This Land | ||||
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Studio album by | ||||
Released | 1994 | |||
Recorded | October 1992 | |||
Studio | Mastersound Astoria, New York | |||
Genre | Jazz Post-bop Americana | |||
Length | 65:28 | |||
Label | Elektra Nonesuch | |||
Producer | Lee Townsend | |||
Bill Frisell chronology | ||||
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This Land is the fifth album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1994 and features performances by Frisell, alto saxophonist Billy Drewes, trombonist Curtis Fowlkes, clarinetist Don Byron, bassist Kermit Driscoll and drummer Joey Baron. [1]
The Allmusic review by Glenn Astarita awarded the album 4 stars, stating, "The guitarist's now familiar penchant for constructing climactic opuses framed upon his deft utilization of volume control and often-slithery mode of attack counterbalances the horn sections' pumping notes and harmonious choruses. Essentially, melody is the key throughout these pleasantly arranged pieces, as Frisell makes his axe talk and cry while also partaking in lustrous unison lines with Don Byron (clarinet), Curtis Fowlkes (trombone), and Billy Drewes (alto sax). Overall, This Land signifies yet another powerful statement by this wonderfully inventive musician. Recommended!". [2]
Review scores | |
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Source | Rating |
Allmusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |
All compositions by Bill Frisell except as indicated.
Curtis Fowlkes was an American jazz trombonist and singer. He was a founding member of The Jazz Passengers. He had a twin brother James May Fowlkes and his parents were James Ray and Rosa May Fowlkes.
Hans Wendl is a producer. He began his career in the music business with the record label ECM Records in his hometown of Munich in the mid-1970s and was associated with the German label for twelve years before moving to the United States in 1986. He was also director of the Gramavision Records label for Rykodisc for three years during the mid-1990s.
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Steady Groovin': The Blue Note Groove Sides is a compilation album by jazz musician John Scofield. The album consists of recordings Scofield made as a Blue Note artist, and were recorded from November 1989 until June 1995.
I Told You So is a 1976 album recorded at RCA studios, New York City on January 12, 13 and 14 1976 and released in 1976, featuring Count Basie and his orchestra. All the titles were arranged by Bill Holman. Sound engineer was Bob Simpson and the tape editor was Ben Jordan. The producer was Norman Granz.
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Before We Were Born is the first album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1989 and features performances by Frisell, cellist Hank Roberts, bassist Kermit Driscoll and drummer Joey Baron. Guests include guitarist Arto Lindsay, keyboardist Peter Scherer, alto saxophonist Julius Hemphill and baritone saxophonist Doug Wieselman.
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Where in the World? is the third album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1991 and features performances by Frisell, cellist Hank Roberts, bassist Kermit Driscoll and drummer Joey Baron.
Have a Little Faith is a 1992 album by American guitarist Bill Frisell, his seventh album overall and fourth for Elektra Nonesuch. Musicians include Frisell, clarinetist Don Byron, bassist Kermit Driscoll, accordion player Guy Klucevsek and drummer Joey Baron. The album covers a range of American classical and popular music. The album was widely acclaimed as one of Frisell's best and as an outstanding jazz albums of the 1990s.
Music for the Films of Buster Keaton: Go West is the sixth album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1995 and features performances by Frisell, bassist Kermit Driscoll and drummer Joey Baron. The album is designed as accompaniment to the Buster Keaton's silent film classic, Go West (1925), and was released at the same time as another album of Keaton soundtracks by Frisell, The High Sign/One Week (1995).
The High Sign/One Week: Music for the Films of Buster Keaton is an album by the guitarist Bill Frisell, released on the Elektra Nonesuch label. It was released in 1995 and features performances by Frisell, bassist Kermit Driscoll and drummer Joey Baron. The album is designed as accompaniment to Buster Keaton's first two silent film classics, The High Sign (1921) and One Week (1920). It was released at the same time as another album by Frisell of Keaton soundtracks, Go West: Music for the Films of Buster Keaton (1995).
Quartet is the eighth album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1996 and features performances by Frisell, trumpeter Ron Miles, trombonist Curtis Fowlkes and violinist and tuba player Eyvind Kang. Tracks 1, 5, 6, 7, 9, and 12 are from Gary Larson's Tales from the Far Side (1994), an animated television special created by Gary Larson. Tracks 3 and 13 are from the Italian film La scuola (1995) directed by Daniele Luchetti. Tracks 4 and 10 were written for the Buster Keaton film Convict 13 (1920).
Blues Dream is the 13th album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 2001 and features performances by Frisell, steel guitarist Greg Leisz, trumpeter Ron Miles, alto saxophonist Billy Drewes, trombonist Curtis Fowlkes, bassist David Piltch and drummer Kenny Wollesen. The cover photograph was taken by George A. Tice in 1974 at Kresson Road, Cherry Hill, New Jersey.
Unspeakable is a 2004 album by American jazz guitarist Bill Frisell, his 22nd album overall and his 17th to be released on the Elektra Nonesuch label.
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Miracle Mile is an album by American keyboardist and composer Wayne Horvitz's band The President recorded in 1992 and released on the Elektra/Nonesuch label.
Transparency is the debut album by trumpeter Herb Robertson recorded in 1985 and released on the JMT label.
We'll Soon Find Out is an album by drummer Joey Baron which was recorded in 1999 and released on Schott Music's Intition label.
Bug Music is an album by clarinetist Don Byron featuring music from the 1930s, specifically Duke Ellington, Billy Strayhorn, John Kirby, and Raymond Scott. It was released on the Nonesuch label in 1996.