Dame Gillian Lynne | |
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Born | Gillian Barbara Pyrke 20 February 1926 |
Died | 1 July 2018 92) Marylebone, London, England | (aged
Occupations |
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Years active | 1963–2011 |
Spouses |
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Dame Gillian Barbara Lynne DBE (née Pyrke; 20 February 1926 – 1 July 2018) was an English ballerina, dancer, choreographer, actress, and theatre-television director, noted for her theatre choreography associated with two of the longest-running shows in Broadway history, Cats and The Phantom of the Opera . At age 87, she was made a DBE (Dame Commander of the Order of the British Empire) in the 2014 New Year Honours List.
The New London Theatre, where the original West End production of Cats played, was officially renamed the Gillian Lynne Theatre in 2018. This made Lynne the first non-royal woman to have a West End theatre named after her.
Gillian Barbara Pyrke was born in Bromley, Kent, and was a precocious dance talent from an early age, teaming with her childhood friend Beryl Grey while still at school, and dancing to blot out the tragedy of the violent death of her mother on 8 July 1939 in Coventry (as a result of a car crash along with Edward Turner's first wife), when Lynne was just 13 years old. [1] [2]
Lynne's gift for dancing was discovered by a doctor. She had been underperforming at school, so her mother took her to the doctor and explained about her fidgeting and lack of focus. After hearing everything her mother said, the doctor told Lynne that he needed to talk to her mother privately for a moment. He turned on the radio and walked out. He then encouraged her mother to look at Lynne, who was dancing to the radio. The doctor noted that she was a dancer, and encouraged Lynne's mother to take her to dance school. [3]
While dancing for Molly Lake's Company (the Ballet Guild) at the People's Palace, Lynne was spotted by Ninette de Valois and asked to join Sadler's Wells Ballet during World War II. With the opening of the Royal Opera House after the War she received her first major solo in Sleeping Beauty on the night of her 20th birthday. She went on to become an admired dramatic ballerina in the soon to be renamed Royal Ballet, renowned for her Black Queen in de Valois's Checkmate , Queen of the Wilis in Giselle and in roles created for her by Frederick Ashton and Robert Helpmann.[ citation needed ] [4]
Leaving Sadler's Wells Ballet in 1951 she was an instant success at the London Palladium as the star dancer and subsequently in the West End in such roles as Claudine in Can-Can at the Coliseum Theatre. She appeared in the film The Master of Ballantrae as Mariane, in which she was cast opposite Errol Flynn and directed by William Keighley. [5] She also appeared as both a dancer and actress on early British Television. [6]
In her long career as a choreographer and director, Lynne worked on many productions including those from the Royal Opera House, Royal Shakespeare Company and English National Opera as well as many West End and Broadway shows. [2] In 1970 she choreographed and directed the Nottingham Playhouse production of the musical, Love on the Dole . Originally a novel by Walter Greenwood, it was made into a musical starring Eric Flynn and Angela Richards. In 1975 she arrived in Australia to create The Australian Ballet's first work expressly commissioned for television, The Fool on the Hill . [7] She may be best known for her work on the Andrew Lloyd Webber's musicals Cats (1981), The Phantom of the Opera (1986) and Aspects of Love (1990).
She was also a prolific television choreographer and director notably for The Muppet Show series and winning the 1987 BAFTA Huw Wheldon Award for her direction and choreography of A Simple Man, which starred Moira Shearer. She choreographed the Royal Shakespeare Company production of The Secret Garden , which ran at Stratford in 2000 and then transferred to the West End, running at the Aldwych Theatre from February 2001 to June 2001. [8]
In 2002, Lynne choreographed the Sherman Brothers' stage musical Chitty Chitty Bang Bang (based on the 1968 film). It played in London, and later on Broadway in 2005, both times successfully. Chitty Chitty Bang Bang brought her back to the London Palladium after 50 years and she rehearsed cast changes for the show's National UK Tour. Lynne choreographed the 90-minute Las Vegas Production of The Phantom of the Opera which opened in the Summer of 2006, directed I Want to Teach the World to Sing! Gala at Her Majesty's Theatre and musically staged The Imaginary Invalid for the Shakespeare Theatre Company in Washington, D.C. in 2008. In September 2009, she was in New York City celebrating a Phantom of the Opera milestone at the Majestic Theatre. During this visit, she worked in a rehearsal with the company of the 2009–2010 international tour of Cats, produced by Troika Entertainment. [ citation needed ]
In October 2011, Lynne choreographed the 25th Anniversary production of The Phantom of the Opera at the Royal Albert Hall . She was both choreographer and director for the musical Dear World , which played an engagement at The Charing Cross Theatre, London, in February and March 2013, and starred Betty Buckley. [9] Her production company [10] continues to produce television, film and stage productions.
Lynne married her second husband, actor/singer Peter Land in 1980.
It was love at first sight: they met when he got a part in a production of My Fair Lady that she co-directed in 1978. "He was standing there at the bar, and he was drop-dead gorgeous. We just looked at each other..."
The first volume of her autobiography, A Dancer in Wartime [12] was published on 3 November 2011 in the UK by Chatto & Windus.
Lynne died on 1 July 2018 at a London hospital from pneumonia, aged 92. [13] [14]
She has won, and been nominated for, numerous awards for her work. She has received the Silver Order of Merit, Golden Rose of Montreux Award, BAFTA, Molière Award and The Queen Elizabeth II Coronation Award by the Royal Academy of Dance (2001). She received a Special Award at the 2013 Olivier Awards. [15]
She was appointed Commander of the Order of the British Empire (CBE) in the 1997 Birthday Honours and Dame Commander of the Order of the British Empire (DBE) in the 2014 New Year Honours for services to dance and musical theatre. [16] [17]
Lynne was nominated for the Tony Award twice for Choreography, for Cats and The Phantom of the Opera, and for the Drama Desk Award for Cats. [18] She received the Olivier Award in 1981, for Outstanding Achievement of the Year in Musicals, for Cats. [19]
In 2018, The New London Theatre was renamed the Gillian Lynne Theatre, making it the first theatre in the West End of London to be named after a non-royal woman. [20]
Dame Ninette de Valois was an Irish-born British dancer, teacher, choreographer, and director of classical ballet. Most notably, she danced professionally with Serge Diaghilev's Ballets Russes, later establishing the Royal Ballet, one of the foremost ballet companies of the 20th century and one of the leading ballet companies in the world. She also established the Royal Ballet School and the touring company which became the Birmingham Royal Ballet. She is widely regarded as one of the most influential figures in the history of ballet and as the "godmother" of English and Irish ballet.
Sir Robert Murray Helpmann CBE was an Australian ballet dancer, actor, director, and choreographer. After early work in Australia he moved to Britain in 1932, where he joined the Vic-Wells Ballet under its creator, Ninette de Valois. He became one of the company's leading men, partnering Alicia Markova and later Margot Fonteyn. When Frederick Ashton, the company's chief choreographer, was called up for military service in the Second World War, Helpmann took over from him while continuing as a principal dancer.
Sir Frederick William Mallandaine Ashton was a British ballet dancer and choreographer. He also worked as a director and choreographer in opera, film and revue.
Susan P. Stroman is an American theatre director, choreographer, film director and performer. Her notable theater productions include Oklahoma!, The Music Man, Crazy for You, Contact, The Producers, The Frogs, The Scottsboro Boys, Bullets Over Broadway, POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive, and New York, New York.
Dame Alicia Markova DBE was a British ballerina and a choreographer, director and teacher of classical ballet. Most noted for her career with Sergei Diaghilev's Ballets Russes and touring internationally, she was widely considered to be one of the greatest classical ballet dancers of the twentieth century. She was the first British dancer to become the principal dancer of a ballet company and, with Dame Margot Fonteyn, is one of only two English dancers to be recognised as a prima ballerina assoluta. Markova was a founder dancer of the Rambert Dance Company, The Royal Ballet and American Ballet Theatre, and was co-founder and director of the English National Ballet.
The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois. It became the resident ballet company of the Royal Opera House in 1946, and has purpose-built facilities within these premises. It was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company.
The Royal Ballet School is a British school of classical ballet training founded in 1926 by the Anglo-Irish ballerina and choreographer Ninette de Valois. The school's aim is to train and educate outstanding classical ballet dancers, especially for the Royal Ballet and the Birmingham Royal Ballet.
"Me Ol' Bamboo" is a song written by the Sherman Brothers for the motion picture Chitty Chitty Bang Bang. It was originally written to be choreographed as a morris dance for the film by Marc Breaux and Dee Dee Wood and adapted for the stage by choreographer Gillian Lynne who also created the choreography for Cats and The Phantom of the Opera.
John Cyril Cranko was a South African ballet dancer and choreographer with the Royal Ballet and the Stuttgart Ballet.
Sir Kenneth MacMillan was a British ballet dancer and choreographer who was artistic director of the Royal Ballet in London between 1970 and 1977, and its principal choreographer from 1977 until his death. Earlier he had served as director of ballet for the Deutsche Oper in Berlin. He was also associate director of the American Ballet Theatre from 1984 to 1989, and artistic associate of the Houston Ballet from 1989 to 1992.
Dame Catherine Margaret Mary Scott, was a South African-born pioneering ballet dancer who found fame as a teacher, choreographer, and school administrator in Australia. As the first director of the Australian Ballet School, she is recognised as one of the founders of the strong ballet tradition of her adopted country.
Chitty Chitty Bang Bang is a musical with music and lyrics written by Richard and Robert Sherman and a book by Jeremy Sams. It is sometimes referred to as Chitty the Musical to distinguish it from the 1968 film of the same name on which it is based, written by Roald Dahl, Ken Hughes, and Richard Maibaum. The 1968 film was based in turn on the book of the same name by Ian Fleming. The show premiered at the London Palladium on April 16, 2002, directed by Adrian Noble before opening on Broadway in 2005.
Marc Breaux was an American choreographer and occasional film director best known for his work on musical films of the 1960s and 1970s. Most of his well-known work was in collaboration with Dee Dee Wood to whom he was married for many years. Much of Breaux's best recognized work was also in collaboration with the songwriting Sherman Brothers.
JoAnn Gibb is a Scottish theatre actress best known for her role of Rumpleteazer in the 1998 film of Andrew Lloyd Webber's Cats, and as the replacement Pearl the Observation Car in the original production of Starlight Express. She also played Belle in the 2006 UK Productions tour of Beauty and the Beast and appeared as Columbia in the 2000 UK national tour of The Rocky Horror Show.
Lynne Taylor-Corbett is a choreographer, director, lyricist, and composer. She was born in Denver, Colorado.
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Anthony Ward is a British theatre designer specializing in set and costume design. He studied theatre design at Wimbledon School of Art.
Will Tuckett is an English director and choreographer, who has created works for many international companies including the Royal Ballet, The National Ballet of Canada, and English National Ballet.
Mitch Sebastian is a British theatre director, choreographer and performer. He has been nominated for an Olivier Award and Whatsonstage Award for writing, directing and choreographing The Rat Pack: Live from Las Vegas. He was Artistic Director of Kilworth House Theatre 2005-2015. He won a BAFTA Award as part of the creative team behind the children's animated TV series, Yoko! Jakamoto! Toto!.
Jayne Regan Pink is a British dancer, choreographer, repetiteur, dialect coach and artistic associate. She studied at the Royal Ballet School and spent much of her professional career as a principal dancer with Northern Ballet Theatre. She created leading roles in most of the company's repertoire between 1986 and 1998 alongside collaborators including director Christopher Gable, director-choreographer Michael Pink, composer Philip Feeney and designer Lez Brotherston. She has been referred to as "one of the jewels in the crown of English dance" and "one of the finest dramatic dancers of today, ranking along side Lynn Seymour, Marcia Haydee, Anna Laguna and Elaine McDonald." Since retiring from dance, she has moved to Milwaukee, Wisconsin with her husband, Artistic Director of the Milwaukee Ballet Michael Pink. She has served as a choreographer, movement director, dialect coach and repetiteur in Milwaukee and internationally. She currently serves as Artistic Associate with Renaissance Theaterworks.