Early years, Fat EP, Milo Goes to College, and first hiatus (1977–1984)
In 1977, friends Frank Navetta and David Nolte began writing songs on acoustic guitars with the intention of forming a band.[2] They initially called themselves "The Itch", until Navetta came up with the name "Descendents".[2] By the end of the year they had failed to attract any more band members, so Nolte left to join The Last with his brothers.[2] In late 1978 Navetta, joined by drummer Bill Stevenson, and with Nolte switching from guitar to bass, revitalized the Descendents project.[2][1] Nolte sang with the group at several of their early performances alongside Navetta, but by the spring of 1979, The Last were becoming more active and he left the Descendents again, being replaced by bassist Tony Lombardo.[2] The lineup of Navetta, Lombardo, and Stevenson recorded the band's debut single at Media Art studios and released it on their own label, Orca Records, named after Stevenson's fishing boat.[2][1][3][4] Navetta sang "Ride the Wild" while Lombardo sang "It's a Hectic World". Nolte produced and mixed the session, and his brother Joe turned the lead guitar level up, resulting in the guitar being very loud in the mix.[2]
Redondo Beach, where the Fat EP and Milo Goes to College were recorded
The band's music at the time was described by Stevenson as a "coffee'd-out blend of rock-surf-pop-punk music [...] The sound consisted basically of Lombardo's hard-driving, melodic bass lines, Navetta's tight guitar riffing, and my 'caffinated' surf beats."[4]Steven Blush, author of American Hardcore: A Tribal History, describes the single as "a blend of Devo-style new wave and Dick Dale-like surf."[1] Ned Raggett of AllMusic describes it as surf-inspired power pop with a New Wave edge: "Not quite Devo if they grew up on the coast, but there's something to that comparison."[5]
After a six-month trial with a female singer, Cecilia Loera, they recruited Milo Aukerman as their new vocalist after Navetta and Lombardo got tired of singing.[1] The addition of Aukerman led the band to write shorter, faster, and more aggressive songs in a hardcore punk style.[1] They later released the Fat EP in 1982. It was a record which established the band's presence in the southern California hardcore punk movement with its short, fast, aggressive songs.[1]
The use of melodies and mixing them with hardcore punk found on Milo Goes to College was considered very unusual at the time by the punk scene but was considered as a massive influence by melodic hardcore and pop-punk bands.[1]
For the recording of their debut album Milo Goes to College in June 1982, the band worked at Total Access Recording in Redondo Beach, California, with Spot, who had also engineered and produced the Fat EP.[6] While still short and fast, the songs on Milo Goes to College were also melodic. Aukerman later reflected: "It's interesting: we started very melodic, then moved to hardcore, but melded the two at a certain point and became melodic hardcore."[1] The album's title and cover illustration referenced Aukerman's departure from the band to study biology at the University of California, San Diego.[7] The illustration was done by Jeff Atkinson, based on earlier caricatures by a high school classmate of Aukerman's named Roger Deuerlein, who had drawn comic strips and posters depicting Aukerman as the class nerd.[2]
A note on the back of the LP read "In dedication to Milo Aukerman from the Descendents", and was signed by the other three members.[8] Aukerman later recalled that the band took his departure in stride:
When I decided to go to university, the guys in the band were pretty hip on it because they knew how big of a nerd I was. Like, "What else would you expect him to do but to go off and be a geek?" I mean, I've got a Ph.D in biochemistry — how uncool is that?[1]
The band had time off so I spent like two years with Black Flag. I got in over my head. When I joined Flag I had every intention of doing both bands but it was physically impossible. Flag had all this stuff in progress, so I put Descendents on hold.
The band continued performing for a time with Ray Cooper on vocals, who would switch to rhythm guitar, when Aukerman made return visits to Los Angeles.[7][9][10] At the same time, Stevenson had also joined Black Flag, intending to be in both bands at once but soon finding it too difficult due to Black Flag's touring and recording schedule.[4]
With Aukerman in college and Stevenson in Black Flag, the Descendents went on hiatus from 1983 to 1985.[7][9][10] During this time Navetta burned all of his equipment and moved to Oregon, while Cooper and Lombardo performed as the Ascendents.[2][9][10]
Reformation, I Don't Want to Grow Up, Enjoy!, All, and second hiatus (1985–1995)
"Silly Girl" features heavy distorted guitars and a lengthy/poppy sound which would be featured on majority of the rest of I Don't Wanna Grow Up. Since its debut on the album, it has been nearly played at almost every live show.
"Days Are Blood" shows an example of the darker, experimental, and almost heavy metal style that is found on Enjoy!. The dark use of thrash metal chords would be abandoned on the next album.
"Cameage" borrows surf rock-like melodies with the mix of polished guitar chords, this was considered a large improvement in the style of the band's sound and the lyrical maturity was also applauded by critics and fans alike.
The lyrics of "Hürtin' Crüe" derived from a high school classmate of singer Milo Aukerman who had earned a score of 1420 on the SAT, gaining him entry into the United States Military Academy. Gloating about his accomplishment, he sang a taunt with the lyrics "I am better than you / You are a piece of poo / 1420". Aukerman incorporated these lyrics into "Hürtin' Crüe".[2] The cover artwork for Enjoy! was drawn by guitarist Ray Cooper under the pseudonym "Scoob Droolins".[2][12] Rather than printing the song titles on the reverse of the album's sleeve, the band instead replaced them with various euphemisms for feces.[13]
The band supported Enjoy! with a tour through the Summer of 1986.[3][4] Following the tour both Carrion and Cooper left the band, and were replaced by Karl Alvarez and Stephen Egerton, respectively, from the Utah band Massacre Guys.[4][9][10] In 1987 New Alliance was sold to SST Records, who re-released Enjoy! on cassette and compact disc. The cassette and CD versions added two additional tracks: "Orgofart" and "Orgo 51".[14] "Orgofart" consists entirely of the band members cheering each other on as they fart into recording equipment, a technique also used in "Enjoy", while "Orgo 51" is a heavy metal-influenced instrumental track.[13]
One week later, on Stevenson's birthday of September 10, Stephen Egerton and Karl Alvarez moved from Salt Lake City to fill the vacant guitar and bass positions.[4]All was recorded in January 1987 at Radio Tokyo studios in Venice, California, with recording engineer Richard Andrews and was produced by Stevenson.[6][15]Dez Cadena sang backing vocals, while Stevenson created the album's cover graphics and Alvarez provided illustrations for the sleeve and liner notes.[2][15]
The album was themed around the concept of "All", which had been invented by Stevenson and friend Pat McCuistion during a fishing trip on Stevenson's boat Orca in 1980.[1][4] According to singer Milo Aukerman: "While drinking all this coffee in the midst of catching mackerel they came up with the concept of All — doing the utmost, achieving the utmost. The more they got into it the more it turned into their own religion; it's partly humor, but it's also an outlook on how to conduct your life: to not settle for some, to always go for All."[1] Stevenson described the concept of "All" as "the total extent", and he and McCuistion had quickly written several short songs that would later be recorded by the Descendents, including "All" and "No, All!", written "in a fit of Allular frustration. The songs were only seconds long, but that was all the time we needed to make the point."[1][4] McCuistion also shared writing credit on "All-O-Gistics", a musical set of commandments for achieving All, including lyrics such as "Thou shalt not commit adulthood", "Thou shalt not partake of decaf", and "Thou shalt not suppress flatulence".[15] In a June 1987 interview with Music magazine, Stevenson elaborated on the "All" concept:
I'm really into "ALL"' and I've waited a long time to unleash the whole concept on people. And now I'm going to do it [...] It's just a way of thinking, in which there are extremes and there is this goal called 'ALL.' It's a way that I created in dealing with achievement and satisfaction and how the two relate. Basically just to avoid stagnation... going for "ALL" and never being satisfied and just wallowing in your own sameness.[7]
Well, basically, I've been wanting to work with David for a long time; but at the same time, Milo has stuck with me for almost nine years now, so I wouldn't exactly feel right about just continuing to call us the Descendents. In a sense that would be kind of like discrediting Milo's nine years worth of effort. It's kind of like, "Let the Descendents be my and Milo's sacred thing," or whatever. Who knows, at some point later on we might decide that we want to get together and record something.
–Bill Stevenson on forming All and not replacing Milo Aukerman of the Descendents.
Aside from the concept of "All", other songs on the album such as "Coolidge", "Pep Talk", and "Clean Sheets" dealt with themes of broken relationships, while "Iceman" was loosely based on the play The Iceman Cometh by Eugene O'Neill.[2][16] The album was released through SST Records, who had purchased the Descendents' previous label New Alliance Records that year and also re-released all of their previous albums. All was released in LP, cassette, and CD formats, the latter two containing the additional tracks "Jealous of the World" and "Uranus".[14] The band supported the album with a 60-day Spring 1987 tour, followed by the 50-day Summer "FinALL" tour, so-called due to Aukerman's decision to leave the band to pursue a career in biochemistry.[4][9][10] Recordings from these tours were used for the live albumsLiveage! (1987) and Hallraker: Live! (1989). Following Aukerman's departure the band added singer Dave Smalley of Dag Nasty and rechristened themselves All, a change Stevenson claimed he had wanted to make for eight years.[7] "Well, basically, I've been wanting to work with David for a long time; but at the same time, Milo has stuck with me for almost nine years now, so I wouldn't exactly feel right about just continuing to call us the Descendents. In a sense that would be kind of like discrediting Milo's nine years worth of effort. It's kind of like, 'Let the Descendents be my and Milo's sacred thing,' or whatever. Who knows, at some point later on we might decide that we want to get together and record something.[7]
On December 16, 1987, during the recording of the first All album Allroy Sez, Pat McCuistion died when his fishing boat sank during a storm. Stevenson remarked that "He had 15,000 pounds of fish onboard, so I guess you could say he died in heated pursuit of All. He was always the '5th member' of the band, besides being my best friend, next to Milo."[4]
Second reformation, Everything Sucks, and third hiatus (1995–2003)
In 1995 Aukerman expressed a desire to return to recording and performing, so the band members decided to work with him as the Descendents while continuing to work with Price as All, in order to "make room for Milo without pushing Chad out."[2] Stevenson explained that the arrangement did not cause any resentment between the two singers: "[I]t's all totally good, it's just that when we are playing, Milo couldn't be All's singer, cause Chad is All's singer. So, we decided that we could be Descendents with Milo, and All with Chad. It's not really a reunion, we've been together the whole time."[2] Aukerman described his decision to rejoin the band as "really just my re-entry into the song writing, I had been away for so long and I just wanted to make music which is what I love to do."[2]
Everything Sucks was recorded in June and July 1996 at The Blasting Room, a studio built and run by Stevenson in Fort Collins, Colorado.[17] Original Descendents members Tony Lombardo and Frank Navetta made appearances on the album: Navetta wrote the song "Doghouse" and both he and Lombardo played on it, marking the first recording by the original Descendents lineup of Aukerman, Lombardo, Navetta, and Stevenson since Milo Goes to College in 1982.[17] Lombardo also played on "Eunuch Boy", a song he and Aukerman had written fifteen years earlier. According to Aukerman: "'Eunuch Boy' is the first song I ever wrote, really. When we formed, Tony Lombardo, the original bass player said, 'Dude- you need to write some songs,' and I had never written a song before so I just wrote down some words and brought it to him. He made the music for it."[2] Lombardo also wrote and played on "Gotta", which was left off of the album but released as a B-side on the "When I Get Old" single. Chad Price sang backing vocals on the album, while Stevenson and Egerton produced and engineered it.[17]
All had previously been signed to major label Interscope Records for 1995's Pummel, but were dissatisfied with the experience.[18] Both All and the Descendents signed to Epitaph Records, who released Everything Sucks, the subsequent All albums Mass Nerder (1998) and Problematic (2000), and the All/Descendents double live album Live Plus One (2001). It was rumored that Epitaph would not sign All without getting the Descendents as well,[19] but Stevenson explained that the arrangement was made because Epitaph head Brett Gurewitz would allow both bands to make albums at their discretion:
When we signed with Epitaph it was for both bands. It was a thing of knowing Brett forever, and so I just sat down and said, "Well, we want to make records!" At the time we were leaving Interscope. We weren't happy with Interscope at all. So we sat down and told them we wanted to make both All and Descendents records whenever we want, at our choosing. Brett and I worked out a deal like that, so it was really flexible and we could basically do whatever we wanted.[18]
Third reformation, Cool to Be You, reunions, Filmage, and Hypercaffium Spazzinate (2004–2017)
Descendents in 2010
In the early 2000s, Aukerman took a break from biochemistry and reunited with the Descendents to record a new album. The recording sessions for Cool to Be You took place with Aukerman in February 2002 at The Blasting Room in Fort Collins, Colorado, with additional recording done in April at Planet of Sound in Wilmington, Delaware, and were produced by Stevenson.[25] The band recorded the music for the songs live in the studio with minimal overdubbing, and Aukerman's vocals were recorded over the instrumental tracks.[7] However, these recordings were not released for another two years. Stevenson explained that the gap of eight years between Descendents albums was due to the band members having children and to his father's death.[7]
"'Merican" addresses positive and negative aspects of American history, celebrating cultural figures such as Otis Redding, Duke Ellington, and Walt Whitman while condemning slavery, Joseph McCarthy, the Ku Klux Klan, and the Vietnam War.
For the release of Cool to Be You the Descendents signed to Fat Wreck Chords. Label head and musician Fat Mike was a longtime fan of the band, and his enthusiasm for working with them was a major factor in their decision to sign to the label.[7] Stevenson commented that "If you've got the owner of the label saying he wants to put out a record by what is probably his favorite band of all time, that's rad. That's the best possible position for a band to be in."[7] The album was preceded by the 'MericanEP in February 2004, followed by the full-length album in March. Cool to Be You was released in both CD and LP formats, with a cover illustration drawn by Chris Shary depicting the band's Milo caricature drawn on graph paper.[2]
In October 2008, founding member Frank Navetta died after "becoming ill over the course of a few days". The official website of the Descendents gave its grief to Frank, "We're very sorry to announce that founding member of The DESCENDENTS, and close friend Frank Navetta died on October 31, 2008 after becoming ill over the course of a few days. This is obviously a huge loss for the DESCENDENTS family. His contribution to the band, and to music in general can not be overstated. Frank will be truly missed."[26]
In 2010 the Descendents reunited again for a series of gigs. According to Milo, the reunion is not an official reformation. He classified these as "one-off shows", usually occurring when he is able to take advantage of vacation breaks as working as a biologist to perform with the Descendents.[27]
A documentary called Filmage documenting the story behind the Descendents and All[28] premiered at Bloor Hot Docs cinema in Toronto on June, 15th 2013 as part of the NXNE Music and Film festival.[29] Directed by Matt Riggle and Deedle LaCour, Filmage had a limited theatrical run in Los Angeles starting September, 26th 2014 and was released in the US and Canada on VOD, Digital and Blu-ray/DVD September, 30th 2014.[30]
In May 2015 it was announced by Stevenson that the band had been working on some demo songs for a new album, which could possibly be released mid-2016. On April 22, 2016, it was announced that the band's next album, Hypercaffium Spazzinate, along with an accompanying EP with 5 bonus tracks from the recording sessions entitled Spazzhazard would be released through Epitaph in July.[31]
On June 7, the debut single from Hypercaffium Spazzinate "Victim of Me" was released on all streaming services.[32] In July 2016, Milo announced he would be leaving his scientific career to pursue the Descendents full-time, citing burnout with biochemistry and getting laid off from DuPont.[33]
New singles and 9th & Walnut (2018–present)
In a March 2019 interview with OC Register, Aukerman revealed that Descendents were working on a new album: "When we put out the last record we thought, 'OK, I bet we could put out another record after this one and not wait a decade to do it.' It was such a rewarding experience and you know what? Our fans deserve better. They deserve more than a record every decade or so. We started writing almost immediately after that record was done. I have been writing and Stephen (Egerton) has really picked up the mantle, too. Between us I think we have like 20 songs written and Bill (Stevenson) and Karl (Alvarez) have been writing songs as well. We've done some basic tracking, but it's still a work in progress but I hope we'll have something out by the end of the year."[34]
In 2020, they released a single to streaming services, entitled "Suffrage" and including two songs, "On You" and "Hindsight 2020".[35]
On May 4, 2021, the band put out a single called "Baby Doncha Know" and announced their eighth album that would be released on July 23 titled 9th & Walnut, named after the intersection in Long Beach, California, where their first rehearsal space was located. The album was recorded primarily during a 2002 session featuring the original lineup of Stevenson, Frank Navetta, and Tony Lombardo, with Milo Aukerman recording his lead vocals for the album at home in Delaware during the COVID-19 pandemic. It contains eighteen songs written by the band between 1977 and 1981, including re-recorded versions of "Ride the Wild" and "It's a Hectic World". The album serves as the band's first recording since Everything Sucks to feature this "classic" lineup.[36]
Over the years, the Descendents style of music has changed from short under a minute hardcore style songs to average length 2–3 minute punk rock songs. The lyrical content of the Descendents made them being cited at the time as one of the most significant punk bands of the 1980s hardcore punk movement. Critics have cited that their earlier music style which reflected hardcore punk being influential to modern day skate punk and pop-punk. Steven Blush, author of American Hardcore: A Tribal History, remarked that their "cheeky love songs disguised as hardcore blasts became the most aped formula in rock."[1] Ned Raggett of AllMusic in his review of Milo Goes to College called it "an unpretentious, catchy winner. The playing of the core band is even better than before, never mistaking increased skill with needing to show off; the Lombardo/Stevenson rhythm section is in perfect sync, while Navetta provides the corrosive power. Add in Aukerman's in-your-face hilarity and fuck-off stance, and it's punk rock that wears both its adolescence and brains on its sleeve."[39]
Bill Stevenson attributed the change of their sound to the band's invention of the "Bonus Cup": "We took ⅓ of a cup of instant coffee grounds, added some hot water, threw in about 5 spoonfuls of sugar, and proceeded to play 10 second songs. The Bonus Cup became a part of everyday Descendents life."[4] Aukerman later recalled: "We started drinking too much coffee; 'cause of that and the addition of me, the music became very quick and all about bursts of energy. It's interesting: we started very melodic, then moved to hardcore, but melded the two at a certain point and became melodic hardcore."[1]
During the band's first reformation, the songs got longer, darker, and experimental. Enjoy! was marked by the use of toilet humor, with references to defecation and flatulence in its artwork, the title track, and "Orgofart". It also displayed a darker, more heavy metal-influenced sound in songs like "Hürtin' Crüe", "Days Are Blood", and "Orgo 51", with other songs recalling the pop-influenced punk of the band's previous efforts.
Lyrics
The songs on Everything Sucks and Cool to Be You address topics including love and relationships, sociopolitical commentary, the death of parents, nerdiness, and flatulence.[7][40]"'Merican" addresses positive and negative aspects of American history, celebrating cultural figures such as Otis Redding, Duke Ellington, and Walt Whitman while condemning slavery, Joseph McCarthy, the Ku Klux Klan, and the Vietnam War.[41][42] Stevenson wrote "One More Day" about the death of his father, who he had taken in and cared for throughout the last year of his life: "He and I always had a terrible relationship. We spent a good part of my adult life being somewhat estranged from each other. He became ill and I took care of him for a little while. And then he died. That song is just about his and my relationship. Just to get that out of me and not holding it inside anymore, is a huge relief for me [...] Every single time I hear that song, it just freaks me out. I've never, ever written a song that's freaked me out that much."[7]
Milo character
The original version of the Milo character, as drawn by Jeff "Rat" Atkinson for the cover of Milo Goes to College
A caricature of singer Milo Aukerman has been a mascot for the Descendents since the early 1980s, appearing on the covers of five of the band's seven studio albums. The character was created by Rodger Deuerlein, a classmate of Aukerman and drummer Bill Stevenson's at Mira Costa High School who taunted Aukerman by drawing comic strips and posters depicting him as the class nerd.[2][43] "He usually used me to make campaigns for people running for class office. [...] I remember him making one that said 'Don't be a nerd like Milo, vote for Billy!' or something like that."[2] For the cover of the Descendents' first album, Milo Goes to College (1982), Stevenson asked friend Jeff "Rat" Atkinson to draw his own interpretation of Deuerlein's Milo character: "I go 'Roger does the drawing'", recalled Atkinson, "He goes 'No, you gotta do it.' I said 'Okay, what kind of Milo do you want?' So I draw him a Milo. First was the crew neck T-shirt, then I drew the polo shirt Milo, then I drew the Milo with a tie, because he goes to college. Bill goes 'Oh, that's it', and it becomes the cover of the first record."[43] For the band's 1985 album I Don't Want to Grow Up, the character was reinterpreted as a baby.[11] When the band's name was changed to All upon Aukerman's departure in 1987, bassist Karl Alvarez created the character Allroy to serve an equivalent function for the new band.[44]
In addition to appearing on much of the Descendents' merchandise and promotional materials, the Milo character has been reinterpreted by other artists for all of the band's releases since 1996:
Reading a newspaper on the cover of Everything Sucks (1996).[17] The full illustration, used for the lyric sheet and the "I'm the One" single, depicts the character sitting atop the tank of an overflowing toilet as it floods the room around him and a mushroom cloud forms outside the window.[17] This illustration is credited to "Grey Stool", though Aukerman notes it was created by "the kind people at Epitaph [Records]".[2]
As an elderly man in a wheelchair on the cover of the "When I Get Old" single (1997)[45]
Dressed as Uncle Sam, in two versions, on the cover of 'Merican (2004), as drawn by Jeff Hagedorn[2][46]
Drawn on graph paper on the cover of Cool to Be You (2004), as illustrated by Chris Shary.[2][25] Shary also drew the character as an old man for the cover of the Descendents tribute albumMilo Turns 50 (2013), published by Filter magazine, and a more detailed depiction of the character as the promotional artwork for Filmage, a 2013 documentary film about the Descendents and All.[43][47]
As a ballot box on the cover of Suffrage (2020), the full illustration also depicts a hand with a spiked wristband depositing a vote into said ballot box.
Milo Goes to College has been included in several lists of noteworthy punk albums. Spin has listed it several times, ranking it No.74 in a 1995 list of the best alternative albums and No.20 in a 2001 list of "The 50 Most Essential Punk Records", and including it in a 2004 list of "Essential Hardcore" albums.[53][54][55] In these lists, critic Simon Reynolds described the album as "Fifteen Cali-core paroxysms that anatomize dork-dude pangs with haiku brevity", while Andrew Beaujon called it "Super clean, super tight, super poppy hardcore about hating your parents, riding bikes, and not wanting to 'smell your muff.'[54][55] In 2006 Kerrang! ranked it as the 33rd greatest punk album of all time.[56] The German edition of the Rolling Stone's The 500 Greatest Albums of All Time ranked it at 349.[citation needed]
In 2016, a Descendents branded IPA entitled "Feel This Coffee" was released by the San Diego branch of Mikkeller Brewery. It is named after a track from their 2016 album Hypercaffium Spazzinate.[57]
In 2013 Rogue Elephant Pictures, an Austin Texas-based film company, announced the pending release of Filmage: The Story Of The Descendents / ALL, a film by Deedle Lacour and Matt Riggle. The documentary film has more than 40 interviews with band members past and present and keynote commentary by associated musicians such as Keith Morris of Black Flag, Mike Watt of the Minutemen, Kira Roessler of Black Flag, members of Rise Against, and many more. The film was released on June 15, 2013.[58]
Milo Goes to College is the debut studio album by the American punk rock band Descendents, released on September 4, 1982 through New Alliance Records. Its title refers to singer Milo Aukerman's decision to leave the band to attend college, and its cover illustration introduced a caricature of him that would go on to become the band's mascot.
The Fat EP is an EP by the American punk rock band the Descendents, released in 1981 through New Alliance Records. It was the band's first recording with singer Milo Aukerman and established their presence in the southern California hardcore punk movement, with short, aggressive songs that represented a shift in style from their previous new wave and surf sound. The EP was re-released in later years as part of several compilation albums.
I Don't Want to Grow Up is the second studio album by the American punk rock band the Descendents, released in 1985 through New Alliance Records. It marked the end of a two-year hiatus for the band, during which singer Milo Aukerman had attended college and drummer Bill Stevenson had joined Black Flag. I Don't Want to Grow Up was the first of two albums the Descendents recorded with guitarist Ray Cooper, and their last with original bassist Tony Lombardo, who quit the group because he did not want to go on tour. Though recorded quickly and without much rehearsal time, I Don't Want to Grow Up received positive reviews from critics, who praised its catchy songs, strong melodies, and pop-influenced love songs.
Enjoy! is the third studio album by American punk rock band Descendents, released in 1986 through New Alliance Records and Restless Records. It was the band's final album with guitarist Ray Cooper and only album with bassist Doug Carrion, both of whom left the group after the album's first supporting tour. Enjoy! was marked by the use of toilet humor, with references to defecation and flatulence in its artwork, the title track, and "Orgofart". It also displayed a darker, more heavy metal-influenced sound in the songs "Hürtin' Crüe", "Days Are Blood", and "Orgo 51". Reviewers were critical of both the scatological humor and the heavier songs on the album. Enjoy! features a cover version of The Beach Boys' "Wendy".
All is the fourth album by the American punk rock band the Descendents, released in 1987 through SST Records. It was the band's first album with bassist Karl Alvarez and guitarist Stephen Egerton, who brought new songwriting ideas to the group. The album is titled after the concept of "All" invented by drummer Bill Stevenson and friend Pat McCuistion in 1980. Based on the goals of achieving "the total extent" and "to not settle for some, to always go for All", the philosophy was the subject of the one-second title track, the two-second "No, All!", and "All-O-Gistics".
Everything Sucks is the fifth studio album by American punk rock band Descendents, released on September 24, 1996, through Epitaph Records. It was their first album of new studio material since 1987's All, after which singer Milo Aukerman had left the band to pursue a career in biochemistry. The remaining members had changed the band's name to All and released eight albums between 1988 and 1995 with singers Dave Smalley, Scott Reynolds, and Chad Price. When Aukerman decided to return to music the group chose to operate as two acts simultaneously, playing with Aukerman as the Descendents and with Price as All. It is considered a return to the band's angrier hardcore punk such as the Fat EP and Milo Goes to College.
Cool to Be You is the sixth studio album by the American punk rock band the Descendents, released on March 23, 2004, through Fat Wreck Chords. It was their first album of new studio material since 1996's Everything Sucks, which had been released through Epitaph Records. Following Everything Sucks, singer Milo Aukerman had returned to his biochemistry career while the other members—bassist Karl Alvarez, guitarist Stephen Egerton, and drummer Bill Stevenson—had continued with their other band All, releasing two more studio albums and a live album through Epitaph between 1998 and 2001 with singer Chad Price. Cool to Be You was recorded with Aukerman in 2002, but its release was delayed until 2004. The band switched from Epitaph to Fat Wreck Chords partly due to the enthusiasm of label head Fat Mike, who cited the Descendents as one of his favorite bands. Cool to Be You became the fourth Descendents release to chart, reaching No. 143 on the Billboard 200 and #6 amongst independent albums.
Somery is a compilation album by the American punk rock band the Descendents, released in 1991 through SST Records. It compiles songs from their Fat EP (1981) and the albums Milo Goes to College (1982), I Don't Want to Grow Up (1985), Enjoy! (1986), and All (1987).
Frank Navetta was an American musician who was the original guitarist of the punk rock band the Descendents, which he co-founded. He formed the band in Manhattan Beach, California with Dave Nolte in the late 1970s and played on their 1979 debut single, the Fat EP (1981), and their first album, Milo Goes to College (1982). Navetta then quit the band and moved to Oregon to become a fisherman. He collaborated with the Descendents again on the 1996 album Everything Sucks, and prior to his death in 2008 had been working on new material with original Descendents members Bill Stevenson and Tony Lombardo. In 2021, the band released this material on the album 9th & Walnut, which has been critically lauded for Frank's songwriting and playing.
Tony Lombardo is an American musician who was the original bassist in the punk rock band the Descendents. He joined the band in 1979 and played on their debut single, the Fat EP (1981), and the albums Milo Goes to College (1982) and I Don't Want to Grow Up (1985). After leaving the band, he performed in other acts and worked for the United States Postal Service until 2005. He collaborated with the Descendents' successor band, All, writing two songs for their album Allroy's Revenge (1989) and teaming up with them for an album of his own songs, New Girl, Old Story (1991), credited to "TonyAll". He also collaborated with the reunited Descendents on their 1996 album Everything Sucks, and the 2021 album 9th and Walnut.
Doug Carrion is an American musician, audio engineer, record producer, and music editor. He played bass guitar in the punk rock bands the Descendents and Dag Nasty during the 1980s, and in the hard rock band For Love Not Lisa in the early 1990s, and is currently in the band Field Day. He has had a long working relationship with Brad "Daddy X" Xavier, playing with him in the punk rock bands Doggy Style and Humble Gods, working with his rap rock group the Kottonmouth Kings in the 2000s, and playing on his solo albums. Carrion has also composed, edited, and recorded music for television and films, including several reality television series and game shows during the 2000s. In 2012 he started his own Americana group, Doug C and the Blacklisted.
Allroy Sez is the debut album by the American punk rock band All, released in March 1988 through Cruz Records. Following the departure of singer Milo Aukerman from the Descendents, the remaining members—bassist Karl Alvarez, guitarist Stephen Egerton, and drummer Bill Stevenson—recruited singer Dave Smalley and changed the name of the band to All, which was both the title of the Descendents' 1987 album and a philosophical concept invented by Stevenson and friend Pat McCuistion in 1980. Allroy Sez introduced the character of Allroy, who would serve as a mascot for the band and be featured on many of their subsequent album covers.
Allroy's Revenge is the second studio album by the American punk rock band All, released in 1989 through Cruz Records. It was the band's first release with singer Scott Reynolds, replacing Dave Smalley who had left in late 1988. The album includes two songs written by Tony Lombardo, the original bassist for All's precursor band the Descendents. It also includes a cover version of "Hot Rod Lincoln", a 1955 song by Charlie Ryan that was a hit for Commander Cody and His Lost Planet Airmen in 1971. "She's My Ex" was released as the album's single.
Liveage! is a live album by the American punk rock band the Descendents, released in 1987 through SST Records. It is the band's first live album, it was recorded July 13, 1987 at First Avenue in Minneapolis during their summer 1987 "FinALL" tour, so-called because singer Milo Aukerman was leaving the Descendents to pursue a career in biochemistry, after which the band was relaunching itself under the name All. Liveage! was followed by a second live album, Hallraker: Live! (1989), which was partly recorded at the same show but featured a completely different set of songs.
Bonus Fat is a compilation album by the American punk rock band the Descendents, released in 1985 through New Alliance Records. It combines the band's 1979 debut single "Ride the Wild" / "It's a Hectic World" with their 1981 Fat EP and the track "Global Probing" from the 1981 New Alliance compilation Chunks. The compilation's cover combines guitarist Frank Navetta's illustration for the Fat EP with a caricature of singer Milo Aukerman drawn by Jeff "Rat" Atkins.
Two Things at Once is a compilation album by the American punk rock band the Descendents, released in 1988 through SST Records. It combines the band's 1982 debut album Milo Goes to College with the 1985 release Bonus Fat, itself a compilation of 1981's Fat EP, 1979's "Ride the Wild" / "It's a Hectic World" single, and the track "Global Probing" from a 1981 compilation titled Chunks. Two Things at Once has been described by critics as an essential collection of the band's early years.
"Ride the Wild" / "It's a Hectic World" is the 1980 debut single by the American punk rock band the Descendents. It was the band's first release and displayed a new wave and surf sound. It was recorded at a time when the band lacked a lead singer, so vocals on the recording were provided by guitarist Frank Navetta and bassist Tony Lombardo. With the addition of singer Milo Aukerman in 1980, the band moved towards a hardcore punk sound. "Ride the Wild" and "It's a Hectic World" were re-released in later years on compilation albums.
New Girl, Old Story is collaborative album between the American punk rock band All and Tony Lombardo, the original bassist of All's precursor band the Descendents. Credited to "TonyAll", it consists of twelve songs written by Lombardo between 1979 and 1989. Lombardo played bass guitar on the entire album, with the members of All playing the rest of the instrumentation. Vocals were split between Lombardo and All singer Scott Reynolds, with All bassist Karl Alvarez also singing one song. Along with their 1990 album Allroy Saves, recorded at the same time, New Girl, Old Story was the last album recorded by All before their relocation from Los Angeles to Brookfield, Missouri.
The discography of the Descendents, a punk rock band formed in Manhattan Beach, California in 1977, consists of eight studio albums, three live albums, three compilation albums, three EPs, several singles, and four music videos.
Filmage: The Story of Descendents/All is a 2013 independent documentary film chronicling the history of the American punk rock bands the Descendents and All. It was written by Matt Riggle, who produced and directed it with Deedle LaCour. The film uses an oral history format, telling the bands' stories through the use of interviews with over 40 subjects, as well as new and archival footage. It stars drummer Bill Stevenson, singer Milo Aukerman, bassist Karl Alvarez, and guitarist Stephen Egerton, and features nearly all past and present members of both bands. Filmage also features numerous musicians who were contemporaries of, worked with, or were influenced by the Descendents and All.
↑ "Bonus Cut". Filmage: The Story of Descendents/All. Event occurs at 11:39.
↑ When I Get Old (CD liner). Descendents. Los Angeles, California: Epitaph Records. 1997. 86506.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
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