26 Mixes for Cash | ||||
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Compilation album by | ||||
Released | 24 March 2003 | |||
Recorded | 1990–2003 | |||
Genre | Electronica [1] | |||
Length | 139:01 (total) 71:46 (CD1) 67:15 (CD2) | |||
Label | Warp Records | |||
Producer | Richard D. James | |||
Richard D. James chronology | ||||
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Aphex Twin album chronology | ||||
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26 Mixes for Cash is a compilation album of remixes produced by Aphex Twin. Most of the remixes were produced for other artists between 1990 and 2003. It was released on 24 March 2003 by Warp Records.
Despite becoming a sought-after remixer during the 1990s, James admitted to not actually using the original source material in the case of some of his "remixes" for artists he disliked (such as Nine Inch Nails), explaining: "I never heard the originals...I don't want to, either." [2] In some cases, he submitted his own original work, or the work of his flatmate Global Goon in place of his own work. [3] [ better source needed ]
Along with the 22 remixes on this release, four original Aphex Twin tracks are also included. Two are new versions of previously released tracks: "Windowlicker, Acid Edit" and "SAW2 CD1 TRK2, Original Mix". The other two were previously available only on Further Down the Spiral , the remix album by Nine Inch Nails: "The Beauty of Being Numb Section B" and an edited version of "At the Heart of It All".
In addition to the remixes featured on this release, James has also remixed tracks by Beck, DJ Pierre, and Soft Ballet, as well as additional remixes of tracks by Seefeel, Gavin Bryars, Jesus Jones, Saint Etienne, and Mescalinum United.
26 Mixes for Cash was released on CD only, although a vinyl promotional disc titled 2 Mixes on a 12" For Cash, featuring the two Aphex Twin originals exclusive to this compilation, was released in limited quantities in Japan only. Online orders of the compilation through Warp Records came with two silver-wrapped chocolate coins, featuring the Aphex Twin logo on one side and Richard's profile on the other (with "ELECTRONICA REX" written alongside it). The cover is by The Designers Republic.
James later clarified that the album was named 26 Mixes for Cash by the late Warp Records co-founder Rob Mitchell because James exchanged the remix DATs for cash in person so that the record companies would not know his bank account details or address. [4]
Review scores | |
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Source | Rating |
AllMusic | [5] |
Drowned in Sound | 9/10 [6] |
The Guardian | [7] |
The Independent | favourable [8] |
NME | 8/10 [9] |
Pitchfork | 7.7/10 [10] |
Release Magazine | 8/10 [11] |
The Rolling Stone Album Guide | [12] |
Tiny Mix Tapes | [13] |
AllMusic states that the compilation "comprises some of the most creative, breathtaking music produced by anyone in electronica". [14] NME wrote that "the more cash at stake the less effort Aphex puts into honouring the spirit of the artist – an often hilarious greenie in the face of pop careerism". [15] Pitchfork states that "frustrating gestation period aside, many of the tracks here are certified classics, and it's nice to have them all in one place". [16]
No. | Title | Remix of | Length |
---|---|---|---|
1. | "Time to Find Me, AFX Fast Mix" | Seefeel | 7:34 |
2. | "Raising the Titanic, Big Drum Mix" | Gavin Bryars' 1994 recording of his 1969 The Sinking of the Titanic orchestral piece [17] | 8:42 |
3. | "Journey, Aphex Twin Care Mix" | The Gentle People | 10:14 |
4. | "Triachus, Mix by Aphex Twin" | Kinesthesia | 4:12 |
5. | "Heroes, Aphex Twin Remix" | Philip Glass' orchestral version of David Bowie's "Heroes" , mixed with samples of Bowie's singing from the original | 5:18 |
6. | "In The Glitter Part 2, Aphex Twin Mix" | Buck-Tick | 5:02 |
7. | "Zeros and Ones, Aphex Twin Reconstruction #2" | Jesus Jones | 5:49 |
8. | "Ziggy, Aphex Twin Mix #1" | Nav Katze | 4:25 |
9. | "Your Head My Voice, Voix Revirement" | Saint Etienne | 3:15 |
10. | "Change, Aphex Twin Mix #2" | Nav Katze | 4:16 |
11. | "Une Femme N'est Pas Un Homme, Aphex Twin Mix" | The Beatniks | 4:06 |
12. | "The Beauty of Being Numb Section B, Created by Aphex Twin" | an original track; the A section of "The Beauty of Being Numb" was "Mr. Self Destruct" remixed by Nine Inch Nails for their remix album Further Down the Spiral | 3:27 |
13. | "Let My Fish Loose, Aphex Twin Remix" | Nobukazu Takemura | 5:26 |
Total length: | 71:46 |
No. | Title | Remix of | Length |
---|---|---|---|
1. | "Krieger, Aphex Twin Baldhu Mix" | Die Fantastischen Vier | 3:23 |
2. | "Deep in Velvet, Aphex Twin Turnips Mix" | Phillip Boa and the Voodooclub | 3:50 |
3. | "Falling Free, Aphex Twin Remix" | Curve | 7:40 |
4. | "We Have Arrived, Aphex Twin QQT Mix" | Mescalinum United | 4:23 |
5. | "At the Heart of It All, Created by Aphex Twin" | created for the Nine Inch Nails remix album Further Down the Spiral , shorter edit than the original 7:14 version | 3:49 |
6. | "Flow Coma, Remix By AFX" | 808 State | 5:00 |
7. | "Windowlicker, Acid Edit" | acid remix of the title track of Aphex Twin's "Windowlicker" | 4:15 |
8. | "Normal, Helston Flora Remix by AFX" | Baby Ford | 6:51 |
9. | "SAW2 CD1 TRK2, Original Mix" | alternate version of the track from Aphex Twin's Selected Ambient Works Volume II commonly known as "[radiator]" with added beats (was included in the 10 April 1995 edition of Peel Sessions) | 6:30 |
10. | "Mindstream, The Aphex Twin Remix" | Meat Beat Manifesto | 3:42 |
11. | "You Can't Hide Your Love, Hidden Love Mix" | DMX Krew | 5:05 |
12. | "Spotlight, Aphex Twin Mix" | Wagon Christ | 6:57 |
13. | "Debase, Soft Palate" | Mike Flowers Pops | 5:50 |
Total length: | 67:15 |
Chart (2003) | Peak position |
---|---|
French Albums (SNEP) [18] | 86 |
UK Albums (OCC) [19] | 63 |
US Top Dance/Electronic Albums (Billboard) [20] | 3 |
US Independent Albums (Billboard) [21] | 18 |
US Heatseekers Albums (Billboard) [22] | 29 |
Warp Records is a British independent record label founded in Sheffield in 1989 by record store employees Steve Beckett and Rob Mitchell and record producer Robert Gordon. It is currently based in London.
...I Care Because You Do is a studio album by the electronic music artist and producer Aphex Twin. It was released on 24 April 1995 through Warp. Containing material recorded between 1990 and 1994, the album marked James's return to a percussive sound following the largely beatless Selected Ambient Works Volume II (1994), and pairs abrasive rhythms with symphonic and ambient elements. The cover artwork is a self-portrait by James.
Richard D. James Album is an eponymous studio album by the electronic music artist and producer Aphex Twin. It was released on 4 November 1996 through Warp Records. It was composed by James on his Macintosh computer, and took longer to complete than his previous albums. It features fast breakbeats and intricate drum programming which draw from jungle and drum and bass. James' drum loops are paired with lush string arrangements, intricate time signatures, and ambient melodies reminiscent of his earlier work, as well as modulated vocals from James.
Further Down the Spiral is a remix album by the American industrial rock band Nine Inch Nails. It is the companion remix disc to the band’s second studio album, The Downward Spiral, and was released on May 29, 1995, in two editions, one denoted as Halo 10, and the other as Halo 10 V2, each containing a different set of tracks.
"Windowlicker" is a track by the British electronic music artist and producer Aphex Twin. It was released on 22 March 1999 through Warp Records. The artwork for the single was created by Chris Cunningham, with additional work by The Designers Republic. Cunningham also directed the song's music video, which was nominated for the Brit Award for Best British Video.
Selected Ambient Works Volume II is the second studio album by the British electronic music artist and producer Aphex Twin. It was released on 7 March 1994 through Warp Records. Billed as a follow-up to James' debut Selected Ambient Works 85–92, the album differs in sound by being largely beatless ambient music. James said that it was inspired by lucid dreaming, and likened the music to "standing in a power station on acid."
Drukqs is a studio album by the electronic music artist and producer Aphex Twin. It was released in October 2001 through Warp Records. It is a double album alternating primarily between tracks of meticulously programmed drum and bass-inspired beats and computer-controlled classical piano pieces. It features the piano composition "Avril 14th," one of James's best-known recordings.
Come to Daddy is an EP/mini-album by the British electronic music artist Aphex Twin. The EP's lead single, and the first track on the EP, "Come to Daddy "—often simply called "Come to Daddy"—is one of Aphex Twin's best-known songs; it peaked at number 36 on the UK Singles Chart.
Surfing on Sine Waves is a studio album by the musician and producer Richard D. James under the alias Polygon Window. James is better known as Aphex Twin. The record was released on 11 January 1993 through the label Warp. It entered the UK Dance Albums Chart at No. 2 on 23 January 1993. James' previous album, Selected Ambient Works 85–92, was then at No. 9 on the chart, and James briefly had two records in the Dance Albums Top 10 under different pseudonyms. The 2001 reissue edition includes the previously unreleased tracks "Portreath Harbour" and "Redruth School".
Classics is a 1995 compilation album by the electronic music artist and producer Richard D. James, more commonly known by his pseudonym of Aphex Twin.
Chosen Lords is a compilation album by Richard D. James, released under the aliases AFX and Aphex Twin. It is a CD compilation of selected tracks previously released on the vinyl-only Analord series. Limited edition copies distributed with a poster were offered on Warpmart to encourage pre-ordering.
Seefeel is a British electronic and post-rock band formed in the early 1990s by Mark Clifford, Daren Seymour (bass), Justin Fletcher, and Sarah Peacock. Their work became known for fusing guitar-based shoegaze with the production techniques of ambient techno and electronica.
Richard David James, known professionally as Aphex Twin, is a British musician, composer and DJ. He is known for his idiosyncratic work in electronic styles such as techno, ambient, and jungle. Journalists from publications including Mixmag, The New York Times, NME, Fact,Clash and The Guardian have called James one of the most influential and important artists in contemporary electronic music.
Selected Ambient Works 85–92 is the debut studio album by the electronic music producer and DJ Aphex Twin It was released on 9 November 1992 through Apollo Records, a subsidiary of the Belgian label R&S Records. The album consists of ambient techno tracks recorded onto cassette reputedly dating as far back as 1985, when James was fourteen years old. On release it received widespread acclaim and entered the UK Dance Albums Chart at No. 6 on 26 December 1992.
Syro is a studio album by the electronic music artist and producer Aphex Twin. It was released on 19 September 2014 through Warp Records. It was James's first album under the Aphex Twin name since Drukqs (2001).
"minipops 67 [120.2]" is a song by the English electronic musician Richard D. James, credited under the pseudonym Aphex Twin. It is the opening track and lead single from Aphex Twin's sixth studio album, Syro (2014).
Computer Controlled Acoustic Instruments pt2 is an extended play record by the British electronic music artist and producer Aphex Twin. It was released on 2 January 2015 on Warp. It is meant as a companion piece to his fifth studio album, Drukqs (2001).
"Come to Daddy" is a song by British electronic music producer Richard D. James, released under his main pseudonym Aphex Twin. It was released as a single through Warp Records on 6 October 1997, coinciding with the lengthier extended play release of the same name. A music video for the song was released, which ranked at number one on Pitchfork's Top 50 Music Videos of 1990s list. In October 2011, NME placed the song at number 42 on its "150 Best Tracks of the Past 15 Years" list. The song peaked at number 10 on the Danish Singles Chart and number 36 on the UK Singles Chart.
Cheetah is an extended play record by the electronic music artist and producer Aphex Twin. It was released on 8 July 2016 on Warp. The name is a reference to Cheetah Marketing, a British manufacturer of microcomputer peripherals and electronic musical instruments in the 1980s.
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