National Flute Association

Last updated
The National Flute Association
AbbreviationNFA
Formation1972
FounderMark Thomas (1972-2022)
Founded atIndiana
Type Nonprofit
PurposeInspiring Flutists, Enriching Lives.
Headquarters70 East Lake Street, Chicago, Illinois, USA
Location
  • USA
Membership5,000
Executive Director
Jennifer Clarke
Staff8 staff, 14 Board of Directors
Website https://www.nfaonline.org/

The National Flute Association (NFA) is an organization of flute players with roughly 5,000 members from more than 50 countries. [1] It is an association in the United States with headquarters in Chicago, Illinois.

Contents

The organization was founded in 1972 by flutist Mark Thomas [2] and incorporated in 1973 in Indiana. [3] The first administrative role was established in 1977. Past presidents, program chairs, and committee chairs have included principal flautists of American orchestras, soloists, chamber musicians, and professors at conservatories & universities. Notable members include Sir James Galway and Ian Anderson. [4] Jennifer Grim [5] is President of the Board for 2024–2026, with Francesca Arnone [5] serving vice-president for 2024–2026.

On the Executive Staff, Jennifer Clarke was named the executive director in January 2021.

Founding board

In 1973, an ad-hoc committee was created to help plan a convention of flutists. The group became the members of the first Board of Directors. [6]

Annual conventions

The NFA Convention is the largest annual flute convention in the world, with more than 3,000 attendees and 80 exhibitors each year. The four-day event includes a numerous amount of workshops, masterclasses, competitions, and performances from flute players based all around the world. Conventions are held in cities across the United States. The very first convention was held in 1973 located in Anaheim, California with around 77 attendees. Due to the COVID-19 pandemic in 2020, the convention that was supposed to be held in Dallas, Texas was instead held virtually, the first time there was no in-person convention since its conception. 2020's virtual convention marked the return of convention titles, affectionately dubbed the "Summer Series", and was an extended length from the usual 4 days in August to "a month and a half of dynamic, interactive programming for flutists around the world. While it can't replace the convention, the Summer Series is an opportunity for more of us than ever to connect through our shared love of flute.". [7] The following year, 2021, was also virtual, but the length was returned to the typical 4 day convention. The In-Person Convention returned in 2022 in Chicago, Illinois, celebrating the 50th Anniversary of the NFA.

The first NFA convention was held at the Royal Inn in Anaheim, California on August 10, 1973.

Committees

NFA members have established committees that focus on individual components of the organization and the concerns of the wider flute community, including highlighting less prominent areas of flute musicianship, such as low and Baroque flute, reaching out to underserved communities, and providing pedagogical guidance, among other initiatives. These committees helped establish the NFA's music commission program, create scholarships and competitions, and collect pedagogical materials aimed at young flutists.

Competitions

NFA competitions create opportunities for a variety of flautists from different skill levels and styles to compete, gain performance skills and audition experience. The Annual NFA Convention currently hosts 22 performance competitions in solo, flute choir, and masterclass categories. There are 18 performance competitions to select outstanding flutists to perform at the NFA convention. [8] There are also four non-performance competitions, which highlight new flute music, research, and entrepreneurship. [8]

Commissions

The NFA commissions original compositions for all members of the flute family. The New Music Advisory Committee, established in 1985, works with the NFA Board to create opportunities for flutists to interact with contemporary composers by playing their music and ensuring today's composers create substantial repertoire for flute players.

The NFA has commissioned more than 70 new works for both flute and piccolo. [9] Beginning in 1986, the NFA has commissioned a new piece to be used as repertoire in the Young Artist Competition each year. In 1989 a yearly commission for a new work for the High School Soloist Competition was added. The NFA also commissions a piece for the bi-annual Piccolo Artist Competition, as well as special project commissions. Composers include winners of the Pulitzer Prize, Prix de Rome, and other awards.

Scholarships

The NFA has established numerous scholarship programs for continuing education, including cultural outreach scholarships in 15 U.S. and non-U.S. cities. The NFA supports promising students with several scholarships named after flutists whose involvement in the organization helped shape its vision:

The annual Frances Blaisdell Scholarship, named for Frances Blaisdell, provides a U.S. high school or undergraduate student with the opportunity to receive complimentary registration for that year's convention and take advantage of the many performances, workshops, and sessions being offered.

Every other year, the NFA offers the Myrna Brown Scholarship, which allows an international student to attend and present at the Annual Convention.

The NFA also offers several scholarship prizes at the convention.

The Geoffrey Gilbert Scholarship prize is awarded to the NFA High School Soloist Competition first-place winner for further flute study with any teacher who is a member of the NFA.

The Deveau Scholarship is awarded for the outstanding performance of the NFA High School Soloist Competition commissioned work.

Awards

Since 1991 the National Flute Association has honored the best and the brightest of its colleagues with the Lifetime Achievement Award. The debut award went to Jean-Pierre Rampal. Other notable recipients include Julius Baker and Sir James Galway. The NFA also gives out the Distinguished Service Award, first given to John Solum in 1998.

The NFA Library

The NFA Library was established in 1973 when exhibiting publishers at the first convention were asked to donate copies of their music. The NFA holds the largest lending library of flute music internationally, with a catalog of more than 15,000 works, many of which are rare or out of print. [10] The library is located at the University of Arizona Fine Arts Library in Tucson, Arizona.

Publications

NFA members create ongoing publications to communicate with the flute world and share valuable research, history, educational, and pedagogical resources.

The NFA's member magazine, The Flutist Quarterly, is published each season and includes contributions from members, flute scholars, and other enthusiasts from around the world. The NFA also produces special publications, including The Flutist’s Handbook, Kindcaidiana, and historic recordings.

Related Research Articles

<span class="mw-page-title-main">Jean-Pierre Rampal</span> French flautist (1922–2000)

Jean-Pierre Louis Rampal was a French flautist. Rampal popularised the flute in the post–World War II years, recovering flute compositions from the Baroque era, and spurring contemporary composers, such as Francis Poulenc, to create new works that have become modern standards in the flautist's repertoire.

Julius Baker was one of the foremost American orchestral flute players. During the course of five decades he concertized with several of America's premier orchestral ensembles including the Chicago Symphony and the New York Philharmonic Orchestra.

<span class="mw-page-title-main">Huáscar Barradas</span> Venezuelan musician

Huáscar Barradas is a Venezuelan flautist and Professor of flute at the "Instituto Universitario de Estudios Musicales" in Caracas. As a flutist he has represented Venezuela at a range of international festivals and as both soloist and symphonic musician plays a wide range of music types. Barradas was the principal flute of Orquesta Filarmónica Nacional. As teacher previously has worked at the National Youth Orchestra of Venezuela and taught his course "The art of performing the flute" at different Conservatories in and out of Venezuela.

Maxence Larrieu is a French classical flautist.

Jeanne Baxtresser is an American flutist and teacher. She is most notable for her position as principal flutist of the New York Philharmonic for over 15 years, she decided to play the flute when she was only nine years old, as an author, and as a professor and master teacher. Previous positions include professor of flute at the University of Montréal, The University of Toronto, Juilliard School, Manhattan School of Music, New England conservatory and Carnegie Mellon University. She received the National Flute Association's Lifetime Achievement Award in 2006. She has been credited with "upholding an increasingly higher standard of artistic excellence for the flute."

<span class="mw-page-title-main">Ransom Wilson</span> American flutist and conductor (born 1951)

Ransom Wilson is an American flutist, conductor, and educator.

<span class="mw-page-title-main">Ian Clarke (flautist)</span> British flutist and composer

Ian Clarke is a British flutist and composer.

Mark Thomas was an American flutist and music educator who studied under William Kincaid. Thomas was also the founder and honorary president of the National Flute Association.

Michel Debost, is a French flutist.

Doriot Anthony Dwyer was an American flutist. She was one of the first women to be awarded principal chair for a major U.S. orchestra. She was the principal flute for the Boston Symphony Orchestra from 1952 until 1990. She was second flute for the National Symphony Orchestra and the Los Angeles Philharmonic. She was an adjunct professor of Music at Boston University.

Frances Blaisdell was an American flautist, widely recognized as one of the first female professional flautists. She held positions with the National Orchestral Association, the New Opera Company and the New Friends of Music. In addition, she was the first woman to appear as a soloist and wind player in concert with the New York Philharmonic. In addition to playing, she also held teaching positions at the Manhattan School of Music, New York University, Dalcroze School, Mannes School of Music, and Stanford University where she taught for over 35 years. Blaisdell's teachers included Georges Barrère, Marcel Moyse and William Kincaid.

Carol Wincenc born June 29, 1949, is an American flutist based in New York City. She is known for her solo and chamber music performances and her support of new music for the flute. She is on the faculty of the Juilliard School and Stony Brook University.

Eric Lamb is an American flutist and Altus performing artist who performs and teaches across the United States and Europe.

Wissam Boustany is a Lebanese/British concert flutist. Boustany has toured and collaborated with a number of symphony and chamber orchestras. Conductors Boustany has worked with include Claudio Abbado, Ivan Fischer, Bramwell Tovey, John Elliot Gardiner, Roger Norrington, Georg Solti, Peter Szilvay, Lubnan Baalbaki, James Judd, Jordi Mora, Volodymyr Sirenko, Levon Parikian, Nicholas Cleobury, Martyn Brabbins, Michel Brandt, Varujan Kodjan, Clark Rundell, Jerzy Maksymiuk, Evelyne Aiello, Ludwig Carrasco, Nader Abbassi, Andrew Morley and Toby Purser. He is a recipient of The Crystal Award, awarded to him in 1998 at the World Economic Forum, Davos, Switzerland.

Bonita Boyd is an American flutist, soloist and pedagogue. She has been the Professor of Flute at the Eastman School of Music since 1977, when she succeeded her mentor Joseph Mariano. Her primary teachers include Mariano, Maurice Sharp of the Cleveland Orchestra, and Roger Stevens of the Los Angeles Philharmonic. In 1971, she became the youngest principal flutist of a major American orchestra after winning the positions of principal flute with the Rochester Philharmonic. Following this position, her Alice Tully Hall debut was received as "a great success" and subsequent tour performances harkened her comparisons to Jean-Pierre Rampal and Sir James Galway. Boyd was Principal Flutist with the Aspen Festival Orchestra, Chautauqua Symphony and Filarmonica de las Americas.

Marianne Gedigian is an American flutist and teacher. She holds a Butler Professorship as Professor of Flute at the University of Texas at Austin Butler School of Music. She has formerly held positions as acting principal flute of the Boston Symphony Orchestra, Boston Pops Orchestra, Pittsburgh Symphony, and as principal flute of the Boston Pops Esplanade Orchestra. Gedigian has worked with composer John Williams and can be heard on the film scores for Schindler's List and Saving Private Ryan. Her teachers include Clement Barone, Doriot Anthony Dwyer, and Leone Buyse. She has performed solo recitals on four continents in the US, Australia, Japan and England. Gedigian is a Haynes flute artist.

Rachel Brown is a British flautist and author, known especially for her work with Baroque music and flutes. She is currently professor of baroque flute at the Royal College of Music in London, in addition to travelling around the world to give master classes. She has performed with many orchestras internationally, including as principal flute with Kent Opera, the Academy of Ancient Music, the Hanover Band, the King's Consort, Collegium Musicum 90, Ex Cathedra, and the Brandenburg Consort. She is known for her extensive work and mastery of both historical and modern flutes.

Éva Martha Tamássy was a Hungarian-born flutist and influential music educator. She is particularly remembered for her contributions to classical music in South Africa, where she became a prominent figure after emigrating from Hungary in the late 1950s.

Walfrid Kujala was an American flutist, piccolo player, teacher, and writer.

References

  1. "National Flute Association". 2012-05-23.
  2. "Flutist Thomas plays tonight". The Salt Lake Tribune. 1990-10-09. p. M9.
  3. "About". Default. Retrieved 2024-11-28.
  4. Howard Reich (1997-08-10). "High-end Musicians Drawn To The Flute". Chicago Tribune. Retrieved 2014-08-07.
  5. 1 2 "About". Default. Retrieved 2024-11-28.
  6. "Founding Board and Charter Members - National Flute Association". Default. Retrieved 2024-11-28.
  7. "2020 Summer Series - National Flute Association". Default. Retrieved 2024-11-28.
  8. 1 2 Gemolo, Matteo (2023-10-20), "A Contemporary Lesson from an Ancient Flute", Historical Performance and New Music, London: Routledge, pp. 95–105, doi:10.4324/9781003300229-9, ISBN   978-1-003-30022-9 , retrieved 2024-11-28
  9. "Commissions". www.nfaonline.org. Retrieved 2017-03-14.
  10. "About the Library". www.nfaonline.org. Retrieved 2017-03-15.