Teresa Saporiti (1763 – 17 March 1869) [1] was an Italian operatic soprano and composer most remembered today for creating the role of Donna Anna in Mozart's opera Don Giovanni . She was born in Milan and died there at the age of 106. In her later years, she was often referred to by her married name, Teresa Saporiti-Codecasa.
Saporiti was born in Milan. Little is known about her early life, but in 1782 she and her elder sister Antonia were engaged by the impresario, Pasquale Bondini , to sing with his Italian opera company in Leipzig. According to The Cambridge Mozart Encyclopedia (and several other sources), Theresa and Antonia may have been the sisters of opera singer Caterina Bondini (born as Caterina Saporiti), who was the first Zerlina in Don Giovanni and Pasquale Bondini's wife. [2] Antonia abandoned her career early on and died in Milan in 1787. [3] Teresa, however, stayed with the company until 1788 and performed with them in Leipzig, Dresden and Prague, most famously as Donna Anna in the 1787 world premiere of Don Giovanni. She was an attractive woman, and several authors have speculated that Don Giovanni's emphatic line in the act 2 dinner scene, "Ah che piatto saporito!" (Ah, what a tasty dish!) is a punning reference to Saporiti. [4]
Between 1788 and 1789, she sang in Venice at the Teatro Venier as Mandane in Ferdinando Bertoni's Artaserse (November 1788); as Selene in the world premiere of Pietro Alessandro Guglielmi's Arsace (26 December 1788); and as Armida in the world premiere of Guglielmi's Rinaldo (28 January 1789). She then appeared at La Scala where on 20 April 1789 she sang the title role in the world premiere of Francesco Bianchi's Nitteti. [5] She went on to perform in Parma, Modena, Bologna, Vienna, Moscow, and Saint Petersburg. In Saint Petersburg she was the prima buffa assoluta in Gennaro Astarita's opera company and sang in operas by Astarita, Giovanni Paisiello, and Domenico Cimarosa. [6] Saporiti also composed two arias, "Dormivo in mezzo al prato" and "Caro mio ben, deh senti", which were published in 1796.
In her later years, she was often referred to by her married name, Teresa Saporiti-Codecasa, and lived in Milan where she held salon concerts in her house. At one of these concerts in 1841, Verdi presented the music for his opera Nabucco which was to premiere the following year at La Scala. [7] Teresa Saporiti died in Milan on 17 March 1869 at the age of 106. Her daughter, Fulvia, continued corresponding with Verdi for several years afterwards. [8]
Maria Anna MarziaAlboni was an Italian contralto opera singer. She is considered "one of the greatest contraltos in operatic history".
Aida is a tragic opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world. At New York's Metropolitan Opera alone, Aida has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera.
Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play El burlador de Sevilla y convidado de piedra. It is a dramma giocoso blending comedy, melodrama and supernatural elements. It was premiered by the Prague Italian opera at the National Theatre, now called the Estates Theatre, on 29 October 1787. Don Giovanni is regarded as one of the greatest operas of all time, and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte".
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Caterina Magdalena Giuseppa Cavalieri was an Austrian soprano.
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Teresa Bertinotti was an Italian soprano and voice teacher. She created leading roles in several operas, including Simon Mayr's Ginevra di Scozia.
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Maria Veretenina is an Estonian dramatic coloratura soprano opera singer.
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