"The Phantom of the Opera" is a song from the 1986 stage musical of the same name. It was composed by Andrew Lloyd Webber, with lyrics written by Charles Hart and Richard Stilgoe, and additional lyrics by Mike Batt. [1] The song was originally recorded by Sarah Brightman and Steve Harley, which became a UK hit single in 1986, prior to the musical. In its theatrical debut, it was sung by Brightman and Michael Crawford in their roles as Christine Daaé and the Phantom.
The song is performed in Act I after the song "Angel of Music" (The Mirror) and before "The Music of the Night" (and is reprised in Act Two at the end of the song "Notes/Twisted Every Way"). It takes place as the Phantom escorts Christine by boat to his lair beneath the Opera Garnier. It is sung as a duet by Christine and the Phantom. In different shows, Sarah Brightman sings this song in different duets with other performers, Antonio Banderas, Chris Thompson, Alessandro Safina, Mario Frangoulis, Colm Wilkinson, Anthony Warlow, John Owen-Jones, Peter Jöback and Erkan Aki.
The song increases tension through successive key changes. At the end of the song, Christine sings her highest note in the show, an E6.
In 1984, Andrew Lloyd Webber and producer Cameron Mackintosh began working on the Phantom of the Opera musical, with Lloyd Webber's wife, Sarah Brightman, set to play the heroine Christine. [2] Lloyd Webber composed the music of what became the title track and gave an early demo recording, minus lyrics and vocals, to Mike Batt. After Batt expressed interest in working on the track, Lloyd Webber recorded another demo of it, with Brightman providing a wordless guide vocal. Batt believed it would make a "great title song" and named it accordingly. He then wrote a set of lyrics and reworked the music, giving what he originally perceived as a "languid romantic ballad" a "more up-tempo treatment" and a "more vigorous rhythm". Batt recorded a rough piano and vocal version, which was warmly received by Lloyd Webber and Mackintosh. [3] The lyrics were subsequently reworked and credited to Richard Stilgoe, with Batt receiving a credit for "additional lyrics". [4] The final version of the song as it appeared in the musical featured a further writing credit to lyricist Charles Hart. [5]
"The Phantom of the Opera" | ||||
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Single by Sarah Brightman and Steve Harley | ||||
from the album The Phantom of the Opera | ||||
B-side | "Overture – The Phantom of the Opera" | |||
Released | 3 January 1986 | |||
Genre | ||||
Length | 4:38 | |||
Label | Polydor Records | |||
Songwriter(s) |
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Producer(s) | Mike Batt | |||
Sarah Brightmansingles chronology | ||||
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Steve Harleysingles chronology | ||||
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On 3 January 1986,the original recording of "The Phantom of the Opera" was released as a single to promote the upcoming musical of the same name. [6] The duet was produced and arranged by Mike Batt and performed by Sarah Brightman and Steve Harley. The song peaked at number 7 in the UK Singles Chart and remained in the charts for ten weeks. [7]
As development of The Phantom of the Opera musical progressed in 1985,Lloyd Webber decided that releasing the title track as a pop single would be a good way of promoting the upcoming musical and "test[ing] the water" in terms of public reception. He stressed that he wanted the song to have a rock 'n' roll sound,to which Mike Batt,who was asked to produce the single,added an electro-pop beat,using a Fairlight CMI for the bass line,and rock guitars to "augment the feel". [2] [3] Lloyd Webber also wished to use a rock singer for the part of the Phantom on the track. [8] Batt recommended Steve Harley,with whom he had worked with on the 1983 single "Ballerina (Prima Donna)". [9] [10]
Although Harley was currently working on his own solo album,El Gran Senor,for Mickie Most's label Rak, [11] he "jumped at the chance" to record the song. [12] Harley successfully auditioned for the part at Lloyd Webber's home. Speaking to Number One in February 1986,he revealed,"I don't mean to boast but after only singing one verse he told me I'd got the job!" [13] [14] He added to the Daily Star at the time,"[Mike Batt] said he was going to tell Andrew that my voice was just right for the song. I thought he was joking. But I really enjoyed working with Andrew. I'd love to play the Phantom when he puts the show on stage." [10]
The song was recorded three weeks later as a duet between Brightman and Harley. [15] Speaking of the recording of the song,Harley admitted,"I felt a bit like a fish out of water. Sarah would record her part perfectly then leave,and I'd have to stay until I hit those notes. It really stretched me." [12] In the 2005 documentary Behind the Mask,Harley recalled,"I'd never done a duet. I knew Sarah could sing with an angelic soprano. I was quite happy to give it a crack,as it were." [16]
The single was released on 3 January 1986 and reached its peak of number 7 in the UK Singles Chart in early February. Following its success,Harley was the prime candidate for the role of the Phantom in the musical and,after he auditioned in front of the creative team,was given the role the following day. He then spent five months rehearsing under producer Hal Prince. [16] As the style of singing was different to what he had done before and to train his voice to cope with the demands of the musical,Harley also took singing lessons. [8] During this period,Harley recorded a number of other tracks from the musical,all of which remain unreleased,including "The Music of the Night" and "All I Ask of You". [16]
Days before the cast were due to be announced to the public,Harley was surprised and disappointed to be told he would be replaced by Michael Crawford. [17] He told The Stage in August 1986,"It soon became clear that the way Andrew was writing wasn't as perfect for me as it initially appeared. I realise also that Crawford is going to put bums on seats in a way that I wouldn't be able to do in a theatre." [17] In Behind the Mask,Cameron Mackintosh recounted,"[Harley] wasn't that experienced as an actor. It became obvious to me,and then I discussed it with Hal and Andrew,who also came to the same conclusion that this was a lovely impulse but not the right decision for the show." [16]
Harley received £20,000 compensation after he was removed from the musical,but was given no explanation. He later recalled,"What happened is a mystery to me. There was no hint that they were unhappy with me." [16] It has been suggested that,due to suffering from polio as a child,there were doubts as to whether Harley could effectively cope with the physical demands of the part. [18]
The single was released by Polydor Records on 7-inch and 12-inch vinyl in the UK,Europe,North America,Australasia and South Africa. In the UK,a limited edition version of the 7-inch release was also issued featuring a luminous disc. [19] The B-side,"Overture –The Phantom of the Opera",is a two-minute instrumental version of the A-side,written and produced by Andrew Lloyd Webber, [4] and the 12-inch single features a seven-minute extended remix of the A-side. [20] The graphic artwork and sleeve design for the single was created by Dewynters Ltd,London. [4] On the back sleeve of the release,a short passage reads:
"Ladies and Gentlemen, On this recording I have required that Sarah Brightman and Steve Harley perform the theme from the forthcoming musical, which I have instructed Andrew Lloyd Webber to write around my legend 'The Phantom of the Opera.' Your Obedient Servant, The Phantom". [4]
Brightman and Harley's version of the song would appear on the 1994 compilation album The Very Best of Andrew Lloyd Webber, [21] as well as another Lloyd Webber compilation, Gold – The Definitive Hit Singles Collection, released in 2001. [22]
A music video, directed by Ken Russell, was filmed to promote both the single and upcoming musical. [18] It took four days to shoot [23] and starts with Brightman as Christine running to her dressing room. On her way there, Raoul gives her a purple flower bouquet, which she takes with her. In her dressing room, she finds a gift box from the Phantom (portrayed by Harley). She opens it and puts the veil inside on her head. Then, she enters the mirror, arriving in the Phantom's lair, with the Phantom standing across the other side of a lake. Christine crosses the lake on a boat that moves by itself. The closing segment features Christine performing on stage in front of an audience including Raoul. The Phantom, secretly spectating, cuts a rope backstage which causes the chandelier to crash on top of Raoul. The video ends with Christine screaming before blood red drips over and envelops the screen. In his book Phallic Frenzy: Ken Russell and His Films, author Joseph Lanza felt the video "packs in the gist of the musical's message and story in just over four minutes." [2]
In the Behind the Mask documentary, Richard Stilgoe described the video as "wonderful, as over-the-top as you can get" and Cameron Mackinstosh stated, "Ken Russell came up with the most brilliant, outrageous video. It's fantastic fun, and completely over-the-top, which of course Andrew and I loved." [16] Speaking of his experience shooting the video, Harley told the Sandwell Evening Mail in 1986, "Every minute of it was torment. It was hellishly uncomfortable. I had red hot lights under my feet and my mask kept slipping off. It was like walking blindly over a bed of coals." [24]
Upon its release, Malcolm Dome of Kerrang! called the track "strong Andrew Lloyd Webber stuff (orchestrally-orientated rock/pop)" and "interesting, even if the rock element isn't played up as much as I'd have liked". He added, "It's great to see Steve Harley back in action." [25] Karen Swayne of Number One was negative in her review, stating that Brightman and Harley, now "older and wiser", had "taken to more boring adult pursuits" by singing on the track, with the results being "unlistenable". [26] Tamsin Fontes of the Mid Sussex Times remarked that "La Brightman warbles shrilly like a demented canary and ageing Cockney Rebel, Steve Harley, finds a new vocation as the lovesick phantom". [27] The Middleton Guardian described the song as "opera meets rock" and "directionless hotch-potch with practically no pop appeal". [28] In the US, Bob Sawyer of The Valley Advocate gave the single four out of five stars. He noted Brightman's "wonderful set of pipes" and added that although Harley was "not as operatic" as Brightman, "his voice does blend nicely with hers". [29]
7-inch single (UK, Europe, Canada, Australasia and South Africa) [4] [30] [31] [32]
7-inch Single (US) [33]
CD single (Japan, 1988) [35]
Chart (1986) | Peak position |
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European Hot 100 Singles [36] | 39 |
Irish Singles Chart [37] | 11 |
UK Singles Chart (Official Charts Company) [7] | 7 |
"The Phantom of the Opera" | |
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Song by Nightwish | |
from the album Century Child | |
Released | 25 May 2002 (album) |
Recorded | January–April 2002 (album) |
Studio | |
Genre | |
Length | 4:09 |
Label | Spinefarm |
Songwriter(s) | Andrew Lloyd Webber (music) Richard Stilgoe (lyrics) Charles Hart (lyrics) Mike Batt (additional lyrics) |
Producer(s) |
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In 2002, Finnish symphonic metal band Nightwish recorded a cover of "The Phantom of the Opera", with their then lead (female) singer Tarja Turunen singing Christine's parts and the bassist and second (male) voice Marko Hietala singing the Phantom's parts. The song was released as part of their album Century Child ; a live version is found in their 2006 live album, End of an Era , where Turunen and Hietala duet again on the song. The live version of the song reached critical acclaim, with the cover between Turunen and Hietala often being considered one of the highlights of the live album, and has reached over 129 million combined views on YouTube.
In January 2023, the song was performed for the first time in 17 years during Nightwish's Human. :II: Nature. World Tour in Amsterdam, with Floor Jansen and Henk Poort as the vocalists. In 2019, Jansen and Poort had already performed the song in the Dutch TV show Beste Zangers, to much critical acclaim.
2023 also marked the first official reunion metal show between Turunen and Hietala, where Hietala made a special appearance while Turunen was on her Living the Dream Tour in Pratteln. They sang "The Phantom of the Opera" together for the first time in 18 years. Later, it would continue to be performed by the two as a part of Turunen's Living the Dream Together tour with Hietala.
In 1990, the songwriter Ray Repp sued Lloyd Webber, saying he had plagiarised the "Phantom of the Opera" melody from his 1978 song "Till You". [38] Lloyd Webber denied this, saying he had taken parts from his own earlier work, "Close Every Door", and that both songs included elements of compositions by Bach, Grieg and Holst. The judge ruled in Lloyd Webber's favour in 1994. [38]
In 1992, the former Pink Floyd songwriter Roger Waters asserted that Lloyd Webber had plagiarised "The Phantom of the Opera" from a sequence of the 1971 Pink Floyd song "Echoes". He said: "It's the same time signature – it's 12/8 – and it's the same structure and it's the same notes and it's the same everything. It probably is actionable. It really is! But I think that life's too long to bother with suing Andrew fucking Lloyd Webber." [39]
Andrew Lloyd Webber, Baron Lloyd-Webber, is an English composer and impresario of musical theatre. Several of his musicals have run for more than a decade both in the West End and on Broadway. He has composed 21 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass.
Michael Patrick Smith, known professionally as Michael Crawford, is an English actor, comedian and singer.
The Phantom of the Opera is a musical by Andrew Lloyd Webber, lyrics by Charles Hart, additional lyrics by Richard Stilgoe and a libretto by Lloyd Webber and Stilgoe. Based on the novel of the same name by Gaston Leroux, it tells the tragic story of beautiful soprano Christine Daaé, who becomes the obsession of a mysterious but disfigured musical genius living in the subterranean labyrinth beneath the Paris Opéra House.
Sarah Brightman is an English classical crossover soprano singer and actress.
Christine Daaé is a fictional character and the female protagonist of Gaston Leroux's 1910 novel The Phantom of the Opera and of the various adaptations of the work. Erik, the Phantom of the Opera and Viscount Raoul de Chagny both fall in love with her.
"The Music of the Night" is a major song from the 1986 musical The Phantom of the Opera. The music was written by Andrew Lloyd Webber, with lyrics by Charles Hart and Richard Stilgoe. Initially made famous by Michael Crawford, the actor who originated the role of the Phantom both in the West End and on Broadway, "The Music of the Night" has appeared on many cast recordings of the musical, sold millions of copies worldwide, and has been translated into many languages.
The Premiere Collection Encore is a 1992 compilation album by Andrew Lloyd Webber. The album acted as a follow-up to The Premiere Collection: The Best of Andrew Lloyd Webber. In the four intervening years, the original London production of Aspects of Love and Lloyd Webber's new production of Joseph and the Amazing Technicolor Dreamcoat had both opened; therefore a number of tracks were included from those shows.
"All I Ask of You" is a song from the 1986 English musical The Phantom of the Opera, between characters Christine Daaé and Raoul, originally played on stage by Sarah Brightman and Steve Barton, respectively. It was written by Andrew Lloyd Webber, Charles Hart and Richard Stilgoe, and solely produced by Lloyd Webber. An operatic pop piece, its lyrics serve as dialogue between the two characters and discuss themes such as commitment and romance. Like Lloyd Webber's song "The Music of the Night", "All I Ask of You" was compared to the music found in Giacomo Puccini's 1910 opera La fanciulla del West.
Love Changes Everything – The Andrew Lloyd Webber Collection, Volume 2 (2005) is an album by English soprano Sarah Brightman. It contains songs from various shows for which Andrew Lloyd Webber wrote the music. The album contains eight previously released songs along with six new recordings.
Diva: The Singles Collection is a 2006 compilation album by Sarah Brightman. Alongside this album, Brightman released a DVD collection of her music videos on 3 October 2006 under the title of Diva: The Video Collection. The album marked the first time Brightman released a greatest hits album in the United States. It reached No. 1 on the Billboard Classical Crossover chart. In Japan, the album debuted and peaked at No. 2 with 77,000 copies sold on its first week of release, and became Japan's best-selling classical album of 2007. Subsequently, it was Japan's fifteenth best-selling international album of the 2000s decade. Diva was also the best-selling western album in South Korea in 2010, as it topped the international charts for 26 non-consecutive weeks. As of December 2013, it has been certified Quintuple Platinum in the country.
The Premiere Collection: The Best of Andrew Lloyd Webber is a 1988 compilation album, bringing together some of composer Andrew Lloyd Webber's best known compositions at the time of release. It includes songs from the musicals The Phantom of the Opera, Tell Me on a Sunday, Evita, Cats, Jesus Christ Superstar, Starlight Express and Requiem. Co-writers of the songs include Tim Rice, Don Black, Richard Stilgoe, Charles Hart and Trevor Nunn.
"Ballerina (Prima Donna)" is a song recorded by English singer-songwriter Steve Harley, released by Stiletto Records as a non-album single on 29 July 1983. The song, written and produced by Mike Batt, reached number 51 in the UK Singles Chart.
"Irresistible" is a song written and recorded by British singer-songwriter Steve Harley. It was released three times as a single; the first being in 1985 as a non-album single under his band's name Steve Harley & Cockney Rebel. In 1986, a remixed version of the song was released by Harley as a solo single in the UK, and in 1992, he re-released this version as a single in Europe from his solo album Yes You Can. "Irresistible" was written by Harley and produced by English producer Mickie Most.
"Heartbeat Like Thunder" is a song by British singer-songwriter Steve Harley, released by RAK as a non-album single on 21 April 1986. The song was written by Harley and ex-Cockney Rebel keyboardist Duncan Mackay, and produced by Mickie Most.
"Tetris" is a song arranged by English composer Andrew Lloyd Webber and English record producer Nigel Wright, collaborating under the pseudonym Doctor Spin. The composition is based on the theme to the 1989 Game Boy game Tetris, which itself is based on the Russian folk song "Korobeiniki". Doctor Spin released their version of "Tetris" on 21 September 1992 through Polydor and Carpet Records; it reached number six on the UK Singles Chart and also charted in Austria, Finland, and Ireland. This song, along with "Supermarioland" by Ambassadors of Funk, "Supersonic" by H.W.A. and "Pac-Man" by Power-Pill, commenced a brief trend of recreated video game music entering mainstream popularity.
"No Blue Skies" is the debut solo single by English singer, songwriter and musician Lloyd Cole, released in 1990 from his self-titled studio album. The song was written by Cole and produced by Cole, Fred Maher and Paul Hardiman. It peaked at number 42 in the UK Singles Chart and remained in the top 100 for four weeks. Cole has described "No Blue Skies" as "very simple" and a "girl leaves boy or boy leave girl" song.
"Downtown" is a song by English singer, songwriter and musician Lloyd Cole, released in 1990 as the third and final single from his self-titled studio album. The song was written by Cole and Blair Cowan, and produced by Cole, Fred Maher and Paul Hardiman. It failed to enter the UK Singles Chart but reached number 5 on the US Billboard Modern Rock Tracks chart. The song was included in the soundtrack of the 1990 American psychological thriller film Bad Influence.
"Don't Look Back" is a song by English singer, songwriter and musician Lloyd Cole, released in 1990 as the second single from his self-titled studio album. The song was written by Cole and produced by Cole, Fred Maher and Paul Hardiman. It peaked at number 59 in the UK Singles Chart and remained in the top 100 for three weeks.
"Cut Me Down" is a song by the British rock and pop band Lloyd Cole and the Commotions, released in 1986 as the third single from their second studio album Easy Pieces. The song was written by Lloyd Cole and produced by Clive Langer and Alan Winstanley. It peaked at number 38 on the UK Singles Chart and remained in the top 75 for four weeks.
"Rattlesnakes" is a song by British band Lloyd Cole and the Commotions, released in 1984 as the third and final single from their debut studio album of the same name. The song was written by Lloyd Cole and produced by Paul Hardiman. It peaked at number 65 in the UK Singles Chart and remained in the top 100 for three weeks.
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