Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era. It is closely related to the broader concept of Romanticism—the intellectual, artistic, and literary movement that became prominent in Western culture from about 1798 until 1837.
Hermann Ludwig Ferdinand von Helmholtz was a German physicist and physician who made significant contributions in several scientific fields, particularly hydrodynamic stability. The Helmholtz Association, the largest German association of research institutions, is named in his honour.
Heinrich Isaac was a Netherlandish Renaissance composer of south Netherlandish origin. He wrote masses, motets, songs, and instrumental music. A significant contemporary of Josquin des Prez, Isaac influenced the development of music in Germany. Several variants exist of his name: Ysaac, Ysaak, Henricus, Arrigo d'Ugo, and Arrigo il Tedesco among them.
Heinrich Schenker was a Galician-born Austrian music theorist whose writings have had a profound influence on subsequent musical analysis. His approach, now termed Schenkerian analysis, was most fully explained in a three-volume series, Neue musikalische Theorien und Phantasien, which included Harmony (1906), Counterpoint, and Free Composition (1935).
Schenkerian analysis is a method of analyzing tonal music based on the theories of Heinrich Schenker (1868–1935). The goal is to demonstrate the organic coherence of the work by showing how the "foreground" relates to an abstracted deep structure, the Ursatz. This primal structure is roughly the same for any tonal work, but a Schenkerian analysis shows how, in each individual case, that structure develops into a unique work at the foreground. A key theoretical concept is "tonal space". The intervals between the notes of the tonic triad in the background form a tonal space that is filled with passing and neighbour tones, producing new triads and new tonal spaces that are open for further elaborations until the "surface" of the work is reached.
Tonality is the arrangement of pitches and/or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions, and directionality. In this hierarchy the single pitch or triad with the greatest stability is called the tonic. The root of the tonic triad forms the name given to the key, so in the key of C major the tone C can be both the tonic of the scale and the root of the tonic triad. The tonic can be a different tone in the same scale, when the work is said to be in one of the modes of the scale.
The Mannes School of Music, originally called the David Mannes Music School and later the Mannes Music School, Mannes College of Music, the Chatham Square Music School, and Mannes College: The New School for Music, is a music conservatory in The New School, a private research university in New York City. In the fall of 2015, Mannes moved from its previous location on Manhattan's Upper West Side to join the rest of the New School campus in Arnhold Hall at 55 W. 13th Street.
Richard Goode is an American classical pianist who is especially known for his interpretations of Mozart and Beethoven.
The Institute of Fine Arts (IFA) is a graduate school and research center of New York University dedicated to the study of the history of art, archaeology, and the conservation and technology of works of art. It offers Master of Arts and Doctor of Philosophy degrees in Art History and Archeology, the Advanced Certificate in Conservation of Works of Art, and the Certificate in Curatorial Studies.
The Theodore Presser Company is an American music publishing and distribution company located in Malvern, Pennsylvania, formerly King of Prussia, Pennsylvania, and originally based in Bryn Mawr, Pennsylvania. It is the oldest continuing music publisher in the United States. It has been owned by Carl Fischer Music since 2004.
The American Conservatory of Music (ACM) was a major American school of music founded in Chicago in 1886 by John James Hattstaedt (1851–1931). The conservatory was incorporated as an Illinois non-profit corporation. It developed the Conservatory Symphony Orchestra and had numerous student recitals. The oldest private degree-granting music school in the Midwestern United States, it was located in Chicago until 1991.
Carl E. Schachter is an American music theorist noted for his expertise in Schenkerian analysis.
Johann Nepomuk Fuchs was an Austrian composer, opera conductor, teacher and editor. His editorial work included an important role in the preparation of the first complete edition of Franz Schubert's works. He was an older brother of the composer Robert Fuchs.
Paul Ukena was an American operatic baritone and musical theatre actor who had an active career from the 1940s through the 1970s. After beginning his career entertaining American troops as a part of the Special Services during World War II, his first critical success was as the baritone soloist in the American premiere of Frederick Delius's Requiem in 1950. He was one of the founding members of the NBC Opera Theatre, a company he performed with throughout the 1950s in such productions as Benjamin Britten's Billy Budd and the world premiere of Norman Dello Joio's The Trial at Rouen.
Bruce Saylor is an American composer.
Dalcroze eurhythmics, also known as the Dalcroze method or simply eurhythmics, is one of several developmental approaches including the Kodály method, Orff Schulwerk and Suzuki Method used to teach music to students. Eurhythmics was developed in the early 20th century by Swiss musician and educator Émile Jaques-Dalcroze. Dalcroze eurhythmics teaches concepts of rhythm, structure, and musical expression using movement, and is the concept for which Dalcroze is best known. It focuses on allowing the student to gain physical awareness and experience of music through training that takes place through all of the senses, particularly kinesthetic.
Elaine "Ray" Barkin was an American composer, writer, and educator.
John Harger Stewart is an American tenor, conductor, and voice teacher who had an active international singing career in concerts and operas from 1964 to 1990. He began his career singing regularly with the Santa Fe Opera from the mid-1960s through the early 1970s; after which he appeared only periodically in Santa Fe up through the mid-1980s. He was particularly active with the New York City Opera during the 1970s and 1980s, and with the Frankfurt Opera from the mid-1970s through 1990. He also appeared as a guest artist with several other important American opera companies, including the Metropolitan Opera and the Washington National Opera, and at other European opera houses like the De Nederlandse Opera in Amsterdam, the Deutsche Oper Berlin, the Grand Théâtre de Genève in Switzerland, and the Wexford Festival Opera in Ireland. Now retired from singing, he is currently the Director of Vocal Activities at Washington University in St. Louis where he also teaches singing and conducts student opera productions and choirs. He also serves as the opera conductor at the Johanna Meier Opera Theater Institute at Black Hills State University.
Ernst Oster was a German pianist, musicologist, and music theorist. A specialist in the use of Schenkerian Analysis, he was the English translator of Heinrich Schenker's final work, Free Composition.
Israel Citkowitz was a Polish-born American pianist, composer, teacher, and critic.
