="mw-page-title-main">Screamo</span> Aggressive subgenre of emo

Screamo is an subgenre of emo that emerged in the early 1990s and emphasizes "willfully experimental dissonance and dynamics". San Diego–based bands Heroin and Antioch Arrow pioneered the genre in the early 1990s, and it was developed in the late 1990s mainly by bands from the East Coast of the United States such as Pg. 99, Orchid, Saetia, and I Hate Myself. Screamo is strongly influenced by hardcore punk and characterized by the use of screamed vocals. Lyrical themes usually include emotional pain, death, romance, and human rights. The term "screamo" has frequently been mistaken as referring to any music with screaming.

Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period.

<span class="mw-page-title-main">Braid (band)</span> American emo band

Braid is an American emo band from Champaign, Illinois, formed in 1993.

<span class="mw-page-title-main">Jawbreaker (band)</span> American punk rock band

Jawbreaker is an American punk rock band that was active from 1986 to 1996, and again since 2017. The band is considered to be extremely influential to the 1990s emo and punk genre with their "poetic take on hardcore." Their influence on the punk scene has led some critics to label Jawbreaker as the best punk rock band of the 1990s.

<i>Frame & Canvas</i> 1998 studio album by Braid

Frame & Canvas is the third studio album by American rock band Braid. It was released on April 7, 1998, through Polyvinyl Record Co. After the release of the band's second studio album, The Age of Octeen (1996), drummer Damon Atkinson replaced Roy Ewing due to him being unable to commit to touring. Recording sessions took place at Inner Ear Studios in December 1997, with J. Robbins helping with production during the sessions. The album is an emo and post-hardcore release, for which the lyrics were co-written by vocalist/guitarists Chris Broach and Bob Nanna, or solely wrote by Nanna.

<span class="mw-page-title-main">American Football (band)</span> American emo band

American Football is an American indie rock band from Urbana, Illinois, originally active from 1997 until 2000. They reformed in 2014.

<span class="mw-page-title-main">Melodic hardcore</span> Music genre

Melodic hardcore is a broadly defined subgenre of hardcore punk with a strong emphasis on melody in its guitar work. It generally incorporates fast rhythms, melodic and often distorted guitar riffs, and vocal styles tending towards shouting and screaming. Nevertheless, the genre has been very diverse, with different bands showcasing very different styles. Many pioneering melodic hardcore bands, have proven influential across the spectrum of punk rock, as well as rock music more generally.

<i>Nothing Feels Good</i> 1997 studio album by The Promise Ring

Nothing Feels Good is the second studio album by American rock band the Promise Ring, released on October 14, 1997. The Promise Ring's lineup at the time of recording comprised Davey von Bohlen on vocals and guitar, Jason Gnewikow on guitar, Scott Beschta on bass guitar, and Dan Didier on drums. Produced by J. Robbins, the album marked a shift in the band's sound, refining to a more pop aesthetic while retaining their emo sound.

<i>Nothing Feels Good: Punk Rock, Teenagers, and Emo</i> Book by Andy Greenwald

Nothing Feels Good: Punk Rock, Teenagers and Emo is a book by Andy Greenwald, then a senior contributing writer at Spin magazine, published in November 2003 by St. Martin's Press. Greenwald documents the history of the emo genre from its mid 1980s origins in Washington, D.C. to a more recent crop of bands, such as Thursday and Dashboard Confessional. The book received generally favorable reviews from music publications, with it appearing on best-of lists by Alternative Press and NME.

<i>Do You Know Who You Are?</i> 1996 studio album by Texas Is the Reason

Do You Know Who You Are? is the first and only studio album by American rock band Texas Is the Reason. After finalizing their line-up, they wrote and released their self-titled debut EP in late 1995. Following that, they began recording their debut album at Oz Studios in Baltimore, Maryland, co-producing it with Jawbox member J. Robbins. Preceded by an east coast tour with labelmates Gameface, Do You Know Who You Are? was released on April 30, 1996 through Revelation Records. It was promoted with a European tour with Samiam, two US tours, and a tour of Germany with Queerfish and Starmarket. Shortly after the Germany stint, the group broke up.

Emo pop is a fusion genre combining emo with pop-punk, pop music, or both. Emo pop features a musical style with more concise composition and hook-filled choruses. Emo pop has its origins in the 1990s with bands like Jimmy Eat World, the Get Up Kids, Weezer and the Promise Ring. The genre entered the mainstream in the early 2000s with Jimmy Eat World's breakthrough album Bleed American, which included its song "The Middle". Other emo pop bands that achieved mainstream success throughout the decade included Fall Out Boy, the All-American Rejects, My Chemical Romance, Panic! at the Disco and Paramore. The popularity of emo pop declined in the 2010s, with some prominent artists in the genre either disbanding or abandoning the emo pop style.

The emo revival, or fourth wave emo, was an underground emo movement which began in the late 2000s and flourished until the mid-to-late 2010s. The movement began towards the end of the 2000s third-wave emo, with Pennsylvania-based groups such as Tigers Jaw, Algernon Cadwallader and Snowing eschewing that era's mainstream sensibilities in favor of influence from 1990s Midwest emo. Acts like Touché Amoré, La Dispute and Defeater drew from 1990s emo and especially its heavier counterparts, such as screamo and post-hardcore.

<span class="mw-page-title-main">Algernon Cadwallader</span> American Midwest emo band

Algernon Cadwallader is an American Midwest emo and math rock band from Yardley, Pennsylvania. They were originally active from 2005 to 2012. In 2022, the band regrouped and began touring again. Stereogum referred to the band as the "heroes of the emo revival".

<span class="mw-page-title-main">The Hotelier</span> American indie rock band

The Hotelier is an American indie rock band from Worcester, Massachusetts, currently signed with Dreams of Field Recordings. The band's second album, Home, Like Noplace Is There, has been featured on Spin's "The 101 Best Albums of the 2010s" list and is considered an "essential emo album" by AltPress. The group has performed at the Pirate Satellite Festival, the Pitchfork Music Festival, and the Primavera Sound festival.

<i>Home, Like Noplace Is There</i> 2014 studio album by The Hotelier

Home, Like Noplace Is There is the second studio album by American rock band The Hotelier. Released in 2014, the album received widespread critical acclaim and became recognized as one of the best emo revival albums of all time.

References

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  11. "BRAID". Reggies Chicago. July 25, 2013. Archived from the original on May 18, 2023. Retrieved April 2, 2024. Braid started writing songs that combined the sounds of DC with those of the Bay Area. 'We would soak up and study pretty much anything on Dischord,' [Bob Nanna] says. 'Anytime any of those bands like—Fugazi, Nation of Ulysses, Shudder to Think, or Jawbox—came anywhere near Chicago, we were there.' In addition to the music, Nanna was obsessed with the energy that these bands expressed onstage. 'But Braid was also equal parts of music coming out of the Bay Area...'
  12. "Elliott 14/12/05 - Mail". metalorgie.com. December 2005. Archived from the original on February 16, 2024. Retrieved February 16, 2024. [I think it is obvious and easily perceptible that our influences have evolved over the years and changes in line up. We moved from music incorporating post hardcore elements on US Songs (inspired by Quicksand, Jawbox, Sunny Day [Real Estate], etc.)...]
  13. Anderl, Timothy (September 16, 2013). "When The Drums Kick In…Again; an interview with Andrew and Bryan of The Jazz June". Ghettoblaster Magazine. Archived from the original on November 29, 2022. Retrieved July 4, 2024. When I listen to the old Jazz June songs now I can hear elements from bands like Jawbox, Archers of Loaf and Superchunk that were direct influences on us.
  14. Cohen, Ian (April 29, 2014). "Don't Call It an Emo Revival". Pitchfork . Retrieved July 5, 2017.
  15. "Review: Everyone Asked About You – Everyone Asked About You | Sputnikmusic". www.sputnikmusic.com. Retrieved 2021-03-29.
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  24. "Midwest Emo pioneers CAMPING IN ALASKA share top 10 influentian albums, new acoustic EP streaming". IDIOTEQ.com. 31 October 2022. Retrieved 29 April 2024.
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Further reading