The Story of Vernon and Irene Castle | |
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Directed by | H. C. Potter |
Screenplay by | Richard Sherman Oscar Hammerstein II Dorothy Yost |
Based on | My Husband 1919 book by Irene Castle |
Produced by | George Haight |
Starring | Fred Astaire Ginger Rogers Edna May Oliver Walter Brennan |
Cinematography | Robert de Grasse |
Edited by | William Hamilton |
Music by | Various [1] |
Distributed by | RKO Radio Pictures |
Release date |
|
Running time | 93 minutes |
Country | United States |
Language | English |
Budget | $1,196,000 (est.) [3] |
Box office | $1,825,000 [3] |
The Story of Vernon and Irene Castle is a 1939 American biographical musical comedy directed by H.C. Potter. The film stars Fred Astaire, Ginger Rogers, Edna May Oliver, and Walter Brennan. The film is based on the stories My Husband and My Memories of Vernon Castle, by Irene Castle. The movie was adapted by Oscar Hammerstein II, Dorothy Yost and Richard Sherman. This was Astaire and Rogers' ninth and last film together with RKO. [4] Their final pairing was The Barkleys of Broadway (1949) at MGM.
The film tells of novice American dancer Irene Foote, who convinces New York-based British vaudeville comic Vernon Castle to give up slapstick comedy in favor of sophisticated ballroom dancing.
Their big break comes when they are stranded in Paris, along with their friend, Walter Ashe, with no money. They catch the eye of influential agent Maggie Sutton, who arranges a tryout for them at the prestigious Café de Paris, where they become an overnight sensation. After taking Europe by storm, the Castles return to the United States and become just as big a sensation. Their fame and fortune rises to unprecedented heights in the immediate pre-World War I years.
When World War I starts, Vernon returns to Britain and joins the Royal Flying Corps, while Irene makes patriotic movie serials to aid the war effort. However, Vernon is killed in a training accident, leaving Irene to carry on alone.
Irene Castle acted as advisor to this film, and constantly disagreed with the director as to details of costuming and liberties taken. When informed that white actor Walter Brennan was to play the part of faithful servant Walter, she was dumbfounded: the real Walter was black. [5]
The film marks several "firsts": the characters in it are more realistic than usual in an Astaire-Rogers film, there is none of the usual "screwball comedy" relief provided by such actors as Edward Everett Horton, Victor Moore, or Helen Broderick, it is the only Astaire-Rogers musical biography, the only one on which Oscar Hammerstein II worked, the only one of their musicals with a tragic ending, and the only one in which Astaire's character dies.
The film was popular in the US, making $1,120,000 and it also earned $705,000 elsewhere. However, due to high costs RKO accounts recorded the film as losing $50,000. [3]
The Gay Divorcee is a 1934 American musical film directed by Mark Sandrich and starring Fred Astaire and Ginger Rogers. It also features Alice Brady, Edward Everett Horton, Eric Blore, and Erik Rhodes. The screenplay was written by George Marion Jr., Dorothy Yost, and Edward Kaufman. It was based on the Broadway musical Gay Divorce, written by Dwight Taylor with Kenneth S. Webb and Samuel Hoffenstein adapting an unproduced play by J. Hartley Manners.
Ginger Rogers was an American actress, dancer and singer during the Golden Age of Hollywood. She won an Academy Award for Best Actress for her starring role in Kitty Foyle (1940), and performed during the 1930s in RKO's musical films with Fred Astaire. Her career continued on stage, radio and television throughout much of the 20th century.
Fred Astaire was an American dancer, actor, singer, choreographer and presenter. He is widely regarded as the "greatest popular-music dancer of all time". He received numerous accolades including an Honorary Academy Award, three Primetime Emmy Awards, a BAFTA Award, two Golden Globe Awards, and a Grammy Award. He was honored with the Film Society of Lincoln Center tribute in 1973, the Kennedy Center Honors in 1978, and AFI Life Achievement Award in 1980. He was inducted into the Hollywood Walk of Fame in 1960, American Theatre Hall of Fame in 1972, and the Television Hall of Fame in 1989.
Vernon and Irene Castle were a husband-and-wife team of ballroom dancers and dance teachers who appeared on Broadway and in silent films in the early 20th century. They are credited with reviving the popularity of modern dancing. Castle was a stage name: Vernon was born William Vernon Blyth in England. Irene was born Irene Foote in the United States.
Swing Time is a 1936 American musical comedy film, the sixth of ten starring Fred Astaire and Ginger Rogers. Directed by George Stevens for RKO, it features Helen Broderick, Victor Moore, Betty Furness, Eric Blore and Georges Metaxa, with music by Jerome Kern and lyrics by Dorothy Fields. Set mainly in New York City, the film follows a gambler and dancer, "Lucky" (Astaire), who is trying to raise money to secure his marriage when he meets dance instructor Penny (Rogers) and begins dancing with her; the two soon fall in love and are forced to reconcile their feelings.
Edna May Oliver was an American stage and film actress. During the 1930s, she was one of the better-known character actresses in American films, often playing tart-tongued spinsters.
Lew Fields was an American actor, comedian, vaudeville star, theatre manager, and producer. He was part of a comedy duo with Joe Weber. He also produced shows on his own and starred in comedy films.
Flying Down to Rio is a 1933 American pre-Code RKO musical film famous for being the first screen pairing of Fred Astaire and Ginger Rogers, although lead actors Dolores del Río and Gene Raymond received top billing. Among the featured players are Franklin Pangborn and Eric Blore. The songs in the film were written by Vincent Youmans (music), Gus Kahn and Edward Eliscu (lyrics), with musical direction and additional music by Max Steiner. During the 7th Academy Awards, the film was nominated for the new category of Best Original Song for "Carioca", but it lost to "The Continental" from The Gay Divorcee, the next Astaire and Rogers film.
A Damsel in Distress is a 1937 American English-themed Hollywood musical comedy film starring Fred Astaire, George Burns, Gracie Allen and Joan Fontaine. Loosely based upon P.G. Wodehouse's 1919 novel of the same name, and the 1928 stage play written by Wodehouse and Ian Hay, it has music and lyrics by George and Ira Gershwin, and was directed by George Stevens, the second Astaire musical directed by Stevens; the first was Swing Time.
Follow the Fleet is a 1936 American RKO musical comedy film with a nautical theme starring Fred Astaire and Ginger Rogers in their fifth collaboration as dance partners. It also features Randolph Scott, Harriet Hilliard, and Astrid Allwyn, with music and lyrics by Irving Berlin. Lucille Ball and Betty Grable also appear, in supporting roles. The film was directed by Mark Sandrich with script by Allan Scott and Dwight Taylor based on the 1922 play Shore Leave by Hubert Osborne.
The Barkleys of Broadway is a 1949 American Technicolor musical comedy film from the Arthur Freed unit at Metro-Goldwyn-Mayer that reunited Fred Astaire and Ginger Rogers after ten years apart. Directed by Charles Walters, the screenplay is by Betty Comden, Adolph Green, and Sidney Sheldon, the songs are by Harry Warren (music) and Ira Gershwin (lyrics) with the addition of "They Can't Take That Away from Me" by George and Ira Gershwin, and the choreography was created by Robert Alton and Hermes Pan. Also featured in the cast were Oscar Levant, Billie Burke, Jacques François and Gale Robbins. It is the last film that Astaire and Rogers made together, and their only film together in color. Rogers came in as a last-minute replacement for Judy Garland, whose frequent absences due to a dependence on prescription medication cost her the role.
Carefree is a 1938 American musical comedy film directed by Mark Sandrich and starring Fred Astaire, Ginger Rogers and Ralph Bellamy. With a plot similar to screwball comedies of the period, Carefree is the shortest of the Astaire-Rogers films, featuring only four musical numbers. Carefree is often remembered as the film in which Astaire and Rogers shared a long on-screen kiss at the conclusion of their dance to "I Used to Be Color Blind," all previous kisses having been either quick pecks or simply implied.
Shall We Dance is a 1937 American musical comedy film directed by Mark Sandrich. It is the seventh of the ten Fred Astaire-Ginger Rogers films. The story follows an American ballet dancer (Astaire) who falls in love with a tap dancer (Rogers); the tabloid press concocts a story of their marriage, after which life imitates art. George Gershwin wrote the symphonic underscore and Ira Gershwin the lyrics, for their second Hollywood musical.
Victor Baravalle (1885–1939) was an Italian-born composer, music director, and conductor, best known for his work on both the stage and film productions of the Jerome Kern and Oscar Hammerstein II musical Show Boat.
Roberta is a 1935 American musical film released by RKO Radio Pictures and directed by William A. Seiter. It stars Irene Dunne, Fred Astaire, Ginger Rogers, and features Randolph Scott, Helen Westley, Victor Varconi and Claire Dodd. The film was an adaptation of the 1933 Broadway musical Roberta, which in turn was based on the novel Gowns by Roberta by Alice Duer Miller. It was a solid hit, showing a net profit of more than three-quarters of a million dollars.
"The Carioca" is a 1933 popular song with music by Vincent Youmans and lyrics by Edward Eliscu and Gus Kahn, as well as the name of the dance choreographed to it for the 1933 film Flying Down to Rio. The number was sung in the film by Alice Gentle, Movita Castaneda and Etta Moten and danced by Fred Astaire and Ginger Rogers as part of an extended production dance introducing it. The dance, which was choreographed by the film's dance director, Dave Gould, assisted by Hermes Pan, was based on an earlier stage dance with the same name by Fanchon and Marco.
Fred Astaire and Ginger Rogers were dance partners in a total of 10 films, nine of them released by RKO Radio Pictures from 1933 to 1939, and one, The Barkleys of Broadway, by Metro-Goldwyn-Mayer in 1949, their only film in Technicolor.
"The Yama Yama Man" was a comical song for the Broadway show The Three Twins, published in 1908 by M. Witmark & Sons with music by Karl Hoschna and lyrics by Collin Davis. It became popular after Bessie McCoy's animated performance in a satin Pierrot clown costume with floppy gloves and a cone hat. At age 20, she became an overnight sensation on Broadway and was known thereafter as the "Yama Yama Girl"; it became her lifelong theme song. The show ran for 288 performances. The lyrics contain topical references of the era such as street cars and ladies' fashion while the refrain is about a comical bogeyman—the Yama Yama Man—who is "ready to spring out at you unaware". Bessie McCoy's song and dance routine was a standard into the 1930s with a prestigious lineage of imitators including Ada Jones, Marilyn Miller, Irene Castle and Ginger Rogers.
In Person is a 1935 American romantic musical comedy film directed by William A. Seiter and starring Ginger Rogers, George Brent and Alan Mowbray.
The Ginger Rogers filmography lists the film appearances of American actress Ginger Rogers, as well as her television, stage, and radio credits. Rogers's career spanned fifty-seven years, from 1930 to 1987.