Randy Raine-Reusch

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Randy Raine-Reusch
Founders of the Rainforest World Music Festival (cropped).JPG
Raine-Reusch in Borneo, 2009.
Background information
Born1952
Halifax, Nova Scotia, Canada
Genres Free improvisation, world, rock, electronic, musiques actuelles
Occupation(s)Sound and visual artist, composer, Artistic Director, consultant
Instrumentnumerous world instruments
Years active1970s–present
Labels Big Cat Records, Nuscope, Geffen, Beyond, Island, ZaDiscs
Website www.asza.com

Randy Raine-Reusch (born 1952) [1] [2] is a Canadian composer, performer, improviser, and multi-instrumentalist specializing in New and Experimental Music for instruments from around the world, particularly those from East and Southeast Asia.

Contents

Research

Raine-Reusch studied at the Creative Music Studio in the 1977 with artists such as Frederic Rzewski, Jack Dejohnette, and Karl Berger, playing only an Appalachian dulcimer. [3] In 1984, he received funding from the Canada Council for the Arts to undertake study overseas in Indonesia, Burma, and Thailand. He studied khaen in Mahasarakham, Thailand with master musicians Nukan Srichrangthin and Sombat Sinla. [4] After meeting famed Samul Nori drumming Kim Duk Soo in 1986, Raine-Reusch remained in Korea after a concert performance in 1987 to study kayageum with Living National Treasure (South Korea) Park Gwii Hi. [5] He studied didjeridu in Australia while performing at World Expo 88 in Brisbane. [6] 1n 1989, Raine-Reusch returned to Thailand to study khaen, then undertook research on traditional mouth organs in the upriver regions of Sarawak, in southern China, and finally studied the sho in Kyushu, Japan, including lessons with Living National Treasure (Japan) Ono Tada Aki. [7] In 1992, Raine-Reusch studied intensively in Hawaii with Chie Yamada on the Japanese ichigenkin, which he continued in 1996 in Tokyo under the Seikyodo School. [8] Raine-Reusch returned to Borneo on repeated trips throughout 1997 and 1998 to research and record the traditional music of Sarawak, resulting in two CDs on the Pan Records label.

With a collection of approximately 1000 instruments, Raine-Reusch regularly performs on the Chinese guzheng , bawu , hulusi and xun ; the Japanese shō and ichigenkin ; the Korean kayageum ; the Thai khaen and pin pia ; the Australian didjeridu; and the Appalachian dulcimer.

Collaboration

Raine-Reusch has recorded with Pauline Oliveros, Deep Listening Band, Aerosmith, [9] The Cranberries, Yes, Raffi, David Amram, Jon Gibson, Jin Hi Kim, and Henry Kaiser as well with as his own intercultural quartet, ASZA. He has performed with a wide range of artists including: Aerosmith, Robert Dick, Mats Gustafsson, Barry Guy, Sainkho Namtchylak, Pauline Oliveros, Trichy Sankaran, Paul Plimley, Miya Masaoka and Issui Minegishi, the Japanese Iemoto, or Hereditary Grand Master, of Seikyodo Ichigenkin. [10] He also performs in a duo with his wife, the Chinese zheng virtuoso and scholar Mei Han.

Other work

Other credits include two Juno Award nominations, a performance on the famed American PBS "Prairie Home Companion", and appearing in five documentary films on music.

He was the co-founder of the Rainforest World Music Festival held in Malaysia. He returned in 1998 as the artistic director and Consultant for both the Rainforest World Music Festival held just outside Kuching, Malaysia, and the Miri International Jazz Festival in Miri, Malaysia, re-branded in 2010 as Borneo Jazz. Both festivals are overseen by the Sarawak Tourist Board. [1] He was a music consultant for the Korean Arts Management Service, the Sarawak Tourist Board, and Cirque du Soleil's Quidam.

He was the former Director of Acquisitions for the Musical Instrument Museum, which opened in early 2010 in Phoenix, Arizona. He also has been an instrument consultant for the Stearn's Collection at the University of Michigan, Ann Arbor and the Museum of Making Music in Carlsbad, California.

Raine-Reusch is an affiliate of the Canadian Music Centre, a member of the Canadian League of Composers, board member of the Museum of World Music, a former board member of the Canadian New Music Network, and the executive director for the Red Chamber Cultural Society.

Discography

Randy Raine-Reusch discography
YearTitleWith
1989 Pump Aerosmith
1994 Bananaphone Raffi
1996 To the Faithful Departed The Cranberries
1997Gudira Barry Guy, Robert Dick
1998Driftworks: In the Shadow of the Phoenix Pauline Oliveros
1999 The Ladder Yes
2001Distant Wind: New Direction For Chinese Zheng Mei Han
2005Bamboo, Silk & Stone Stuart Dempster, Jon Gibson, Jin Hi Kim, William O. Smith (Bill Smith), Barry Truax
2012Kamüra Henry Kaiser, Torsten Müller
2013Looking Back Deep Listening Band, Joe McPhee
2020 Crossover David Cross, Peter Banks
2023Eras Michael Red

Books

Interviews

Related Research Articles

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The khaen is a Lao mouth organ whose pipes, which are usually made of bamboo, are connected with a small, hollowed-out hardwood reservoir into which air is blown. The khene is the national instrument of Laos. The khene music is an integral part of Lao life that promotes family and social cohesion and it was inscribed in 2017 on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. It is used among the ethnic Lao Isan and Some tai ethnic groups such as Tai dam In north Vietnam and Lao population of the province of Stung Treng and is used in lakhon ken, a Cambodian dance drama genre that features the khene as the main instrument In Vietnam, this instrument is used among the Tai peoples and the Muong people.

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<i>Shō</i> (instrument) Japanese mouth organ instrument

The shō (笙) is a Japanese free reed musical instrument descended from the Chinese sheng, of the Tang dynasty era, which was introduced to Japan during the Nara period, although the shō tends to be smaller in size than its contemporary sheng relatives. It consists of 17 slender bamboo pipes, each of which is fitted in its base with a metal free reed. Two of the pipes are silent, although research suggests that they were used in some music during the Heian period. It is speculated that even though the pipes are silent, they were kept as part of the instrument to keep the symmetrical shape.

The ichigenkin is a Japanese single-stringed plucked zither. Its body is a slender, slightly curved plank carved from kiri wood. Its raw silk string is plucked with a tubular plectrum placed on the index finger of the right hand while a tubular ivory device similar to a guitar slide placed over the middle finger of the left hand slightly depresses the string—though not so hard that it presses against the hardwood soundboard—to vary the pitch. Both the plectrum and slide are referred to as rokan. As with the Chinese guqin, from which it was likely originally adapted, the ichigenkin has no frets, so sliding tones are an important part of the technique of the instrument. Traditionally, the ichigenkin is used to accompany traditional singing, although there are also purely instrumental works in its repertoire. The instrument was once popular among samurai, literati, and priests, but today players of the instrument are very rare. The only unbroken line of ichigenkin transmission is Seikyodo Ichigenkin, whose current Iemoto is Issui Minegishi. Minegishi performs widely in North America, Europe, and Asia, and occasionally with Canadian multi-instrumentalist Randy Raine-Reusch, perhaps the only non-Japanese ichigenkin performer, who composes and records new works for the instrument.

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<span class="mw-page-title-main">Gourd mouth organ</span> Asian woodwind instrument

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References

  1. 1 2 Sykes, Claire (1998). "Sounding the World: The Technical and Musical Diversity of Randy Raine-Reusch". Musicworks .
  2. "Randy Raine-Reusch - Personal History". asza.com. Retrieved 16 August 2016.
  3. Raine-Reusch, Randy (17 September 2014). "Creative Music Studio, Collin Walcott". Within the Wind via WordPress.com.
  4. Raine-Reusch, Randy (25 September 2014). "Nukan Srichrangthin, Sombat Simla to Aerosmith". Within the Wind via WordPress.
  5. Randy Raine-Reusch (2 November 2014). "Studying With Intangible Cultural Asset #23 Park Gui Hee 박귀희 | Within the Wind". Withinthewind.wordpress.com. Retrieved 18 January 2020.
  6. Karl Neuenfeldt (1997). The didjeridu: from Arnhem Land to Internet. J. Libbey/Perfect Beat Publications. pp. 96, 156. ISBN   978-1-86462-003-0.
  7. Raine-Reusch, Randy (16 October 2014). "Gagaku and Sho in Japan". Within the Wind via WordPress.
  8. Raine-Reusch, Randy (26 October 2014). "Waikiki, Ichigenkin and Yamada-sensei". Within the Wind via WordPress.
  9. Martin Huxley (15 February 1995). Aerosmith: The Fall and the Rise of Rock's Greatest Band. St. Martin's Press. p. 74. ISBN   978-0-312-11737-5.
  10. "Randy Raine-Reusch". All About Jazz . Retrieved 26 November 2024.