| Time for 2 | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1962 | |||
| Recorded | February 26–28, 1962, RCA Studios, Los Angeles, California [1] | |||
| Genre | Jazz | |||
| Length | 31:37 | |||
| Label | Verve V6-8472 [2] | |||
| Producer | Creed Taylor | |||
| Anita O'Day chronology | ||||
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| Cal Tjader chronology | ||||
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Time for 2 is a 1962 album by Anita O'Day and Cal Tjader. [3]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [3] |
| New Record Mirror | [4] |
| The Penguin Guide to Jazz Recordings | [5] |
Billboard magazine reviewed the album in their September 1, 1962 issue and wrote that "Tjader kicks in with some strong instrumental choruses and his combo accompanies in high style whether playing straight or Latin time". [6]
Richard S. Ginell reviewed the reissue of the album for Allmusic and wrote that "O'Day sounds as if she is delighted with Tjader's polished Afro-Cuban grooves, gliding easily over the rhythms, toying with the tunes, transforming even a tune so locked into its trite time as "Mr. Sandman" into a stimulating excursion. Indeed, O'Day's freewheeling phrasing becomes downright sexy on "That's Your Red Wagon" and Dave Frishberg's delicious parody of a spoiled honeybunch, "Peel Me a Grape."" Ginell also praised producer Creed Taylor's "...obsession with good engineering and tasteful applications of reverb" which led to her voice sounding "much fuller and more attractive in his productions than on her Norman Granz-produced albums". [3]
Vincent Anthony Guaraldi was an American jazz pianist best known for composing music for animated television adaptations of the Peanuts comic strip. His compositions for this series included their signature melody "Linus and Lucy" and the holiday standard "Christmas Time Is Here". He is also known for his performances on piano as a member of Cal Tjader's 1950s ensembles and for his own solo career. His 1962 composition "Cast Your Fate to the Wind" became a radio hit and won a Grammy Award in 1963 for Best Original Jazz Composition. He died of a sudden heart attack on February 6, 1976, at age 47, moments after concluding a nightclub performance in Menlo Park, California.
Callen Radcliffe Tjader Jr. was an American Latin Jazz musician, often described as the most successful non-Latino Latin musician. He explored other jazz idioms, especially small group modern jazz, even as he continued to perform music of Africa, the Caribbean and Latin America.
David Lee Frishberg was an American jazz pianist, vocalist, composer, and lyricist. His songs have been performed by Blossom Dearie, Rosemary Clooney, Shirley Horn, Anita O'Day, Michael Feinstein, Irene Kral, Diana Krall, Rebecca Kilgore, Stacey Kent, Bette Midler, John Pizzarelli, Jessica Molaskey, and Mel Tormé.
"Thanks for the Memory" (1938) is a popular song composed by Ralph Rainger with lyrics by Leo Robin. It was introduced in the 1938 film The Big Broadcast of 1938 by Bob Hope and Shirley Ross, and recorded by Shep Fields and His Orchestra featuring John Serry Sr. on accordion in the film and vocals by Bob Goday on Bluebird Records. Dorothy Lamour's solo recording of the song was also popular, and has led to many mistakenly believing over the years that it was she who sang the tune with Hope in the film.
Mel and George "Do" World War II is a 1990 live album by the American jazz singer Mel Tormé and the British jazz pianist George Shearing.
John Anthony Pompeo, better known as Johnny Rae, was an American jazz drummer and vibraphonist.
Oscar Peterson Jam – Montreux '77 is a 1977 live album featuring a jam session led by Oscar Peterson. At the Grammy Awards of 1979, Peterson won the Grammy Award for Best Jazz Performance by a Soloist for his performance on this album.
With Love is a studio album by Rosemary Clooney. It was released in 1980 on Concord Records. Unlike many of her Concord albums, it mixes contemporary pop with traditional pop standards. On LP, the A side featured four contemporary pop songs, while the B side was a more typical jazz and cabaret set featuring a bossa nova, two Broadway theater standards, and two 1940s pop standards.
The Sound of Sonny is an album by jazz saxophonist Sonny Rollins, his first recorded for the Riverside label, featuring performances by Rollins with Sonny Clark, Roy Haynes and Percy Heath or Paul Chambers.
Anita O'Day and Billy May Swing Rodgers and Hart is a 1960 studio album by American jazz singer Anita O'Day, arranged by Billy May. O'Day and May had previously recorded an album dedicated to a single composer, Cole Porter, in 1959.
Mel Tormé Swings Shubert Alley is a 1960 album by Mel Tormé, arranged by Marty Paich.
Tribute is a live double album by the Keith Jarrett Trio recorded at the Kölner Philharmonie on October 15, 1989 and released on ECM a year later. The trio—Jarrett's "Standards Trio"—features rhythm section Gary Peacock and Jack DeJohnette.
Anita O'Day at Mister Kelly's is a 1958 live album by Anita O'Day, recorded at Mister Kelly's in Chicago.
Rules of the Road is a 1993 studio album by Anita O'Day.
Exultation! is an album by American jazz saxophonist Booker Ervin featuring performances recorded in 1963 for the Prestige label. It was first released in 1963, then reissued in 1971 with two alternate takes labeled "short version".
"Spring Will Be a Little Late This Year" is the title of a 1943 traditional pop composition by Frank Loesser, written for and introduced in the 1944 movie Christmas Holiday, the song was largely overlooked for some ten years before being rediscovered in the mid-1950s to become a pop and jazz standard much recorded by vocalists and instrumentalists.
All the Sad Young Men is a 1962 album by Anita O'Day, arranged by Gary McFarland and produced by Creed Taylor.
Ralph Raymond Peña was an American jazz double bassist and composer.
Warm Wave is an album by Latin jazz vibraphonist Cal Tjader fronting an orchestra arranged and conducted by Claus Ogerman recorded in 1964 and released on the Verve label.
The Latin Side of Vince Guaraldi is the fifth studio album by Vince Guaraldi released by Fantasy Records in 1964. In a departure from his standard jazz output, Guaraldi combined elements of Brazilian and Caribbean styles of Latin jazz, utilizing a string quartet on five tracks.
