Found object (music)

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A "bowafridgeaphone" made by Iner Souster constructed from objects including refrigerator grates, a bundt cake pan and a metal salad bowl Bowafridgeaphone.jpg
A "bowafridgeaphone" made by Iner Souster constructed from objects including refrigerator grates, a bundt cake pan and a metal salad bowl

Found objects are sometimes used in music, often to add unusual percussive elements to a work. Their use in such contexts is as old as music itself, as the original invention of musical instruments almost certainly developed from the sounds of natural objects rather than from any specifically designed instruments. [2]

Contents

Use in classical and experimental music

The use of found objects in modern classical music is often connected to experiments in indeterminacy and aleatoric music by such composers as John Cage and Karlheinz Stockhausen, although it has reached its ascendancy in those areas of popular music as well, such as the ambient works of Brian Eno. In Eno's influential work, found objects are credited on many tracks. [3] The ambient music movement which followed Eno's lead has also made use of such sounds, with notable exponents being performers such as Future Sound of London and Autechre, and natural sounds have also been incorporated into many pieces of new-age music. Also other builders like Yuri Landman, Harry Partch [4] (for example his famous cloud chamber bowl instrument), [5] Pierre Bastien, Iner Souster often incorporate found material in their works. Erik Satie's Parade is also an example of this unconventional type of compositional practice. [6] [7]

Einstürzende Neubauten became known for incorporating a wide range of found objects in their percussion gear. A more recent example of found objects being used as percussion instruments is Shawn "Clown" Crahan from the nu metal band Slipknot, who beats a beer keg with a baseball bat to the beat of the song. The Dodos also played a garbage bin as a part of their percussion gear. Wall of Voodoo drummer Joe Nanini would commonly use pots and pans instead of conventional drums. Many street drummers perform with empty plastic baskets.

The band Neptune uses VCR-casings, scrap metal and all kinds of other found objects to create experimental musical instruments. [8] [9]

Found objects have occasionally been featured in very well known pop songs: "You Still Believe In Me" from the Beach Boys' Pet Sounds features bicycle bells and horns as part of the orchestral arrangements. [10]

Found sounds

The use of found objects in music takes one of two general forms: either objects are deliberately recorded, with their sound used directly or in processed form, or previous recordings are sampled for use as part of a work (the latter often being referred to simply as "found sound" or "sampling"). With the improvement and easy accessibility of sampling technology since the 1980s, this second method has flourished and is a major component of much modern popular music, particularly in such genres as hip hop.

Examples

See also

Related Research Articles

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Percussion instrument Type of musical instrument that produces a sound by being hit

A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.

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Harry Partch American composer

Harry Partch was an American composer, music theorist, and creator of musical instruments. He composed using scales of unequal intervals in just intonation, and was one of the first 20th-century composers in the West to work systematically with microtonal scales. He built custom-made instruments in these tunings on which to play his compositions, and described his theory and practice in his book Genesis of a Music (1947).

<i>Another Green World</i> 1975 studio album by Eno

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Ozric Tentacles

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Rhythm section

A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band. The rhythm section is often contrasted with the roles of other musicians in the band, such as the lead guitarist or lead vocals whose primary job is to carry the melody.

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Newband is a contemporary music ensemble devoted to the performance of microtonal music. The group was founded in 1977 by musicians Stefani Starin and Dean Drummond. As a youth, Drummond performed with maverick composer Harry Partch in a unique ensemble of microtonal instruments that Partch designed and built himself; Drummond performed in the premieres of Partch’s Daphne of the Dunes, And on the Seventh Day Petals Fell in Petaluma, and Delusion of the Fury, as well as on both Partch Columbia Masterworks recordings made during the late 1960s.

Experimental musical instrument

An experimental musical instrument is a musical instrument that modifies or extends an existing instrument or class of instruments, or defines or creates a new class of instrument. Some are created through simple modifications, such as cracked drum cymbals or metal objects inserted between piano strings in a prepared piano. Some experimental instruments are created from household items like a homemade mute for brass instruments such as bathtub plugs. Other experimental instruments are created from electronic spare parts, or by mixing acoustic instruments with electric components.

3rd bridge

The 3rd bridge is an extended playing technique used on the electric guitar and other string instruments that allows a musician to produce distinctive timbres and overtones that are unavailable on a conventional string instrument with two bridges. The timbre created with this technique is close to that of gamelan instruments like the bonang and similar Indonesian types of pitched gongs.

A third bridge can be devised by inserting a rigid preparation object between the strings and the body or neck of the instrument, effectively diving the string into distinct vibrating segments.

Sampling (music) Reuse of sound recording in another recording

In music, sampling is the reuse of a portion of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware (samplers) or software such as digital audio workstations.

Experimental luthier

Experimental luthiers are luthiers who take part in alternative stringed instrument manufacturing or create original string instruments altogether.

Bart Hopkin is a builder of experimental musical instruments and a writer and publisher on the subject. Hopkin runs the website windworld.com, which provides resources regarding unusual instruments.

FemBots are a Canadian indie rock band from Toronto formed in 1998. FemBots are known for their unique sound of combining instrumental everyday items, junk instruments, and traditional instruments in their music.

Instruments by Harry Partch

The American composer Harry Partch (1901-1974) composed using scales of unequal intervals in just intonation, derived from the natural Harmonic series; these scales allowed for more tones of smaller intervals than in the standard Western tuning, which uses twelve equal intervals. One of Partch's scales has 43 tones to the octave. To play this music, he built many unique instruments, with names such as the Chromelodeon, the Quadrangularis Reversum, and the Zymo-Xyl.

Recording studio as an instrument

In music production, the recording studio is often treated as a musical instrument when it plays a significant role in the composition of music. Sometimes called "playing the studio", the approach is typically embodied by artists or producers who favor the creative use of studio technology in completing musical recordings, as opposed to simply capturing live performances in studio. Techniques include the incorporation of non-musical sounds, overdubbing, tape edits, sound synthesis, audio signal processing, and combining segmented performances (takes) into a unified whole.

References

  1. "Bowafridgeaphone - odd unique strange experimental weird musical instrument by Iner Souster". www.oddmusic.com.
  2. See "The Music of Man", Y. Menuhin and C.W. Davis, Methuen, Toronto, 1979
  3. These include his work with David Byrne on "My Life in the Bush of Ghosts" and on several tracks of his solo album "Before and After Science", where they are listed with such names as "metallics"
  4. "Harry Partch | Biography & History". AllMusic . Retrieved 19 April 2021.
  5. "Instruments of Harry Partch: Cloud-Chamber Bowls". Corporeal.com. Retrieved 19 April 2021.
  6. The Art of the Commonplace: Found Sounds in Compositional Practice
  7. Eisinger, Dale (2013-04-09). "The 25 Best Performance Art Pieces of All Time". Complex. Retrieved 2021-02-28.
  8. Jed Heneberry (2008-02-15). "Neptune creates new instruments, album". Boston Music Spotlight. Archived from the original on February 25, 2009. Retrieved 5 Feb 2009.
  9. Gretchen Hasse (December 3, 2007). "Electro-Harmonix Memory Man and Micro Synth are Keys to Neptune's Noise Kingdom". gearwire.com. Archived from the original on February 25, 2009. Retrieved 5 Feb 2009.
  10. "You Still Believe In Me (Stereo / Remastered)". YouTube. Archived from the original on 2021-12-12. Retrieved 19 April 2021.

Further reading

Martin J. Junker: Buchhaltung – Percussion octet with books. Norsk Musikforlag, Oslo 2011

Martin J. Junker: Pop up! – Percussion octet (quartet) for pop-up garden waste bags. Gretel-Verlag, Dinklage 2021 http://www.gretel-verlag.de/de/index.htm