Callen Radcliffe Tjader Jr. was an American Latin Jazz musician, often described as the most successful non-Latino Latin musician. He explored other jazz idioms, especially small group modern jazz, even as he continued to perform music of Africa, the Caribbean and Latin America.
Al McKibbon was an American jazz double bassist, known for his work in bop, hard bop, and Latin jazz.
"The Man that Got Away" is a torch song, published in 1953 and written for the 1954 version of the film A Star Is Born. The music was written by Harold Arlen, and the lyrics by Ira Gershwin. In 1954, it was nominated for the Academy Award for Best Original Song. In 2004, Judy Garland's performance of the song was selected by the American Film Institute as the eleventh greatest song in American cinema history.
Douglas Clare Fischer was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University, he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa". Consistently cited by jazz pianist and composer Herbie Hancock as a major influence, he was nominated for eleven Grammy Awards during his lifetime, winning for his landmark album, 2+2 (1981), the first of Fischer's records to incorporate the vocal ensemble writing developed during his Hi-Lo's days into his already sizable Latin jazz discography; it was also the first recorded installment in Fischer's three-decade-long collaboration with his son Brent. Fischer was also a posthumous Grammy winner for ¡Ritmo! (2012) and for Music for Strings, Percussion and the Rest (2013).
Armando Peraza was a Cuban Latin jazz percussionist and a member of the rock band Santana. Peraza played congas, bongos, and timbales.
Poncho Sánchez is an American conguero, Latin jazz band leader, and salsa singer. In 2000, he and his ensemble won the Grammy Award for Best Latin Jazz Album for their work on the Concord Picante album Latin Soul. Sanchez has performed with artists including Cal Tjader, Mongo Santamaría, Hugh Masekela, Clare Fischer, and Tower of Power.
William Correa, better known by his stage name Willie Bobo, was an American Latin jazz percussionist of Puerto Rican descent. Bobo rejected the stereotypical expectations of Latino music and was noted for his versatility as an authentic Latin percussionist as well as a jazz drummer easily moving stylistically from jazz, Latin and rhythm and blues music.
"Out of This World" is an American popular song composed by Harold Arlen, with lyrics written by Johnny Mercer. It was first recorded by Jo Stafford with Paul Weston and his Orchestra in 1944.
"I'm Beginning to See the Light" is a popular song and jazz standard, with music written by Duke Ellington, Johnny Hodges, and Harry James and lyrics by Don George and published in 1944.
John Anthony Pompeo, better known as Johnny Rae, was an American jazz drummer and vibraphonist.
"Last Night When We Were Young" is a 1935 popular song about nostalgia and young love composed by Harold Arlen, with lyrics by Yip Harburg. Arlen regarded it as the favourite of the songs that he had written.
A Portrait of Duke Ellington is an album featuring trumpeter Dizzy Gillespie and orchestra performing compositions associated with Duke Ellington, recorded in 1960 and released on the Verve label. All of the orchestral arrangements were provided by then Hi-Lo's accompanist – and sometimes arranger – Clare Fischer, hired on the basis of a previously recorded but unreleased album with strings, arranged by Fischer for erstwhile University of Michigan classmate Donald Byrd. Byrd played the tape for Gillespie; Gillespie liked what he heard. Unfortunately for Fischer, especially in light of the critical accolades given the eventual fruit of his, and Gillespie's, labor, Fischer's name was nowhere to be found on the finished LP; widespread awareness of his participation would have to await the CD reissue almost 2½ decades later.
"Morning" is a Latin Jazz standard written by American pianist/composer/arranger Clare Fischer, first heard on his 1965 LP, Manteca!, Fischer's first recording conceived entirely in the Afro-Cuban idiom, which, along with the Brazilian music he had explored at length over the previous three years, would provide fertile ground for Fischer's musical explorations over the next half-century.
Cal Tjader Plays Harold Arlen is an album by American vibraphonist Cal Tjader, five of its 11 tracks arranged by Tjader's longtime colleague Clare Fischer. Recorded in June 1960 and released in February 1962 on the Fantasy label, it would be reissued on CD – together with Tjader's similarly semi-orchestral 1961 LP, West Side Story – on July 30, 2002, as Cal Tjader Plays Harold Arlen and West Side Story.
First Time Out is the debut album by American composer/arranger/keyboardist Clare Fischer, recorded and released in 1962 by Pacific Jazz Records.
Songs for Rainy Day Lovers is an album by American keyboardist/composer-arranger Clare Fischer, recorded in August 1966 and released in September 1967 by Columbia Records. It would be reissued in 1978 on the Discovery label as America the Beautiful, and in 2002 on CD under the same name by Clare Fischer Productions.
Kenton's West Side Story is an album by the Stan Kenton Orchestra recorded in 1961 and released by Capitol Records. It won the Grammy Award in 1962 for Best Jazz Performance – Large Group (Instrumental). The album was recorded in 1961 and released quickly to take advantage of the movie premiere of the musical West Side Story. Kenton won his first Grammy Award and he won again the next year in the same category with Adventures in Jazz. Kenton's West Side Story peaked at No. 16 on the Billboard magazine album chart.
Soul Sauce is an album by Latin jazz vibraphonist Cal Tjader recorded in late 1964 and released on the Verve label.
This is the discography for American jazz musician Clare Fischer.
Warm Wave is an album by Latin jazz vibraphonist Cal Tjader fronting an orchestra arranged and conducted by Claus Ogerman recorded in 1964 and released on the Verve label.
