Anna and the King | |
---|---|
Directed by | Andy Tennant |
Screenplay by | Steve Meerson Peter Krikes |
Based on | Anna and the King of Siam by Margaret Landon |
Produced by | Lawrence Bender Ed Elbert |
Starring | |
Cinematography | Caleb Deschanel |
Edited by | Roger Bondelli |
Music by | George Fenton |
Production companies | |
Distributed by | 20th Century Fox |
Release date |
|
Running time | 148 minutes |
Country | United States |
Language | English |
Budget | $92 million |
Box office | $114 million |
Anna and the King is a 1999 American biographical period drama film directed by Andy Tennant. Steve Meerson and Peter Krikes loosely based their screenplay on the 1944 novel Anna and the King of Siam , which gives a fictionalized account of the diaries of Anna Leonowens. It stars Jodie Foster as Leonowens, an English school teacher in Siam during the late 19th century, who becomes the teacher of King Mongkut's (Chow Yun-fat) many children and wives. It was mostly shot in Malaysia, particularly in the Penang, Ipoh and Langkawi regions.
Anna and the King was released in the United States on December 17, 1999 by 20th Century Fox. The film was subject to controversy when the Thai government deemed it historically inaccurate and insulting to the royal family and banned its distribution in the country. It received mixed reviews from critics who praised the production values, costume design, and musical score but criticised its screenplay and length. The film grossed $114 million worldwide, against its $92 million budget. It received two nominations at the 72nd Academy Awards: Best Art Direction and Best Costume Design.
Anna Leonowens, a British widow, has come to Siam with her son Louis to teach English to Crown Prince Chulalongkorn, the heir of King Mongkut. She is a strong-willed, intelligent, valiant and benevolent woman for her time, which pleases the King. Mongkut wants to modernize Siam, thinking this will help his country resist colonialism and protect the ancient traditions that provide Siam its identity. For this reason, he has Anna teach all of his dozens of children, born to twenty-three wives.
Initially, Mongkut and Anna clash due to cultural differences as well as their equally strong wills. He soon sees the positive effects of her teaching methods, especially her determination to treat the princes and princesses as though they were ordinary schoolchildren. Anna's abolitionist views also help to influence Chulalongkorn's views on slavery.
Mongkut and Anna discuss differences between Eastern and Western love, but he dismisses the notion that a man can be happy with only one wife. Hoping to impress Britain's ambassadors, Mongkut orders a sumptuous reception and appoints Anna to organize it. During the reception, the King spars graciously and wittily with Sir Mycroft Kincaid, of the East India Company. The Europeans express their beliefs that Siam is a superstitious, backward nation. Anna powerfully argues that this is not the case. Mongkut dances with Anna at the reception.
Siam is under siege from what appears to be a British-funded coup d'état against King Mongkut, using Burmese soldiers. Mongkut sends his brother Prince Chaofa and military advisor General Alak and their troops to investigate. Alak, however, betrays the prince and poisons his own soldiers, revealing he is actually the coup's leader. The king is brought the news that his brother and general are dead.
Anna grows closer to the royal children, particularly Princess Fa-Ying, who adores the playful monkeys who live in the royal garden's trees. When Fa-Ying falls sick with cholera, Anna is summoned to her chambers to say goodbye. She gets there just as Fa-Ying dies in King Mongkut's arms, and the two mourn together. Mongkut later finds that one of the monkeys "borrowed" his glasses as his daughter used to do. He believes that reincarnation will alleviate his grief, and Fa-Ying might be reborn as one of her beloved animals.
Anna also begins to educate Lady Tuptim, the King's newest concubine, who was already in love with another man, Khun Phra Balat, when she was brought to court. Mongkut is kind to her, but Tuptim yearns for her true love. After Balat becomes a Buddhist monk, Tuptim disguises herself as a monk as well so she can join his monastery and be near him. She is tracked down and put on trial, where it is revealed Balat has been viciously tortured. When Tuptim condemns the judges for their cruelty, she is caned.
Anna, unable to bear the sight, speaks out angrily in an attempt to stop the abuse and threatens to go to the king, before she is forcibly removed from the court. Her outburst prevents Mongkut from showing clemency, because he cannot be seen as beholden to her, though he feels ashamed. Tuptim and Balat are beheaded publicly.
Anna resolves to leave Siam as many others are fleeing due to the approaching Burmese army. Sir Mycroft approaches the Siamese prime minister and reveals that in an attempt to protect his interests in Siam, he's paid a small fortune to discover who is behind the attempted coup: Alak.
Mongkut's army is too far from the palace to engage the rebels, so he creates a ruse - that a white elephant has been spotted, and the court must go to see it. This allows him to flee the palace with his children and wives, and give his armies time to reach them. The prime minister convinces Anna to return and help Mongkut, since her presence in his entourage will corroborate the tale about the white elephant. Mongkut plans to take his family to a monastery where he spent part of his life. Halfway through the journey, they see Alak's army in the distance and realize they can't outrun him. Mongkut and his soldiers set explosives on a wooden bridge high above a canyon floor as Alak and his army approach. Mongkut orders his "army" to stay back and rides to the bridge with only two soldiers. Alak, at the head of his army, confronts Mongkut on the bridge.
Anna, Louis and Mongkut's wives and children create a brilliant deception from their hiding spot in the forest. Louis uses his horn to replicate the sound of a bugle charge, as the others "attack" the area with harmless fireworks. The Burmese, believing the King has brought British soldiers, panic and retreat. Alak's attempt to recall and regroup his troops fails. Alak stands alone, but Mongkut refuses to kill him, saying that Alak will have to live with his shame. As Mongkut turns to ride back to Siam, Alak grabs his gun and aims at his back, but one of Mongkut's guards detonates the explosives, blowing the bridge and Alak to pieces.
The court returns to Bangkok, where Anna tearfully prepares to leave Siam for good. Mongkut shares one last dance with her, marveling that he now understands how a man could be content with only one woman. A voice-over tells viewers that Chulalongkorn became king after his father's death, abolishing slavery and instituting religious freedom with his father's "vision" assisting him.
Anna and the King received mixed reviews. On Rotten Tomatoes, it holds a 51% rating, based on 101 reviews, with an average rating of 5.87/10. The consensus reads, "Beautiful cinematography can't prevent Anna and the King from being boring and overly lengthy." [1] Metacritic gave the film a score of 56 based on 32 reviews, indicating "mixed or average reviews". [2] On a $92 million budget, the film underperformed in the United States and Canada where it only grossed $39 million, however, it did much better internationally with a gross of $75 million for a worldwide total of $114 million. [3]
After reviewing the script, with changes having been made to try to satisfy them, the Thai government did not allow the film-makers to film in Thailand. The Thai authorities did not permit the film to be distributed in Thailand due to scenes that they construed as a disrespectful and historically inaccurate depiction of King Mongkut. [4]
Tony Dabbs wrote an opinion piece for the Thai newspaper The Nation , criticizing the ban, advocating the use of strong disclaimers, and expanding the issue beyond this picture, saying: “Frankly, I would like to see all films that take strong liberties with the historical facts, as Braveheart and JFK did, also be required to state so at the end of the film”. [5]
Anna Harriette Leonowens was an Anglo-Indian or Indian-born British travel writer, educator, and social activist.
The King and I is the fifth musical by the team of Rodgers and Hammerstein. It is based on Margaret Landon's novel Anna and the King of Siam (1944), which is in turn derived from the memoirs of Anna Leonowens, governess to the children of King Mongkut of Siam in the early 1860s. The musical's plot relates the experiences of Anna, a British schoolteacher who is hired as part of the King's drive to modernize his country. The relationship between the King and Anna is marked by conflict through much of the piece, as well as by a love to which neither can admit. The musical premiered on March 29, 1951, at Broadway's St. James Theatre. It ran for nearly three years, making it the fourth-longest-running Broadway musical in history at the time, and has had many tours and revivals.
Chulalongkorn, posthumously honoured as King Chulalongkorn the Great, was the fifth king of Siam from the Chakri dynasty, titled Rama V. Chulalongkorn's reign from 1868 until his death in 1910 was characterised by the modernisation of Siam, governmental and social reforms, and territorial concessions to the British and French empires. As Siam was surrounded by European colonies, Chulalongkorn, through his policies and acts, ensured the independence of Siam.
Mongkut was the fourth king of Siam from the Chakri dynasty, titled Rama IV. He reigned from 1851 until his death in 1868.
Anna and the King of Siam is an American 1946 drama film directed by John Cromwell. An adaptation of the 1944 novel of the same name by Margaret Landon, it was based on the fictionalized diaries of Anna Leonowens, an Anglo-Indian woman who claimed to be British and became governess in the Royal Court of Siam during the 1860s. Darryl F. Zanuck read Landon's book in galleys and immediately bought the film rights.
The Rattanakosin Kingdom, also known as the Kingdom of Siam after 1855, was the Siamese kingdom between 1782 and 1932 It was founded in 1782 with the establishment of Rattanakosin (Bangkok), which replaced the city of Thonburi as the capital of Siam. This article covers the period until the Siamese revolution of 1932.
Margaret Landon was an American writer known for Anna and the King of Siam, her best-selling 1944 novel of the life of Anna Leonowens which eventually sold over a million copies and was translated into more than twenty languages. In 1950, Landon sold the musical play rights to Richard Rodgers and Oscar Hammerstein II, who created the musical The King and I from her book. A later work, Never Dies the Dream, appeared in 1949.
The precedence of Thai royalty follows a system of ranks known as thanandon, which are accompanied by royal titles.
The King and I is a 1956 American musical film made by 20th Century-Fox, directed by Walter Lang and produced by Charles Brackett and Darryl F. Zanuck. The screenplay by Ernest Lehman is based on the 1951 Rodgers and Hammerstein musical The King and I, which is itself based on the 1944 novel Anna and the King of Siam by Margaret Landon. That novel in turn was based on memoirs written by Anna Leonowens, who became school teacher to the children of King Mongkut of Siam in the early 1860s. Leonowens' stories were autobiographical, although various elements of them have been called into question. The film stars Deborah Kerr and Yul Brynner.
Sukhumala Marasri was a daughter of King Mongkut and his concubine, Samli (เจ้าคุณจอมมารดาสำลี). Her given name was Her Royal Highness Princess Sukhumala Marasri. She was later became the consort of her half-brother, King Chulalongkorn. During the reign King Prajadhipok, she was given the title Her Majesty Queen Sukhumala Marasri The Queen Aunt.
Debsirindra, formerly Ramphoei Phamaraphirom, born Ramphoei Siriwong, was the second consort of King Mongkut, and mother of King Chulalongkorn.
The King and I is a 1999 American animated musical film directed by Richard Rich. As of February 2024, it is the only animated feature film produced by Morgan Creek Entertainment. Loosely based on Richard Rodgers and Oscar Hammerstein II's 1951 stage musical of the same name, it portrays a fictionalized account of English school teacher Anna Leonowens' historical encounter with king Mongkut of Siam and the royal court. The voice cast stars Miranda Richardson and Martin Vidnovic as Leonowens and Mongkut, respectively, with Ian Richardson, Darrell Hammond, and Adam Wylie. The score, songs, and some of the character names come from the stage musical. Screenwriters Peter Bakalian, Jacqueline Feather, and David Seidler took creative liberties with the history and with the source material from the musical in an attempt to make the film palatable to all audiences.
Louis Thomas Gunnis Leonowens was a British subject and youngest son of Anna Leonowens who grew up and worked in Siam (Thailand). Leonowens served as an officer in the Siamese Royal Cavalry, an agent for the Borneo Company in the teak trade of Northern Thailand, and founded a Thai trading company that still bears his name, Louis T. Leonowens Ltd.
Anna and the King of Siam is a 1944 semi-fictionalized biographical novel by Margaret Landon.
Somanass Waddhanawathy was the first consort of Mongkut, the King of Siam, and the queen consort, though for only nine months.
Phannarai, formerly Princess Chae Siriwong, was one of the consorts of Mongkut of Siam, fourth King of the Chakri dynasty.
Somdet Phra Chao Lan Ther Chaofa Thong-In Krom Phra Rajawang Boworn Sathan Phimuk was a Siamese prince and military leader. A nephew of King Phutthayotfa Chulalok the founder of the Chakri dynasty, he was appointed Deputy Viceroy or Rear Palace, the 3rd highest position in the kingdom. Becoming the only person to hold that title during the Rattanakosin Kingdom (1782–1932).
Wichaichan was a Siamese prince and member of the Chakri dynasty. He was the eldest son of Viceroy Pinklao and Princess Aim, and thus nephew to King Mongkut. Wichaichan succeeded his father by being appointed the Front Palace and Viceroy of Siam in 1868, during the reign of his cousin King Chulalongkorn. During his tenure the office of Front Palace was extremely powerful and rivalled that of the monarch's own. Inevitably the two forces clashed in the Front Palace crisis. Wichaichan was defeated and the power of the Front Palace was greatly diminished. After his death in 1885, the last vestiges of the title were abolished in favour of a crown prince. Notably, he is the only Front Palace that was elected by the council, not appointed by the king in accordance with the royal tradition, which is still considered as controversial and unorthodox practice to this day.
Chandrmondol Sobhon Bhagiawati, the Princess Wisutkrasat also known as Princess Fa-ying or Somdetch Chow Fa-ying was a Princess of Siam and daughter of King Mongkut and Queen Debsirindra.
The Krom Klone were the all-female bodyguard of the King of Siam. They were established in 1688 and were a well-disciplined force, responsible for the security of the royal family and the maintenance of order within the palace grounds.