Bar Kokhba is a double album by John Zorn, recorded between 1994 and 1996. It features music from Zorn's Masada project, rearranged for small ensembles. It also features the original soundtrack from The Art of Remembrance – Simon Wiesenthal, a film by Hannah Heer and Werner Schmiedel (1994–95).
John Zorn is an American composer, arranger, record producer, saxophonist, and multi-instrumentalist. His music crosses genres that include jazz, rock, hardcore, classical, surf, metal, soundtrack, ambient, and improvised music. Zorn incorporates diverse styles and compositional methods in his works, which he identifies as avant-garde or experimental. In 2013, Down Beat described Zorn as "one of our most important composers".
The Book of Heads (1978), composed by John Zorn, is a set of 35 etudes for solo guitar. It was recorded and released in 1995, and featured Marc Ribot. The pieces use multiple extended techniques.
Lacrosse is a double album by John Zorn. It is made up of different takes of his early game piece, "Lacrosse". The first disc is from WKCR in June 1978 where Mark Abbott, Polly Bradfield, Eugene Chadbourne, and LaDonna Smith and Zorn recorded six different takes. Takes 3, 4 and 6 were originally released on the Parachute Records double LP School (1978). The second disc is the original recording of "Lacrosse" which was made by Eugene Chadbourne, Henry Kaiser, Bruce Ackley, and Zorn in San Francisco, California in June 1977.
Filmworks VII: Cynical Hysterie Hour is a 1989 album by John Zorn featuring music written for a series of Japanese animated shorts that were created by Kiriko Kubo. It features Zorn's first music for cartoons and was originally released on the Japanese Sony label in limited numbers. In late 1996 Zorn finally attained the rights for his music and remastered and re-released the album on his own label, Tzadik, in 1997.
Filmworks 1986–1990 features the first released film scores of John Zorn. The album was originally released on the Japanese labels Wave and Eva in 1990, on the Nonesuch Records label in 1992, and subsequently re-released on Zorn's own label, Tzadik Records, in 1997 after being out of print for several years.
"For Zorn, filmscores have always been a place to experiment, and the FilmWorks Series is in many ways a microcosm of his prodigious output. This original installment of the FilmWorks Series presents three scores ranging from punk-rockabilly ; a jazzy Bernard Herrmann fantasy; to a quirky classical/improv/world music amalgam for Raul Ruiz's bizarre film The Golden Boat. Zorn's infamous one-minute arrangement of Morricone's classic The Good, The Bad and The Ugly, is included as a bonus track. This is the place where it all began."
Naked City Live is a live album recorded by Naked City in 1989 and released on John Zorn's Tzadik label in 2002. All of the songs, with the exception of "Erotico", "The Way I Feel" and "Skate Key", were later recorded in the studio for the band's debut album. To date it is the only official live release by the band.
The Circle Maker is a double album by John Zorn featuring Zorn's Masada compositions performed by the Masada String Trio and the Bar Kokhba Sextet which was released in 1998 on the Tzadik label.
Kristallnacht is an album by John Zorn first released in 1993 on the Japanese Eva label and subsequently in 1995 on Zorn's own Tzadik Records label.
The Bribe: variations and extensions on Spillane is an album by American composer and saxophonist/multi-instrumentalist John Zorn, consisting of music created for three half-hour radio plays produced by Mabou Mines theater company in 1986. It utilizes compositional techniques, source material, and personnel that are similar to Zorn's Spillane.
Filmworks II: Music for an Untitled Film by Walter Hill features the second release of scores for film by John Zorn. The album was originally released on the Japanese Toys Factory label in 1995 and subsequently re-released on Zorn's own label, Tzadik Records, in 1996. It features the music that Zorn wrote and recorded for Trespass which was not used in favor of a score by Ry Cooder.
Filmworks III: 1990–1995 features the scores for film and advertisements by John Zorn. The album was originally released on the Japanese labels Evva in 1995 and Toys Factory in 1996 and subsequently re-released on Zorn's own label, Tzadik Records, in 1997. It features the music that Zorn wrote and recorded for Thieves Quartet (1993), directed by Joe Chappelle, which was performed by the group that would become Masada; nine cues for Kiriko Kubo's Music For Tsunta (1988); eleven tracks for Hollywood Hotel (1994), directed by Mei-Juin Chen; and thirty-two pieces for advertisements by Wieden & Kennedy.
Filmworks VIII: 1997 features two scores for film by John Zorn released on Zorn's own label, Tzadik Records, in 1998. It features the music that Zorn wrote and recorded for The Port of Last Resort (1998), a documentary directed by Joan Grossman and Paul Rosdy examining the experiences of Jewish refugees in Shanghai and Latin Boys Go to Hell (1997) which was directed by Ela Troyano.
Filmworks XI: Secret Lives features a score for film by John Zorn performed by the Masada String Trio with guest appearances from Vanessa Saft on vocals and Jamie Saft on piano. The album was released on Zorn's own label, Tzadik Records, in 2002 and contains music that Zorn wrote and recorded for Secret Lives: Hidden Children and Their Rescuers During WWII, a documentary on Jewish children hidden during the Second World War directed by Aviva Slesin. The documentary was originally to be titled Under the Wing and several sources still refer to the soundtrack under this name.
Filmworks XVII: Notes on Marie Menken/Ray Bandar: A Life with Skulls features scores by John Zorn for two documentary films. The album was released on Zorn's own label, Tzadik Records, in 2006 and contains music that Zorn wrote and recorded for, Notes on Marie Menken (2006), directed by Martina Kudláček and a percussion score for Ray Bandar: A Life with Skulls directed by Beth Cataldo.
Live in Taipei is a double live album by John Zorn's Masada recorded at the Crown Theatre in Taiwan's capital city Taipei. The album is mistakenly dated 1995, while the performance was actually taken place in 1996.
The Parachute Years: 1977-1981 is a compilation album 7-CD box set by John Zorn. It features recordings of Zorn's game pieces originally released as self-produced albums on the Parachute label as well as previously unreleased performances. All of the discs in this box set have been subsequently given their own releases on Zorn's Tzadik label.
Filmworks XXI: Belle de Nature/Rijksmuseum features a score for film by John Zorn. The album was released on Zorn's own label, Tzadik Records, in 2008 and contains music that Zorn wrote and recorded for film director Maria Beatty's Belle de Nature (2008) and a documentary on the renovation of the Rijksmuseum Amsterdam.
Filmworks XXIV: The Nobel Prizewinner is a soundtrack album by American composer John Zorn released on Zorn's own label, Tzadik, in 2010 featuring music written and recorded for Dutch film director Timo Veltkamp's's De Nobelprijswinnaar (2010).
Filmworks Anthology is a compilation album featuring selections from the first fifteen Filmworks albums by John Zorn and one previously unreleased track which was issued on the Tzadik label in 2005.
