The Taming of the Shrew (Shebalin)

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The Taming of the Shrew (Russian Ukroshchenye stroptivoy, Cyrillic Укрощение строптивой) is a 1957 opera in four acts, five scenes by Vissarion Shebalin to a libretto by the Soviet musicologist Abram Akimovich Gozenpud, based on the comedy by William Shakespeare. Gozenpud utilized very little of Shakespeare's original text in his libretto, and completely eliminated many of the secondary characters and subplots from the play. His libretto does match the spirit of Shakespeare's play in its use of wit, the genuine passion of the story's lovers, and mixture of both lofty and coarse language. [1]

Vissarion Shebalin Soviet composer

Vissarion Yakovlevich Shebalin was a Soviet composer.

Libretto text used for an extended musical work

A libretto is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term libretto is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet.

<i>The Taming of the Shrew</i> play by Shakespeare

The Taming of the Shrew is a comedy by William Shakespeare, believed to have been written between 1590 and 1592.

Contents

Performance history

Ukroshcheniye stroptivoy had its world premiere in a concert version at the Central House of Artists in Moscow on 1 October 1955. [1] The opera was first staged at the Samara Opera and Ballet Theatre (then known as the Kuybïshev Opera) on 25 May 1957 under the baton of conductor S. S. Bergolts. Unhappy with the final scene between Katherine and Petruchio, Shebalin completely re-wrote the ending of the opera for the work's first staging at the Bolshoi Theatre in August 1957. [1] In subsequent months the work was performed in Leningrad, Kiev and other cities. [2] [3]

Bolshoi Theatre historic theatre in Moscow, Russia

The Bolshoi Theatre is a historic theatre in Moscow, Russia, originally designed by architect Joseph Bové, which holds ballet and opera performances. Before the October Revolution it was a part of the Imperial Theatres of the Russian Empire along with Maly Theatre in Moscow and a few theatres in Saint Petersburg.

Kiev City with special status in Kiev City Municipality, Ukraine

Kiev or Kyiv is the capital and most populous city of Ukraine, located in the north-central part of the country on the Dnieper. The population in July 2015 was 2,887,974, making Kiev the 7th most populous city in Europe.

The success of the opera enabled Shebalin to be partly rehabilitated [4] and is considered by some Russian musicologists the "most successful Russian opera based on Shakespeare." [5] The music is in a traditional high-spirited opera buffa idiom. [6]

Opera buffa is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as commedia in musica, commedia per musica, dramma bernesco, dramma comico, divertimento giocoso.

Roles

Role Voice type
Katarina, eldest daughter of Baptista Minolasoprano
Petruchio, a gentleman of Verona baritone
Liuchentsio, suitor of Bianca tenor
Gortenzio, suitor of Bianca bass
Bianka, younger daughter of Baptista Minola soprano
Baptista Minola, a rich merchantbass
Biondello, servant of Baptista Minolatenor
Curtis, servant of Petruchiotenor
Groom, servant of Petruchiobass
A tailortenor
Chorus of guests, servants, cooks and kitchen maids.

Plot

Bianka, the youngest daughter of Paduan merchant Baptista Minola, has won the hearts of two young noblemen, Liuchentsio and Gortenzio, who are in competition for her affections. However, Baptista will not allow his youngest daughter to marry until his oldest daughter, the tempestuous Katerina, has married. The two young nobleman conspire together to marry off Katerina so they may freely compete for Bianca. The two men recruit Hortensio's visiting friend, the Verona nobleman Petruchio, to be Katarina's suitor. All does not go well at first, but by the opera's conclusion Petruchio and Katarina are happily in love and married. [1]

Recordings

The 1957 Bolshoi performance under Zdeněk Chalabala with Galina Vishnevskaya as Caterina, Yevgeny Kibkalo as Petruchio, Glafira Deomidova as Bianca and Arthur Eisen as Baptista, was recorded for radio and issued in 1961 on LP by Melodiya. [7] [8]

Zdeněk Chalabala Czech dirigent and musician

Zdeněk Chalabala was a Czech conductor. He conducted orchestras in Prague, Ostrava, Moscow.

Galina Vishnevskaya Russian soprano opera singer and recitalist

Galina Pavlovna Vishnevskaya was a Russian soprano opera singer and recitalist who was named a People's Artist of the USSR in 1966. She was the wife of cellist Mstislav Rostropovich, and mother to their two daughters, Olga and Elena Rostropovich.

Yevgeny Gavrilovich Kibkalo was a Ukrainian and Russian baritone and a People's Artist of the RSFSR.

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References

  1. 1 2 3 4
    • Fay, Laurel, "Ukroshcheniye stroptivoy", Grove Music Online ed. L. Macy (Accessed October 11, 2015), (subscription access)
  2. Belcanto.ru article by M. Druskin Опера Виссариона Шебалина «Укрощение строптивой» М. Друскин
  3. Опера Виссариона Шебалина «Укрощение строптивой» Soviet Music Lexicon entry, coincidentally written by the librettist himself, Abram Gozenpud.
  4. Music and Musical Life in Soviet Russia, 1917–1970: Volume 1972, Part 2. Boris Schwarz – 1972 "Another work by an older master – Shebalin – achieved a notable success: The Taming of the Shrew. It was not only a matter of recognizing its musical excellence but also of rehabilitating a composer who had suffered grave injustice."
  5. Yuri Abdokov – essay Vissarion Shebalin and his cappella choral cycles, Toccata Classics 2011
  6. Shakespeare Survey – p. 87, Allardyce Nicoll – 2002 "A more successful opera, based on an adaptation rather than a translation, is The Taming of the Shrew by the Russian Shebalin. Though produced as recently as 1957, this uses a thoroughly old-fashioned traditional idiom; but at least it hitches on to an appropriate tradition, that of opera buffa, and it translates into music a good deal of the high spirits of the play."
  7. Зденек Халабала (Zdeněk Chalabala) "...а также сделанная в СССР запись оперы В. Шебалина «Укрощение строптивой»."
  8. Recordings of three works based on The Taming of the Shrew: Shebalin; Hermann Goetz: Der Widerspänstigen Zähmung ; Vicente Martín y Soler: La capricciosa corretta