| Ghost Town | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | March 7, 2000 | |||
| Studio | O'Henry Sound Studios, Burbank | |||
| Genre | Folk jazz, New Acoustic, chamber jazz, Americana | |||
| Length | 62:47 | |||
| Label | Elektra Nonesuch | |||
| Producer | Lee Townsend | |||
| Bill Frisell chronology | ||||
| ||||
Ghost Town is the 12th album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1999 and is the first album featuring solo performances, overdubs and loops, by Frisell. [1]
The AllMusic review by Rick Anderson states: "To call the music he creates on this album "introspective" would be something of an understatement... there's a darkness around the edges this time out that is unusual, as if he's lonely playing by himself and a little bit unnerved at the thoughts and feelings he's being forced to face on his own... There are moments of light relief, such as the gently lovely title track and the brief banjo interlude "Fingers Snappin' and Toes Tappin'," but the overall mood here is relatively dark, though consistently beautiful." [2]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| The Encyclopedia of Popular Music | [3] |
| The Penguin Guide to Jazz Recordings |  [4] |
All compositions by Bill Frisell except as indicated.
Before We Were Born is the first album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1989 and features performances by Frisell, cellist Hank Roberts, bassist Kermit Driscoll and drummer Joey Baron. Guests include guitarist Arto Lindsay, keyboardist Peter Scherer, alto saxophonist Julius Hemphill and baritone saxophonist Doug Wieselman.
Is That You? is the second album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1990 and features performances by Frisell, keyboardist Wayne Horvitz and drummer Joey Baron, who were all members of Naked City at this time.
Where in the World? is the third album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1991 and features performances by Frisell, cellist Hank Roberts, bassist Kermit Driscoll and drummer Joey Baron.
Have a Little Faith is the fourth album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1992 and features performances by Frisell, clarinetist Don Byron, bassist Kermit Driscoll, accordion player Guy Klucevsek and drummer Joey Baron covering a range of American classical and popular music.
This Land is the fifth album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1994 and features performances by Frisell, alto saxophonist Billy Drewes, trombonist Curtis Fowlkes, clarinetist Don Byron, bassist Kermit Driscoll and drummer Joey Baron.
Music for the Films of Buster Keaton: Go West is the sixth album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1995 and features performances by Frisell, bassist Kermit Driscoll and drummer Joey Baron. The album is designed as accompaniment to the Buster Keaton's silent film classic, Go West (1925), and was released at the same time as another album of Keaton soundtracks by Frisell, The High Sign/One Week (1995).
The High Sign/One Week: Music for the Films of Buster Keaton is the seventh album by guitarist Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1995 and features performances by Frisell, bassist Kermit Driscoll and drummer Joey Baron. The album is designed as accompaniment to Buster Keaton's first two silent film classics, The High Sign (1921) and One Week (1920). It was released at the same time as another album by Frisell of Keaton soundtracks, Go West: Music for the Films of Buster Keaton (1995).
Quartet is the eighth album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1996 and features performances by Frisell, trumpeter Ron Miles, trombonist Curtis Fowlkes and violinist and tuba player Eyvind Kang. Tracks 1, 5, 6, 7, 9, and 12 are from Tales From the Far Side (1994), an animated television special created by Gary Larson. Tracks 3 and 13 are from the Italian film La scuola (1995) directed by Daniele Luchetti. Tracks 4 and 10 were written for the Buster Keaton film Convict 13 (1920).
Nashville is the ninth album by Bill Frisell to be released on the Elektra Nonesuch label and his first to be recorded in Nashville, Tennessee. It was released in 1997 and features performances by Frisell, bassist Viktor Krauss, Jerry Douglas on dobro, Ron Block on banjo and Adam Steffey on mandolin, with guest appearances from Robin Holcomb on vocals and Pat Bergeson on harmonica.
Gone, Just Like a Train is the tenth album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1998 and features performances by Frisell, bassist Viktor Krauss and drummer Jim Keltner. The cover art is by comics artist Jim Woodring.
Good Dog, Happy Man is the 11th album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1999 and features performances by Frisell, steel guitarist Greg Leisz, keyboardist Wayne Horvitz, bassist Viktor Krauss and drummer Jim Keltner with a guest appearance by Ry Cooder on slide guitar.
Blues Dream is the 13th album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 2001 and features performances by Frisell, steel guitarist Greg Leisz, trumpeter Ron Miles, alto saxophonist Billy Drewes, trombonist Curtis Fowlkes, bassist David Piltch and drummer Kenny Wollesen. The cover photograph was taken by George A. Tice in 1974 at Kresson Road, Cherry Hill, New Jersey.
With Dave Holland and Elvin Jones is the 14th album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 2001 and features performances by Frisell, bassist Dave Holland and drummer Elvin Jones.
The Willies is the 15th album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 2002 and features performances by Frisell, Danny Barnes on banjo, pump organ & harmonica and bassist Keith Lowe.
The Intercontinentals is the 16th album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 2003 and features performances by Frisell, Sidiki Camara, Vinicius Cantuaria, Christos Govetas, Greg Leisz and Jenny Scheinman.
East/West is the 18th album, first double CD and first live album by Bill Frisell to be released on the Elektra Nonesuch label. Released in 2005, it features performances by Frisell, Viktor Krauss and Kenny Wollesen which were recorded at Yoshi's in Oakland, California on December 9, 2003 and performances by Frisell with Tony Scherr and Kenny Wollesen recorded on May 11, 2004 at the Village Vanguard in New York City. An additional second set of material from both the "East" and "West" venues was made available as a downloadable album Further East/Further West.
Bill Frisell, Ron Carter, Paul Motian is the 19th album by Bill Frisell to be released on the Elektra Nonesuch label.
On Broadway Volume 2 is the fourth album by Paul Motian to be released on the German JMT label. It was released in 1989 and features performances of Broadway show tunes by Motian with guitarist Bill Frisell, bassist Charlie Haden and tenor saxophonist Joe Lovano. The album was followed by three subsequent volumes, and it was rereleased on the Winter & Winter label in 2003.
The Windmills of Your Mind is an album by Paul Motian released on the German Winter & Winter label in 2011, the final release during his lifetime. It features Motian’s long-standing colleague, guitarist Bill Frisell, bassist Thomas Morgan and vocalist Petra Haden.
Lily-O is the fifth album by singer and multi-instrumentalist Sam Amidon. The album is a collection of reworked folksongs, arranged and sung by Amidon, accompanying himself on guitar and banjo, with a band consisting of Bill Frisell, Shahzad Ismaily and Chris Vatalaro. The album was recorded and mixed by Valgeir Sigurðsson at Greenhouse Studios in Reykjavik, Iceland and was released on Nonesuch Records in 2014.
