Second Chorus | |
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Directed by | H. C. Potter |
Written by | Frank Cavett (orig. story) [1] |
Screenplay by | Elaine Ryan Ian McLellan Hunter Johnny Mercer (contributor) Ben Hecht (uncredited) |
Produced by | Boris Morros |
Starring | Paulette Goddard Fred Astaire |
Cinematography | Theodor Sparkuhl |
Edited by | Jack Dennis |
Music by | Artie Shaw Hal Borne Johnny Mercer |
Production company | |
Release date |
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Running time | 84 minutes |
Country | United States |
Language | English |
Second Chorus is a 1940 Hollywood musical comedy film starring Paulette Goddard and Fred Astaire and featuring Artie Shaw, Burgess Meredith and Charles Butterworth, with music by Artie Shaw, Bernie Hanighen and Hal Borne, and lyrics by Johnny Mercer. The film was directed by H. C. Potter and produced independently for Paramount Pictures by Boris Morros, with associate producers Robert Stillman and (uncredited) Fred Astaire. [2] The film's copyright expired in 1968 and it is now in the public domain. [3]
Danny O'Neill and Hank Taylor are friends and rival trumpeters with "O'Neill's Perennials", a college band. Both have managed to prolong their college careers by failing seven years in a row. At a performance, Ellen Miller catches the eye of Danny and Hank. She serves them a summons notice for her boss, a debt collector. However, the fast-talking O'Neill and Taylor soon have her working as their manager, where her business savvy increases their gigs. Meanwhile, tired of losing several gigs to the Perennials, Artie Shaw persuades Ellen to be his booking manager.
Ellen tries to get Danny and Hank an audition for Shaw's band, but their jealous hijinks get them the boot. Ellen talks Shaw into letting rich "wannabe" mandolin player, J. Lester Chisholm, back a concert. When Hank pretends to be Ellen's jealous husband, then her brother, the plan to get Chisholm as backer nearly fails. But using the "brother" ploy, Danny and Hank get Chisholm back on board, then get Shaw to agree to put Danny's song into the show. All they have to do is keep Chisholm and his mandolin (which he wants to play in the concert) away from Shaw until after the show. Hank's solution is to drop sleeping pills into Chisholm's drink, but Chisholm knocks out Hank the same way.
To Ellen's relief, Danny finally acts responsibly and arranges his number for the show, which Shaw says "has really grown up into something special." He hands the baton to Danny, who successfully conducts his composition while tap-dancing in front of the band. Danny and Ellen then drive off into the night.
Cast notes
Hermes Pan collaborated with Astaire on the choreography.
The only number involving Astaire and Pan, the choreographic collaboration responsible for many routines featuring Astaire in the 1930s, was "Me and the Ghost Upstairs", which was cut from the final film but has been included in some home video releases. In it, Pan, shrouded in a sheet, creeps up on Astaire and begins to mimic him in a riotous number involving Lindy lifts and jitterbugging.
In a 1968 interview, Astaire described this effort as "the worst film I ever made." Astaire explained that he was attracted to the film by the opportunity to "dance-conduct this real swingin' outfit". In an interview shortly before his death, Shaw admitted this film put him off acting.
Astaire and Shaw shared a striking series of personality traits in common: an obsessive perfectionism and seemingly endless appetite for retakes, profound musicality and love of jazz, personal modesty and charm, and in a late interview Shaw expressed his opinion of Astaire: "Astaire really sweat - he toiled. He was a humorless Teutonic man, the opposite of his debonair image in top hat and tails. I liked him because he was an entertainer and an artist. There's a distinction between them. An artist is concerned only with what is acceptable to himself, where an entertainer strives to please the public. Astaire did both. Louis Armstrong was another one." [5]
Top Hat is a 1935 American musical screwball comedy film in which Fred Astaire plays an American tap dancer named Jerry Travers, who comes to London to star in a show produced by Horace Hardwick. He meets and attempts to impress Dale Tremont to win her affection. The film also features Eric Blore as Hardwick's valet Bates, Erik Rhodes as Alberto Beddini, a fashion designer and rival for Dale's affections, and Helen Broderick as Hardwick's long-suffering wife Madge.
Fred Astaire was an American dancer, actor, singer, musician, choreographer, and presenter, whose career in stage, film, and television spanned 76 years. He is widely regarded as the "greatest popular-music dancer of all time" and received numerous accolades, including an Honorary Academy Award, three Primetime Emmy Awards, a BAFTA Award, two Golden Globe Awards, and a Grammy Award.
Artie Shaw was an American clarinetist, composer, bandleader, actor and author of both fiction and non-fiction.
Paulette Goddard was an American actress and socialite. Her career spanned six decades, from the 1920s to the early 1970s. She was a prominent leading actress during the Golden Age of Hollywood.
Blue Skies is a 1946 American musical comedy film directed by Stuart Heisler and starring Bing Crosby, Fred Astaire, and Joan Caulfield. Based on a story by Irving Berlin, the film is about a dancer who loves a showgirl who loves a compulsive nightclub-opener who can't stay committed to anything in life for very long. Produced by Sol C. Siegel, Blue Skies was filmed in Technicolor and released by Paramount Pictures. The music, lyrics, and story were written by Irving Berlin, with most of the songs recycled from earlier works.
Flying Down to Rio is a 1933 American pre-Code RKO musical film famous for being the first screen pairing of Fred Astaire and Ginger Rogers, although lead actors Dolores del Río and Gene Raymond received top billing. Among the featured players are Franklin Pangborn and Eric Blore. The songs in the film were written by Vincent Youmans (music), Gus Kahn and Edward Eliscu (lyrics), with musical direction and additional music by Max Steiner. During the 7th Academy Awards, the film was nominated for the new category of Best Original Song for "Carioca", but it lost to "The Continental" from The Gay Divorcee, the next Astaire and Rogers film.
Hermes Pan was an American dancer and choreographer, principally remembered as Fred Astaire's choreographic collaborator on the famous 1930s movie musicals starring Astaire and Ginger Rogers. He worked on nearly two dozen films and TV shows with Astaire. He won both an Oscar and an Emmy for his dance direction.
You Were Never Lovelier is a 1942 American musical romantic comedy film directed by William A. Seiter and starring Fred Astaire and Rita Hayworth. The supporting cast also features Adolphe Menjou, Xavier Cugat and Adele Mara. The music was composed by Jerome Kern and the lyrics by Johnny Mercer. The picture was released by Columbia Pictures and includes the elaborate "Shorty George" and romantic "I'm Old Fashioned" song and dance sequences.
The Belle of New York is a 1952 Metro-Goldwyn-Mayer Hollywood musical comedy film set in New York City circa 1900 and stars Fred Astaire, Vera-Ellen, Alice Pearce, Marjorie Main, Gale Robbins, and Keenan Wynn, with music by Harry Warren and lyrics by Johnny Mercer. The film was directed by Charles Walters.
Follow the Fleet is a 1936 American RKO musical comedy film with a nautical theme starring Fred Astaire and Ginger Rogers in their fifth collaboration as dance partners. It also features Randolph Scott, Harriet Hilliard, and Astrid Allwyn, with music and lyrics by Irving Berlin. Lucille Ball and Betty Grable also appear, in supporting roles. The film was directed by Mark Sandrich with script by Allan Scott and Dwight Taylor based on the 1922 play Shore Leave by Hubert Osborne.
Daddy Long Legs (1955) is a musical comedy film set in France, New York City, and the fictional college town of Walston, Massachusetts. The film was directed by Jean Negulesco, and stars Fred Astaire, Leslie Caron, Terry Moore, Fred Clark, and Thelma Ritter, with music and lyrics by Johnny Mercer. The screenplay was written by Phoebe Ephron and Henry Ephron, loosely based on the 1912 novel Daddy-Long-Legs by Jean Webster.
Three Little Words is a 1950 American musical film biography of the Tin Pan Alley songwriting partnership of Kalmar and Ruby. It stars Fred Astaire as lyricist Bert Kalmar and Red Skelton as composer Harry Ruby, along with Vera-Ellen and Arlene Dahl as their wives, with Debbie Reynolds in a small but notable role as singer Helen Kane and Gloria DeHaven as her own mother, Mrs. Carter DeHaven.
This is a comprehensive guide to over one hundred and fifty of Fred Astaire's solo and partnered dances compiled from his thirty-one Hollywood musical comedy films produced between 1933 and 1968, his four television specials and his television appearances on The Hollywood Palace and Bob Hope Presents the Chrysler Theatre which cover the period from 1958 to 1968. Further information on the dance routines may be obtained, where available, by clicking on the film links.
Shall We Dance is a 1937 American musical comedy film directed by Mark Sandrich. It is the seventh of the ten Fred Astaire-Ginger Rogers films. The story follows an American ballet dancer (Astaire) who falls in love with a tap dancer (Rogers); the tabloid press concocts a story of their marriage, after which life imitates art. George Gershwin wrote the symphonic underscore and Ira Gershwin the lyrics, for their second Hollywood musical.
An Evening with Fred Astaire is a one-hour live television special starring Fred Astaire, broadcast on NBC on October 17, 1958. It was highly successful, winning nine Emmy awards and spawning three further specials, and technically innovative, as it was the first major television show to be recorded on videotape in color. It was produced at NBC's Color City studios in Burbank, California.
"Oh, Lady Be Good!" is a 1924 song by George and Ira Gershwin. It was introduced by Walter Catlett in the Broadway musical Lady, Be Good! written by Guy Bolton, Fred Thompson, and the Gershwin brothers and starring Fred and Adele Astaire. The song was also performed by the chorus in the film Lady Be Good (1941), although the film is unrelated to the musical.
Charles William Butterfield was an American jazz bandleader, trumpeter, flugelhornist, and cornetist.
Robert Alton was an American dancer and choreographer, a major figure in dance choreography of Broadway and Hollywood musicals from the 1930s through to the early 1950s. He is principally remembered today as the discoverer of Gene Kelly, for his collaborations with Fred Astaire, and for choreographic sequences he designed for Hollywood musicals such as The Harvey Girls (1946), Till the Clouds Roll By (1946), Show Boat (1951), and White Christmas (1954).
"The Carioca" is a 1933 popular song with music by Vincent Youmans and lyrics by Edward Eliscu and Gus Kahn, as well as the name of the dance choreographed to it for the 1933 film Flying Down to Rio. The number was sung in the film by Alice Gentle, Movita Castaneda and Etta Moten and danced by Fred Astaire and Ginger Rogers as part of an extended production dance introducing it. The dance, which was choreographed by the film's dance director, Dave Gould, assisted by Hermes Pan, was based on an earlier stage dance with the same name by Fanchon and Marco.
Jerry "Buck" Jerome was an American jazz and big band musician, a tenor saxophonist. He played with Glenn Miller, Red Norvo, Benny Goodman and Artie Shaw.
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Bibliography