Telemaco, ossia L'isola di Circe (Telemachus, or Circe's Island) is an operatic dramma per musica in two acts by Christoph Willibald Gluck. The Italian libretto was written by Marco Coltellini after Carlo Sigismondo Capece's libretto for Scarlatti's 1718 opera Telemaco .
The opera was written for the wedding of the Emperor (to be) Joseph II and Princess Maria Josepha of Bavaria.
The first performance was at the Burgtheater in Vienna on 30 January 1765.
Role | Voice type | Premiere cast, 30 January 1765 [1] |
---|---|---|
Ulisse | tenor | Giuseppe Tibaldi |
Circe | soprano | Elisabeth Teyber |
Telemaco | alto castrato | Gaetano Guadagni |
Asteria | soprano | Rosa Tartaglini |
Merione | soprano castrato | Luca Fabris |
Iphigénie en Tauride is a 1779 opera by Christoph Willibald Gluck in four acts. It was his fifth opera for the French stage. The libretto was written by Nicolas-François Guillard.
La clemenza di Tito, K. 621, is an opera seria in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Pietro Metastasio. It was started after the bulk of Die Zauberflöte, the last opera that Mozart worked on, was already written. The work premiered on 6 September 1791 at the Estates Theatre in Prague.
Armide is an opera by Christoph Willibald Gluck, set to a libretto by Philippe Quinault. Gluck's fifth production for the Parisian stage and the composer's own favourite among his works, it was first performed on 23 September 1777 by the Académie Royale de Musique in the second Salle du Palais-Royal in Paris.
Le cinesi is an opera in one act, with music composed by Christoph Willibald Gluck. The Italian-language libretto was by Pietro Metastasio, and he described it as a componimento drammatico. This libretto had first been set by Antonio Caldara in 1735. For Gluck's rework, the piece is often considered as an azione teatrale, even though Metastasio and the composer both retained the original designation. The work was first performed for the Austrian royal family at the Schloss Hof on 24 September 1754, on the occasion of the visit of the Empress Maria Theresa to the household of Saxe-Hildburghausen.
Creso ('Croesus') is an opera seria in 3 acts with music by Antonio Sacchini, set to an Italian libretto by Gioacchino Pizzi after Book I of the Histories by Herodotos. The opera was first performed on 4 November 1765 at the Teatro San Carlo in Naples. The libretto was a popular one that had been first set by Niccolò Jommelli.
Amica is an opera in two acts by Pietro Mascagni, originally composed to a libretto by Paul Bérel. The only opera by Mascagni with a French libretto, it was an immediate success with both the audience and the critics on its opening night at the Théâtre du Casino in Monte-Carlo on 16 March 1905. Mascagni himself conducted the performance. The opera had its Italian premiere on 13 May 1905 at the Teatro Costanzi in Rome.
Roland is a tragédie lyrique in three acts by the composer Niccolò Piccinni. The opera was a new setting of a libretto written by Philippe Quinault for Jean-Baptiste Lully in 1685, specially adapted for Piccinni by Jean-François Marmontel and based on Ludovico Ariosto's epic poem Orlando Furioso. The opera was first performed on 27 January 1778 by the Académie Royale de Musique at the Théâtre du Palais-Royal.
L'école de la jeunesse ou Le Barnevelt françois is an opéra comique in three acts by the composer Egidio Duni. The libretto, by Louis Anseaume, is based on George Lillo's play The London Merchant or The History of George Barnwell (1731). The opera was first performed at the Opéra-Comique, Paris on 24 January 1765.
Giulietta e Romeo is a dramma per musica by composer Niccolò Antonio Zingarelli with an Italian libretto by Giuseppe Maria Foppa after the 1530 novella of the same name by Luigi da Porto. The opera premiered at the Teatro alla Scala in Milan on 30 January 1796.
Il Telemaco nell'isola di Calipso is an opera by composer Fernando Sor. The libretto was by Carlo Sigismondo Capece. It was first produced in Barcelona at the Teatro de la San Cruz on 25 August 1797. It was revived in the same city on 18 May 1798.
Ulisse is an opera in a prologue and two acts composed by Luigi Dallapiccola to his own libretto based on the legend of Ulysses. It premiered at the Deutsche Oper Berlin on 29 September 1968 conducted by Lorin Maazel with Erik Saedén in the title role. Ulisse was Dallapiccola's last opera and took eight years to compose. As in his previous operas, Volo di notte and Il prigioniero, his declared theme was "the struggle of man against some force much stronger than he".
Demofoonte is a dramma per musica or opera in 3 acts by composer Christoph Willibald Gluck. The work uses an Italian language libretto by Pietro Metastasio. The opera premiered on 6 January 1743 at the Teatro Regio Ducale in Milan.
Ifigenia in Tauride is an opera in three acts by Niccolò Jommelli set to a libretto by the Mannheim court poet Mattia Verazi. It premiered on 30 May 1771 at the Teatro di San Carlo in Naples to celebrate the name day of Ferdinand I of the Two Sicilies. The story is based on Iphigenia in Tauris by Euripides.
Medea is an opera in three acts composed by Giovanni Pacini to a libretto by Benedetto Castiglia. It premiered on 28 November 1843 at the Teatro Carolino in Palermo, conducted by the composer with Geltrude Bortolotti in the title role. The libretto is based on the plays Medea by Euripides and Médée by Pierre Corneille.
Ginevra di Scozia is an opera in two acts by Simon Mayr set to an Italian libretto by Gaetano Rossi based on Antonio Salvi's Ginevra, principessa di Scozia, which in turn was adapted from cantos 5 and 6 of Ludovico Ariosto's Orlando Furioso. Ginevra di Scozia premiered on 21 April 1801 at the Regio Teatro Nuovo in Trieste to celebrate the inauguration of the new theatre. The story is virtually identical to that of Handel's Ariodante which shares the same source for the libretto.
Semiramide riconosciuta is an Italian opera with serious action, or dramma per musica, by Nicola Porpora, set to a libretto by Metastasio with some textual changes, possibly by Domenico Lalli. The opera was written for some of the finest contemporary singers, and includes a technically demanding series of da capo arias.
L'arbre enchanté, ou Le tuteur dupé, Wq 42, is a one-act opéra comique by Christoph Willibald Gluck to a libretto based on the 1752 opéra-comique Le poirier with a text by Jean-Joseph Vadé. Vadé's libretto was based on a tale from Boccaccio's Decameron, as retold by Jean de La Fontaine. Gluck's opera was written for the name day of Emperor Francis I, premiering at the Schönbrunn Palace in Vienna on the evening of 3 October 1759, the anniversary of the death of Saint Francis of Assisi.
Il finto astrologo is an intermezzo by composer Niccolò Piccinni. The opera uses an Italian language libretto by Carlo Goldoni. The work premiered at the Teatro Valle in Rome on 7 February 1765 with a cast that included the famous castrato Venanzio Rauzzini as Clarice.
Il trionfo de Clelia, Wq. 31, is an opera composed by Christoph Willibald Gluck. It takes the form of a dramma per musica in three acts. The Italian-language libretto by Pietro Metastasio is based on several semi-legendary narratives concerning the founding of the Roman Republic. The opera premiered on 14 May 1763 at the Teatro Comunale di Bologna. Although rarely performed since then, it was revived in London in 2012 at the Royal Opera House's Linbury Studio.
La bella dormente nel bosco is an opera in three acts by Ottorino Respighi to a libretto by Gian Bistolfi based on Charles Perrault's fairy tale "Sleeping Beauty".
Notes
Sources
This article about an Italian language opera is a stub. You can help Wikipedia by expanding it. |