| Prelapse | |
|---|---|
 | |
| Studio album by | |
| Released | September 21, 1999 |
| Recorded | November 1997 |
| Genre | Avant-garde |
| Length | 49:32 |
| Label | Avant |
| Producer | Prelapse |
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic | ? [1] |
Prelapse is an album by the Boston-based band of the same name featuring John Zorn. The album was released on the Japanese Avant label in 1999 and features 10 tracks originally written by Zorn for the band Naked City. The band came to Zorn's attention after transcribing several Naked City compositions. [2]
John Zorn is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". His avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music. In 2013, Down Beat described Zorn as "one of our most important composers" and in 2020 Rolling Stone noted that "[alt]hough Zorn has operated almost entirely outside the mainstream, he's gradually asserted himself as one of the most influential musicians of our time".
Naked City was an avant-garde music group led by saxophonist and composer John Zorn. Active primarily in New York City from 1988 to 1993, Naked City was initiated by Zorn as a "composition workshop" to test the limits of composition in a traditional rock band lineup. Their music incorporated elements of jazz, surf, progressive rock, classical, heavy metal, grindcore, country, punk rock, and other genres.
Naked City is an album by John Zorn, released on Elektra Nonesuch in February 1990. The band assembled by Zorn for the album would later be known as Naked City. The album is characterized by its covers of movie themes and its fusion of various musical genres.
Weird Little Boy is a one-off album by a band of the same name, performed by John Zorn, Trey Spruance, William Winant (percussion), Mike Patton and Chris Cochrane (guitar). It was released in 1998 on the Japanese label Avant.
Grand Guignol is the second full-length studio album released by John Zorn's band Naked City in 1992 on the Japanese Avant label. The album followed Torture Garden, which was a compilation of "hardcore miniatures" from Naked City and Grand Guignol. The album is notable for the inclusion of cover versions of pieces written by classical composers, the guest vocal of Bob Dorough, and also, like Torture Garden, a selection of "hardcore miniatures" which are intense, fast-tempo, brief compositions, which feature the wailing of Zorn's alto sax, and the screams of Yamatsuka Eye. The album is titled after the infamous Grand Guignol theater in Paris, which was open from 1897 to 1962, where performances centered around extreme violence.
Heretic is the third studio album by the band Naked City, used as a soundtrack for the underground S/M film Jeux des Dames Cruelles. The album utilises different combinations of band members in duos and trios with the entire band performing together on only one track "Fire and Ice".
Radio is the fourth studio album by the band Naked City, and their first to be composed entirely by bandleader John Zorn. The album was also released as part of Naked City: The Complete Studio Recordings on Tzadik Records in 2005.
Filmworks 1986–1990 features the first released film scores of John Zorn. The album was originally released on the Japanese labels Wave and Eva in 1990, on the Nonesuch Records label in 1992, and subsequently re-released on Zorn's own label, Tzadik Records, in 1997 after being out of print for several years.
"For Zorn, filmscores have always been a place to experiment, and the FilmWorks Series is in many ways a microcosm of his prodigious output. This original installment of the FilmWorks Series presents three scores ranging from punk-rockabilly ; a jazzy Bernard Herrmann fantasy; to a quirky classical/improv/world music amalgam for Raul Ruiz's bizarre film The Golden Boat. Zorn's infamous one-minute arrangement of Morricone's classic The Good, The Bad and The Ugly, is included as a bonus track. This is the place where it all began."
Torture Garden is an album by John Zorn's Naked City with vocalist Yamatsuka Eye on vocals. The album collects the 42 "hardcore miniatures" recorded by the band. Nine of these short intense improvisations were spread across Naked City and the other 33 would feature on the next album, Grand Guignol. As Zorn explained in 1990:
Basically, this Naked City record came out, right. In the middle of it are about ten songs that are really short and hard. I said I wanted to do a record of 40 of those pieces, cause I was really interested in the compression and compactness of form that that music gets to. The guys at Nonesuch were not interested. If I wanted to do that, I better take it somewhere else. So what I managed to do was get them to bankroll the whole thing, and then I licensed it to Earache and Shimmy for basically no money and no royalties. So they are just putting this stuff out that Nonesuch bankrolled.
Naked City: The Complete Studio Recordings is a five disc box set that contains all of the studio albums released by Naked City during their five-year history.
Naked City Live is a live album recorded by Naked City in 1989 and released on John Zorn's Tzadik label in 2002. All of the songs, with the exception of "Erotico", "The Way I Feel" and "Skate Key", were later recorded in the studio for the band's debut album. To date it is the only official live release by the band.
John Zorn's Cobra: Live at the Knitting Factory is an album of a performance of John Zorn's improvisational game piece, Cobra, performed at the Knitting Factory in 1992. The album resembles the missing link between John Zorn's work with Masada and Naked City. It also had a major impact on the electronic scene of New York.
Music for Children is the first release in John Zorn's Music Romance Series and features three Naked City compositions performed by Zorn with the band Prelapse; a 20-minute composition for wind machines and controlled feedback systems dedicated to Edgar Varese, and a classical chamber music piece for violin, percussion and piano performed by the Abel-Steinberg-Winant Trio framed by a poly-rhythmic etude for percussion and celeste and a lullaby for music box.
John Zorn appears on over 400 recordings as a composer or performer. This is a selection of recordings released under his name, bands he was/is part of, collaborations with other musicians, and significant albums to which he has contributed. The year indicates when the album was first released and any subsequent years if the following release included additional material.
The Classic Guide to Strategy is a compilation album by John Zorn featuring his two early solo records The Classic Guide to Strategy Volume One (1983), (tracks 1-2) and the Classic Guide to Strategy Volume Two (1986), (tracks 3-8). The albums were first released on vinyl on Lumina Records in and later re-released on Tzadik Records in 1996 as a single CD. The second track is inspired by the work of Carl Stalling and tracks 3-8 are named after avant-garde Japanese artists. The Classic Guide to Strategy Volume Two also contained the track "Yano Akiko" (5:20) which does not appear on the CD re-release.
The Bribe: variations and extensions on Spillane is an album by American composer and saxophonist/multi-instrumentalist John Zorn, consisting of music created for three half-hour radio plays produced by Mabou Mines theater company in 1986. It utilizes compositional techniques, source material, and personnel that are similar to Zorn's Spillane.
Spy vs Spy: The Music of Ornette Coleman is a 1989 album by American composer and saxophonist/multi-instrumentalist John Zorn, featuring the compositions of Ornette Coleman performed in the brief, intense style of Zorn's hardcore miniatures.
Black Box is a compilation album by John Zorn's band Naked City featuring Yamatsuka Eye on vocals. The album is a collection of the "hardcore miniatures" from Naked City and Grand Guignol that were originally released on Torture Garden in 1990 and the extended piece Leng Tch'e which was only released in Japan in 1992. This compilation was released on Tzadik Records in 1996.
Filmworks III: 1990–1995 features the scores for film and advertisements by John Zorn. The album was originally released on the Japanese labels Evva in 1995 and Toys Factory in 1996 and subsequently re-released on Zorn's own label, Tzadik Records, in 1997. It features the music that Zorn wrote and recorded for Thieves Quartet (1993), directed by Joe Chappelle, which was performed by the group that would become Masada; nine cues for Kiriko Kubo's Music For Tsunta (1988); eleven tracks for Hollywood Hotel (1994), directed by Mei-Juin Chen; and thirty-two pieces for advertisements by Wieden & Kennedy.
Yankees is an album of improvised music by Derek Bailey, John Zorn & George Lewis. The album was released as an LP by Celluloid in 1983 and was reissued on CD by Celluloid and Charly. It was the first recorded meeting of John Zorn and Derek Bailey. The two men would later release the album, Harras, with William Parker in 1993. Zorn and Lewis would collaborate further on News for Lulu (1988) and More News for Lulu (1993) with Bill Frisell.
