Dirty Rotten Imbeciles (often abbreviated and referred to as D.R.I.) is an American crossover thrash band that formed in Houston in 1982 and would later relocate to San Francisco. The band is currently composed of two of its founding members, lead vocalist Kurt Brecht and guitarist Spike Cassidy, as well as bassist Greg Orr and drummer Rob Rampy.
To date, D.R.I. has released seven full-length studio albums. Other than three new songs on the 2016 EP But Wait... There's More!,[2] they have not released a full-length studio album since Full Speed Ahead in 1995. Despite this, the band has continued to tour almost every year, and gone on hiatus intermittently, notably between 2004 and 2009, when Cassidy was diagnosed with colon cancer. Since the late 1990s,[3] D.R.I. has been working on their eighth full-length studio album, which remains unreleased.
History
Early days (1982–1986)
Dirty Rotten Imbeciles (then-called US D.R.I.[1]) was formed in Houston in May 1982 by former members of the hardcore punk band Suburbanites. The original line-up consisted of Spike Cassidy on guitar, Kurt Brecht on lead vocals, Eric Brecht on drums and Dennis Johnson on bass,[4] which was basically the Suburbanites with Cassidy on guitar. Cassidy's roommate played guitar in the Suburbanites.
The group started practicing at Kurt and Eric's parents' home. The noise made by the band allegedly drew regular complaints from Kurt and Eric's father. This led to the band gaining their name when they were described as a "bunch of dirty rotten imbeciles." This was also an inspiration for the song "Madman," which featured a clip of Kurt and Eric's father interrupting a band practice to complain about the noise. They initially went under the name US D.R.I for a brief period before shortening it to D.R.I. Presumably, the "US" stood for the band, as mentioned in interviews off of the extended version of the Dirty Rotten CD. Photos of the band can be found with the original US D.R.I logo. The "Skanker Man" logo was designed by original drummer Eric Brecht as a high school art assignment to create a "corporate" logo. He received an "A" on it.[citation needed]
Two months later, on July 2, 1982, the band played their first show at Joe Star's OMNI, in Houston.
On November 6 and 7, 1982, D.R.I. recorded their first release, the Dirty Rotten EP, fitting 22 songs into 18 minutes on a 7-inch EP. Not long before its release, US D.R.I. had changed their name to just D.R.I.,[1] and only 1000 copies of the EP version were pressed, making it now a collector's item. Demand caused this EP to be pressed into a 12-inch LP version, also released in 1983, aptly titled Dirty Rotten LP.[4]
In 1983, D.R.I. relocated to San Francisco,[4] where they lived in their van and ate at soup kitchens between gigs. Dennis Johnson quit the band and returned home to Texas. He was replaced with Sebastion Amok, and within a few months D.R.I. embarked on their first tour, appearing on the "Rock Against Reagan" tour with MDC and the Dead Kennedys.[1] After the tour, Josh Pappe was brought in to replace Sebastian Amok who would eventually join The Dicks, another Texas band.
Their next release was the four-song 7-inch EP Violent Pacification in 1984. After touring in the summer of 1984, Eric Brecht got married and left the band. He was replaced with a 17-year-old Felix Griffin. Also in 1984, one of their songs, "Snap" appeared on the anti-war benefit compilation P.E.A.C.E. along with other famous hardcore and punk bands such as Crass, D.O.A., Dead Kennedys and MDC.[5]
D.R.I.'s second full-length album, Dealing with It!, was released in March 1985 on Metal Blade Records.[4] The group toured extensively in support of the album. During the recording of the album, Josh Pappe took a leave from the band. Mikey Offender (Mikey Donaldson – bass player of The Offenders) was asked to play for the album, although Spike played bass on the songs that Donaldson did not have time to learn. The songs on Dealing with It! leaned slightly towards a metal direction, but still kept the band's thrashcore sound. As a result, D.R.I. toured relentlessly throughout 1985 and 1986 in support of Dealing with It!, and it was on this tour that the band gained a wide audience by performing with thrash metal bands such as Slayer, Anthrax, Exodus, Overkill and Hirax, while continuing to perform with their hardcore punk peers, including Discharge, Corrosion of Conformity, Bad Brains, T.S.O.L., JFA, Descendents, Verbal Abuse, Gang Green and Cryptic Slaughter. Also on this tour, they recorded their show at the Olympic Auditorium in Los Angeles on April 26, 1986, and released it on video, which was entitled Live at the Olympic.[1]
Crossover thrash period (1987–1996)
When Felix joined D.R.I. in 1984, he brought a new audience to the shows. The next three years the band toured and started developing a new genre, (along with other pioneers) crossover. Their third album, Crossover, released in 1987, was aptly named, as the songs on this album had a strong metal sound to them.[4] As the band began to cross over to thrash, their songs became longer, slower, and more complex. The press has called D.R.I. the major band of the "crossover" movement, a style that combined hardcore punk and thrash metal. This music invited a mixed audience of punks, skinheads, and metal fans to their shows. Thanks to this movement, Crossover helped expand D.R.I.'s popularity worldwide, including touring Europe and Australia for the first time, and opening for a variety of bands such as The Exploited and Anthrax.[1]
The Live At The Ritz video was recorded next, on June 27, 1987, at The Ritz in New York, during the band's worldwide Crossover tour.
In February 1988, the Dirty Rotten Imbeciles returned to the studio to record 4 of a Kind.[4] The songs on this album continued in the band's metal style. They released a music video for the song "Suit and Tie Guy", and the Dirty Rotten LP was remixed to include the songs from the Violent Pacification EP, and was re-released.[4] The band toured worldwide again to support the 4 of a Kind album, first in North America with Kreator and Holy Terror, and Europe with The Exploited and Gang Green.[1] Just before they started working on their next album, Josh Pappe left D.R.I. because of an offer to play for Gang Green. He was replaced by John Menor.
In October 1989, D.R.I. released their fifth album Thrash Zone.[4] Continuing in the same vein as 4 of a Kind, the album was another success for D.R.I. and two music videos were released to accompany it, "Beneath the Wheel" and "Abduction". The band toured for almost two years in support of Thrash Zone, mainly in Europe and North America, performing with numerous bands such as Nasty Savage, Sick of It All, Corrosion of Conformity, Mordred, Excel, Uncle Slam, Cryptic Slaughter, Dead Horse, Atrophy and Bitter End.[1]
In 1990, Felix Griffin left the group and was replaced by Rob Rampy. Around the same time, D.R.I. had severed ties with Metal Blade Records and it took over two years and a search for a new label, until the band's own imprint Rotten Records released the band's sixth album Definition in late 1992.[4] A music video was released for the song, "Acid Rain". The video would later be featured in an episode of MTV's Beavis and Butt-Head.
D.R.I. toured throughout 1992 and 1993 in support of Definition, including opening for Testament, as well as headlining their own shows. During this tour, they recorded their gig at the Hollywood Palladium on November 27, 1992, and it was released in 1994 as their first live album, appropriately entitled Live. It was, more or less, "released as a stepping stone between Definition and Full Speed Ahead". Soon after recording the show, John Menor left D.R.I. and was replaced by the band's long time friend and roadie, Chumly Porter.
The group took part in headlining the Lolitabazooka Tour in the fall of 1994. However, the band was less active during this period and focused on extracurricular activities.[6]
In 1995, D.R.I. released Full Speed Ahead.[4] They also made another music video, this time for a song called "Syringes In The Sandbox".
In January 1996, they started touring North America with Acid Bath opening for them. But in April, two band members ran into trouble trying to enter Canada, because they had both been previously charged with driving under the influence in the U.S. This resulted in the cancellation of all their Canadian tour dates.
Touring (1997–2005)
During 1997 and 1998, D.R.I. continued to tour the world extensively, including European and South American dates. Also in 1998, D.R.I. announced that they were writing songs for the follow-up to Full Speed Ahead, including "Against Me", "As Seen on TV", "Bad News", "Brick Wall View", "Destructive Power", "Insanity Plea", "Saddam Insane", "Sweaty Deli Tray" and "Wrong as Usual";[3] the former of the two would be released 18 years later on But Wait... There's More!. Steady touring, as well as the band's slow writing and recording pace and the search for a record label, resulted in putting the album on hold for over half a decade; eventually they were signed to Beer City Records.[7][8][9] By the spring of 2004, D.R.I. had demoed at least four new songs for a potential eighth studio album, including "Against Me", which was available downloading at the "record news" page from their official web site for several years.[10]
During 1999, D.R.I. appeared as one of the headlining bands on the "Social Chaos" in North America Tour. One of their songs, "I'm The Liar", is used for a Social Chaos Tour CD compilation. During August 1999, in the middle of the tour, Chumly left the band after tiring of touring. He was replaced by Harald Oimoen. Oimoen had been working on and off with the band for years, doing everything from photography and merchandise to bass tech. The band resumed the tour missing only two shows.
The turn of the millennium saw the Dirty Rotten Imbeciles headline the "Millennium 2000 Tour". The constant cycle of touring continued into 2001 with D.R.I. extensively touring the United States on the "Old School Tour" culminating in a headlining appearance at the Milwaukee Metal Fest, and other tours of the United States, Japan, Europe and South America into 2003. In 2003, Beer City reissued "Dirty Rotten CD," which featured the original full length Dirty Rotten LP and the Violent Pacification 7-inch EP as well as a number of never-before-released bonus tracks and interviews. Included within the bonus tracks were live recordings of D.R.I.'s first show ever and footage from the band's only performance at New York's famous CBGB's from the 1984 Violent Pacification tour. In 2003, Beer City also reissued Dealing with It!; the CD contained the original album plus never-before-heard bonus tracks as well as live video footage including a mid-80s interview from a San Francisco Public-access televisioncable TV show.
After another tour in 2004, the band released Live At CBGB's CD and DVD, and the reissue of the Crossover album, all on Beer City. The reissue of Crossover was delayed due to Cassidy's illness.
Hiatus, recovery of Cassidy, and continued touring (2006–2010)
In March 2006, Cassidy was diagnosed with colon cancer, which put the band's performances and recording on hiatus until his recovery. In December 2006, Cassidy had completed all radiation and chemotherapy; a one-foot section of the large intestine (colon) was removed through an eight-inch incision in his stomach. An announcement on the band's website declared Cassidy cancer free as of August 2008.[11]
Cassidy commented on his return to the stage: "I am very happy D.R.I. will be playing again, it has been far too long. We are currently setting up weekends to test the water and rebuild the stamina that we were known for. We all look forward to restarting up exactly where we left off."
On April 13, 2010, Beer City Records reissued "Crossover – Millennium Edition" on LP and CD. Finally after many years Crossover was once again available. This reissue was remastered by the original co-producer/engineer Bill Metoyer. The CD version contains eleven bonus tracks including five songs from their performance at NYC's The Ritz. That same year, the label reissued The Dirty Rotten EP, The Dirty Rotten LP, Violent Pacification 7-inch and Dealing with It! on vinyl.
But Wait... There's More!, lineup changes and possible new album (2011–present)
D.R.I. in 2018
From 2011 through 2019, the band regularly trekked the United States, as well as tours of the United Kingdom, Europe, and South America. The COVID-19 pandemic canceled or postponed dates in 2020 but the band returned to the road in 2021 and planned for a 40th-anniversary tour in 2022 across the United States, Canada, Europe, Australia, and Central America.
D.R.I. entered a Southern California studio in October 2014 to begin recording an EP containing new material.[12] It was produced by Bill Metoyer,[12] who produced the band's later studio albums.[12] The EP, titled But Wait... There's More!, was released on June 10, 2016.[2][13][14] Vocalist Kurt Brecht has described the EP as "more punk rock than metal".
On September 17, 2014, it was announced that Rob Rampy had departed from the band, citing serious injury as the reason. He was then replaced by Brandon Karns, who subsequently left the band shortly thereafter. Karns was then replaced by Walter "Monsta" Ryan. However, Rampy re-joined D.R.I in 2018. In 2017, the band parted ways with their longtime bassist Harald Oimoen, who was replaced by Greg Orr (ex-Attitude Adjustment).
In January 2019, Metal Addicts reported that D.R.I. had been working on their first full-length studio album since 1995's Full Speed Ahead, though no new material has been released as of 2022.[15]
Copyright infringement
Although no longer working with D.R.I., one of the band's old record labels, Rotten Records, in 2015, filed in the United States District Court for the District of Massachusetts in a suit against a Comcast user who allegedly downloaded and shared the band's sixth album. According to the lawsuit, Rotten Records hired Rightscorp to monitor BitTorrent networks for infringement. The company claims it connected to the defendants' BitTorrent clients and downloaded a full copy of the album, later verifying that they were identical to the original copyright works.[16]
Musical style and legacy
D.R.I.'s music has combined elements of punk rock, thrash metal, speed metal, and heavy metal, while their early material has been described as hardcore punk. They are often cited as one of the key bands that helped create the crossover thrash genre, along with S.O.D., Suicidal Tendencies and Corrosion of Conformity.[17][18]Allmusic.com has claimed that, "Starting off as a speedy, straight-ahead punk band, they gradually mixed more elements of heavy metal into their sound; as they did so, their songs got longer and featured more sections and more variety in tempo. D.R.I. managed the then-rare feat of crossing over to metal audiences while retaining their skate-punk and hardcore fan bases –they had something for all those audiences to love (or hate)."[19]
Gang Green are an American punk rock band originally from Braintree, Massachusetts. Chris Doherty (guitar), Bill Manley (bass) and Mike Dean (drums) started the band in 1980 and broke up in 1983. Doherty reformed Gang Green the following year, and the band experienced numerous lineup changes until its dissolution for the second time in 1992. Doherty has been the band's only constant member and has kept Gang Green active from 2005 onwards. The band was influential in the formation of the East Coast hardcore punk scene, and went on to become one of the forerunners of crossover thrash and speed metal in the late 1980s.
Dresden 45 was a hardcore punk and crossover thrash band from Houston, Texas, also known as D'45 and variantly, D45. They were one of the first hardcore bands to implement a guitar-driven heavy metal sound into their music. Like other Houston bands Dirty Rotten Imbeciles and Verbal Abuse, Dresden 45 played a breathless, high-speed type of hardcore punk now referred to as thrashcore.
Attitude Adjustment is an American crossover thrash band from the San Francisco Bay Area. Their debut album, American Paranoia, is considered to be an early "crossover" between hardcore punk and thrash metal.
Dirty Rotten EP/LP is the 1983 debut release by the crossover thrash band Dirty Rotten Imbeciles. The album has a very gritty sound, and is considered one of the first thrashcore albums.
Dealing with It! is the second studio album by the American crossover thrash band D.R.I., which was released in 1985. Although the band started their migration towards a heavy metal influence, this album still retains the band's hardcore punk roots.
Crossover is the third album by the American crossover thrash band D.R.I., originally released in 1987. The genre "crossover" was coined from this release.
4 of a Kind is the fourth album by the American crossover thrash band D.R.I., which was released in 1988. The album features the song "Suit And Tie Guy", which had a music video made for it. It was the first D.R.I. song to get a video.
Thrash Zone is the fifth album by the American crossover thrash band D.R.I., released in 1989. It continues the thrash metal style of the previous album, 4 of a Kind. Thrash Zone was D.R.I.'s most successful album to date, and produced the song "Beneath the Wheel", which was made as a music video and received airplay on MTV. The song also was featured in the video game Skate 2. The album also contained the song "Abduction" which would also have a video made for it.
Definition is the sixth album by the American crossover thrash band D.R.I. It was released in 1992.
Full Speed Ahead is an album by the American crossover thrash band D.R.I., released in 1995. It is the band's final studio album. The band's former roadie, Chumly Porter, played bass.
Older... Budweiser is the third full-length album by Gang Green.
Can't LIVE Without It was the only live album release from American hardcore punk/speed metal band, Gang Green.
Violent Pacification is an EP by the American crossover thrash band D.R.I., which was released in 1984. The title track on this EP was covered by thrash metal band Slayer on their 1996 album "Undisputed Attitude".
Malignus Youth was a hardcore punk band from Sierra Vista, Arizona, that was active from 1987–1994 and again from 1999–2001. They continue to play sporadic reunion shows through 2020.
Kurt Preston Brecht is an American vocalist best known for his work as the singer of crossover thrash band D.R.I.. He is also in a thrash band called Pasadena Napalm Division (P.N.D.).
Greatest Hits is a compilation album released in 2001 by D.R.I. According to the band, the label released the compilation without listening to it, resulting in an incorrect track list and ticking noises on a couple of the tracks.
This is a discography of D.R.I., an American crossover thrash band formed in 1982 by Kurt Brecht, Spike Cassidy, Dennis Johnson and Eric Brecht. D.R.I. currently consists of Kurt Brecht, Spike Cassidy, Harald Oimoen (bass), and Rob Rampy (drums). The band rose to prominence in the U.S. during the thrash metal era with their albums 4 of a Kind and Thrash Zone. The band has released seven studio albums, two EPs, a split album, two compilation albums and two live albums.
Live is a live album by the Crossover Thrash, hardcore punk band, Dirty Rotten Imbeciles, recorded at the Hollywood Palladium in November 1992.
The Dirty Rotten Power is a split EP with three songs by the American crossover thrash band D.R.I. and two songs by Italian hardcore punk band Raw Power, and was released in 2001. It was released exclusively on 7" vinyl by Killer Release Records. It was reissued in 2012 on 2x Flexi-disc, 7", 33 ⅓ RPM single-sided vinyl under F.O.A.D. Records containing a bonus track.
But Wait... There's More! is an EP by the American crossover thrash band D.R.I. It was released on June 10, 2016, and is their first studio recording since 1995's Full Speed Ahead, and their first EP since 1984's Violent Pacification. But Wait... There's More! is also D.R.I.'s first release with Harald Oimoen on bass and Brandon Karns on drums, although the latter had left the band before its release. The EP contains three new studio tracks and two re-recorded versions of two songs from their 1985 album Dealing with It!, and marked the first time since 1989's Thrash Zone that the band had worked with producer Bill Metoyer.
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