The London cast album of The King and I was issued in 1953 with Valerie Hobson as Anna and Herbert Lom as the king and featuring Muriel Smith as Lady Thiang, with Doreen Duke and Jan Mazarus as Tuptim and Lun Tha. [1] The record was issued in the UK on Philips Records (BBL 7002 with a mauve framed turquoise and white design LP sleeve), and by Stet Records in the US (DS 15014 with a flame pink-bordered white and red design LP sleeve).
The King and I is the fifth musical by the team of Rodgers and Hammerstein. It is based on Margaret Landon's novel Anna and the King of Siam (1944), which is in turn derived from the memoirs of Anna Leonowens, governess to the children of King Mongkut of Siam in the early 1860s. The musical's plot relates the experiences of Anna, a British schoolteacher who is hired as part of the King's drive to modernize his country. The relationship between the King and Anna is marked by conflict through much of the piece, as well as by a love to which neither can admit. The musical premiered on March 29, 1951, at Broadway's St. James Theatre. It ran for nearly three years, making it the fourth-longest-running Broadway musical in history at the time, and has had many tours and revivals.
An extended play (EP) is a musical recording that contains more tracks than a single but fewer than an album or LP record. Contemporary EPs generally contain four to five tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of records other than 78 rpm standard play (SP) and LP, but it is now applied to mid-length CDs and downloads as well. In K-pop they are usually referred to as mini albums. Ricardo Baca of The Denver Post said, "EPs—originally extended-play 'single' releases that are shorter than traditional albums—have long been popular with punk and indie bands." In the United Kingdom, the Official Chart Company defines a boundary between EP and album classification at 25 minutes of maximum length and no more than four tracks.
Babette Louisa Valerie Hobson was a British actress whose film career spanned the 1930s to the early 1950s. Her second husband was John Profumo, a British government minister who became the subject of the Profumo affair in 1963.
Herbert Charles Angelo Kuchačevič ze Schluderpacheru, known professionally as Herbert Lom, was a Czech-British actor who moved to the United Kingdom in 1939. In a career lasting more than 60 years, he generally appeared in character roles, often portraying criminals or suave villains in his younger years, and professional men as he aged. Highly versatile, he proved a skilled comic actor in The Pink Panther franchise, as Chief Inspector Charles Dreyfus.
The Jon Spencer Blues Explosion was an American three-piece rock band from New York City, formed in 1991. The group consisted of Judah Bauer on guitar, backing vocals, harmonica and occasional lead vocals, Russell Simins on drums and Jon Spencer on vocals, guitar and theremin. Their musical style is largely rooted in rock and roll although it draws influences from punk, blues, garage, rockabilly, soul, noise rock, rhythm and blues and hip hop. They released nine official studio albums, collaborative records with Dub Narcotic Sound System and R.L. Burnside as well as numerous live, singles, out-take albums, compilations, remix albums and, in 2010, a series of expanded reissues. Throughout the course of their career, this experimental sound and occasionally unconventional recording techniques has allowed the band to work with such artists as Elliott Smith, Beck, Solomon Burke, Steve Albini, Martina Topley-Bird and Ad Rock of the Beastie Boys.
A cast recording is a recording of a stage musical that is intended to document the songs as they were performed in the show and experienced by the audience. An original cast recording or OCR, as the name implies, features the voices of the show's original cast. A cast recording featuring the first cast to perform a musical in a particular venue is known, for example, as an "original Broadway cast recording" (OBCR) or an "original London cast recording" (OLCR).
No More Shall We Part is the eleventh studio album by Nick Cave and the Bad Seeds, released on 2 April 2001 in the UK. The record, which was well received critically, came after a 4-year gap from recording, following the much acclaimed album The Boatman's Call and subsequent 'Best Of' album.
An album cover is the front packaging art of a commercially released studio album or other audio recordings. The term can refer to either the printed paperboard covers typically used to package sets of 10 in (25 cm) and 12 in (30 cm) 78-rpm records, single and sets of 12 in (30 cm) LPs, sets of 45 rpm records, or the front-facing panel of a cassette J-card or CD package, and, increasingly, the primary image accompanying a digital download of the album, or of its individual tracks.
Motörhead is the debut studio album by English rock band Motörhead. It was released on 12 August 1977 by pub rock and early punk rock label Chiswick Records, one of the first for the label, and the band's only release under Chiswick. The album contains the "classic" Motörhead line-up of Lemmy Kilmister on bass and vocals, "Fast" Eddie Clarke on lead guitar, and Philthy Animal Taylor on drums. The sleeve artwork featured the debut of Snaggletooth, the War-Pig, the fanged face logo created by artist Joe Petagno that would become an icon of the band.
A soundtrack album is any album that incorporates music directly recorded from the soundtrack of a particular feature film or television show. The first such album to be commercially released was Walt Disney's Snow White and the Seven Dwarfs, the soundtrack to the film of the same name, in 1938. The first soundtrack album of a film's orchestral score was that for Alexander Korda's 1942 film Rudyard Kipling's Jungle Book, composed by Miklós Rózsa.
The King and I is a 1956 American musical film made by 20th Century-Fox, directed by Walter Lang and produced by Charles Brackett and Darryl F. Zanuck. The screenplay by Ernest Lehman is based on the 1951 Rodgers and Hammerstein musical The King and I, which is itself based on the 1944 novel Anna and the King of Siam by Margaret Landon. That novel in turn was based on memoirs written by Anna Leonowens, who became school teacher to the children of King Mongkut of Siam in the early 1860s. Leonowens' stories were autobiographical, although various elements of them have been called into question. The film stars Deborah Kerr and Yul Brynner.
Crass were an English art collective and punk rock band formed in Epping, Essex in 1977, who promoted anarchism as a political ideology, a way of life, and a resistance movement. Crass popularised the anarcho-punk movement of the punk subculture, advocating direct action, animal rights, feminism, anti-fascism, and environmentalism. The band used and advocated a DIY ethic approach to its albums, sound collages, leaflets, and films.
The King and I is a 1951 musical by Rodgers and Hammerstein.
Original Cast Records is a record label based in Georgetown, Connecticut, that specializes in obscure theatre recordings, primarily cast albums from little-known Broadway, off-Broadway, off-off-Broadway and other stage productions, but also theatre-related film scores, cabaret, concert and solo artist recordings. It traces its origins back to 1975, when husband-and-wife theatre enthusiasts Bruce and Doris Yeko embarked on a venture "dedicated to the preserving of musicals that would not otherwise be recorded".
Blue Pear Records was a semi-fictitious record label based in Longwood, Florida, which is best known for re-issuing rare cast recordings of obscure Broadway and off-Broadway musicals in the mid-1980s. The lack of production credits and other helpful identifying information on the LP sleeves has generally led to the assumption that they are bootleg recordings.
Star of India is a 1954 British-Italian swashbuckling adventure film directed by Arthur Lubin and starring Cornel Wilde, Jean Wallace, Herbert Lom, and Walter Rilla. It was shot at the Riverside Studios in London and on location in Aosta. The film's sets were designed by the art director Cedric Dawe. It was released in the United States in April 1956 by United Artists.
Live in New York is the final album recording by the American country blues musician Mississippi Fred McDowell. New York-based American independent Oblivion Records released the first edition in the Spring of 1972, months before McDowell's death in July 1972. A subsequent Oblivion issue with a one song substitution, and new and redesigned liner notes came out one year later.
"Shall We Dance?" is a show tune from the 1951 Rodgers and Hammerstein musical, The King and I. It is sung by the characters of Anna Leonowens and the King of Siam, originated on Broadway by Gertrude Lawrence and Yul Brynner respectively. Valerie Hobson played Anna in the original London West End production, and Marni Nixon in the 1956 film of The King and I. The song comes about after Anna and the King disagree about love's meaning; the King believes that love is a "silly complication of a pleasant simplicity" and a "fairy tale" while Anna believes that love is real and natural. They sing "The Song of the King" first. Anna then tries to explain the idea of romance in a simple way to the King, and becomes caught up in her own experience of love at first sight at an English dance. Her reminiscences become the introductory verse of "Shall We Dance?".
The original cast recording of The King and I was issued in 1951 on Decca Records, with Gertrude Lawrence, Yul Brynner, Dorothy Sarnoff and Doretta Morrow. The Broadway cast recording was directed by John Van Druten, with orchestrations by Robert Russell Bennett and musical director Frederick Dvonch. The recording was inducted into the Grammy Hall of Fame in 2001.
Poems and Songs of Middle Earth is a studio album of spoken-word poetry by the English author J. R. R. Tolkien and art songs composed by the English musician Donald Swann. On the first half of the album, Tolkien recites seven poems from or related to his fantasy novel The Lord of the Rings (1954–55). The second half is a performance of Swann's song cycle The Road Goes Ever On, which sets selections from Tolkien's verse to music. The vocalist William Elvin sings The Road Goes Ever On to Swann's piano accompaniment. Caedmon Records issued the album on 18 October 1967 in the United States, and then on 28 March 1968 in the United Kingdom. Its release coincided with the publication of The Road Goes Ever On as a book of sheet music with commentary and illustration by Tolkien.
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