The Flute Concerto is a composition for solo flute and orchestra by the American composer Ned Rorem. The work was commissioned by the Philadelphia Orchestra and was composed between August 2001 and May 2002. Its world premiere was given by the flutist Jeffrey Khaner and the Philadelphia Orchestra conducted by Roberto Abbado at the Kimmel Center for the Performing Arts on December 4, 2003. [1]
The piece has a duration of roughly 25 minutes and is cast in six movements:
Rorem commented on the movement titles in the score program notes, writing, "I don't believe that non-vocal music can be proved to "mean" anything precise, like Love or Death or Fright, much less Yellow or Tuesday or Lake. But sometimes it's helpful and fun to ascribe (usually after the fact) names to separate movements." He continued:
Thus the six subtitles are 1. "The Stone Tower," a studio at Yaddo where the music was written; 2. "Leaving–Traveling–Hoping," made up of two short tunes surrounding a long poem; 3. "Sirens," an ambling succession of melodies and ripples; 4. "Hymn," an interlude for just five instruments; 5. "False Waltz," a rollicking affair shaped like a pyramid (soft to loud to soft); 6. "Résumé and Prayer" is just that: a cadenza reviving briefly all the foregoing matter, and closing on a very quiet note. [1]
The work is scored for a solo flute and an orchestra comprising two additional flutes, two oboes, two clarinets, two bassoons, two horns, two trumpets, timpani, piano, harp, and strings. [1]
Reviewing a recording of the piece paired with Rorem's Violin Concerto and Pilgrims, Peter Dickinson of Gramophone wrote, "This is relaxed and indulgent music, even if these works are not the best from this now grand old man of American music." [2] John von Rhein of the Chicago Tribune similarly described it as an "inventively quirky mosaic of instrumental songs without words." [3]
Ruth Laredo was an American classical pianist.
A clarinet–violin–piano trio is a standardized chamber musical ensemble made up of one clarinet, one violin, and one piano participating in relatively equal roles, or the name of a piece written for such a group.
Jeffrey Khaner is the principal flutist of the Philadelphia Orchestra. He has also served as principal flutist with the Cleveland Orchestra and the Pittsburgh Symphony. Khaner teaches at the Curtis Institute of Music, The Juilliard School, and the Lynn University Conservatory of Music. In September 2012, he launched the Online Classical Flute School with Jeffrey Khaner through ArtistWorks.
Jennifer Higdon's Concerto for Violin and Orchestra was written in 2008. The work was jointly commissioned by the Indianapolis Symphony Orchestra, the Toronto Symphony Orchestra, the Baltimore Symphony Orchestra, and the Curtis Institute of Music. It was composed for the violinist Hilary Hahn and was given its world premiere by Hahn and the Indianapolis Symphony Orchestra under the conductor Mario Venzago on February 6, 2009. The piece was later awarded the 2010 Pulitzer Prize for Music.
Joseph Fennimore is an American composer, pianist and teacher best known for his works for piano and chamber ensembles, ranked by Pulitzer Prize-winning critic Philip Kennicott as "one of this country's finest composers." His music has been performed and broadcast worldwide and included in the Metropolitan Opera Studio and New York City Ballet repertories.
The Flute Concerto is a concerto for flute and orchestra by American composer Christopher Rouse. The work was jointly commissioned by Richard and Jody Nordlof for flautist Carol Wincenc and by Borders Group for the Detroit Symphony Orchestra. It was completed August 15, 1993 and premiered on October 27, 1994 at Orchestra Hall in Detroit, with conductor Hans Vonk leading Carol Wincenc and the Detroit Symphony Orchestra. The piece's third movement is dedicated to the memory of James Bulger, an English toddler who was murdered in 1993 by two ten-year-old boys.
The Violin Concerto is a concerto for violin and orchestra in three movements by the American composer Elliott Carter. The work was jointly commissioned by the San Francisco Symphony and the violinist Ole Bøhn. It was completed February 26, 1990 in Waccabuc, New York, and was premiered May 2, 1990 in San Francisco, with conductor Herbert Blomstedt leading Bøhn and the San Francisco Symphony. The piece won the 1994 Grammy Award for Best Classical Contemporary Composition.
The Violin Concerto is a concerto for violin and orchestra by the American composer Mason Bates. The work was commissioned by the Pittsburgh Symphony Orchestra and violinist Anne Akiko Meyers. It was premiered December 7, 2012, with Meyers and the Pittsburgh Symphony performing under conductor Leonard Slatkin.
Concerto 4-3 is a concerto for two violins, double bass, and orchestra in three movements by the American composer Jennifer Higdon. The work was commissioned for the string trio Time for Three by the Philadelphia Orchestra, the Pittsburgh Symphony Orchestra, and the Wheeling Symphony Orchestra. It was first performed in Philadelphia on January 10, 2008, by Time for Three and the Philadelphia Orchestra conducted by Christoph Eschenbach.
Astral Canticle is a double concerto for violin, flute, and orchestra by the American composer Augusta Read Thomas. The work was Thomas's sixth and final commission by the Chicago Symphony Orchestra before she concluded her nine-year tenure there as composer-in-residence. It was first performed in Chicago on June 1, 2006, by the flutist Mathieu Dufour, the violinist Robert Chen, and the Chicago Symphony Orchestra under the conductor Daniel Barenboim. The piece is dedicated to Barenboim and the Chicago Symphony Orchestra. The composition was a finalist for the 2007 Pulitzer Prize for Music.
The Violin Concerto is a composition for solo violin and chamber orchestra by the American composer Ned Rorem. The work was commissioned by the Springfield Symphony Orchestra for the violinist Jaime Laredo and composed in 1984. It was first performed by Laredo and the Springfield Symphony Orchestra conducted by Robert Gutter in the Symphony Hall, Springfield, on March 30, 1985.
The Mallet Concerto is a concerto for mallet percussion instruments and chamber orchestra by the American composer Ned Rorem. It was first performed by the percussionist Evelyn Glennie and the Madison Symphony Orchestra under the conductor John DeMain in Madison, Wisconsin, on March 27, 2004.
The Cello Concerto is a concerto for solo cello and orchestra by the American composer Ned Rorem. The work was commissioned by the Residentie Orchestra and the Kansas City Symphony for the cellist David Geringas. Its world premiere was given by Geringas and the Kansas City Symphony under the direction of Michael Stern on March 28, 2003.
The Symphony No. 3 is a composition for orchestra by the American composer Ned Rorem. The work was first performed by the New York Philharmonic under the direction of Leonard Bernstein at Carnegie Hall on April 16, 1959.
The Piano Concerto No. 4 for Left Hand and Orchestra is the fourth piano concerto by the American composer Ned Rorem. It was commissioned by the Curtis Institute of Music for the pianist Gary Graffman. The work was first performed by Graffman and the Curtis Institute of Music Orchestra conducted by André Previn at the Academy of Music, Philadelphia, on February 4, 1993. Its New York City premiere was performed the next day by the same ensemble at Carnegie Hall. A then-unknown Hilary Hahn performed a solo violin section for both performances.
The Double Concerto is a composition for violin, cello, and orchestra by the American composer Ned Rorem. The work was commissioned by the Indianapolis Symphony Orchestra and composed between July 27, 1997, and April 1998. It was composed for the violinist Jaime Laredo and the cellist Sharon Robinson, who first performed the piece with the Indianapolis Symphony Orchestra conducted by Raymond Leppard in Indianapolis on October 15, 1998.
The Concerto for English Horn and Orchestra is a composition for solo English horn and orchestra by the American composer Ned Rorem. The work was commissioned by the New York Philharmonic to commemorate the orchestra's sesquicentennial anniversary. It was first performed by the soloist Thomas Stacy and the New York Philharmonic under the direction of Kurt Masur at Avery Fisher Hall on January 27, 1994. Rorem dedicated the piece to Thomas Stacy. The work is one of the few prominent contemporary English horn concertos, along with James MacMillan's The World's Ransoming.
Air Music is a set of ten variations for orchestra by the American composer Ned Rorem. The work was completed in 1974 and was first performed by the Cincinnati Symphony Orchestra on December 5, 1975. The piece won the 1976 Pulitzer Prize for Music.
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