James "Kermit" Driscoll [1] (born March 4, 1956) is an American jazz bassist. He is known for his long association with guitarist Bill Frisell in the 1980s and '90s. Driscoll has worked in many genres and music settings: Broadway, classical, jazz, folk, rock, film, and television. [2] He has taught at SUNY Purchase College and Sarah Lawrence College.
Driscoll was born in Kearney, Nebraska. He began playing piano at age five. Soon after, he added saxophone, and at age thirteen he picked up the bass guitar. He was soon was playing gigs around the midwest. When an offer to travel with a rock band came up, he dropped out of high school at age sixteen to go on tour.
He resumed high school at the Interlochen Center for the Arts in Michigan, then attended the University of Miami, where one of his teachers was Jaco Pastorius. [1] At Berklee College of Music in 1975 he became friends with guitarist Bill Frisell, and they often performed locally in Boston. Driscoll cites Pastorius and Frisell as two of the biggest influences on his life. Around 1976, he and his roommate, drummer Vinnie Colaiuta, and Frisell found work in a band called the Boston Connection. According to Frisell, band members dressed in orange polyester suits and played disco. [2]
In May 1978, Driscoll traveled to Belgium to play with Stephan Houben who was working with Frisell. With this group he made his first recording, Mauve Traffic, with Frisell, Houben, Greg Badolato, Vinton Johnson, and Michel Herr. The album included a composition by Driscoll entitled "Doggone it". In January, 1980, he moved to New York City, and during the next year toured with Buddy Rich. [1]
From 1986 to 1996, [1] he was a member of Bill Frisell's quartet. From 1990 to 1995, [1] he was in the group New and Used with trumpeter Dave Douglas and saxophonist Andy Laster.
In 2005, he was diagnosed with advanced Lyme disease. Friends performed benefit concerts. Colauita helped gather donations and encouraged Driscoll to record. Reveille, his first album as a leader, was recorded with Colaiuta, Frisell, and pianist Kris Davis and released in 2010. [2] [3]
On January, 28th, 2019 Driscoll was accused of beating his wife and charged with aggravated assault, violating a restraining order, false imprisonment, hindering his arrest, obstruction and harassment. This was after being removed from a Cliffside Park, NJ home by the Bergen County Regional SWAT Team. [4]
With New and Used
With Bill Frisell
With John Hollenbeck
With Joel Harrison
With Gerry Hemingway
With David Johansen
With Mick Rossi
With John Zorn
With others
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This discography features albums released by guitarist Bill Frisell, released recordings of bands and projects he was/is a member of, and albums on which he appears as guest musician. Labels and dates indicate first release.
Before We Were Born is the first album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1989 and features performances by Frisell, cellist Hank Roberts, bassist Kermit Driscoll and drummer Joey Baron. Guests include guitarist Arto Lindsay, keyboardist Peter Scherer, alto saxophonist Julius Hemphill and baritone saxophonist Doug Wieselman.
Have a Little Faith is a 1992 album by American guitarist Bill Frisell, his seventh album overall and fourth for Elektra Nonesuch. Musicians include Frisell, clarinetist Don Byron, bassist Kermit Driscoll, accordion player Guy Klucevsek and drummer Joey Baron. The album covers a range of American classical and popular music. The album was widely acclaimed as one of Frisell's best and as an outstanding jazz albums of the 1990s.
This Land is the fifth album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1994 and features performances by Frisell, alto saxophonist Billy Drewes, trombonist Curtis Fowlkes, clarinetist Don Byron, bassist Kermit Driscoll and drummer Joey Baron.
Music for the Films of Buster Keaton: Go West is the sixth album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1995 and features performances by Frisell, bassist Kermit Driscoll and drummer Joey Baron. The album is designed as accompaniment to the Buster Keaton's silent film classic, Go West (1925), and was released at the same time as another album of Keaton soundtracks by Frisell, The High Sign/One Week (1995).
The High Sign/One Week: Music for the Films of Buster Keaton is an album by the guitarist Bill Frisell, released on the Elektra Nonesuch label. It was released in 1995 and features performances by Frisell, bassist Kermit Driscoll and drummer Joey Baron. The album is designed as accompaniment to Buster Keaton's first two silent film classics, The High Sign (1921) and One Week (1920). It was released at the same time as another album by Frisell of Keaton soundtracks, Go West: Music for the Films of Buster Keaton (1995).
Live is a live album by guitarist Bill Frisell released on the Gramavision label. It was released in 1995 and features a performance by Frisell, bassist Kermit Driscoll and drummer Joey Baron recorded in 1991 at Terceros Encuentros de Nueva Musica, Teatro Lope de Vega, Seville, Spain.
David Johansen and the Harry Smiths is a 2000 album that David Johansen released with the "Harry Smiths". Johansen created the album following a folk scene that was taking place in the late 1990s in New York City clubs. Inspired by the 1997 reissue of musicologist Harry Everett Smith's Anthology of American Folk Music, Johansen named his band "the Harry Smiths" and recorded and performed songs from, or inspired by, the Anthology. The Harry Smiths band included long-time Johansen associate Brian Koonin on guitar and mandolin, with Larry Saltzman also playing guitar and playing banjo. The rhythm section of Kermit Driscoll and Joey Baron played for many years with jazz guitarist Bill Frisell, and both have worked extensively with other jazz artists.