William Richard Frisell is an American jazz guitarist. He first came to prominence at ECM Records in the 1980s, as both a session player and a leader. He went on to work in a variety of contexts, notably as a participant in the Downtown Scene in New York City, where he formed a long working relationship with composer and saxophonist John Zorn. He was also a longtime member of veteran drummer Paul Motian's groups from the early 1980s until Motian's death in 2011. Since the late 1990s, Frisell's output as a bandleader has also integrated prominent elements of folk, country, rock ‘n’ roll and Americana. He has six Grammy nominations and one win.
James "Kermit" Driscoll is an American jazz bassist. He is known for his long association with guitarist Bill Frisell in the 1980s and '90s. Driscoll has worked in many genres and music settings: Broadway, classical, jazz, folk, rock, film, and television. He has taught at SUNY Purchase College and Sarah Lawrence College.
Naked City is an album by John Zorn, released on Elektra Nonesuch in February 1990. The band assembled by Zorn for the album would later be known as Naked City. The album is characterized by its covers of movie themes and its fusion of various musical genres.
Hans Wendl is a producer. He began his career in the music business with the record label ECM Records in his hometown of Munich in the mid-1970s and was associated with the German label for twelve years before moving to the United States in 1986. He was also director of the Gramavision Records label for Rykodisc for three years during the mid-1990s.
The Big Gundown is the third studio album by American composer and saxophonist/multi-instrumentalist John Zorn. It comprises radically reworked covers of tracks by the Italian film composer Ennio Morricone.
Vinicius Cantuária is a Brazilian singer, songwriter, guitarist, drummer, and percussionist. He is associated with bossa nova and Brazilian jazz.
Filmworks VII: Cynical Hysterie Hour is a 1989 album by John Zorn featuring music written for a series of Japanese animated shorts that were created by Kiriko Kubo. It features Zorn's first music for cartoons and was originally released on the Japanese Sony label in limited numbers. In late 1996 Zorn finally attained the rights for his music and remastered and re-released the album on his own label, Tzadik, in 1997.
Filmworks 1986–1990 features the first released film scores of John Zorn. The album was originally released on the Japanese labels Wave and Eva in 1990, on the Nonesuch Records label in 1992, and subsequently re-released on Zorn's own label, Tzadik Records, in 1997 after being out of print for several years.
"For Zorn, filmscores have always been a place to experiment, and the FilmWorks Series is in many ways a microcosm of his prodigious output. This original installment of the FilmWorks Series presents three scores ranging from punk-rockabilly ; a jazzy Bernard Herrmann fantasy; to a quirky classical/improv/world music amalgam for Raul Ruiz's bizarre film The Golden Boat. Zorn's infamous one-minute arrangement of Morricone's classic The Good, The Bad and The Ugly, is included as a bonus track. This is the place where it all began."
Ambitious Lovers were a musical duo composed of guitarist/singer Arto Lindsay and keyboardist Peter Scherer, active from the mid-1980s to the early 1990s. Their music incorporated elements from Brazilian music and funk. Despite strong reviews from critics for their three albums, Ambitious Lovers found little success with mainstream audiences.
Greed is the second album by Ambitious Lovers, released in 1988 through Virgin Records. Naná Vasconcelos and John Zorn were among the album's many guest musicians.
Filmworks III: 1990–1995 features the scores for film and advertisements by John Zorn. The album was originally released on the Japanese labels Evva in 1995 and Toys Factory in 1996 and subsequently re-released on Zorn's own label, Tzadik Records, in 1997. It features the music that Zorn wrote and recorded for Thieves Quartet (1993), directed by Joe Chappelle, which was performed by the group that would become Masada; nine cues for Kiriko Kubo's Music For Tsunta (1988); eleven tracks for Hollywood Hotel (1994), directed by Mei-Juin Chen; and thirty-two pieces for advertisements by Wieden & Kennedy.
Lookout for Hope is an album by the Bill Frisell Band recorded in March 1987 and released on ECM the following year—Frisell's third album as leader. The quartet features cellist and vocalist Hank Roberts and rhythm section Kermit Driscoll and Joey Baron.
This discography features albums released by guitarist Bill Frisell, released recordings of bands and projects he was/is a member of, and albums on which he appears as guest musician. Labels and dates indicate first release.
Where in the World? is the third album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1991 and features performances by Frisell, cellist Hank Roberts, bassist Kermit Driscoll and drummer Joey Baron.
Have a Little Faith is a 1992 album by American guitarist Bill Frisell, his seventh album overall and fourth for Elektra Nonesuch. Musicians include Frisell, clarinetist Don Byron, bassist Kermit Driscoll, accordion player Guy Klucevsek and drummer Joey Baron. The album covers a range of American classical and popular music. The album was widely acclaimed as one of Frisell's best and as an outstanding jazz albums of the 1990s.
This Land is the fifth album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1994 and features performances by Frisell, alto saxophonist Billy Drewes, trombonist Curtis Fowlkes, clarinetist Don Byron, bassist Kermit Driscoll and drummer Joey Baron.
Music for the Films of Buster Keaton: Go West is the sixth album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1995 and features performances by Frisell, bassist Kermit Driscoll and drummer Joey Baron. The album is designed as accompaniment to the Buster Keaton's silent film classic, Go West (1925), and was released at the same time as another album of Keaton soundtracks by Frisell, The High Sign/One Week (1995).
The High Sign/One Week: Music for the Films of Buster Keaton is an album by the guitarist Bill Frisell, released on the Elektra Nonesuch label. It was released in 1995 and features performances by Frisell, bassist Kermit Driscoll and drummer Joey Baron. The album is designed as accompaniment to Buster Keaton's first two silent film classics, The High Sign (1921) and One Week (1920). It was released at the same time as another album by Frisell of Keaton soundtracks, Go West: Music for the Films of Buster Keaton (1995).
Live is a live album by guitarist Bill Frisell released on the Gramavision label. It was released in 1995 and features a performance by Frisell, bassist Kermit Driscoll and drummer Joey Baron recorded in 1991 at Terceros Encuentros de Nueva Musica, Teatro Lope de Vega, Seville, Spain.
Miracle Mile is an album by American keyboardist and composer Wayne Horvitz's band The President recorded in 1992 and released on the Elektra/Nonesuch label.
