The Flute Concerto in D major, Op. 283, is a composition for solo flute and orchestra by the composer Carl Reinecke. The work was composed in 1908 and was Reinecke's last concerto before his death. It was first performed on 15 March 1909 in Leipzig by the flutist Maximilian Schwedler, to whom the piece is dedicated. [1]
The concerto has a duration of roughly 20 minutes and is composed in three movements:
The work is scored for solo flute and an orchestra consisting of two additional flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, timpani, percussion, and strings. [1]
The Flute Concerto has been compared to other works of the era. Geoffrey Norris of Gramophone called it a "substantial work" and said it "makes amends for the fact that Brahms never wrote a concerto for flute." [2] John Rockwell of The New York Times was somewhat more critical, remarking, "Reinecke's sensibility was shaped by another Leipziger, Mendelssohn, and his flute concerto seems blissfully dated for a work composed in this century. It has an undeniable craft, and the final movement especially provides virtuosic moments for the soloist. But it is no masterwork." [3] Michael Dervan of The Irish Times similarly opined, "The prolific Carl Reinecke, conductor of the Leipzig Gewandhaus Orchestra and director of the Leipzig Conservatory, has become a one-work composer, remembered for his Undine Sonata for flute and piano, and, a lot more rarely, for the two concertos recorded here. Reinecke's 19th-century version of easy-listening lacks both the rhythmic bounce and easy harmonic flow of the 18th-century variety, let alone the cleverness of 20th-century approaches." [4]
A concerto is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement preceded and followed by fast movements, became a standard from the early 18th century.
Edward Elgar's Cello Concerto in E minor, Op. 85, his last major completed work, is a cornerstone of the solo cello repertoire. Elgar composed it in the aftermath of the First World War, when his music had already become out of fashion with the concert-going public. In contrast with Elgar's earlier Violin Concerto, which is lyrical and passionate, the Cello Concerto is for the most part contemplative and elegiac.
Carl Heinrich Carsten Reinecke was a German composer, conductor, and pianist in the mid-Romantic era.
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The Flute Concerto is a concerto for flute and orchestra by American composer Christopher Rouse. The work was jointly commissioned by Richard and Jody Nordlof for flautist Carol Wincenc and by Borders Group for the Detroit Symphony Orchestra. It was completed August 15, 1993 and premiered on October 27, 1994 at Orchestra Hall in Detroit, with conductor Hans Vonk leading Carol Wincenc and the Detroit Symphony Orchestra. The piece's third movement is dedicated to the memory of James Bulger, an English toddler who was murdered in 1993 by two ten-year-old boys.
The Piano Concerto in C-sharp minor, Op. 45, is a composition for solo piano and orchestra in four movements by the American composer Amy Beach. The work was composed between September 1898 and September 1899. It was first performed in Boston on April 7, 1900, with the composer as the soloist and the Boston Symphony Orchestra performing under the conductor Wilhelm Gericke. The composition is dedicated to the musician Teresa Carreño and was the first piano concerto by an American female composer.
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Requiem is a setting of the Latin Mass for the dead for four soloists, mixed choir, orchestra and organ by Frank Martin. Composed in 1971 and 1972, it was premiered at Lausanne Cathedral on 4 May 1973, with the composer conducting the Orchestre de la Suisse Romande. It has been described as the composer's masterpiece.