David Johansen and the Harry Smiths | ||||
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Studio album by | ||||
Released | 2000 | |||
Recorded | November 29 – December 2, 1999 | |||
Studio | St. Peter's Episcopal Church, New York, NY | |||
Genre | ||||
Length | 50:28 | |||
Label | Chesky Records [2] | |||
Producer | David Chesky, Brian Koonin | |||
David Johansen chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Robert Christgau | [3] |
The Encyclopedia of Popular Music | [2] |
Rolling Stone | [4] |
The Penguin Guide to Blues Recordings | [5] |
David Johansen and the Harry Smiths is a 2000 album that David Johansen released with the "Harry Smiths". [6] [7] Johansen created the album following a folk scene that was taking place in the late 1990s in New York City clubs. Inspired by the 1997 reissue of musicologist Harry Everett Smith's Anthology of American Folk Music (a compilation of 1920s and 1930s country and blues recordings), Johansen named his band "the Harry Smiths" and recorded and performed songs from, or inspired by, the Anthology. [8] The Harry Smiths band included long-time Johansen associate Brian Koonin on guitar and mandolin, with Larry Saltzman also playing guitar and playing banjo. The rhythm section of Kermit Driscoll and Joey Baron played for many years with jazz guitarist Bill Frisell, and both have worked extensively with other jazz artists.
The album was his first since 1984 that is credited to him and not his musical alter ego Buster Poindexter.
The album was recorded at St. Peter's Episcopal Church, in New York City, and was produced by Brian Koonin and Norman Chesky. [9]
Exclaim! though that Johansen's "half-spoken, half-sung style marries beautifully to the front-porch demeanour of these rich samples of the music harvested by the late musicologist." [10] The Chicago Reader wrote that "Johansen delivers even the most morbid lyrics with an offhand ease that gives them the immediacy of nightmares." [11] The Guardian wrote that Johansen's "gruff bellow fits this material like a glove, nowhere better than on the bittersweet 'Delia'." [12]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "James Alley Blues" | Richard "Rabbit" Brown | 3:33 |
2. | "Darling, Do You Remember Me?" | Lightnin Hopkins | 4:31 |
3. | "Delia" | Traditional; arranged by Bob Dylan | 6:38 |
4. | "Little Geneva" | McKinley Morganfield | 3:29 |
5. | "Well, I've Been to Memphis" | Unknown | 3:58 |
6. | "Katie Mae" | Lightnin Hopkins | 4:19 |
7. | "Old Dog Blue" | Unknown | 3:24 |
8. | "Somebody Buy Me a Drink" | Oscar Brown, Jr. | 4:10 |
9. | "Poor Boy Blues" | Unknown | 3:18 |
10. | "On the Wall" | Unknown | 2:56 |
11. | "Don't Start Me Talking" | Sonny Boy Williamson | 2:32 |
12. | "Oh Death" | Unknown | 4:01 |
13. | "Richland Woman" | Mississippi John Hurt | 3:39 |
David Roger Johansen is an American singer, songwriter and actor. He is best known as a member of the seminal proto-punk band the New York Dolls. He is also known for his work under the pseudonym Buster Poindexter, and for playing the Ghost of Christmas Past in Scrooged.
James "Kermit" Driscoll is an American jazz bassist. He is known for his long association with guitarist Bill Frisell in the 1980s and '90s. Driscoll has worked in many genres and music settings: Broadway, classical, jazz, folk, rock, film, and television. He has taught at SUNY Purchase College and Sarah Lawrence College.
Chesky Records is a record company and label founded in 1978 by brothers David and Norman Chesky. The company produces high-definition recordings of music in a variety of genres, including jazz, classical, pop, R&B, folk and world/ethnic. Chesky artists include McCoy Tyner, Herbie Mann, David Johansen and the Harry Smiths, Joe Henderson, Macy Gray, Chuck Mangione, Paquito D'Rivera, Ron Carter, Larry Coryell, John Pizzarelli, Bucky Pizzarelli, Babatunde Olatunji, Ana Caram, and Rebecca Pidgeon.
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