Neo-Futurists

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The Neo-Futurists are an experimental theater troupe founded by Greg Allen in 1988, based on an aesthetics of honesty, speed and brevity. Neo-Futurist theatre was inspired in part by the Italian Futurist movement from the early 20th century. Originating in Chicago, branches of the Neo-Futurists also exist in New York City, San Francisco, and London (the latter under the name Degenerate Fox [1] ).

Contents

Aesthetic

The Neo-Futurist aesthetic demands that everything that transpires in their theater be non-illusory, which is to say that they pretend nothing; actors only play themselves. All plays take place on a stage, specifically, the stage on which they are performed, in the present. If one of the performers reports that something has happened, you can bet that it really happened. Much of their work contains the possibility of failure, a unique theatrical component that keeps them and the audience honest. Their plays are wildly eclectic, touching on all genres and tones; plays may be political, satirical, personal, tragic, comic, abstract, musical, surreal, poetic, and so on.

The bottom line is that Neo-Futurism does not buy into the "suspension of disbelief"—it does not attempt to take the audience anywhere else at any other time with any other people. The idea is to deal with what is going on right here and now.

The general setup of the weekly shows is the same across groups and countries. "The Neo-Futurists ensemble attempts to perform 30 short plays in 60 minutes, with the order of the plays determined by the audience shouting out numbers based on a play menu handed out before the show. Each weekend, dice are rolled to determine how many of those plays will be replaced, which keeps each weekend’s iteration fresh."

History

The Neo-Futurists began with the show Too Much Light Makes the Baby Go Blind: 30 Plays in 60 Minutes , often abbreviated as TMLMTBGB (though many refer to it simply as TML). For the first few years, the Neo-Futurist movement consisted entirely of TMLMTBGB, but then expanded to include "prime time productions." These productions began late evening, as opposed to TMLMTBGB's late-night starting time (11:30 in Chicago, 10:30 in New York).

The Neo-Futurists have published three books of plays from TMLMTBGB - two books of regular plays, and one of plays that use only one actor. They've also released one CD recording of plays from Too Much Light Makes the Baby Go Blind , one video, and a recording of Jokes and their Relation to the Unconscious , a play described as an attempt to destroy comedy by analyzing it to death.

In 2008 the New York Neo-Futurists put on (Not) Just a Day Like Any Other, four autobiographical stories woven together with accompanying Bollywood music videos, relationships charted via PowerPoint, and margaritas for all. [2]

In November 2016, Greg Allen announced in an emailed press release that he intended to revoke the Chicago company's rights to perform TMLMTBGB. [3] Allen had ceased to be a member of the performing ensemble four years prior, and in his announcement he stated his intention to form a new company to perform the show [4] as a way to "combat the new Trump administration." [5] In a response statement, the Neo-Futurists stated that they were "disappointed that it has come to this conclusion," but that "throughout our long history with Greg there have been considerable artistic differences and irreconcilable personal conflicts." [4] Additionally, a former artistic director and ensemble member disputed Allen's claim that the split was motivated by external politics, citing instead ongoing personality conflicts. [6] In solidarity with the Chicago company, the New York and San Francisco productions of Too Much Light also closed that December.

Subsequently, the Neo-Futurists developed and opened a new weekly late-night show in 2017 titled The Infinite Wrench in all three branches to continue to showcase their two-minute plays. [7] [8] The Chicago ensemble notably reached their 10,000th play on September 29, 2017. [9] A fourth branch, operating in London as Degenerate Fox, runs the similar show The Dirty Thirty. [10]

Theater members

Since 1988, the ranks of the Neo-Futurists have included the following individuals (listed alphabetically):

  • Abby Pajakowski
  • Adam Smith
  • Adrian Danzig
  • Ale Ramirez
  • Alex Vlahov
  • Alexis Smith
  • Alicia Harding
  • Amelia Bethel
  • Amy Langer
  • Andie Patterson
  • Andy Bayiates
  • Anita Loomis
  • Annie Share
  • Anooj Bhandari
  • Ashley Brockington
  • Aya Aziz
  • Ayun Halliday
  • Bahaar Taj
  • Benni Baker
  • Betsy Freytag
  • Bilal Dardai
  • Bill Coelius
  • Brenda Arellano
  • Brent Whiteside
  • Caitlin Stainken
  • Cara Francis
  • Cat Huck
  • Cecil Edward Baldwin
  • Chan Lin
  • Chisa Hutchinson
  • Chloe Johnston
  • Chris Dippel
  • Christopher Borg
  • Christopher Loar
  • Ci'era London
  • Clare Palmer
  • Claudia Alick
  • Clifton Frei
  • Colin Summers
  • Connor Kalista
  • Connor Sampson
  • Connor Shioshita Pickett
  • Dan Kerr-Hobert
  • Dan McCoy
  • Daniel Mirsky
  • Dave Awl
  • David Kodeski
  • Dean Evans
  • Desiree Burch
  • Diana Slickman
  • Dina Marie Walters
  • Dylan Waite
  • Dylan Marron
  • Eevin Hartsough
  • Eli Bishop
  • Eliza Burmester
  • Erica Livingston
  • Ezra Reaves
  • F. Omar Telan
  • Flor De Liz Perez
  • Geulah Finman
  • Genevra Gallo
  • Geryll Robinson
  • Greg Allen
  • Greg Lakhan
  • Greg Kotis
  • Heather Kelley
  • Heather Riordan
  • Hilary Asare
  • Ida Cuttler
  • Jacquelyn Landgraf
  • Jackson Bird
  • Jake Banasiewicz
  • Jasmine Henri Jordan
  • Jay Torrence
  • jeb
  • Jeewon Kim
  • Jeffrey Cranor
  • Jenny Williams
  • Jessica Anne
  • Jessie Alsop
  • Jezz Chung
  • Jill Beckman
  • Joanna Jamerson
  • Joe Basile
  • Joe Dempsey
  • Joey Rizzolo
  • Jonathan Mastro
  • John Pierson
  • Julia Melfi
  • Justin Tolley
  • Karen Christopher
  • Kate Jones
  • Katharine Chin
  • Katharine Heller
  • Kathy Keyes
  • Katie Kay Chelena
  • Katrina Toshiko
  • Katy-May Hudson
  • Kevin R. Free
  • KR Riiber
  • Kristie Koehler Vuocolo
  • Krystal Seli
  • Kurt Chiang
  • Kyra Sims
  • Lauren Sharpe
  • Leah Urzendowski-Courser
  • Lily Mooney
  • Lindsay Brandon Hunter
  • Lisa Buscani
  • Lusia Strus
  • Margaret McCarthy
  • Marisa Conroy
  • Marjorie Fitzsimmons
  • Marta Rainer
  • Mary Fons
  • Matt Pine
  • Maya Carter
  • Meg Bashwiner
  • Megan Cohen
  • Megan Mercier
  • Melissa Lindberg
  • Micael Bogar
  • Michael Cyril Creighton
  • Michael Improta
  • Michaela Farrell
  • Mike Manship
  • Mike Puckett
  • Mike Troccoli
  • Molly Flynn
  • Neil Bhandari
  • Nessa Norich
  • Nick Hart
  • Nicole Hill
  • Noelle Krimm
  • Olivia Kingsley
  • Page Phillips
  • Paige Saliba
  • Phil Gibbs
  • Phil Ridarelli
  • Rachel Claff
  • Rachelle Anthes
  • Randy Burgess
  • Ray Ray
  • Rayne Harris
  • Regie Cabico
  • Rex Jenny
  • Ricardo Gamboa
  • Ro White
  • Rob Neill
  • Roberta Colindrez
  • Robin MacDuffie
  • Robin Virginie
  • Ryan Good
  • Ryan Patrick Welsh
  • Ryan Walters
  • Sam Bertken
  • Sarah Levy
  • Scott Hermes
  • Sean Benjamin
  • Shaina Wagner
  • Sharon Greene
  • Shelton Lindsay
  • Sheri Reda
  • Simon Pond
  • Siyu Song
  • Spencer Kayden
  • Stephanie Shaw
  • Steve Mosqueda
  • Steven Westdahl
  • Ted Bales
  • Tif Harrison
  • Tim Reid
  • Tim Reinhard
  • TL Thompson
  • Tonya Narvaez
  • Trent Lunsford
  • Trevor Dawkins
  • Tyler Butterfield
  • Val Ramirez
  • Wallace Yan
  • Will Caldwell
  • Yael Haskal
  • Yolanda Kaye Wilkinson
  • Zoe Lehman

Theater locations

Accolades

In 2011, the New York Neo-Futurists produced an original piece, "Locker 4173b," wherein Neo-Futurists Joey Rizzolo and Christopher Borg purchased a foreclosed storage locker and, as amateur archaeologists, excavated, catalogued, and chronicled their findings. [14] The show received critical acclaim and received a New York Innovative Theater Award for Outstanding Performance Art Production in 2011. [15]

The New York Neo-Futurists were also New York Innovative Theatre Awards recipients for 'Outstanding Performance Art Production' in 2006, 2011, & 2017, 'Outstanding Ensemble' in 2009, and the Caffe Cino Award 2010. They also have been nominated for two Drama Desk awards in 2012 and 2014. In 2009 the New York company won the Village Voice Readers’ Choice poll for Best Performance Art and was named one of the nytheatre.com People of the Year.

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References

  1. "DEGENERATE FOX". DEGENERATE FOX. Retrieved 2023-05-20.
  2. Sobieski, Sonia (November 2008). "Looking to the Neo-Future: (Not) Just Another Day Like Any Other". The Brooklyn Rail.
  3. "Greg Allen pulls 'Too Much Light' from Chicago's Neo-Futurists". Time Out Chicago. Retrieved 2016-12-02.
  4. 1 2 "'Too Much Light' creator yanks show from Chicago Neo-Futurists". Chicago Sun-Times. Retrieved 2016-12-02.
  5. Jones, Chris. "Longtime favorite 'Too Much Light Makes The Baby Go Blind' to end over dispute". chicagotribune.com. Retrieved 2016-12-02.
  6. "Former Artistic Director Doubts Politics Were Behind 'Too Much Light' Yank". DNAinfo Chicago. Archived from the original on 2016-12-03. Retrieved 2016-12-02.
  7. Villiesse, Kendrah (13 March 2017). "The new future of The Neo-Futurists". The Columbia Chronicle. Retrieved 27 June 2023.
  8. "The Infinite Wrench". Playbill. Retrieved 27 June 2023.
  9. "The Neo-Futurists Close 2017 with 10,000 Premieres and a Year-End Full of Events - Chicago News, Reviews, and Events". chicago.thelocaltourist.com.
  10. "Degenerate Fox Theatre Presents THE DIRTY THIRTY Next Month". BroadwayWorld. Retrieved 5 September 2022.
  11. Awl, Dave. "Stephen Colbert: Behind the Maniac, " Ocelopotamus (May 23rd, 2007 ).
  12. "The Infinite Wrench". The New York Neo-Futurists. Retrieved 31 March 2024.
  13. "Partners - Women's Audio Mission & PUSH Dance".
  14. "New York Times article, 'Finding the Drama in What Life Has Left Behind' by Corey Kilgannon" New York Times.com, accessed August 6, 2012
  15. "New York Innovative Theater Awards Listing, '2011 Recipients'" nyitawards.com, accessed August 6, 2012