"},"rev2":{"wt":"''[[The Penguin Guide to Jazz Recordings]]''"},"rev2score":{"wt":"{{Rating|3.5|4}}{{cite book |last1=Cook |first1=Richard |authorlink1=Richard Cook (journalist) |last2=Morton |first2=Brian |authorlink2=Brian Morton (Scottish writer) |title=[[The Penguin Guide to Jazz|The Penguin Guide to Jazz Recordings]] |year=2008 |edition=9th |publisher=[[Penguin Books|Penguin]] |isbn=978-0-141-03401-0 |page=512}}"}},"i":0}}]}" id="mwFQ">
All compositions by Bill Frisell except as indicated.
Donald Byron is an American composer and multi-instrumentalist. He primarily plays clarinet but has also played bass clarinet and saxophone in a variety of genres that includes free jazz and klezmer.
spouse: Cynthia Fowlkes 1978-2021
Hans Wendl is a producer. He began his career in the music business with the record label ECM Records in his hometown of Munich in the mid-1970s and was associated with the German label for twelve years before moving to the United States in 1986. He was also director of the Gramavision Records label for Rykodisc for three years during the mid-1990s.
The Sweetest Punch is a 1999 album by Bill Frisell, released as a companion to Elvis Costello and Burt Bacharach's 1998 album Painted from Memory. Many of the earlier album's songs are featured with new arrangements by Frisell, mostly in instrumental versions.
Steady Groovin': The Blue Note Groove Sides is a compilation album by jazz musician John Scofield. The album consists of recordings Scofield made as a Blue Note artist, and were recorded from November 1989 until June 1995.
I Told You So is a 1976 album recorded at RCA studios, New York City on January 12, 13 and 14 1976 and released in 1976, featuring Count Basie and his orchestra. All the titles were arranged by Bill Holman. Sound engineer was Bob Simpson and the tape editor was Ben Jordan. The producer was Norman Granz.
Lookout for Hope is an album by the Bill Frisell Band, recorded in March 1987 and released on ECM the following year—Frisell's third album as leader. The quartet features cellist and vocalist Hank Roberts and rhythm section Kermit Driscoll and Joey Baron.
Before We Were Born is the first album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1989 and features performances by Frisell, cellist Hank Roberts, bassist Kermit Driscoll and drummer Joey Baron. Guests include guitarist Arto Lindsay, keyboardist Peter Scherer, alto saxophonist Julius Hemphill and baritone saxophonist Doug Wieselman.
Is That You? is the second album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1990 and features performances by Frisell, keyboardist Wayne Horvitz and drummer Joey Baron, who were all members of Naked City at this time.
Where in the World? is the third album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1991 and features performances by Frisell, cellist Hank Roberts, bassist Kermit Driscoll and drummer Joey Baron.
Have a Little Faith is a 1992 album by American guitarist Bill Frisell, his seventh album overall and fourth for Elektra Nonesuch. Musicians include Frisell, clarinetist Don Byron, bassist Kermit Driscoll, accordion player Guy Klucevsek and drummer Joey Baron. The album covers a range of American classical and popular music. The album was widely acclaimed as one of Frisell's best and as an outstanding jazz albums of the 1990s.
Music for the Films of Buster Keaton: Go West is the sixth album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1995 and features performances by Frisell, bassist Kermit Driscoll and drummer Joey Baron. The album is designed as accompaniment to the Buster Keaton's silent film classic, Go West (1925), and was released at the same time as another album of Keaton soundtracks by Frisell, The High Sign/One Week (1995).
The High Sign/One Week: Music for the Films of Buster Keaton is an album by the guitarist Bill Frisell, released on the Elektra Nonesuch label. It was released in 1995 and features performances by Frisell, bassist Kermit Driscoll and drummer Joey Baron. The album is designed as accompaniment to Buster Keaton's first two silent film classics, The High Sign (1921) and One Week (1920). It was released at the same time as another album by Frisell of Keaton soundtracks, Go West: Music for the Films of Buster Keaton (1995).
Quartet is the eighth album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1996 and features performances by Frisell, trumpeter Ron Miles, trombonist Curtis Fowlkes and violinist and tuba player Eyvind Kang. Tracks 1, 5, 6, 7, 9, and 12 are from Gary Larson's Tales from the Far Side (1994), an animated television special created by Gary Larson. Tracks 3 and 13 are from the Italian film La scuola (1995) directed by Daniele Luchetti. Tracks 4 and 10 were written for the Buster Keaton film Convict 13 (1920).
Blues Dream is the 13th album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 2001 and features performances by Frisell, steel guitarist Greg Leisz, trumpeter Ron Miles, alto saxophonist Billy Drewes, trombonist Curtis Fowlkes, bassist David Piltch and drummer Kenny Wollesen. The cover photograph was taken by George A. Tice in 1974 at Kresson Road, Cherry Hill, New Jersey.
Unspeakable is a 2004 album by American jazz guitarist Bill Frisell, his 22nd album overall and his 17th to be released on the Elektra Nonesuch label.
Live is a live album by guitarist Bill Frisell released on the Gramavision label. It was released in 1995 and features a performance by Frisell, bassist Kermit Driscoll and drummer Joey Baron recorded in 1991 at Terceros Encuentros de Nueva Musica, Teatro Lope de Vega, Seville, Spain.
Miracle Mile is an album by American keyboardist and composer Wayne Horvitz's band The President recorded in 1992 and released on the Elektra/Nonesuch label.
We'll Soon Find Out is an album by drummer Joey Baron which was recorded in 1999 and released on Schott Music's Intition label.
Bug Music is an album by clarinetist Don Byron featuring music from the 1930s, specifically Duke Ellington, Billy Strayhorn, John Kirby, and Raymond Scott. It was released on the Nonesuch label in 1996.