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The Royal Danish Ballet School is a ballet school that trains dancers for the Royal Danish Ballet. It was founded in the 1770s.[ citation needed ]
In 1771, the first formalised ballet school at the Royal Danish Theater was founded by the French dancer and royal court dancing-master Pierre Laurent. The school was run on a rather humble scale with Laurent teaching six to eight pupils for two hours every day in the unheated vestibule of the Court Theater at Christiansborg Palace. But Laurent's school soon lost its dance lesson monopoly at the Royal Danish Theater. In 1775, the Italian dancer, choreographer, and teacher Vincenzo Galeotti was engaged as ballet master. Galeotti, too, felt the need to establish a school of his own, and for some time the two schools existed side by side.
Ballet is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result ballet has evolved in distinct ways.
August Bournonville was a Danish ballet master and choreographer. He was the son of Antoine Bournonville, a dancer and choreographer trained under the French choreographer, Jean Georges Noverre, and the nephew of Julie Alix de la Fay, née Bournonville, of the Royal Swedish Ballet.
The Royal Danish Ballet is an internationally renowned classical ballet company, based at the Royal Danish Theatre in Kongens Nytorv, Copenhagen, Denmark. It is one of the oldest ballet companies in the world and originates from 1748, when the Royal Danish Theatre was founded. It was finally organized in 1771 in response to the great popularity of French and Italian styles of dance. The company was founded with the opening of the Royal Danish Theatre, which has served as its home since that time. The Royal Danish Ballet school was founded in 1771 under the French ballet teacher Pierre Laurent (1730–1807), Then Vincenzo Galeotti developed it and August Bournonville founded his methodology for the school.
Jerome Robbins was an American choreographer, director, dancer, and theater producer who worked in classical ballet, on stage, film, and television.
Ib Andersen is a Danish ballet dancer, choreographer, and painter. Admired as both a dancer and a choreographer, he is an artist who is comfortable engaging with both the classical and contemporary aesthetic of modern-day ballet.
Russian ballet is a form of ballet characteristic of or originating from Russia.
Peter Martins is a Danish ballet dancer and choreographer. Martins was a principal dancer with the Royal Danish Ballet and with the New York City Ballet, where he joined George Balanchine, Jerome Robbins, and John Taras as balletmaster in 1981. He retired from dancing in 1983, having achieved the rank of danseur noble, becoming Co-Ballet Master-In-Chief with Robbins. From 1990 until January 2018, he was solely responsible for artistic leadership of City Ballet.
Jacob's Pillow is a dance center, school and performance space located in Becket, Massachusetts, in the Berkshires. The organization is known for a Summer dance festival. The facility also includes a professional school and extensive archives as well as year-round community programs. The facility itself was listed as a National Historic Landmark District in 2003.
A ballet master is an employee of a ballet company who is responsible for the level of competence of the dancers in their company. In modern times, ballet masters are generally charged with teaching the daily company ballet class and rehearsing the dancers for both new and established ballets in the company's repertoire. The artistic director of a ballet company, whether a male or female, may also be called its ballet master. Historic use of gender marking in job titles in ballet is being supplanted by gender-neutral language job titles regardless of an employee's gender.
Eliot Feld is an American modern ballet choreographer, performer, teacher, and director. Feld works in contemporary ballet. His company and schools, including the Feld Ballet and Ballet Tech, are deeply committed to dance and dance education in New York City.
Alessandra Ferri is an Italian prima ballerina. She danced with the Royal Ballet (1980–1984), American Ballet Theatre (1985–2007) and La Scala Theatre Ballet (1992–2007) and as an international guest artist, before temporally retiring on 10 August 2007, aged 44, then returning in 2013. She was eventually granted the rank of prima ballerina assoluta.
Anine Marie Magdalene Frølich, was a Danish ballerina, one of the first professional native ballet dancers in Denmark and the first native star within the Royal Danish Ballet. Anine Frølich was perhaps the principal figure in the emergence of classical ballet as a distinct art-form in Denmark.
Clive Alexander Barnes was an English writer and critic. From 1965 to 1977, he was the dance and theater critic for The New York Times, the most powerful position he held, since its theater critics' reviews historically have had great influence on the success or failure of Broadway productions.
According to legend, Lagertha was a Viking shield-maiden and ruler from what is now Norway, and the onetime wife of the famous Viking Ragnar Lodbrok. Her tale was recorded by the chronicler Saxo in the 12th century. According to modern scholarship, it is likely that Lagertha was not a historical figure, but a reflection of tales about Viking warrior women or about the Norse deity Thorgerd.
The Pantomime Theatre is an open-air theatre located in the Tivoli Gardens in Copenhagen, Denmark. As indicated by the name, it is primarily used for pantomime theatre in the classical Italian commedia dell'arte tradition which is performed daily. Besides this original function, the theatre leads a second life as a venue for ballet and modern dance.
The Teatro San Benedetto was a theatre in Venice, particularly prominent in the operatic life of the city in the 18th and early 19th centuries. It saw the premieres of over 140 operas, including Rossini's L'italiana in Algeri, and was the theatre of choice for the presentation of opera seria until La Fenice was built in 1792.
Jorma Elo is a contemporary choreographer.
Vincenzo Galeotti was an Italian-born Danish dancer, choreographer and ballet master, who was influential as the director of the Royal Danish Ballet from 1775 until his death.
Andrea Marie Krætzmer, née Møller (1811–1889), was a Danish ballet dancer. She became a soloist in the early ballets of August Bournonville.