When You Wish Upon a Star | ||||
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Studio album by | ||||
Released | January 29, 2016 | |||
Recorded | 2015 | |||
Studio | Flora Recording & Playback, Portland, OR | |||
Genre | Jazz | |||
Length | 64:25 | |||
Label | OKeh | |||
Producer | Lee Townsend | |||
Bill Frisell chronology | ||||
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When You Wish Upon a Star is an album of motion picture themes by Bill Frisell which was released on the OKeh label in 2016. [1] [2]
Review scores | |
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Source | Rating |
PopMatters | [3] |
All About Jazz | [4] |
The Independent | [5] |
Tom Hull | B [6] |
In his review for PopMatters , John Paul wrote, "Frisell explores the world of television and film themes on his latest, When You Wish Upon a Star. With each, Frisell takes the most recognizable elements of each, building around this central theme and then subjecting each to a funhouse mirror approach that extends and distorts melodies and motifs to create an often gloriously mutated, albeit gentle, impression of the familiar". [3] On All About Jazz , John Kelman said "With When You Wish Upon a Star, Frisell can add a collection of film and television music to his body of work; an album that, in its own inherent diversity and performed by a stellar group that features, for the first time, a vocalist in his lineup, ranks not only as one of the guitarist's best albums in recent years, but one of his best recordings ever". [4] Andy Gill of The Independent wrote, "Frisell is meticulous throughout, never playing more than necessary, and slanting the arrangements to bring out the themes' essential characters." [5]
Bernard Herrmann was an American composer and conductor best known for his work in composing for films. As a conductor, he championed the music of lesser-known composers. He is widely regarded as one of the greatest film composers. Alex Ross writes that "Over four decades, he revolutionized movie scoring by abandoning the illustrative musical techniques that dominated Hollywood in the 1930s and imposing his own peculiar harmonic and rhythmic vocabulary."
Elmer Bernstein was an American composer and conductor. In a career that spanned over five decades, he composed "some of the most recognizable and memorable themes in Hollywood history", including over 150 original film scores, as well as scores for nearly 80 television productions. For his work, he received an Academy Award for Thoroughly Modern Millie (1967) and Primetime Emmy Award. He also received seven Golden Globe Awards, five Grammy Awards, and two Tony Award nominations.
William Richard Frisell is an American jazz guitarist, composer and arranger. Frisell first came to prominence at ECM Records in the 1980s, as both a session player and a leader. He went on to work in a variety of contexts, notably as a participant in the Downtown Scene in New York City, where he formed a long working relationship with composer and saxophonist John Zorn. He was also a longtime member of veteran drummer Paul Motian's groups from the early 1980s until Motian's death in 2011. Since the late 1990s, Frisell's output as a bandleader has also integrated prominent elements of folk, country, rock ‘n’ roll and Americana. He has six Grammy nominations and one win.
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"For Zorn, filmscores have always been a place to experiment, and the FilmWorks Series is in many ways a microcosm of his prodigious output. This original installment of the FilmWorks Series presents three scores ranging from punk-rockabilly ; a jazzy Bernard Herrmann fantasy; to a quirky classical/improv/world music amalgam for Raul Ruiz's bizarre film The Golden Boat. Zorn's infamous one-minute arrangement of Morricone's classic The Good, The Bad and The Ugly, is included as a bonus track. This is the place where it all began."
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