A flute concerto is a concerto for solo flute and instrumental ensemble, customarily the orchestra. Such works have been written from the Baroque period, when the solo concerto form was first developed, up through the present day. Some major composers have contributed to the flute concerto repertoire, with the best known works including those by Mozart and Vivaldi.
Traditionally a three-movement work, the modern-day flute concerto has occasionally been structured in four or more movements. In some flute concertos, especially from the Baroque and modern eras, the flute is accompanied by a chamber ensemble rather than an orchestra.
Giovanni Battista Pergolesi (attributed)
Johann Joachim Quantz (1697–1773) – author of over 300 concertos for the flute.
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C.P.E. Bach (1714–1788)
Franz Benda (1709–1786)
Frederick the Great (1712–1786)
Christoph Willibald Gluck (attributed)
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Flint Juventino Beppe
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The oboe is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites.
An orchestra is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments:
A concerto is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement preceded and followed by fast movements, became a standard from the early 18th century.
Jean-Pierre Louis Rampal was a French flautist. He has been personally "credited with returning to the flute the popularity as a solo classical instrument it had not held since the 18th century."
The piccolo is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the sound it produces is an octave higher. This has given rise to the name ottavino, by which the instrument is called in Italian and thus also in scores of Italian composers.
The Brandenburg Concertos by Johann Sebastian Bach, are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, in 1721. The original French title is Six Concerts à plusieurs instruments, meaning "Six Concertos for several instruments". Some of them feature several solo instruments in combination. They are widely regarded as some of the best orchestral compositions of the Baroque era.
Trevor David Pinnock is a British harpsichordist and conductor.
Hendrik "Henk" Bouman is a Dutch harpsichordist, fortepianist, conductor and composer of music written in the baroque and classical idioms of the 17th and 18th century.
Stephen Cuthbert Vivian Dodgson was a British composer and broadcaster. Dodgson's prolific musical output covered most genres, ranging from opera and large-scale orchestral music to chamber and instrumental music, as well as choral works and song. Three instruments to which he dedicated particular attention were the guitar, harpsichord and recorder. He wrote in a mainly tonal, although sometimes unconventional, idiom. Some of his works use unusual combinations of instruments.
Sinfonia concertante is an orchestral work, normally in several movements, in which one or more solo instruments contrast with the full orchestra. It emerged as a musical form during the Classical period of Western music from the Baroque concerto grosso. Sinfonia concertante encompasses the symphony and the concerto genres, a concerto in that soloists are on prominent display, and a symphony in that the soloists are nonetheless discernibly a part of the total ensemble and not preeminent. Sinfonia concertante is the ancestor of the double and triple concerti of the Romantic period corresponding approximately to the 19th century.
A Baroque orchestra is an ensemble for mixed instruments that existed during the Baroque era of Western Classical music, commonly identified as 1600–1750. Baroque orchestras are typically much smaller, in terms of the number of performers, than their Romantic-era counterparts. Baroque orchestras originated in France where Jean-Baptiste Lully added the newly re-designed hautbois (oboe) and transverse flutes to his orchestra, Les Vingt-quatre Violons du Roi. As well as violins and woodwinds, baroque orchestras often contained basso continuo instruments such as the theorbo, the lute, the harpsichord and the pipe organ.
The contrabass flute is one of the rarer members of the flute family. Typically seen in flute ensembles, it is sometimes also used in solo and chamber music situations. Its range is similar to the regular concert flute, except it is pitched two octaves lower; the lowest performable note is two octaves below middle C. Many contrabass flutes in C are also equipped with a low B. Contrabass flutes are only available from select flute makers.
Éric Gaudibert was a Swiss composer.
Marjan Mozetich is a Canadian composer who has written music for theatre, film and dance, as well as many symphonic works, chamber music, and solo pieces. He has written compulsory competition pieces for the 1992 Banff String Quartet Competition and the 1995 Montreal International Music Competition. Co-founder of Arraymusic in Toronto, Mozetich served as their artistic director from 1976 to 1978. After his work with Array, he worked for some time at the University of Toronto music library, and then became a freelance composer. Mozetich moved to Howe Island, near Kingston, Ontario, and taught composition at Queen's University in Kingston from 1991 to 2010. He has won several awards, including the first prize in the CAPAC (SOCAN)-Sir Ernest MacMillan Award. His major compositions include Fantasia... sul linguaggio perduto, and Postcards from the Sky.
Matthew John Hindson AM is an Australian composer.
Jukka Santeri Tiensuu is a Finnish contemporary classical composer, harpsichordist, pianist and conductor.
Michel van der Aa is a Dutch composer of contemporary classical music.
John Solum is an American musician, author, educator, and advocate for the arts.
A trumpet concerto is a concerto for solo trumpet and instrumental ensemble, customarily the orchestra. Such works have been written from the Baroque period, when the solo concerto form was first developed, up through the present day. Although comparatively rare compared to concertos for other instruments, some major composers have contributed to the trumpet concerto repertoire, such as Joseph Haydn in his Trumpet Concerto in E-flat.
Martin Pearlman is an American conductor, harpsichordist, composer, and early music specialist. He founded the first permanent Baroque orchestra in North America with Boston Baroque in 1973–74. Many of its original players went on to play in or direct other ensembles in what became a growing field in the American music scene. He later founded the chorus of that ensemble and has been the music director of Boston Baroque from its inception up to the present day.
