Jody Harris | |
---|---|
Born | United States |
Genres | Surf rock, rock, no wave |
Occupation(s) | Musician, songwriter |
Instrument | Electric guitar |
Years active | 1973–1990 |
Labels | ZE Don't Fall Off the Mountain Press Shanachie Antilles Infidelity Lust/Unlust Celluloid |
Jody Harris is an American guitarist, singer, songwriter and composer who was born in Kansas [1] and became a central figure in the seminal no wave scene in New York City in the 1970s.
Harris was lead guitarist in the Contortions, an influential No Wave band. He was also a key member of a number of bands that emerged from the no wave scene, including the Raybeats and the Golden Palominos.
Harris has also recorded as a solo artist and with guitarist Robert Quine. In 1977, he joined Quine in a band backing rock critic Lester Bangs on Bangs' 7" single, Let It Blurt, produced by John Cale. [2] He was also briefly a member of the Voidoids and played on many recordings by a wide range of artists, including Matthew Sweet, Syd Straw, Kip Hanrahan and John Zorn.
With Quine, he composed all the music on their collaborative album, Escape, as well as co-writing virtually all the Raybeats' material. He also composed all the songs and instrumentals on his one solo album, except for one song co-written with Don Christensen. As part of Anton Fier's supergroup the Golden Palominos, he co-wrote the majority of the songs on the band's acclaimed second album, Visions of Excess .
One critic described Harris as a "seasoned campaigner from the late-1970s flowering of American postpunk", [3] while another called him "one of the most underrated guitarists" on the New York scene. [4]
Robert Palmer, writing in The New York Times in 1987, praised "the luminous clarity" of Harris's lead guitar work for the Golden Palominos, [3] while the Village Voice's Robert Christgau obliquely criticized what he called a "weakness for the genre exercise". [5] Quine himself, however, declared Harris's work "tragically underrated -- he's so far advanced, way past me and people can't hear it". [6]
Leslie Conway "Lester" Bangs was an American music journalist and critic. He wrote for Creem and Rolling Stone magazines and was also a performing musician. The music critic Jim DeRogatis called him "America's greatest rock critic".
Richard Hell and the Voidoids were an American punk rock band, formed in New York City in 1976 and fronted by Richard Hell, a former member of the Neon Boys, Television and the Heartbreakers.
Jamaaladeen Tacuma is an American jazz funk avant-garde bassist, composer and producer born in Hempstead, New York. He was a bandleader on the Gramavision label and worked with Ornette Coleman during the 1970s and 1980s, mostly in Coleman's Prime Time band.
Robert Wolfe Quine was an American guitarist. A native of Akron, Ohio, Quine worked with a wide range of musicians, though he himself remained relatively unknown. Critic Mark Deming wrote that "Quine's eclectic style embraced influences from jazz, rock, and blues players of all stripes, and his thoughtful technique and uncompromising approach led to rewarding collaborations with a number of visionary musicians."
William Otis Laswell is an American bass guitarist, record producer, and record label owner. He has been involved in thousands of recordings with many collaborators from all over the world. His music draws from funk, world music, jazz, dub, and ambient styles.
Arthur Morgan "Arto" Lindsay is an American guitarist, singer, record producer and experimental composer. He was a member of the pioneering 1970s no wave group DNA, which featured on the 1978 compilation No New York. In the 1980s, he formed the group Ambitious Lovers. He also performed with the Golden Palominos and the Lounge Lizards.
James Chance and the Contortions was a musical group led by saxophonist and vocalist James Chance, formed in 1977. They were a central act of New York City's downtown no wave music scene in the late 1970s, and were featured on the influential compilation No New York (1978).
John Anton Fier III was an American drummer, producer, composer, and bandleader. He led The Golden Palominos, an experimental rock group active from 1981 to 2010.
The Golden Palominos were an American musical group headed by drummer, producer, arranger, and composer Anton Fier, first formed in 1981. Aside from Fier, the Palominos membership fluctuated, with only bassist Bill Laswell and guitarist Nicky Skopelitis appearing on every album through 1996. Their final work, 2012's A Good Country Mile features vocalist Kevn Kinney. The band's early work developed out of the No Wave scene, but later branched out into alternative rock, country rock and electronic music.
Material was an American band formed in 1979 and operating until 1999, led by producer and bassist Bill Laswell.
Bush Tetras are an American post-punk No Wave band from New York City, formed in 1979. They are best known for the 1980 song "Too Many Creeps", which exemplified the band's sound of "jagged rhythms, slicing guitars, and sniping vocals". Although they did not achieve mainstream success, the Bush Tetras were influential and popular in the Manhattan club scene and college radio in the early 1980s. New York's post-punk revival of the 2000s was accompanied by a resurgence of interest in the genre, with the Tetras' influence heard in many of that scene's bands.
Visions of Excess is the second album by the Golden Palominos. The band's line-up was substantially different from their first album. It includes a cover of Moby Grape's "Omaha", with Michael Stipe singing lead.
Syd Straw is an American rock singer and songwriter.
Celluloid Records, a French/American record label, founded by Jean Georgakarakos operated from 1976 to 1989 in New York City, and produced a series of eclectic and ground-breaking releases, particularly in the early to late 1980s, largely under the auspices of de facto in-house producer Bill Laswell.
Basic is a collaboration album by American musicians Robert Quine and Fred Maher, released in July 1984 by E.G. Records. Produced by the duo in Quine's living room, the record followed their tenure in Lou Reed's backing band, and provided Quine with a different working environment from the underground music scene of New York City, with which he had become disenchanted.
The Raybeats were an American instrumental neo-surf rock combo from New York City that arose from the No Wave musical scene. The original line-up consisted of Don Christensen (drums), Jody Harris (guitar), Pat Irwin, and George Scott III (bass).
Off White is a 1979 album by American no wave band James White and the Blacks.
George Scott III was a bass player for several New York City bands during the No Wave era. He was a founding member of 8-Eyed Spy and the Raybeats, and he worked with James Chance and the Contortions, James White and the Blacks, Human Switchboard, and John Cale, among others.
The Golden Palominos is the debut studio album by the alternative rock band the Golden Palominos. It was released on May 20, 1983, on Celluloid Records.
Blast of Silence is the third album by The Golden Palominos, released in 1986 by Celluloid Records.