Cool to Be You

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Cool to Be You
Descendents - Cool to Be You cover.jpg
The album cover, illustrated by Chris Shary, depicts the band's Milo character drawn on graph paper.
Studio album by
the Descendents
ReleasedMarch 23, 2004 (2004-03-23)
RecordedFebruary and April 2002
Studio The Blasting Room, Fort Collins, Colorado; Planet of Sound, Wilmington, Delaware
Genre Hardcore punk [1]
Length36:26
Label Fat Wreck Chords (FAT-672)
Producer Bill Stevenson
Descendents chronology
'Merican
(2004)		Cool to Be You
(2004)		 Hypercaffium Spazzinate
(2016)
Singles from Everything Sucks
  1. "Nothing with You"
    Released: February 10, 2004

Cool to Be You is the sixth studio album by the American punk rock band the Descendents, released on March 23, 2004, through Fat Wreck Chords. It was their first album of new studio material since 1996's Everything Sucks , which had been released through Epitaph Records. Following Everything Sucks, singer Milo Aukerman had returned to his biochemistry career while the other members—bassist Karl Alvarez, guitarist Stephen Egerton, and drummer Bill Stevenson—had continued with their other band All, releasing two more studio albums and a live album through Epitaph between 1998 and 2001 with singer Chad Price. Cool to Be You was recorded with Aukerman in 2002, but its release was delayed until 2004. The band switched from Epitaph to Fat Wreck Chords partly due to the enthusiasm of label head Fat Mike, who cited the Descendents as one of his favorite bands. Cool to Be You became the fourth Descendents release to chart, reaching #143 on the Billboard 200 and #6 amongst independent albums.

Contents

Background and recording

In 1987 Descendents singer Milo Aukerman had left the band to pursue a career in biochemistry. The remaining members—bassist Karl Alvarez, guitarist Stephen Egerton, and drummer Bill Stevenson—changed the band's name to All and released eight albums on Cruz Records and Interscope Records between 1988 and 1995 with singers Dave Smalley, Scott Reynolds, and Chad Price. Aukerman contributed occasional songwriting and backing vocals, and in 1995 decided to return to music. The members decided to operate as two bands, working with Aukerman as the Descendents and with Price as All. Both bands signed to Epitaph Records and the Descendents released Everything Sucks in 1996. Following the album's supporting tours Aukerman had returned to his science career, though he recorded backing vocals for All's 1998 album Mass Nerder . All also released Problematic in 2000 and Live Plus One in 2001, a double live album that included a Descendents disc recorded in 1996.

The recording sessions for Cool to Be You took place with Aukerman in February 2002 at The Blasting Room in Fort Collins, Colorado, with additional recording done in April at Planet of Sound in Wilmington, Delaware, and were produced by Stevenson. [2] The band recorded the music for the songs live in the studio with minimal overdubbing, and Aukerman's vocals were recorded over the instrumental tracks. [3] However, these recordings were not released for another two years. Stevenson explained that the gap of eight years between Descendents albums was due to the band members having children and to his father's death. [3]

Release

For the release of Cool to Be You the Descendents signed to Fat Wreck Chords. Label head and musician Fat Mike was a longtime fan of the band, and his enthusiasm for working with them was a major factor in their decision to sign to the label. [3] Stevenson commented that "If you've got the owner of the label saying he wants to put out a record by what is probably his favorite band of all time, that's rad. That's the best possible position for a band to be in." [3] The album was preceded by the 'Merican EP, released February 10, 2004 and featuring the tracks "Nothing with You" and "'Merican" from the album as well as three B-sides from the album's sessions: "Here with Me", "I Quit", and "Alive". "Nothing with You" was released to radio the same day. [4] Cool to Be You followed on March 23 and was released in both CD and LP formats, with a cover illustration drawn by Chris Shary depicting the band's Milo character drawn on graph paper. [5]

Themes

The songs on Cool to Be You address topics including love and relationships, sociopolitical commentary, the death of parents, nerdiness, and flatulence. [3] [1] "'Merican", their first overtly political song, addresses positive and negative aspects of American history, celebrating cultural figures such as Otis Redding, Duke Ellington, and Walt Whitman while condemning slavery, Joseph McCarthy, the Ku Klux Klan, and the Vietnam War. [6] [7] Stevenson wrote "One More Day" about the death of his father, who he had taken in and cared for throughout the last year of his life: "He and I always had a terrible relationship. We spent a good part of my adult life being somewhat estranged from each other. He became ill and I took care of him for a little while. And then he died. That song is just about his and my relationship. Just to get that out of me and not holding it inside anymore, is a huge relief for me [...] Every single time I hear that song, it just freaks me out. I've never, ever written a song that's freaked me out that much." [3]

Reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg
IGN 8/10 [8]
Kerrang! Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [9]
Ox-Fanzine 10/10 [10]
Pitchfork 7.1/10 [11]
Punknews.orgStar full.svgStar full.svgStar full.svgStar full.svgStar half.svg [1]
Rolling Stone Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [12]
Spin A− [13]

Cool to Be You became the fourth Descendents release to chart, reaching #143 on the Billboard 200 and #6 amongst independent albums. [14] [15] [16] Al Campbell of Allmusic rated it four stars out of five, commenting that "Like the Ramones before them, the Descendents' overall sound tends to be interchangeable, in the best possible way, with previous efforts. Why mess with a good thing? For instance, among these 14 tracks, 'Nothing with You' can be compared to 'Clean Sheets,' while 'Cool to Be You' and 'Mass Nerder' are anthems à la 'I'm Not a Loser' and 'I Don't Want to Grow Up.'" [7] Aubin Paul of Punknews.org gave the album four and a half stars out of five, complimenting the band's ability to work in more mature subject matter while still maintaining the childish and self-deprecating humor that "is almost impossible to find anything but endearing and sympathetic." [1] He particularly praised the band's musical abilities and Stevenson's production skills, saying that "Musically, the band hasn't changed drastically since 1982's Milo Goes to College ; they're still focused on somewhat unorthodox melodies, anchored by an incredibly tight rhythm section and some guitar pyrotechnics. The band is clearly tighter and more comfortable with strong melodies, but with the exception of the omission of sub-30 second goof offs like 'Coffee Mug' and 'Weinerschnitzel', there is little that will alienate old fans. The production, by way of Stevenson (who has been producing one excellent sounding record after another at his Blasting Room studio) is the best yet, with every instrument clear and not one dominating. The common description of 'pop-hardcore' is still undisputed." [1]

Track listing

No.TitleWriter(s)Length
1."Talking" Milo Aukerman 2:27
2."Nothing with You"Aukerman2:29
3."She Don't Care" Karl Alvarez 1:51
4."'Merican"Alvarez1:51
5."Dog and Pony Show"Alvarez2:28
6."Blast Off"Aukerman2:27
7."Dreams"Aukerman2:56
8."Cool to Be You"Alvarez2:24
9."Maddie" Bill Stevenson 3:06
10."Mass Nerder"Aukerman2:47
11."One More Day"Stevenson3:33
12."Tack"Aukerman2:21
13."Anchor Grill"Stevenson3:03
14."Dry Spell"Aukerman2:43
Total length:36:26

Personnel

[2]

Related Research Articles

<span class="mw-page-title-main">Bill Stevenson (musician)</span> American musician

John William Stevenson is an American musician, songwriter, and record producer. He is the drummer, main songwriter, and only constant member of the California punk rock group Descendents since its inception. In late December 1981, he played a few concerts with the hardcore punk band Black Flag because their drummer, Robo was detained in England after a tour there. He went on to record with Black Flag on several of their albums until 1985, including the highly influential My War. After this, he focused his attention on Descendents and played with the band until lead singer Milo Aukerman left in 1987. After Milo's departure, Bill and the other members of Descendents, Karl Alvarez and Stephen Egerton, recruited singer Dave Smalley of Dag Nasty, moved to Fort Collins, Colorado, and formed All. All went on to have two more singers, Scott Reynolds (1989–1993) and Chad Price (1993–present). Aukerman came back for the 1996 album Everything Sucks, the 2004 album Cool to Be You, 2016's Hypercaffium Spazzinate and the newest album 9th and Walnut. All and Descendents continue to tour between Stevenson's and Aukerman's respective careers as a recording engineer and a biochemist. Stevenson was born in Torrance, California and attended Mira Costa High School, with fellow members of the Descendents.

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<i>Milo Goes to College</i> 1982 studio album by the Descendents

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<i>Enjoy!</i> (Descendents album) 1986 studio album by the Descendents

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<i>All</i> (Descendents album) 1987 studio album by the Descendents

All is the fourth album by the American punk rock band the Descendents, released in 1987 through SST Records. It was the band's first album with bassist Karl Alvarez and guitarist Stephen Egerton, who brought new songwriting ideas to the group. The album is titled after the concept of "All" invented by drummer Bill Stevenson and friend Pat McCuistion in 1980. Based on the goals of achieving "the total extent" and "to not settle for some, to always go for All", the philosophy was the subject of the one-second title track, the two-second "No, All!", and "All-O-Gistics".

<i>Everything Sucks</i> (Descendents album) 1996 studio album by the Descendents

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<i>Merican</i> 2004 EP by the Descendents

'Merican is an EP by the American punk rock band Descendents, released February 10, 2004. It was the band's first release for Fat Wreck Chords and served as a pre-release to their sixth studio album Cool to Be You, released the following month. The EP includes two songs from the album: "Nothing with You" and "'Merican", and three B-sides from the album's sessions: "Here with Me", "I Quit", and the hidden track "Alive". 'Merican marked the first release of new studio material from the Descendents since 1996's Everything Sucks and was their third release ever to chart, peaking at number 29 on Billboard's Top Independent Albums chart and at number 38 on Top Heatseekers.

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References

  1. 1 2 3 4 5 Paul, Aubin (March 23, 2004). "Review: Cool to Be You". Punknews.org. Retrieved September 8, 2010.
  2. 1 2 Cool to Be You (CD liner). Descendents. San Francisco: Fat Wreck Chords. 2004. FAT672-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  3. 1 2 3 4 5 6 "Interviews". descendentsonline.com. Descendents. Archived from the original on March 24, 2010. Retrieved February 16, 2010.
  4. ↑ "FMQB Airplay Archive: Modern Rock". Friday Morning Quarterback Album Report, Incorporated. Archived from the original on March 22, 2013. Retrieved October 31, 2016.
  5. ↑ "F.A.Q." descendentsonline.com. Descendents. Archived from the original on February 11, 2010. Retrieved February 3, 2010.
  6. ↑ Luerssen, John D. "Review: 'Merican". Allmusic . Retrieved February 16, 2010.
  7. 1 2 Campbell, Al. "Review: Cool to Be You". Allmusic . Retrieved February 16, 2010.
  8. ↑ Ballard, Ben (April 30, 2004). "Cool To Be You". IGN . Retrieved April 9, 2024.
  9. ↑ Travers, Paul (March 27, 2004). "Rated: Albums". Kerrang! . No. 998. UK: EMAP. p. 56.
  10. ↑ Hiller, Joachim (March 2004). "Review - Descendents - Cool To Be You LP/CD". Ox-Fanzine (in German). Retrieved April 9, 2024.
  11. ↑ Ubl, Sam (May 13, 2004). "Descendents: Cool to Be You". Pitchfork. Archived from the original on June 8, 2004. Retrieved April 9, 2024.
  12. ↑ Abowitz, Richard (May 13, 2004). "New CDs". Rolling Stone . No. 948. p. 74.
  13. ↑ Richardson, Sean (May 2004). "Reviews". Spin . Vol. 20, no. 5. SPIN Media, LLC. pp. 105, 107.
  14. ↑ "Descendents: Charts & Awards: Billboard Albums". Allmusic . Retrieved January 31, 2010.
  15. ↑ "Descendents Album & Song Chart History: Billboard 200". Billboard charts . Retrieved January 31, 2010.
  16. ↑ "Descendents Album & Song Chart History: Independent Albums". Billboard charts . Retrieved January 31, 2010.
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