On a Wire

Last updated
On a Wire
TheGetUpKids-OnAWire-AlbumCover.jpg
Studio album by
the Get Up Kids
ReleasedMay 14, 2002 (2002-05-14)
RecordedNovember 2001, January–February 2002
StudioZ'Gwonth Studios, Lawrence, Kansas;
Tarquin Studios, Bridgeport, Connecticut
Genre
Length43:28
Label Vagrant
Producer Scott Litt
The Get Up Kids chronology
Eudora
(2001)		On a Wire
(2002)		 Guilt Show
(2004)
Singles from On a Wire
  1. "Overdue"
    Released: June 2002

On a Wire is the third studio album by American rock band the Get Up Kids on Vagrant Records. Released three years after their breakout sophomore album Something to Write Home About , On a Wire was a massive departure from the band's established sound, eschewing the brighter pop-punk that helped define emo as a genre in favor of a darker, more adult sound inspired by 70's rock bands like Led Zeppelin.

Contents

Reception to the album was extremely divisive, and is widely seen as having derailed the band's career just as emo was starting to break into the mainstream with contemporaries like Jimmy Eat World and Dashboard Confessional receiving extensive radio play. However, in the years since, the album has been re-appraised, with many praising its complex songwriting.

Background and recording

After touring extensively to support Something to Write Home About , the band was looking to depart from their high-energy powerpop style in lieu of a slower, more mellow sound. In 2000, vocalist/guitarist Matt Pryor moved to Boston, Massachusetts, and drummer Ryan Pope moved to Los Angeles, California. As a result, the members only saw each other when they embarked on tours. [1] After a US tour in October and November, the group began working on a new album. [2] By the end of the year, they had managed to fit in ten rehearsals, writing eight songs in the process. Their goal was to write 30 songs, which they plan to whittle down to 12. [3] Following this, the group received a number of tour offers that they accepted, such as opening for Weezer and Green Day.

Unlike the band's previous work, which they played extensively at live shows before recording, On a Wire was written entirely in the studio, leading to a much less energetic sound. [4] Years later, Jim Suptic remarked that had the band toured the songs before recording, the resulting album would have been "less acoustic and heavier in parts." [4]

After touring ended, the band was physically and mentally fatigued, and looked to write a significantly different album. [5] The group eventually reconvened in Kansas and wrote new material for their next album. Soon afterwards, they accumulated 25 songs. The band compiled a list of potential producers for their next album. Scott Litt approached the group after liking the demos he heard. [1] Eudora , a compilation of rarities and obscure recordings, was released as a stop-gap release to capitalise on the band's success and to maintain hype for their next album. [6] In November 2001, the band recorded "Campfire Kansas" at Z'Gwonth Studios in Lawrence, Kansas. [7] Following this, the band embarked on a headlining US tour, with support from the Appleseed Cast and Alkaline Trio. [8] [9] The rest of the album was recorded in January and February 2002 at Tarquin Studios in Bridgeport, Connecticut with Litt [7] over the course of six weeks. [10]

Keyboardist James Dewees stated in an interview with AP Magazine that Litt "knew how to make bands sound good, but he was taking a band that was used to playing four-chord rock songs. We didn't know what we were doing." According to Pope, Litt didn't allow Dewees much control with his instrument: "James would go into something and (Scott Litt) would be like, 'No jazz chords! Don't do that! One hand!'" [11] Litt mixed the recordings while Peter Katis acted as engineer. Ed Rose, who had worked with the band previously, provided additional creative input on "Overdue" while Carl Nappa did digital editing. Katis did additional mixing at The Hit Factory in New York City later in February with assistance from Jamie Duncan. Stephen Marcussen then mastered the recordings at Marcussen Mastering. [7]

Composition

On a Wire's songs were collectively written by the group, unlike their first two albums, which were predominately written by Pryor. Previously, whatever number of songs they had prior to entering the studio would end up being on a record. For On a Wire, they initially wrote double the number of songs that would end up on the album. All of the members would show up to practice sessions with a song, which would be fleshed out by everyone. This was to allow every member to have some input in the songwriting and reduced any resentment in a situation where a single person was writing all the songs. In the past, the group would play songs as a whole band, and sometimes play them on tour, before recording them in the studio at a fast pace. This time, they would take the demo recordings of songs and build upon them. [12]

Musically, the album's sound has been classed as alternative country, [13] [14] americana [10] and indie rock, [15] drawing comparisons to the Promise Ring's Wood/Water (2002), [16] [17] Wilco and the Dream Syndicate. [10] It marked a shift away from the group's earlier pop punk/emo sound [16] [18] and replaced it mainly with acoustic guitars, quiet vocals [18] and more prominent keyboards. [17] [19] Andrew Sacher of BrooklynVegan wrote that this departure did not seem as drastic for Pryor, who had been exploring similar sounds with his side effort the New Amsterdams. [20] Bassist Rob Pope said they wanted to make an album that was less "guitar-rock-oriented", opting to focus more on the songs' arrangements. [1] Pryor said most of the songs were "sort of questioning where you're at and what you want to do and ultimately coming to the conclusion that you've got to be happy with what you're doing." [1] The album's title is taken from "Walking on a Wire", which was originally titled "Career Killer"; the song talks about a relationship failing. [10] "Overdue" is about Pryor's dad and things he thinks about as a parent himself: "If I'm going to learn anything from my parents, it's going to be what not to do." [12]

Release and promotion

On March 22, 2002, On a Wire was announced for release in two months' time; alongside this, the album's track listing and artwork were posted online. [21] The following month, the band performed at Skate and Surf Fest. [22] On April 25, 2002, "Overdue" was made available for streaming through an e-card on the band's website. [23] On a Wire was released through independent label Vagrant Records on May 14, 2002. [24] The album's artwork was created by Travis Millard; [7] Pryor said it was "incredibly complicated" as the band wanted it to stand out when compared to the covers of their other albums. [25] In May and June, the group went on a headlining US tour [24] with support from Hot Rod Circuit, the Jealous Sound, Rhett Miller and Audio Learning Center. [26] The album was also released in two record versions: black 180 gram vinyl and limited edition picture disc.

On June 21, a music video was released for "Overdue" on the group's website, consisting of animation made by Millard. [27] Around this time, "Overdue" was released as a single. [28] The video had a tiny bit of success, receiving a few late-night plays on MTV and was in rotation for a week at MTV2. [11] The band spent a week at home, before going on an east coast US tour [27] in June and July with Superchunk and Hot Rod Circuit. [26] After this, they performed "Stay Gone" on the Late Night with Conan O'Brien , and appeared at the Fuji Rock Festival in Japan. [27] In August, the band went on a European tour, which included a number of festival appearances. [29] The tour was to include shows in Italy, Switzerland and Amsterdam, but were left out due to time constraints. [27]

During this tour, the album was released in Europe on August 20. Similar to the European tour, the band were due to perform [27] on the Vagrant America arena tour alongside other Vagrant Records bands [30] but had to cancel. Further European shows were planned but also abandoned due to scheduling conflicts, resulting in the band staying at home. They played a few Midwest US shows in November and December, [27] before embarking on another European tour with Koufax in January 2003. [31] In February and March, the band toured Japan, Canada and the US; they played with Hot Rod Circuit and Moneen. [32] [33] A music video for "Stay Gone", directed by Brock Batten and Jonathan Green, was released on the Vagrant Records Another Year on the Street Vol. 3 compilation [34] in June 2004. [35]

Reception

Professional ratings
Aggregate scores
SourceRating
Metacritic 69/100 [36]
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [37]
Chart Attack Unfavorable [16]
CMJ New Music Monthly Favorable [38]
E! Online B [39]
Entertainment Weekly Favorable [15]
Neumu Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svgStar empty.svgStar empty.svgStar empty.svg [18]
Pitchfork 3.3/10 [17]
Rolling Stone Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [19]
Stylus Magazine F [40]
The Washington Post Favorable [41]

Critical reception

On a Wire charted at number 57 on the Billboard 200 [42] and number 3 on the Independent Albums charts. [43]

While the album was received with mild praise from more mainstream publications like Rolling Stone, many smaller publications felt that the band had abandoned their roots as second-wave emo group. However, despite the criticism, the band still incorporated much of their musical growth into their follow-up Guilt Show, which was much better received. [44] However, many fans were upset with the concerts, since many of the songs on the album did not fit well with the band's usually energetic live show.

Fan Response

Despite moderately positive critical reception and modest sales, fan response was largely dismissive and angry. [45] [4] [46] In 2019, Pryor recounted "I think when we made On A Wire, we thought we were confident, but we were actually just arrogant. 'Oh yeah, everyone’s always liked what we do, so they’re gonna totally understand why we’re doing a complete 180.' And some of them didn’t!" [4]

On a Wire is one in a line of albums from second-wave emo bands that marked an attempt to expand the sound and met with resistance from fans, having been compared to Wood/Water by The Promise Ring, as well as releases by their labelmates, such as The Anniversary's sophomore album Your Majesty and Saves The Day's In Reverie. [4] [46]

Legacy

The poor reception of the album had a larger impact on the band's widespread popularity as a whole. In an interview with AP Magazine, lead singer Matt Pryor considered that the dramatic change in style for On a Wire seriously impacted the momentum the band had gained from Something to Write Home About, allowing later bands such as Dashboard Confessional to take much of the fan base that the Get Up Kids had previously earned. [6]

Years later, Pryor acknowledged the effect the shift between Something to Write Home About and On a Wire had on their fan base in an interview with New York Press: "I feel like the way that we rolled out On A Wire was kind of abrasive and confrontational. I think it was very polarizing to our fans. We were kind of like, ‘This is what we do, fuck you guys.’ But hindsight is 20/20; I learned from that experience." [47]

Over time, fan reception to the album has warmed. Speaking in 2019, Pryor said "I’ve been making the joke for a while that On A Wire is our Paul's Boutique where it’s like … [it] didn’t do well when it came out, but now, [fans say] 'Oh, it’s my favorite record!' That’s not what you said in 2002!" [4]

Track listing

All songs written by the Get Up Kids. [7]

No.TitleLength
1."Overdue"2:59
2."Stay Gone"3:04
3."Let the Reigns Go Loose"3:43
4."Fall from Grace"3:39
5."Grunge Pig"4:09
6."High as the Moon"3:27
7."All That I Know"3:21
8."Walking on a Wire"5:17
9."Wish You Were Here"3:32
10."Campfire Kansas"3:04
11."The Worst Idea"3:25
12."Hannah Hold On"3:48
Total length:43:28

Personnel

Personnel per sleeve. [7]

Charts

Charts (2002)Peak
position
US Billboard 200 [42] 57
US Independent Albums (Billboard) [43] 3

Related Research Articles

<i>Something to Write Home About</i> 1999 studio album by The Get Up Kids

Something to Write Home About is the second studio album by American rock band the Get Up Kids, released on September 28, 1999, through Vagrant Records and the band's own label Heroes & Villains Records. Following the promotional tours for their debut album Four Minute Mile (1997), the band were in discussion with Mojo Records. During this period, James Dewees joined as the band's keyboardist. As negotiations with the label eventually stalled, they eventually went with Vagrant Records. They recorded their next album at Mad Hatter Studios in Silver Lake, Los Angeles, California, co-producing it with Chad Blinman and Alex Brahl. Described as an emo and pop-punk album, Something to Write Home About expands on the harder edge of its predecessor, with frontman Matt Pryor citing the works of the Foo Fighters, Jimmy Eat World and Wilco as influences.

<span class="mw-page-title-main">The Get Up Kids</span> American rock band

The Get Up Kids are an American rock band from Kansas City. Formed in 1995, the band was a major act in the mid-1990s Midwest emo scene, otherwise known as the "second wave" of emo music. Their second album Something to Write Home About remains their most widely acclaimed album, and is considered to be one of the quintessential albums of the second-wave emo movement. They are considered forefathers of the emo genre, and have been widely credited as being an influence, both by contemporaries Saves the Day and later bands such as Fall Out Boy, Taking Back Sunday and the Wonder Years.

<i>The Moon Is Down</i> (album) 2001 studio album by Further Seems Forever

The Moon Is Down is the debut album by the Pompano Beach, Florida rock band Further Seems Forever, released in 2001 by Tooth & Nail Records. It was the band's first full-length album. Vocalist Chris Carrabba had already decided to leave the band to focus on his new project, Dashboard Confessional, but joined them in the studio to record the album. Dominguez left the band the following year to start the record label Pop Up Records. The two were replaced by Jason Gleason and Derick Cordoba, respectively, for the band's next album How to Start a Fire. A music video was filmed for the song "Snowbirds and Townies."

<i>Full Collapse</i> 2001 studio album by Thursday

Full Collapse is the second studio album by American post-hardcore band Thursday. It was released on April 10, 2001, through Victory Records, to whom the band signed after leaving Eyeball Records. With the addition of guitarist Steve Pedulla, recording sessions for the album were held in November 2000 at Big Blue Meenie Recording Studios in Jersey City. Sal Villanueva, who served as the producer, the production team and members of different bands contributed additional instrumentation to the recordings. Full Collapse is considered a post-hardcore and screamo album.

<i>Four Minute Mile</i> 1997 studio album by The Get Up Kids

Four Minute Mile is the debut studio album by American rock band The Get Up Kids.

<i>From Here to Infirmary</i> 2001 studio album by Alkaline Trio

From Here to Infirmary is the third studio album by American punk rock band Alkaline Trio. It was their first album for Vagrant and their only album with Mike Felumlee, who replaced their previous drummer, Glenn Porter. When Felumlee left the band shortly after the album's release, Atom Willard filled in on tour and appeared in the music video for "Private Eye", before Derek Grant became their new permanent drummer.

<i>Guilt Show</i> 2004 studio album by The Get Up Kids

Guilt Show is the fourth studio album by American rock band The Get Up Kids. It was released on Vagrant Records on March 2, 2004.

Hey Mercedes was an alternative rock band from Milwaukee, Wisconsin and Chicago, Illinois, United States, formed after the dissolution of Braid by its former members Bob Nanna, Todd Bell, and Damon Atkinson.

<i>Stay What You Are</i> 2001 studio album by Saves the Day

Stay What You Are is the third studio album from American rock band Saves the Day, released in 2001. The album received positive reviews from critics at the time of its release and remains an influential album in the emo and pop punk genres. It has been described as "channel[ling] the thrill of the pop punk, the intellect of indie rock, and the raw emotion of emo all at once." Lead single "At Your Funeral" charted in the United Kingdom and Scotland.

<span class="mw-page-title-main">James Dewees</span> American musician

James Matthew Dewees is an American musician best known for his work with The Get Up Kids, Reggie and the Full Effect and My Chemical Romance. He has also been involved in other musical projects including New Found Glory, Coalesce, Leathermouth, and Death Spells.

<i>A Mark, a Mission, a Brand, a Scar</i> 2003 studio album by Dashboard Confessional

A Mark, a Mission, a Brand, a Scar is the third studio album by American rock band Dashboard Confessional.

<span class="mw-page-title-main">Matt Pryor (musician)</span> American musician (born 1978)

Matthew Pryor is an American musician who lives in Lawrence, Kansas. He is best known as a founding member and the lead vocalist of the Get Up Kids, one of the most influential acts of the second-wave emo music scene.

<i>The Places You Have Come to Fear the Most</i> 2001 studio album by Dashboard Confessional

The Places You Have Come to Fear the Most is the second studio album by American rock band Dashboard Confessional, released on March 20, 2001, through Vagrant Records.

<i>Everynight Fire Works</i> 2001 studio album by Hey Mercedes

Everynight Fire Works is the debut studio album by American rock band Hey Mercedes. Following the demise of Braid, most of the members formed Hey Mercedes, with guitarist Mark Dawursk joining in early 2000. The band released a self-titled EP through Polyvinyl Record Co., before signing to Vagrant Records at the end of the year. They recorded their debut with Burning Airlines member J. Robbins at Pachyderm Studios in Cannon Falls, Minnesota in April 2001. Everynight Fire Works is an alternative rock, emo, indie rock and pop punk record that drew comparisons to Burning Airlines, Jets to Brazil, and Shudder to Think.

<i>Loses Control</i> 2003 studio album by Hey Mercedes

Loses Control is the second and final studio album by American rock band Hey Mercedes. Following the release of Everynight Fire Works (2001), guitarist Mark Dawursk left the band was replaced by Michael Shumaker in May 2002. Between then and the end of the year, the band spent time writing new material. They recorded Loses Control in April and May at Camp Street Studios in Cambridge, Massachusetts with producers Sean Slade and Paul Q. Kolderie. Loses Control is an indie rock, pop-punk and power pop record that used bigger and thicker guitar sounds, and Nanna double-tracking his voice.

<span class="mw-page-title-main">Jim Suptic</span> American musician and entrepreneur (born 1977)

Jim Suptic is an American musician and entrepreneur, best known for being the guitarist for the rock band The Get Up Kids.

<i>Your Majesty</i> (album) 2002 studio album by The Anniversary

Your Majesty is the second studio album by American rock band the Anniversary. It was released on January 22, 2002, through Vagrant Records. Following the release of their debut studio album, Designing a Nervous Breakdown in early 2000, the band started writing new material by that August. They later recorded the album in June 2001 at Sonora Recorders in Los Feliz, California, with producer Rob Schnapf.

<span class="mw-page-title-main">The Get Up Kids discography</span>

The discography of The Get Up Kids, an American rock band that formed in 1995, consists of six studio albums, five singles, one live album and seven extended plays.

<i>There Are Rules</i> 2011 studio album by The Get Up Kids

There Are Rules is the fifth studio album by American rock band The Get Up Kids, the band's first studio album release since 2004's Guilt Show. After their initial reunion, the band decided to challenge themselves to write and record an album in only two weeks without using any digital technology. Ultimately, due to conflicting schedules, they dropped the two-week deadline and recorded over several months in 2009 and 2010. Much of the album was recorded in the same sessions as their first post-reunion release, Simple Science, the song "Keith Case" being featured on both.

<i>Kicker</i> (EP) 2018 EP by The Get Up Kids

Kicker is an EP by American rock band The Get Up Kids. It was the first release from the band in seven years, and their first release on a record label other than Vagrant Records in 19 years. It was hailed as a return to form after the band's more experimental self-released reunion album There Are Rules (2011).

References

Citations

  1. 1 2 3 4 DeRogatis, Jim. "About On a Wire". The Get Up Kids. Archived from the original on 2006-02-06. Retrieved February 6, 2019.
  2. ↑ Hiller, Joachim (September–November 2000). "Interviews & Articles: Get Up Kids". Ox-Fanzine (in German). Retrieved May 22, 2019.
  3. ↑ Harkness, Geoff (December 28, 2000). "Something to write home about". Lawrence. Archived from the original on 2016-08-10. Retrieved February 24, 2019.
  4. 1 2 3 4 5 6 Cohen, Ian (April 30, 2019). "The Get Up Kids And Their Adult Problems". Stereogum. Archived from the original on June 19, 2022. Retrieved June 24, 2022.
  5. ↑ Gintowt, Richard (March 25, 2005). "Stay Gold, Ponyboys". Lawrence. Archived from the original on December 18, 2007. Retrieved July 12, 2009.
  6. 1 2 Kelley, Trevor. "Say Goodnight, Mean Goodbye: The Oral History of The Get Up Kids". Alternative Press. No. 204.
  7. 1 2 3 4 5 6 On a Wire (sleeve). The Get Up Kids. Vagrant/Heroes & Villains Records. 2002. 910 370-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  8. ↑ Heisel, Scott (October 18, 2001). "A bunch of Get Up Kids news…". Punknews.org. Retrieved February 11, 2021.
  9. ↑ Heisel, Scott (November 10, 2001). "Alkaline Trio/Hot Water Music update and tour news". Punknews.org. Retrieved February 14, 2021.
  10. 1 2 3 4 Edwards, Gavin (August 5, 2002). "The Get Up Kids Get Up". Rolling Stone. Archived from the original on October 26, 2007. Retrieved February 6, 2019.
  11. 1 2 Gintowt, Richard (February 27, 2004). "Guilty Pleasures". Lawrence. Archived from the original on 2019-02-09. Retrieved February 9, 2019.
  12. 1 2 D'Angelo, Joe (May 31, 2002). "The Get Up Kids Grow Up On A Wire". MTV. Archived from the original on 2019-02-15. Retrieved February 14, 2019.
  13. ↑ Lee, Andy (July 16, 2004). "The Get Up Kids Wanna Rock Again". Chart Attack. Archived from the original on 2006-02-19. Retrieved February 6, 2019.
  14. ↑ Green, Stuart (January 1, 2006). "The Get Up Kids Get Back to Basics". Exclaim!. Archived from the original on 2019-02-07. Retrieved February 6, 2019.
  15. 1 2 Caramanica, Jon (May 31, 2002). "On a Wire Review". Entertainment Weekly. Archived from the original on September 29, 2012. Retrieved February 6, 2019.
  16. 1 2 3 Servos, Steve (May 14, 2002). "CD REVIEWS: Moby, Weezer, Rush and many more". Chart Attack. Archived from the original on 2005-12-04. Retrieved February 5, 2019.
  17. 1 2 3 Pecoraro, David M. (June 10, 2002). "The Get Up Kids: On a Wire". Pitchfork. Archived from the original on October 21, 2002. Retrieved February 5, 2019.
  18. 1 2 3 Gozdecki, Steve (2002). "The Get Up Kids On a Wire". Neumu. Archived from the original on 2019-02-07. Retrieved February 5, 2019.
  19. 1 2 Walters, Barry (June 20, 2002). "The Get Up Kids: On A Wire : Music Reviews". Rolling Stone. Archived from the original on October 2, 2007. Retrieved February 5, 2019.
  20. ↑ Sacher, Andrew (August 10, 2022). "35 Best Emo & Post-Hardcore Albums of 2002". BrooklynVegan . Archived from the original on August 10, 2022. Retrieved August 10, 2022.
  21. ↑ Heisel, Scott (March 22, 2002). "New album info for the Get Up Kids". Punknews.org. Retrieved February 16, 2021.
  22. ↑ Paul, Aubin (February 2, 2002). "Skate and Surf Fest 2002". Punknews.org. Retrieved February 15, 2021.
  23. ↑ White, Adam (April 25, 2002). "New Get Up Kids track available". Punknews.org. Retrieved February 21, 2021.
  24. 1 2 "Get Up Kids Get A Lift From Superchunk". Billboard. May 2, 2002. Archived from the original on 2018-10-26. Retrieved February 6, 2019.
  25. ↑ "News". The Get Up Kids. Archived from the original on 2005-10-26. Retrieved February 8, 2019.
  26. 1 2 "Tours". The Get Up Kids. Archived from the original on 2002-06-08. Retrieved February 6, 2019.
  27. 1 2 3 4 5 6 "New + Notable". The Get Up Kids. Archived from the original on June 8, 2003. Retrieved February 6, 2019.
  28. ↑ "Overdue" (sleeve). The Get Up Kids. Vagrant Records. 2002.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  29. ↑ "Tours". The Get Up Kids. Archived from the original on 2002-08-10. Retrieved February 6, 2019.
  30. ↑ Heisel, Scott (December 15, 2001). "Vagrant America 2002 - HUGE Update". Punknews.org. Aubin Paul. Archived from the original on 2017-02-13. Retrieved February 12, 2017.
  31. ↑ "Tours". The Get Up Kids. Archived from the original on 2002-12-02. Retrieved February 6, 2019.
  32. ↑ "New + Notable". The Get Up Kids. Archived from the original on February 12, 2003. Retrieved February 8, 2019.
  33. ↑ Heisel, Scott (February 25, 2003). "Moneen on tour with the Get Up Kids". Punknews.org. Retrieved March 4, 2021.
  34. ↑ Another Year on the Street Vol. 3 (booklet). Various artists. Vagrant Records. 2004. VR-0397-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  35. ↑ Loftus, Johnny. "Another Year on the Street, Vol. 3 - Various Artists | Songs, Reviews, Credits". AllMusic. Archived from the original on 2019-02-07. Retrieved February 6, 2019.
  36. ↑ "On A Wire Reviews, Ratings, Credits, and More at Metacritic". Metacritic.com. Retrieved 2012-03-04.
  37. ↑ Anderson, Jason. "On a Wire - The Get Up Kids | Songs, Reviews, Credits". AllMusic. Archived from the original on 2019-02-07. Retrieved February 6, 2019.
  38. ↑ Sciarretto 2002, p. 13
  39. ↑ "Music - The Get Up Kids "On a Wire"". E! Online. Archived from the original on October 27, 2002. Retrieved February 5, 2019.
  40. ↑ Freelon, Deen (September 1, 2003). "The Get Up Kids - On A Wire - Review". Stylus Magazine. Archived from the original on February 1, 2010. Retrieved February 5, 2019.
  41. ↑ Jenkins, Mark (June 28, 2002). "The Get Up Kids "On a Wire"". The Washington Post. Archived from the original on 2019-02-05. Retrieved February 5, 2019.
  42. 1 2 "The Get Up Kids Chart History (Billboard 200)". Billboard. Retrieved February 6, 2019.
  43. 1 2 "The Get Up Kids Chart History (Independent Albums)". Billboard. Retrieved February 6, 2019.
  44. ↑ Gintowt, Richard (2004-02-27). "Guilty Pleasures". Lawrence.com. Archived from the original on 2019-02-09. Retrieved 2012-03-04.
  45. ↑ "The Get up Kids – Kicker | KEEP IT FAST, Progressive, Comedy, Hardcore, Thrash, Punk, News, Reviews and Latest Tracks".
  46. 1 2 Pearlman, Mischa (May 13, 2019). "The Get Up Kids Have Made Their Peace With Being Emo". Kerrang! . Wasted Talent. Retrieved July 6, 2022.
  47. ↑ Reiss, John (2011-03-02), Catching Up With The Get Up Kids' Matt Pryor, New York Press, archived from the original on 2011-03-09, retrieved 2011-03-04

Sources

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.