In music, a cadenza, is, generically, an improvised or written-out ornamental passage played or sung by a soloist(s), usually in a "free" rhythmic style, and often allowing virtuosic display. During this time the accompaniment will rest, or sustain a note or chord. Thus an improvised cadenza is indicated in written notation by a fermata in all parts. A cadenza will usually occur over either the final or penultimate note in a piece, the lead-in, or the final or penultimate note in an important subsection of a piece. A cadenza can also be found before a final coda or ritornello.
Julius Baker was one of the foremost American orchestral flute players. During the course of five decades he concertized with several of America's premier orchestral ensembles including the Chicago Symphony and the New York Philharmonic Orchestra.
Evan Ziporyn is an American composer of post-minimalist music with a cross-cultural orientation, drawing equally from classical music, avant-garde, various world music traditions, and jazz. Ziporyn has composed for a wide range of ensembles, including symphony orchestras, wind ensembles, many types of chamber groups, and solo works, sometimes involving electronics. Balinese gamelan, for which he has composed numerous works, has compositions. He is known for his solo performances on clarinet and bass clarinet; additionally, Ziporyn plays gender wayang and other Balinese instruments, saxophones, piano & keyboards, EWI, and Shona mbira.
Daniel Dorff is an American classical musician and classical composer.
Eric Ewazen is an American composer and teacher.
Paula Robison is a flute soloist and teacher.
Matthew John Hindson AM is an Australian composer.
Gary Schocker is an American flutist, composer, and pianist who has performed with the New York Philharmonic, the Philadelphia Orchestra, the New Jersey Symphony, the Dallas Symphony, the West German Sinfonia, and I Solisti Italiani. He has toured and taught in Colombia, Panama, Canada, Australia, Taiwan, Japan, Germany, France, and Italy.
Paul Lustig Dunkel was an American flutist and conductor. From 1983 to 2008, he served as music director of the Westchester Philharmonic. He also taught at the New England Conservatory, the Eastman School of Music, Queens College, City University of New York, Vassar College, the University of Connecticut and State University of New York at Purchase.
Ransom Wilson is an American flutist, conductor, and educator.
James Walker is an American flutist and educator. He is the former Principal Flute of the Los Angeles Philharmonic, and the founder of the jazz quartet Free Flight. Since 1984, he has focused most of his attention on jazz performance and flute pedagogy.
Roger John Goeb was an American composer.
Richard David Carrick is an American composer, pianist and conductor. He was a Guggenheim Fellow in Music Composition for 2015–16 while living in Kigali, Rwanda. His compositions are influenced by diverse sources including traditional Korean Gugak music, the flow concept of Mihaly Csikszentmihalyi, Gnawa Music of Morocco, Jazz, experimental music, concepts of infinity, the works of Italo Calvino and Ludwig Wittgenstein, and his work as improviser.
Thomas Daniel Nyfenger was an American flutist and teacher known for his "intense and caring emotion for the flute" and described as “a thorough professional who programs interesting music and is not above having a good time while playing it.” He taught at the Yale School of Music, played piccolo for the Indianapolis Symphony Orchestra, and held many part-time playing and teaching positions throughout his career.
David Felder is an American composer and academic who was a SUNY Distinguished Professor at the University at Buffalo until his retirement in 2022. He was also the director of both the June in Buffalo Festival and the Robert and Carol Morris Center for 21st Century Music.
Valerie Coleman is an American composer and flutist as well as the creator of the wind quintet Imani Winds. Coleman is a distinguished artist of the century who was named Performance Today's 2020 Classical Woman of the year and was listed as “one of the Top 35 Women Composers” in the Washington Post. In 2019, Coleman's orchestral work, Umoja, Anthem for Unity, was commissioned and premiered by the Philadelphia Orchestra. Coleman's Umoja is the first classical work by a living African American woman that the Philadelphia Orchestra has performed.
Jan Williams is a percussionist, arts administrator, teacher, conductor, and composer who has championed avant-garde and progressive music in the United States. He is recognized as an important proponent of percussion performance and its literature.
William Morris Kincaid was an American flutist and teacher. He is known for his work as principal flute of the Philadelphia Orchestra for almost 40 years, teaching at the Curtis Institute and being a guiding force in the creation of an American School of flute playing.
Leone Buyse is the Joseph and Ida K. Mullen Professor of Flute and Chair of Woodwinds at Rice University's Shepherd School of Music. Prior to a full-time career teaching, Buyse spent over 22 years as an orchestral flutist, including a decade from 1983-1993 as Principal Flute of the Boston Symphony Orchestra and Boston Pops Orchestra. Other orchestral positions include Rochester Philharmonic as solo piccolo and second flute, and assistant principal of San Francisco Symphony. In addition to the Shepherd School, she has held faculty positions at the New England Conservatory, Boston University, University of Michigan, as visiting professor at the Eastman School of Music and numerous summer festivals including the Tanglewood Institute. Her primary teachers include Marcel Moyse, Jean-Pierre Rampal, Michel Debost and Joseph Mariano.
Albert Fransella was a virtuoso flutist and principal flutist of Dutch and British orchestras between 1880 and 1925.
