Something to Write Home About

Last updated

Something to Write Home About
TheGet-UpKidsSomethingtoWriteHomeAbout.jpg
Studio album by
The Get Up Kids
ReleasedSeptember 28, 1999
RecordedJune–July 1999
StudioMad Hatter, Silverlake, California
Genre
Length45:26
Label Vagrant, Heroes & Villains
Producer
The Get Up Kids chronology
Red Letter Day
(1999)		Something to Write Home About
(1999)		 Central Standard Time/Vasil + Bluey
(1999)
Singles from Something to Write Home About
  1. "Action & Action"
    Released: March 24, 2000

Something to Write Home About is the second studio album by American rock band the Get Up Kids, released on September 28, 1999, through Vagrant Records and the band's own label Heroes & Villains Records. Following the promotional tours for their debut album Four Minute Mile (1997), the band were in discussion with Mojo Records. During this period, James Dewees joined as the band's keyboardist. As negotiations with the label eventually stalled, they eventually went with Vagrant Records. They recorded their next album at Mad Hatter Studios in Silver Lake, Los Angeles, California, co-producing it with Chad Blinman and Alex Brahl. Described as an emo album, Something to Write Home About expands on the harder edge of its predecessor, with frontman Matt Pryor citing the works of the Foo Fighters, Jimmy Eat World and Wilco as influences.

Contents

Something to Write Home About received generally favourable reviews from music critics, with many praising the songwriting. The album was a commercial success, selling over 100,000 copies, and peaking at number 31 on the Billboard Heatseekers Albums chart in the United States. The band promoted it with a European tour and a US tour with At the Drive-In until the end of 1999. "Action & Action" was released as the lead single from the album. Later that year, the band toured across Australia, Japan, Europe, ending with a headlining US tour; in early 2001 they supported Green Day and Weezer.

The success of Something to Write Home About made Vagrant Records one of the major players in the fledgling emo scene, attracting bands like Dashboard Confessional, Saves the Day, and Alkaline Trio to sign with the label. It is often cited as one of the best albums of the second-wave movement of emo, and is cited as an influence on third wave acts like Coheed & Cambria. Publications such as Kerrang! , LA Weekly and NME , among others, have included the album on best-of lists for the emo and pop-punk genres. It was re-released as a CD and DVD set in 2008, and has been re-pressed on vinyl in 2015 and 2016; the 2015 version charted at number 16 on the Billboard Vinyl Albums chart.

Background and writing

With the release of the Woodson EP in 1997, the Get Up Kids signed a two-album recording contract with independent label Doghouse Records. [1] In June 1997, the group went on a tour of the United States, on which they became friends with Coalesce. [2] Shortly afterwards, their drummer, James Dewees, moved in with the bassist Rob Pope and his brother, drummer Ryan Pope. When the Get Up Kids went on tour, Dewees would look after the apartment. [3] The group released their debut album, Four Minute Mile, in September 1997. [4] It was supported by American and European tours between September 1997 and May 1998. The group then went on a break and spent the next few months writing material for their next record. [2] Their next album, Four Minute Mile, sold over 40,000 copies, which attracted attention from various labels. [5]

The band, who wanted to leave Doghouse, began discussions with other labels, such as Geffen, Vagrant and Mojo Records. [6] Starting from December 1998, the group wrote a batch of new material as they were waiting for their deal with Mojo Records to be finalized. [2] The Pope brothers' apartment had a piano that Dewees would often play; while the group were practising a song at the apartment, Dewees showed them a vocal harmony and piano part he had come up with. [7] The group had wanted a keyboardist for sometime; [8] with Coalesce having gone on hiatus during this period, Dewees joined as their keyboard player. [2]

New label and recording

By April 1999, tired that the negotiations with Mojo Records had taken too long and eventually came to a halt, the band felt it wasn't the right time to be signing with a major. [2] Vocalist/guitarist Matthew Pryor later revealed that the label's founder Jay Rifkin wanted to treat the band as a new act, own the rights to their music publishing, in addition to being unwilling to buy the band out of their contract with Doghouse. [9] To get out of their Doghouse contract, the band recorded the Red Letter Day EP and forfeited the vinyl rights to their following album. [10] [11] That same month, they formed their own record label, Heroes & Villains Records, which signed a deal with Vagrant Records, giving the latter rights to other acts signed to Heroes & Villains, which included the members' solo projects. [12] At the time, Vagrant was searching for a flagship band on which they could expand their business with. [5] [2]

In June 1999, the band travelled from Kansas City, Missouri to Los Angeles, California to record their next album. [2] Before the group could start, Vagrant Records' co-owner Jon Cohen had to borrow money from his parents, who mortgaged their house in order to fund the sessions. [13] The album was recorded over the course of six weeks [5] in June and July 1999 at Mad Hatter Studios in Silver Lake, Los Angeles. [14] The band would spend the daytime at the studio and spend nights at a friend's house. [15] They produced the record themselves, with co-producers Chad Blinman and Alex Brahl, the latter of which did additional engineering. Blinman handled recording, while Dale Lawton served as an assistant. Blinman mixed the recordings, while the album was mastered by Ramon Breton at Oceanview Mastering. [14] Several of the songs included were re-recorded from past releases: "Red Letter Day" from the Red Letter Day EP, "Ten Minutes" on a 7" vinyl for the Sub Pop Singles Club and "I'm a Loner Dottie, a Rebel" for a split release with Braid. [16] [17]

Composition and lyrics

Something to Write Home About is an emo [13] and pop-punk [13] [18] album that takes influence from 1960s pop and 1980s new wave. [19] Ian Cohen of Stereogum described the album in the context of the band's contemporaries: "Braid and the Promise Ring were too quirky, Saves The Day hadn’t quite shed their hardcore origins, and Texas Is The Reason and Mineral were too artsy and esoteric". He added that Something to Write Home About "occup[ied] that perfect nexus between punk, emo, indie rock, and pure power-pop". [20] When making the album, the band tried to consciously expand their sound from the harder edge of Four Minute Mile. Pryor cites Wilco's Summerteeth (1999), Jimmy Eat World's Clarity (1999) and the Foo Fighters' The Colour and the Shape as primary influences in writing new material. While the group had toyed with keyboards on Four Minute Mile, they incorporated more of it with the inclusion of Dewees into the band. According to Pryor, they had been listening to Weezer a lot and wanted more synthesizer parts, with Dewees being "such a talented piano player, he just sort of upped the ante." [13] Dewees' keyboard parts recalled the work of Duran Duran, which PopMatters music critic Dave Meehan said "provide a melodic counterpoint to [...] Suptic's thrashing and give the whole album a party-like-its-1983 feel". [19]

Pryor also began to branch out lyrically, including on “Red Letter Day,” which was written about the bands’ negative experiences with Dirk Hemsmath and Doghouse Records. [20] [21] In writing the album, the band was also more conscious of traditional pop song structure, focusing more on hooks and placing less emphasis on long instrumental sections. [22] Ryan Pope made a conscious effort to restrain his drum parts on the album, emulating Charlie Watts and Jim Keltner, stating that it was more "important to maybe make some sacrifices for the tune instead of pounding away and thinking of yourself as an individual player." [23] Pryor would later remark that he wished the songs were tuned a half-step or a whole step down as he was yelling at the top of his vocal range throughout the album. [15]

The album's title, Something to Write Home About, was suggested by Suptic. [15] The opening fast-paced track "Holiday" starts with a guitar pick slide; Meehan said "Action and Action" was "another done-me-wrong, finger-pointing tale". [24] [19] Niko Stratis of Spin referred to "Valentine" as a "perfect snapshot of the way any distance, emotional or physical, feels oceanic in scope". [25] The acoustic "Out of Reach" crescendos into a piano-led torch song. [26] The power pop song "Ten Minutes" is a homage to be stuck in traffic on the way to a lover's residence, and features Suptic on lead vocals. [19] [26] [27] "The Company Dime" features call-and-response vocals during the chorus sections; "My Apology" is a mid-tempo song. [19] "I'm a Loner Dottie, a Rebel" discusses the aftermath of a one-night stand, while its title is a quote from Pee-wee's Big Adventure (1985). [5] [19] The country-esque "Close to Home" is followed by the album's closing song "I'll Catch You"; the latter opens with a piano part and sees a person talking with someone they admire. [19] [24]

Release and promotion

In August and September 1999, the group went on a European tour; the tour was planned to last a month, however, the group only got to play six shows over eight days. [28] Following this, the band appeared at the CMJ MusicFest. [29] Something to Write Home About was released on September 28 through Vagrant and Heroes & Villains Records. The vinyl version was released through Doghouse Records. The Japanese version included "Forgive and Forget" and a cover of "Regret" by New Order as bonus tracks, while the European version featured included a re-recorded version of "Forgive and Forget" and "Central Standard Time" (taken from a split with the Anniversary). [17] The album's artwork is a painting that depicts two robots cuddling on a sofa. [30] [31] In October and November, the group went on a US tour with At the Drive-In. [32] A music video was released for "Action & Action" through music retailer Insound in December 1999. [33] [34]

In February 2000, the Get Up Kids played a one-off show in Kansas before embarking on a Japanese tour. [35] The band then went on a tour of Australia with Jebediah in March and April. [35] The album was released through Epitaph Europe in Europe on March 13. [36] "Action & Action" was released as a single on March 24 in Europe [37] with a demo of "I'm a Loner Dottie, I'm a Rebel" and a cover of The Cure's "Close to Me" as B-sides. [17] The group went on a European tour in May and June [38] with the Anniversary. [39] In September and October, the band went on a headlining US tour with support from the Anniversary, Koufax and Jebediah. [40] [41] It was sponsored by the peer-to-peer file sharing network Napster, who had helped people discover the band and other Vagrant Records' acts. [41] In January 2001, the group supported Green Day on their US tour, before supporting Weezer in February and March. [42]

Reissues

In 2008, Pryor said that the group was in discussions with Vagrant Records to re-release the album as a 10th anniversary package, including a DVD and photo booklet. [43] [44] In February 2009, Doghouse Records re-pressed the album on vinyl. [45] The 10th anniversary edition was released on September 8, which included a DVD with a recording of their first show in a few years and a documentary on the making of the album. [46] In addition, it included 7 downloadable demo recordings from the sessions. [47] [48] Doghouse has since re-pressed the album on vinyl twice more, in 2015 and 2016, respectively. [49] [50]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [26]
Drowned in Sound 9/10 [51]
Kerrang! Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [52]
Melody Maker Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [53]
NME 7/10 [54]
Pitchfork 2.0/10 (1999) [30]
7.6/10 (2024) [55]
PopMatters 8/10 [56]
Record Collector Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [57]
The Rolling Stone Album Guide Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [58]
Spin 6/10 [59]

Something to Write Home About was met with generally favourable reviews from music critics upon release. Drowned in Sound writer James Skinner complimented the band members for "how brilliantly [they] play off each other," coupled with a "healthy dose of longing and you're halfway there in terms of understanding its appeal". [51] Reviewing the album for MTV News, critic Kembrew McLeod wrote that the band are "certainly not purveyors of bubble-punk in the same mold as Green Day or Blink-182, but they never forget the sheer pleasure that the right sequence of notes or the perfect harmony brings". [60] PopMatters contributor Rob Browning wrote that the album retaining the "edge of their Doghouse past, but sported cleaner production and more hooks than a tackle box". He went on to say that these "12 songs are the strongest body of works they had been able to muster prior or since". [56] Meehan said the band offer "each song enough individual care to let them stand on their own while still bowing to the album's coherent feel and rush". [19] The staff at Impact Press considered it superior to the band's debut, stating that the "tunes are absolutely absorbing, sucking you into the hooks, the energy, the drive, the music". [61]

Spin writer Andrew Beaujon found the band to be "peppy enough to make even a college sophomore feel old," adding that they sound "exactly like Superchunk". [59] Elmar Salmutter of Ox-Fanzine said it was a "strong and varied record that's just right for the beginning of autumn". [62] In a review for Consumable Online, writer Kerwin So said in order to hear a "few pretty good songs, you have to wade through a deluge of sappy filler". [63] LAS Magazine founder Eric J. Herboth said that like their debut, Something was "complete bunk" aside from the two "great" songs "Red Letter Day" and "I'm a Loner Dottie, a Rebel". [64] Pitchfork 's Brent DiCrescenzo noted a lack of originality in the music, writing that "implementation of keyboards and acoustic guitars is predictable and unimpressive", calling the release "an entire album of songs which follow the same formula, yet never reach the quasi- memorable qualities of a radio hit." [30]

AllMusic reviewer Zac Johnson noted that despite the band "struggling with stumbling relationships," they were still capable of "process[ing] the complexities of their daily lives through music". [26] Stevie Chick of NME said that if the lyrics "sometimes seem a little clumsy or overwrought, that's all part of the package". [54] DiCrescenzo referred to the words as "meaningless lyrics masquerading as poetic insight"; Nude as the News writer Ed Comstock felt the band had "regressed lyrically -- to such an extent that songs that are otherwise great are nearly ruined by lyrical banality". [30] [31] DiCrescenzo mentioned that the "clinical production scrubs the rock down to a smooth grain of clear sand". [30] So thought it was a mistake to switch producers as the "entire record has a thoroughly bland, almost adult-contemporary texture to it". [63] Comstock, on the other hand, noted an improvement of production from their first album. He mentioned that the addition of Dewees made the album come across as "predictable -- while some of the songs seemed more complete and polished, many have simply lost their edge". [31]

In a retrospective review, Mischa Pearlman of Record Collector felt that the album "still holds up, its power and impact remaining as profound as ever". [57] In a 2017 retrospective of Four Minute Mile , Vice Media's Eduardo Cepeda called Something to Write Home About "a masterful follow-up to their unfussy debut." [65] When reviewing the band's Kicker EP, Pitchfork writer Ian Cohen wrote much more fondly about the album:

"Put aside the love songs, and their classic Something to Write Home About can be read as a concept album about the pressure of seeing then-fledgling indie label Vagrant literally bet the farm on their success. But they also wrote concisely and passionately about girls, heartbreak, and trouble with authority, thus setting the norms for 21st-century emo: While the band’s presentation and ethics were overtly punk, their songs harkened back to early rock’n’roll records that functioned as teen pop." [66]

Commercial performance and legacy

Commercial performance

Something to Write Home About charted at number 31 on the Billboard Heatseekers Albums chart. [67] By 2002, the album had sold 150,000 copies. [68] In 2015, it charted at number 16 on the Billboard Vinyl Albums chart. [69] The album's success was the first major breakthrough for Vagrant Records, and made the Get Up Kids the label's "flagship band", attracting other artists to sign with the company. [70]

Legacy and influence

The album has appeared on many best-of lists for the emo and pop-punk genres, by publications such as LA Weekly , [71] Junkee, [72] NME , [73] and On the A Side, [74] as well as by journalists Leslie Simon and Trevor Kelley in their book Everybody Hurts: An Essential Guide to Emo Culture (2007). [75] Similarly, "Action & Action" appeared on a best-of emo songs list by Vulture . [76] Spin featured both “I’ll Catch You” and “Valentine” on its list of the 40 best Emo love songs of all time. [25] In 2014, as part of 10-year celebrations for Riot Fest, the band performed the album in its entirety. [77] In 2015, Rock Sound included it in their 101 Modern Classics list at number 97. [78] They later ranked it at number 102 on the list of best albums in their lifetime. [79] Kerrang! listed ‘’Something to Write Home About’’ as the 19th greatest pop-punk album of all time, and the 42nd best punk album of all time. [80] [81]

Something to Write Home About is credited with establishing Vagrant Records as an emo music industry powerhouse. [65] [82] Acts such as Dashboard Confessional, Saves the Day, and Alkaline Trio all signed to the label because of the album's success. [83] [20] The album has been viewed as an important release for the second wave of emo, and an influence on the third wave of acts, such as Coheed & Cambria, while Dan Campbell of the Wonder Years has expressed admiration for it. [68] [84] [85]

Track listing

All songs written by the Get Up Kids. [14]

No.TitleLength
1."Holiday"3:29
2."Action & Action"4:05
3."Valentine"4:19
4."Red Letter Day"2:56
5."Out of Reach"3:46
6."Ten Minutes"3:12
7."The Company Dime"4:06
8."My Apology"3:24
9."I'm a Loner Dottie, a Rebel"3:08
10."Long Goodnight"4:48
11."Close to Home"3:50
12."I'll Catch You"4:22

Personnel

Personnel per booklet. [14]

Charts

Related Research Articles

Emo is a music genre characterized by emotional, often confessional lyrics. It emerged as a style of hardcore punk and post-hardcore from the mid-1980s Washington, D.C. hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the early-to-mid 1990s, emo was adopted and reinvented by alternative rock, indie rock, punk rock, and pop-punk bands, including Sunny Day Real Estate, Jawbreaker, Cap'n Jazz, and Jimmy Eat World. By the mid-1990s, Braid, the Promise Ring, and the Get Up Kids emerged from Midwest emo, and several independent record labels began to specialize in the genre. Meanwhile, screamo, a more aggressive style of emo using screamed vocals, also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the Year, Thursday, the Used, and Underoath.

<span class="mw-page-title-main">The Get Up Kids</span> American rock band

The Get Up Kids are an American rock band from Kansas City. Formed in 1995, the band was a major act in the mid-1990s Midwest emo scene, otherwise known as the "second wave" of emo music. Their second album Something to Write Home About remains their most widely acclaimed album, and is considered to be one of the quintessential albums of the second-wave emo movement. They are considered forefathers of the emo genre, and have been widely credited as being an influence, both by contemporaries Saves the Day and later bands such as Fall Out Boy, Taking Back Sunday and the Wonder Years.

<i>Four Minute Mile</i> 1997 studio album by the Get Up Kids

Four Minute Mile is the debut studio album by American rock band the Get Up Kids.

The Anniversary is an American band formed in Lawrence, Kansas, in 1997 by Josh Berwanger, James David, Christian Jankowski, Adrianne Verhoeven and Justin Roelofs. The Anniversary was the solidification of a line-up that had been in flux for a year. After two years of playing shows across with the Midwest with bands that included The Get Up Kids, Braid and Superchunk, The Anniversary signed to Vagrant Records.

<span class="mw-page-title-main">Reggie and the Full Effect</span> American rock band

Reggie and the Full Effect is an American rock band, the solo project of James Dewees, the former keyboardist for The Get Up Kids. It has released seven full-length albums, the latest in 2018, and has toured with various associated acts in their promotion.

Vagrant Records is an American record label based in California. It was founded in 1995 by Rich Egan and Jon Cohen. The label focuses on rock, but features artists in a variety of other genres including folk, soul, electronic, and pop. It is home to artists such as The 1975, Death Spells, Eels, Edward Sharpe and the Magnetic Zeroes, CRUISR, Active Child, PJ Harvey, School of Seven Bells, Black Rebel Motorcycle Club, James Vincent McMorrow, Black Joe Lewis, Wake Owl, Blitzen Trapper, and Bombay Bicycle Club. Originally, Vagrant Records was mostly focused on emo bands such as Dashboard Confessional, Saves the Day, The Get Up Kids, Senses Fail, and Alkaline Trio. The label is considered one of the pre-eminent labels of the emo music scene.

<i>On a Wire</i> 2002 studio album by the Get Up Kids

On a Wire is the third studio album by American rock band the Get Up Kids on Vagrant Records. Released three years after their breakout sophomore album Something to Write Home About, On a Wire was a massive departure from the band's established sound, eschewing the brighter pop-punk that helped define emo as a genre in favor of a darker, more adult sound inspired by 70's rock bands like Led Zeppelin.

<i>Guilt Show</i> 2004 studio album by The Get Up Kids

Guilt Show is the fourth studio album by American rock band The Get Up Kids. It was released on Vagrant Records on March 2, 2004.

<span class="mw-page-title-main">James Dewees</span> American musician (born 1976)

James Matthew Dewees is an American musician best known for his work with The Get Up Kids, Reggie and the Full Effect and My Chemical Romance. He has also been involved in other musical projects including New Found Glory, Coalesce, Leathermouth, and Death Spells.

<span class="mw-page-title-main">Matt Pryor (musician)</span> American musician (born 1978)

Matthew Pryor is an American musician who lives in Lawrence, Kansas. He is best known as a founding member and the lead vocalist of The Get Up Kids, one of the most influential acts of the second-wave emo music scene.

Koufax was an American indie rock band from Toledo, Ohio.

Emo pop is a fusion genre combining emo with pop-punk, pop music, or both. Emo pop features a musical style with more concise composition and hook-filled choruses. Emo pop has its origins in the 1990s with bands like Jimmy Eat World, the Get Up Kids, Weezer and the Promise Ring. The genre entered the mainstream in the early 2000s with Jimmy Eat World's breakthrough album Bleed American, which included its song "The Middle". Other emo pop bands that achieved mainstream success throughout the decade included Fall Out Boy, the All-American Rejects, My Chemical Romance, Panic! at the Disco and Paramore. The popularity of emo pop declined in the 2010s, with some prominent artists in the genre either disbanding or abandoning the emo pop style.

<span class="mw-page-title-main">Jim Suptic</span> American musician and entrepreneur (born 1977)

Jim Suptic is an American musician and entrepreneur, best known for being the guitarist for the rock band The Get Up Kids.

<span class="mw-page-title-main">Ten Minutes (The Get Up Kids song)</span> 1999 single by the Get Up Kids

"Ten Minutes" is a song by the Get Up Kids. The single was released as part of the Sub Pop Records Singles Club. 1300 pressings were black, with only 100 pressings of the single on clear vinyl. A re-recorded version of it appears on their album Something to Write Home About. On July 2, 2005 The Get Up Kids performed for the last time before their hiatus at the Uptown Theater in Kansas City, MO. "Ten Minutes" was the last song they played.

<span class="mw-page-title-main">Action & Action</span> 2000 single by The Get Up Kids

"Action & Action" is the second single from The Get Up Kids' album Something to Write Home About. The single was released in Europe and North America on March 24, 2000, and November 24 elsewhere. It is the first Get Up Kids single released on CD. A music video for the song was released in December 1999.

<i>Designing a Nervous Breakdown</i> 2000 studio album by the Anniversary

Designing a Nervous Breakdown is the debut studio album by the American rock band the Anniversary, released on January 25, 2000, through Vagrant and Heroes & Villains Records. After finalizing their line-up and changing their name, the band self-released a three-track demo tape in 1998. The following year, they signed to Vagrant imprint Heroes & Villains Records at the insistence of the Get Up Kids bassist Rob Pope. In July 1999, the Anniversary recorded their debut with producer David Trumfio at Kingsize Soundlabs in Chicago, Illinois. Designing a Nervous Breakdown has been described as an emo, indie rock and synth-pop release, drawing comparison to Devo, the Rentals and Sonic Youth.

<span class="mw-page-title-main">The Get Up Kids discography</span>

The discography of The Get Up Kids, an American rock band that formed in 1995, consists of six studio albums, five singles, one live album and seven extended plays.

<i>There Are Rules</i> 2011 studio album by The Get Up Kids

There Are Rules is the fifth studio album by American rock band The Get Up Kids, the band's first studio album release since 2004's Guilt Show. After their initial reunion, the band decided to challenge themselves to write and record an album in only two weeks without using any digital technology. Ultimately, due to conflicting schedules, they dropped the two-week deadline and recorded over several months in 2009 and 2010. Much of the album was recorded in the same sessions as their first post-reunion release, Simple Science, the song "Keith Case" being featured on both.

<i>Free Language Demons / Up On the Roof</i> 2000 EP by Rocket from the Crypt, and The Get Up Kids

Free Language Demons / Up On the Roof is a split EP between Kansas City, Missouri emo band The Get Up Kids and the San Diego, California punk outfit Rocket From the Crypt. The album was released on colored vinyl in 2000 on Vagrant Records. There were seven different pressings of the album, with each pressing on different colored vinyl. Each song was recorded separately; "Up On The Roof" was recorded at West Beach Recorders in the summer of 1999 while the band was recording their second full-length album Something to Write Home About. "Free Language Demons" was recorded at Big Fish Studios in San Diego, during the recording session for the band's Vagrant Records debut, Group Sounds.

<i>Kicker</i> (EP) 2018 EP by The Get Up Kids

Kicker is an EP by American rock band The Get Up Kids. It was the first release from the band in seven years, and their first release on a record label other than Vagrant Records in 19 years. It was hailed as a return to form after the band's more experimental self-released reunion album There Are Rules (2011).

References

Citations

  1. ↑ Shea 2009, event occurs at 2:48–55
  2. 1 2 3 4 5 6 7 "History". The Get Up Kids. Archived from the original on November 28, 1999. Retrieved February 13, 2019.
  3. ↑ Shea 2009, event occurs at 1:19:03–4, 1:19:31–5
  4. ↑ Butler, Blake. "Four Minute Mile - The Get Up Kids | Songs, Reviews, Credits". AllMusic. Archived from the original on February 15, 2019. Retrieved February 15, 2019.
  5. 1 2 3 4 Harkness, Geoff (December 28, 2000). "Something to write home about". Lawrence. Archived from the original on August 10, 2016. Retrieved February 24, 2019.
  6. ↑ Shea 2009, event occurs at 1:26:40–47, 1:28:10–2, 1:28:14–5
  7. ↑ Shea 2009, event occurs at 1:19:39–42, 1:21:00–8
  8. ↑ Shea 2009, event occurs at 1:21:29–31
  9. ↑ Shea 2009, event occurs at 1:28:16–34, 1:30:01–7
  10. ↑ Magid, Morgan (December 2, 2015). "An Interview with The Get Up Kids: Still Finding Something To Write Home About". The Aquarian Weekly . Archived from the original on February 25, 2019. Retrieved February 25, 2019.
  11. ↑ Shea 2009, event occurs at 1:31:12–6, 1:31:25–6
  12. ↑ Shea 2009, event occurs at 1:32:6–14
  13. 1 2 3 4 Woodbury, Jason P. (September 14, 2009). "Q&A: Get Up Kids' Matt Pryor Talks Jumping Around, Playing Pop Music and the Emo Handbook". Phoenix New Times . Archived from the original on February 25, 2019. Retrieved February 25, 2019.
  14. 1 2 3 4 Something to Write Home About (booklet). The Get Up Kids. Epitaph/Vagrant/Heroes & Villains Records. 1999. 6587-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  15. 1 2 3 Niccum, Jon (September 4, 2009). "Something to write home about: Get Up Kids celebrate 10-year anniversary reissue of pivotal record". Lawrence. Archived from the original on February 25, 2019. Retrieved February 25, 2019.
  16. ↑ Heisel; Simpson 2016, event occurs at 50:59–51:01, 52:22–30
  17. 1 2 3 "Discography". The Get Up Kids. Archived from the original on May 11, 2000. Retrieved February 25, 2019.
  18. ↑ "Did The Get Up Kids Really Invent Emo?". NME . July 29, 2009. Archived from the original on August 22, 2017. Retrieved February 19, 2019.
  19. 1 2 3 4 5 6 7 8 Meehan, Dave (May 7, 2002). "The Get Up Kids: Something to Write Home About". PopMatters . Archived from the original on June 15, 2002. Retrieved June 24, 2022.
  20. 1 2 3 Cohen, Ian (September 30, 2019). "The Get up Kids' 'Something to Write Home About' Turns 20". Stereogum. Archived from the original on March 31, 2022. Retrieved June 24, 2022.
  21. ↑ Heisel, Scott (January 15, 2014). "10 Essential songs about hating the music industry". Alternative Press . Archived from the original on January 20, 2014. Retrieved February 24, 2019.
  22. ↑ Daly, Andrew (December 17, 2020). "An Interview with Matthew Pryor of The Get Up Kids". VWMusic. Archived from the original on February 5, 2022. Retrieved June 24, 2022.
  23. ↑ DeRogatis, Jim (May 12, 2004). "Ryan Pope: Gettin' Down With The Get Up Kids". Modern Drummer . Archived from the original on March 17, 2012. Retrieved February 25, 2019.
  24. 1 2 Young, Alex (January 29, 2011). "Dusting 'Em Off: The Get Up Kids – Something to Write Home About". Consequence . Archived from the original on June 24, 2022. Retrieved June 24, 2022.
  25. 1 2 Stratis, Niko (February 14, 2022). "The 40 Best Emo Love Songs". Spin . Archived from the original on February 14, 2022. Retrieved February 15, 2022.
  26. 1 2 3 4 Johnson, Zac. "Something to Write Home About – The Get Up Kids". AllMusic. Archived from the original on June 3, 2012. Retrieved September 30, 2009.
  27. ↑ "The 40 Best Emo Love Songs". The Get Up Kids. Archived from the original on June 13, 2000. Retrieved July 3, 2022.
  28. ↑ "News". The Get Up Kids. Archived from the original on February 4, 2000. Retrieved February 26, 2019.
  29. ↑ "Tricky, Biohazard, Roni Size On Tap For CMJ". MTV. July 29, 1999. Archived from the original on February 24, 2019. Retrieved February 24, 2019.
  30. 1 2 3 4 5 DiCrescenzo, Brent (September 21, 1999). "The Get Up Kids: Something to Write Home About". Pitchfork . Archived from the original on March 19, 2009. Retrieved September 30, 2009.
  31. 1 2 3 Comstock, Ed (1999). "The Get Up Kids Something To Write Home About". Nude as the News. Archived from the original on January 16, 2003. Retrieved June 24, 2022.
  32. ↑ "At the Drive-In, Ratdog ..." MTV. October 21, 1999. Archived from the original on February 24, 2019. Retrieved February 24, 2019.
  33. ↑ "Audio/Video". The Get Up Kids. Archived from the original on June 22, 2000. Retrieved February 26, 2019.
  34. ↑ Paul, Aubin (December 7, 1999). "Get Up Kids Video". Punknews.org. Archived from the original on February 13, 2021. Retrieved June 24, 2022.
  35. 1 2 "Tourdates". The Get Up Kids. Archived from the original on February 26, 2000. Retrieved February 25, 2019.
  36. ↑ "Get Up Kids - Something To Write Home About". Epitaph Records. Archived from the original on March 25, 2008. Retrieved February 19, 2019.
  37. ↑ "Get Up Kids - Action and Action". Epitaph Records. Archived from the original on May 11, 2000. Retrieved February 19, 2019.
  38. ↑ "The Get Up Kids Tourdates". Epitaph Records. Archived from the original on May 11, 2000. Retrieved February 19, 2019.
  39. ↑ "Tourdates". The Get Up Kids. Archived from the original on June 11, 2000. Retrieved February 25, 2019.
  40. ↑ "Tourdates". Heroes & Villains Records. Archived from the original on October 4, 2000. Retrieved February 25, 2019.
  41. 1 2 Comerford, Will (August 14, 2000). "Napster Sponsoring Face To Face, Get Up Kids Tours". MTV. Archived from the original on February 25, 2019. Retrieved February 24, 2019.
  42. ↑ "News". The Get Up Kids. Archived from the original on November 9, 2001. Retrieved February 26, 2019.
  43. ↑ "Get Up Kids Reunion: Sunday Night". Back to Rockville . November 14, 2008. Archived from the original on August 16, 2011. Retrieved November 13, 2008.
  44. ↑ Paul, Aubin (November 13, 2008). "The Get Up Kids plan reunion show for Sunday". Punknews.org. Archived from the original on June 20, 2022. Retrieved June 24, 2022.
  45. ↑ Paul, Aubin (January 15, 2009). "Get Up Kids' 'Something to Write Home About' vinyl reissue planned". Punknews.org. Archived from the original on February 25, 2019. Retrieved February 25, 2019.
  46. ↑ Slater, Luke (June 10, 2009). "The Get Up Kids announce European tour extravaganza!". Drowned in Sound . Archived from the original on February 20, 2019. Retrieved February 19, 2019.
  47. ↑ Paul, Aubin (September 4, 2009). "Get Up Kids premiere new live DVD online". Punknews.org. Archived from the original on February 25, 2019. Retrieved February 25, 2019.
  48. ↑ Young, Alex (August 19, 2009). "The Get Up Kids prep deluxe reissue of Something To Write Home About". Consequence of Sound. Archived from the original on February 20, 2019. Retrieved February 19, 2019.
  49. ↑ Something to Write Home About (sleeve). The Get Up Kids. Doghouse Records. 2015. DOG 066.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  50. ↑ Something to Write Home About (sleeve). The Get Up Kids. Doghouse Records. 2016. DOG 066.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  51. 1 2 Skinner, James (September 17, 2009). "Album Review: The Get Up Kids – Something To Write Home About (Tenth Anniversary Edition)". Drowned in Sound. Archived from the original on September 22, 2009. Retrieved September 30, 2009.
  52. ↑ Bird, Ashley (March 11, 2000). "Albums". Kerrang! . No. 792. p. 47.
  53. ↑ Anon. 2000, p. 48
  54. 1 2 Chick, Stevie (February 26, 2000). "The Get Up Kids – Something To Write Home About". NME. Archived from the original on April 10, 2000. Retrieved October 27, 2017.
  55. ↑ Gordon, Arielle (August 26, 2024). "The Get Up Kids: Something to Write Home About (25th Anniversary Deluxe Edition) Album Review". Pitchfork . Retrieved August 26, 2024.
  56. 1 2 Browning, Rob (January 3, 2010). "The Get Up Kids: Something to Write Home About". PopMatters. Archived from the original on October 27, 2017. Retrieved October 27, 2017.
  57. 1 2 Pearlman 2009, p. 95
  58. ↑ Soults 2004, p. 330
  59. 1 2 Beaujon 1999, p. 220
  60. ↑ McLeod, Kembrew (December 29, 1999). "Pretty Punk-Pop". MTV. Archived from the original on February 15, 2019. Retrieved February 14, 2019.
  61. ↑ "CD reviews". Impact Press . October–November 1999. Archived from the original on October 22, 2021. Retrieved June 24, 2022.
  62. ↑ Salmutter, Elmar (1999). "Get Up Kids Something to Write Home About CD". Ox-Fanzine (in German). Archived from the original on June 24, 2022. Retrieved June 24, 2022.
  63. 1 2 So, Kerwin (December 9, 1999). "The Get Up Kids: Something to Write Home About". Consumable Online. Archived from the original on June 17, 2002. Retrieved June 24, 2022.
  64. ↑ Herboth, Eric J. "Get Up Kids Something to Write Home About". LAS Magazine. Archived from the original on December 12, 2005. Retrieved June 24, 2022.
  65. 1 2 "The Get up Kids' 'Four Minute Mile' Was the Bridge to Emo's Future". September 29, 2017.
  66. ↑ Cohen, Ian (June 9, 2018). "Kicker EP The Get Up Kids". Pitchfork. Archived from the original on June 19, 2022. Retrieved June 24, 2022.
  67. 1 2 "The Get Up Kids Chart History (Heatseekers Albums)". Billboard. Retrieved February 19, 2019.
  68. 1 2 King, Ian (October 4, 2019). "Emo at the Crossroads: 'Very Emergency' and 'Something to Write Home About' at 20". Under the Radar . Archived from the original on October 5, 2019. Retrieved July 3, 2022.
  69. 1 2 "The Get Up Kids Chart History (Vinyl Albums)". Billboard. Retrieved February 19, 2019.
  70. ↑ Pearlman, Mischa (November 4, 2021). "25 Years Of Vagrant Records: The label that accidentally took emo to the mainstream". Kerrang! . Wasted Talent. Retrieved July 6, 2022.
  71. ↑ Kohn, Daniel (October 10, 2013). "Top 20 Emo Albums in History: Complete List". LA Weekly . Archived from the original on February 25, 2019. Retrieved February 25, 2019.
  72. ↑ Davino, Bianca (February 18, 2020). "From 'Three Cheers' To 'Bleed American': The 10 Most Important Emo Albums". Junkee. Archived from the original on February 16, 2021. Retrieved June 24, 2022.
  73. ↑ "20 Emo Albums That Have Resolutely Stood The Test Of Time". NME. January 14, 2015. Archived from the original on August 16, 2015. Retrieved July 29, 2015.
  74. ↑ Rousseau, Rob (February 23, 2016). "The 13 best albums from the emo/pop-punk boom". On the A Side. Archived from the original on February 22, 2018. Retrieved February 25, 2019.
  75. ↑ Simon; Kelley 2007, p. 170
  76. ↑ Cohen, Ian (February 13, 2020). "The 100 Greatest Emo Songs of All Time". Vulture . Archived from the original on February 13, 2020. Retrieved August 14, 2020.
  77. ↑ Ritacco, Robby (May 15, 2014). "Weezer, Descendents, The Get Up Kids and more to perform their seminal albums in full at US Riot Fest". The Line of Best Fit . Archived from the original on February 25, 2019. Retrieved February 25, 2019.
  78. ↑ "Rock Sound's 101 Modern Classics: 101 - 75". Rock Sound . June 27, 2012. Archived from the original on April 10, 2016. Retrieved July 6, 2015.
  79. ↑ Napier ed. 2019, p. 52
  80. ↑ "The 51 greatest pop-punk albums of all time". Kerrang! . September 23, 2017. Archived from the original on June 24, 2022. Retrieved June 24, 2022.
  81. ↑ "Kerrang posts list of top 50 punk albums of all time". Punknews.org. November 29, 2006. Archived from the original on February 7, 2022. Retrieved June 24, 2022.
  82. ↑ Cohen, Ian (April 30, 2019). "The Get Up Kids And Their Adult Problems". Stereogum. Archived from the original on June 19, 2022. Retrieved June 24, 2022.
  83. ↑ Lockett, Dee (February 8, 2018). "Dashboard Confessional Still Belongs". Vulture. Archived from the original on June 24, 2022. Retrieved June 24, 2022.
  84. ↑ Kristobak, Ryan (July 9, 2014). "Coheed & Cambria Secretly Wrote 'Stairway To Heaven 2' On 'In Keeping Secrets Of Silent Earth: 3'". HuffPost . Archived from the original on June 24, 2022. Retrieved June 24, 2022.
  85. ↑ "The Wonder Years' Dan Campbell: My Favourite Pop-Punk Album Of All Time Is…". Rock Sound. September 1, 2014. Archived from the original on July 18, 2022. Retrieved August 28, 2022.

Sources

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.