...I Care Because You Do | ||||
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Studio album by | ||||
Released | 24 April 1995 | |||
Recorded | 1990–1994 | |||
Genre | ||||
Length | 63:49 | |||
Label | Warp | |||
Producer | Richard D. James | |||
Richard D. James chronology | ||||
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Aphex Twin album chronology | ||||
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...I Care Because You Do is the third studio album by the British electronic music artist and producer Richard D. James under the alias of Aphex Twin. It was released on 24 April 1995 through Warp Records and contains material recorded between 1990 and 1994. It marked James's return to a beat-driven sound following the mostly ambient album Selected Ambient Works Volume II (1994), and combines abrasive rhythms with symphonic and ambient elements. The cover artwork is a self-portrait of James. [9]
I Care Because You Do entered the CIN's Dance Albums Chart at number 4 and the Albums Chart at number 24. [10] It was supported by the single and Extended Play (EP) release of the track "Ventolin". The album received positive reviews. It garnered comparisons to the work of composer Philip Glass, who later created an orchestral version of the track "Icct Hedral", and John Cage. [11] The reviewers for Entertainment Weekly , Spin , and Rolling Stone preferred it to his two previous albums. In 2017 Pitchfork ranked I Care Because You Do the 13th best IDM album of all time. [12]
Each track on I Care Because You Do is annotated with a date; the tracks were created between 1990 and 1994. [13] It was James' final album to be recorded with mostly analogue technology before he began using digital production methods. [14]
According to AllMusic, the album finds James "pairing his hardcore experimentalism with more symphonic ambient material, aligned with the work of many post-classical composers" such as Philip Glass. [11] Writer Dave Thompson described the album as "pulling together calm, serene moments then launching into battering and bruising beat-heavy tracks", and said the rhythms shift "from trancey to hip-hoppish". [15] Thompson also noted the influence of modern composers such as Glass. [15] Rolling Stone stated the music has "little to do with techno in any of its more popular guises", and compared it to the work of Glass and John Cage, and said the album draws "most strongly from hip-hop ... James' trademark is to put rhythm and percussion above all else; his beautiful, haunting melodies are relegated to the back of the mix." [7]
According to Exclaim! , ...I Care Because You Do has been described as "occupying a middle-ground between Philip Glass and the Wu-Tang Clan". [14] Spin wrote the album "showed up trip-hop laziness", [16] while Dummy Mag said James was taking trip hop and "refashioning [the] voguish genre in his own image". [6] Entertainment Weekly wrote: "By adding layers of soft, warm synthesizer chords over skull-grinding electronic percussion, James creates sounds that are simultaneously comforting and scary". [5] In 2003 NME summarized the album as "a shotgun wedding of analogue rave and ambient porridge." [17] In 2004 Rolling Stone stated the increasingly active drum backing on the album was inspired by the presence of drum and bass music in the United Kingdom. [13]
...I Care Because You Do was released on 24 April 1995 [18] on vinyl, compact disc, and cassette. [18] It entered the CIN's Dance Albums Chart at number 4 and the Albums Chart at number 24, remaining on the latter for two weeks. [10] [19] The label 1972 re-released I Care Because You Do on vinyl on 18 September 2012. [14] Warp also re-issued the album in vinyl with a download card on 8 October 2012. [14] In 2017, the album was re-released in digital format with eight bonus tracks. [20]
The album's cover artwork is a self-portrait painted by James. [9] It was the first of several Aphex Twin releases to feature an image of James' grinning face on the cover. [21]
Following the album's release, composer Philip Glass contributed an orchestral arrangement to "Icct Hedral" that was included on the 1995 EP Donkey Rhubarb . [11]
Review scores | |
---|---|
Source | Rating |
AllMusic | [22] |
Entertainment Weekly | A− [5] |
The Guardian | [23] |
The Philadelphia Inquirer | [24] |
Rolling Stone | [7] |
The Rolling Stone Album Guide | [13] |
Select | 4/5 [4] |
Spin | 8/10 [3] |
The Sydney Morning Herald | [25] |
Tom Hull – on the Web | A− [26] |
Select ranked ...I Care Because You Do at 42 on its 2022 "Top 50 Albums of the Year" list, [27] saying the album is "Leftfield, sound-pop brilliance" and James' "most coherent work to date". [27] Another review in Select stated James had the ability to "make the avant-garde sound pop" and that he "delivers complex contemporary systems music in the most deliciously simple forms". [4] The Sydney Morning Herald gave the album a positive review, stating: "As ever, [James'] palette of sound is astonishing, his arrangements effective and deliberate". [25] Rolling Stone described the album as "classical music for a generation raised on samplers", stating James was "making some of the most engaging and important music of our time". [7]
Entertainment Weekly praised ...I Care Because You Do and called it superior work to Selected Ambient Works Volume II , writing it "reintroduces tension, more beats per minute, and sonic grime into his music", and that it "creates sounds that are simultaneously comforting and scary – a fitting metaphor for the contemporary clash of technology and the humans befuddled by it". [5] Spin also stated that album is superior to Selected Ambient Works Volume II because ...I Care Because You Do "cut the middle of [techno]'s kitchen-sink aesthetic without sacrificing melody coherence or rhythm". [3] Spin also described it as "a real album with its own gestalt", in which capacity it betters the "truly great" Aphex Twin albums Selected Ambient Works 85–92 (1992) and Classics (1995). [3]
In a retrospective of James' work in The Rolling Stone Album Guide , Sasha Frere-Jones said the album's more-recent tracks were its best ones. [13] Justin Boreta from the group The Glitch Mob reviewed the album in 2015, praising it for "the juxtaposition between heavy darkness and gentle depth". [21] The A.V. Club reviewer Kyle Fowle described ...I Care Because You Do as "a perfect bridge between James' implementation of experimental techno and glossy ambient". [28] In 2017, Pitchfork ranked it the 13th-best intelligent dance music (IDM) album of all time. [12]
Each track on ...I Care Because You Do is annotated with the year of its recording. [13]
No. | Title | Length |
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1. | "Acrid Avid Jam Shred" (1994) | 7:38 |
2. | "The Waxen Pith" (1993) | 4:50 |
3. | "Wax the Nip" (1990) | 4:19 |
4. | "Icct Hedral (edit)" (1994) | 6:07 |
5. | "Ventolin (video version)" (1994) | 4:29 |
6. | "Come On You Slags!" (1990) | 5:45 |
7. | "Start as You Mean to Go On" (1993) | 6:05 |
8. | "Wet Tip Hen Ax" (1994) | 5:17 |
9. | "Mookid" (1994) | 3:51 |
10. | "Alberto Balsalm" (1994) | 5:11 |
11. | "Cow Cud Is a Twin" (1994) | 5:34 |
12. | "Next Heap With" (1993) | 4:43 |
Total length: | 63:49 |
The album credits only state: "Everything by Richard D. James. Self portrait painted by me. Design help from John." [9]
Chart (1995) | Peak position |
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Scottish Albums (OCC) [29] | 70 |
UK Albums (OCC) [30] | 24 |
UK Dance Albums Chart (CIN) [10] | 4 |
Intelligent dance music (IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints. The music often described with the term originally emerged in the early 1990s from the culture and sound palette of styles of electronic dance music such as acid house, ambient techno, Detroit techno and breakbeat; it has been regarded as better suited to home listening than dancing. Prominent artists in the style include Aphex Twin, Autechre, Squarepusher, μ-Ziq, the Black Dog and the later duo Plaid, as well as earlier acts such as the Future Sound of London and Orbital.
Richard D. James Album is the fourth studio album by the British electronic music artist and producer Richard D. James under the alias of Aphex Twin. It was released on 4 November 1996 through Warp Records. It was composed by James on his Macintosh computer, and took longer to complete than his previous albums. It features fast breakbeats and intricate drum programming which draw from jungle and drum and bass. James' drum loops are paired with lush string arrangements, and ambient melodies reminiscent of his earlier work, as well as modulated vocals from James.
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