The Get Up Kids discography | |
---|---|
Studio albums | 6 |
Live albums | 1 |
Music videos | 5 |
EPs | 7 |
Singles | 5 |
The discography of The Get Up Kids, an American rock band that formed in 1995, consists of six studio albums, five singles, one live album and seven extended plays.
Shortly after forming in their hometown of Kansas City, Missouri, the band signed to Doghouse Records and released their first EP, Woodson , along with their debut full-length studio album Four Minute Mile (1997). After the success of their first album, the band was picked up by then-underground label Vagrant Records, where they recorded Red Letter Day , their second EP, followed by their second album Something to Write Home About . The album was a massive success, selling 134,000 copies in its first three years of release in the US. [1] They supported the album for three years with tours and two singles; "Ten Minutes" and "Action & Action". In order to capitalize on the success of the album, Vagrant released Eudora , a compilation of b-sides, covers and rarities in 2001.
In 2002, they released their third studio album On a Wire . The album was a large departure from their previous sound, and was considered a commercial failure. In 2004, they released their fourth album Guilt Show to better critical reception. A year later, they released Live! @ The Granada Theater, the band's first and only live album. Later that year, the band broke up after one final tour. However, in 2008 the band reunited, and announced a reunion tour for 2009 to coincide with a tenth-anniversary re-release of Something to Write Home About.
Title | Details | Peak chart positions | ||
---|---|---|---|---|
US [2] | US Indie [3] | |||
Four Minute Mile | — | — | ||
Something to Write Home About | — | — | ||
On a Wire |
| 57 | 3 | |
Guilt Show |
| 58 | 3 | |
There Are Rules |
| 124 | 15 | |
Problems |
| — | — | |
"—" denotes releases that did not chart or were not released in that territory. |
Title | Details | Peak chart positions | ||
---|---|---|---|---|
US Indie [3] | ||||
Live! @ The Granada Theater |
| 26 |
Title | Details | Peak chart positions | ||
---|---|---|---|---|
US Indie [3] | ||||
The EP's: Red Letter Day and Woodson |
| — | ||
Eudora |
| 18 | ||
"—" denotes releases that did not chart or were not released in that territory. |
Title | Details | Peak chart positions | ||
---|---|---|---|---|
US [2] | US Indie [3] | |||
Woodson |
| — | — | |
Red Letter Day |
| — | — | |
iTunes Sessions EP |
| — | — | |
Simple Science |
| 194 | 29 | |
Kicker |
| — | 22 | |
"—" denotes releases that did not chart or were not released in that territory. |
The Get Up Kids are widely considered to be one of the more prominent groups to take part in the second-wave emo movement that took place in the mid-1990s. In their early years, they toured with such influential emo bands as Jimmy Eat World, The Promise Ring and Braid, later touring with such groups as Superchunk, The Anniversary and Hot Rod Circuit. During that time, they often collaborated with other groups, putting out split EPs on 7" vinyl.
Year | Title | Split with | Song featured | Record label |
---|---|---|---|---|
1996 | The Get Up Kids / Coalesce | Coalesce | "Burned Bridges" | Second Nature Recordings |
1997 | Post Marked Stamps No. 4 | Braid | "I'm a Loner Dottie, a Rebel" | Tree Records |
1999 | The Get Up Kids / The Anniversary | The Anniversary | "Central Standard Time" | Vagrant Records |
2001 | The Get Up Kids / Rocket From the Crypt | Rocket from the Crypt | "Up on the Roof" | |
2004 | Devil in the Woods No. 69 | Volcano, I'm Still Excited!! | "Wouldn't Believe It" (Live in the Studio) | Devil in the Woods Magazine |
Title | Year | Album |
---|---|---|
"Shorty" | 1996 | Non-album singles |
"A Newfound Interest in Massachusetts" | 1997 | |
"Ten Minutes" | 1999 | |
"Action & Action" | 2000 | Something to Write Home About |
"Overdue" [4] | 2002 | On a Wire |
"Wouldn't Believe It" | 2004 | Guilt Show |
"Automatic" | 2011 | There Are Rules |
"Rally 'Round the Fool" [5] | ||
"Maybe" [6] | 2018 | Kicker(EP) |
"Better This Way" [7] | ||
"Satellite" [8] | 2019 | Problems |
Title | Year | Director | Album |
---|---|---|---|
"Action & Action" [9] | 1999 | Unknown | Something to Write Home About |
"Overdue" [10] | 2002 | On a Wire | |
"Stay Gone" | Brock Batten, Jonathan Green [11] | ||
"Man of Conviction" [12] | 2004 | Unknown | Guilt Show |
"The One You Want" [12] | |||
"Automatic" | 2011 | Brendan Costello [13] | There Are Rules |
"Shatter Your Lungs" | Adam Rothlein [14] | ||
"Regent's Court" | Pat Vamos [15] [16] | ||
"Rally 'Round the Fool" [17] | |||
"I'm Sorry" | 2018 | Shawn Brackbill [18] | Kicker(EP) |
Title | Year | Album |
---|---|---|
"On with the Show" (Mötley Crüe cover) | 1999 | I Love Metal |
"Alec Eiffel" (Pixies cover) | Where Is My Mind? Tribute to the Pixies | |
"Close to Me" (The Cure cover) | Before You Were Punk 2 | |
"Newfound Mass (2000)" | 2000 | The Best Comp in the World |
"Impossible Outcomes" | Encapsulated | |
"Beer for Breakfast" (The Replacements cover) | Another Year on the Streets | |
"The Lion and the Lamb" | 2004 | Rock Against Bush, Vol. 1 |
"Like a Man Possessed" | Another Year on the Streets Vol. 3 |
Emo is a rock music genre characterized by emotional, often confessional lyrics. It emerged as a style of post-hardcore and hardcore punk from the mid-1980s Washington D.C. hardcore punk scene, where it was known as emotional hardcore or emocore and pioneered by bands such as Rites of Spring and Embrace. In the early–mid 1990s, emo was adopted and reinvented by alternative rock, indie rock and/or punk rock bands such as Sunny Day Real Estate, Jawbreaker, Weezer, Cap'n Jazz, and Jimmy Eat World. By the mid-1990s, bands such as Braid, the Promise Ring, and the Get Up Kids emerged from the burgeoning Midwest emo scene, and several independent record labels began to specialize in the genre. Meanwhile, screamo, a more aggressive style of emo using screamed vocals, also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the Year, Thursday, the Used, and Underoath.
Something to Write Home About is the second studio album by American rock band the Get Up Kids, released on September 28, 1999, through Vagrant Records and the band's own label Heroes & Villains Records. Following the promotional tours for their debut album Four Minute Mile (1997), the band were in discussion with Mojo Records. During this period, James Dewees joined as the band's keyboardist. As negotiations with the label eventually stalled, they eventually went with Vagrant Records. They recorded their next album at Mad Hatter Studios in Silver Lake, Los Angeles, California, co-producing it with Chad Blinman and Alex Brahl. Described as an emo and pop-punk album, Something to Write Home About expands on the harder edge of its predecessor, with frontman Matt Pryor citing the works of the Foo Fighters, Jimmy Eat World and Wilco as influences.
The Get Up Kids are an American rock band from Olathe, Kansas. Formed in 1995, the band was a major player in the mid-1990s Midwest emo scene, otherwise known as the "second wave" of emo music. Their second album Something to Write Home About remains their most widely acclaimed album, and is considered to be one of the quintessential albums of the second-wave emo movement. They are considered forefathers of the emo genre, and have been widely credited as being an influence, both with contemporaries like Saves The Day and later bands like Fall Out Boy, Taking Back Sunday and The Wonder Years.
No Pads, No Helmets...Just Balls is the debut studio album by Canadian rock band Simple Plan. Formed by members of Reset, Simple Plan spent over a year recording their first album with producer Arnold Lanni. It is a pop punk record that revolved around being an outcast, drawing comparisons to Blink-182, Good Charlotte and New Found Glory. After signing with major label Atlantic Records, "I'm Just a Kid" was released as a single in February 2002, with No Pads, No Helmets...Just Balls following on March 19. It received a mixed reaction from music critics, with some commenting on the lack of originality and others praising the production.
Vagrant Records is an American record label based in California. It was founded in 1995 by Rich Egan and Jon Cohen. The label focuses on rock, but features artists in a variety of other genres including folk, soul, electronic, and pop. It is home to artists such as The 1975, Death Spells, Eels, Edward Sharpe and the Magnetic Zeroes, CRUISR, Active Child, PJ Harvey, School of Seven Bells, Black Rebel Motorcycle Club, James Vincent McMorrow, Black Joe Lewis, Wake Owl, Blitzen Trapper, and Bombay Bicycle Club. Originally, Vagrant Records was mostly focused on emo bands such as Dashboard Confessional, Saves the Day, The Get Up Kids, Senses Fail, and Alkaline Trio. The label is considered one of the pre-eminent labels of the emo music scene.
From Here to Infirmary is the third album by American rock band Alkaline Trio. It was their first album for Vagrant and their only album with Mike Felumlee, who replaced their previous drummer, Glenn Porter. When Felumlee left the band shortly after the album's release, Atom Willard filled in on tour and appeared in the music video for "Private Eye", before Derek Grant became their new drummer.
Bleed American is the fourth studio album by American rock band Jimmy Eat World, released on July 24, 2001, by DreamWorks Records. The album was re-released as Jimmy Eat World following the September 11 attacks; that name remained until 2008, when it was re-released with its original title returned.
Clarity is the third studio album by American rock band Jimmy Eat World. It was released on February 23, 1999, through Capitol Records, with which Jimmy Eat World clashed several times while recording their second studio album Static Prevails (1996). The band recorded a follow-up with producer Mark Trombino in May and June 1998, and were free to make it however they wanted without interference from Capitol. The recording sessions began at Sound City in Van Nuys, California, before moving to Clear Lake Audio in North Hollywood, California. Clarity, which is described as an emo, pop-punk, and punk rock release, marked the beginning of frontman Jim Adkins' tenure as the band's main vocalist, taking over from guitarist Tom Linton.
On a Wire is the third studio album by American rock band The Get Up Kids on Vagrant Records. Released three years after their breakout sophomore album Something to Write Home About, On a Wire was a massive departure from the band's established sound, eschewing the brighter pop-punk that helped define emo as a genre in favor of a darker, more adult sound inspired by 70's rock bands like Led Zeppelin.
Guilt Show is the fourth studio album by American rock band The Get Up Kids. It was released on Vagrant Records on March 2, 2004.
Through Being Cool is the second studio album by American rock band Saves the Day, released on November 2, 1999 by Equal Vision. The songs on Through Being Cool were written while the band members attended New York University. The album was recorded in 11 days and represented the band's transition from a melodic hardcore sound to a more pop punk style. It was produced by Steve Evetts at Trax East Recording Studio in South River, New Jersey. The band's members dropped out of college to tour alongside Snapcase, New Found Glory, Hot Water Music, and Face to Face, among others. A music video was filmed for the song "Shoulder to the Wheel."
Stay What You Are is the third studio album from American rock band Saves the Day, released in 2001.
"The Middle" is a song by American rock band Jimmy Eat World. It was released in October 2001 as the second single of their fourth album, Bleed American (2001). It was a number-five hit on the US Billboard Hot 100 in 2002 and reached the top 50 in Australia, Ireland, New Zealand and the United Kingdom. The song was a breakthrough hit for Jimmy Eat World, who had self-financed the recording of the Bleed American album after being dropped by Capitol Records in 1999. It is considered the band's signature song.
A Mark, a Mission, a Brand, a Scar is the third studio album by American band Dashboard Confessional.
MTV Unplugged 2.0 is a live album released by American emo band Dashboard Confessional on 17 December 2002 through Vagrant. This CD/DVD package is the band's first live album. The band is also the first non-Platinum selling artist to be on MTV Unplugged. "Screaming Infidelities" was released as a single.
The Places You Have Come to Fear the Most is the second studio album recorded by the American emo band Dashboard Confessional, released on March 20, 2001, through Vagrant Records.
Designing a Nervous Breakdown is the debut studio album by the American rock band The Anniversary. The album was recorded in 1999, released on January 25, 2000, and features cover art from the video game Microsurgeon.
Your Majesty is the second studio album by American rock band the Anniversary. It was released on January 22, 2002, through Vagrant Records. Following the release of their debut studio album, Designing a Nervous Breakdown in early 2000, the band started writing new material by that August. They later recorded the album in June 2001 at Sonora Recorders in Los Feliz, California, with producer Rob Schnapf.
There Are Rules is the fifth studio album by American rock band The Get Up Kids, the band's first studio album release since 2004's Guilt Show. After their initial reunion, the band decided to challenge themselves to write and record an album in only two weeks without using any digital technology. Ultimately, due to conflicting schedules, they dropped the two-week deadline and recorded over several months in 2009 and 2010. Much of the album was recorded in the same sessions as their first post-reunion release, Simple Science, the song "Keith Case" being featured on both.
Kicker is an EP by American rock band The Get Up Kids. It was the first release from the band in seven years, and their first release on a record label other than Vagrant Records in 19 years. It was hailed as a return to form after the band's more experimental self-released reunion album There Are Rules (2011).
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