Yuri Landman

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Yuri Landman
Lecture at Output.jpg
Yuri Landman @ Output Festival 2007
Background information
Birth nameYuri Landman
Born (1973-02-01) 1 February 1973 (age 50)
Zwolle
Origin The Netherlands
Occupations Experimental luthier, musician, comic artist
Years active1996 - present
Labels Thick Syrup, Geertruida Records, Siluh Records
Websitewww.hypercustom.nl

Yuri Landman (born 1 February 1973) is a Dutch inventor of musical instruments [1] and musician who has made several experimental electric string instruments for a number of artists including Lee Ranaldo of Sonic Youth, [2] Liars, [3] Jad Fair of Half Japanese, Liam Finn, and Laura-Mary Carter. Besides his musical activities he is also a graphic novel artist.

Contents

Biography

Yuri Landman started as a comic book artist and made his debut in the comics field in 1997 with 'Je Mag Alles Met Me Doen' (in Dutch). In the follow-up, released in 1998, 'Het Verdiende Loon', Landman described his negative experiences on a daily job. [4] For the second title he received the 1998 Breda Prize, [5] an award for rising new comic artists in the Netherlands. Since then he has published no other comic books. Soon after the release he took over a local comic book store and started his graphic design studio inside the shop besides the sales of comics.

Together with Cees van Appeldoorn, he formed the lo-fi band Zoppo playing bass and prepared guitar in 1997. [6] [7] After 2 albums and several 7" singles, Landman left the band in 2000. Landman then formed the noise band Avec Aisance (aka Avec-A) with drummer/producer Valentijn Höllander and released a CD, Vivre dans l'aisance in 2004. After quitting Avec-A in 2006, he focused mainly on instrument building. His comic shop closed in 2001 and he was the graphic designer for Oog & Blik from 2001 till 2010, until the instrument business became his full-time activity.

Landman is musically untrained and cannot play chords. Unsatisfied about the limitations of prepared guitars Landman began creating and building several experimental string instruments, including electric zithers, electric Cymbalum, and electric Koto. Many of the designs are focused on string resonance, microtonality and an overtoning spectra based on the no wave aesthetics of Glenn Branca and the microtonal consonant theory developed by Harry Partch. [8]

four early prototypes Protos.jpg
four early prototypes

In the period between 2000 and 2005, Landman created nine prototype instruments. In 2006 he changed his musical focus and stopped to perform and start building for other bands. The Moodswinger was the first instrument Landman made for the band Liars. [6] [9] After the Moodswinger, he started making more instruments for other bands as well.

From November 2006 to January 2007 Landman finished two copies of The Moonlander, a biheaded electric 18-string drone guitar, one for Sonic Youth guitarist Lee Ranaldo and one for himself. [6] [9] [10]

Springtime, 2008 Springtime.jpg
Springtime, 2008

The Springtime is an experimental electric guitar with seven strings and three outputs. The first prototype of this instrument, created in 2008, was made for guitar player Laura-Mary Carter of Blood Red Shoes. [9] [11] [12] [13] Afterwards he also made copies for Lou Barlow and dEUS' Mauro Pawlowski. For John Schmersal of Enon he built the Twister guitar, an alternate version of the Springtime. [9] In 2009 he finished instruments for The Dodos, Liam Finn, HEALTH, Micachu and Finn Andrews of The Veils. [6] [9] For The Dodos and Finn he created electric 24 string drum guitars called the Tafelberg and for Andrews an electric 17-string harp guitar called the Burner guitar. He also started to perform again after a Perpignan Festival hosted by Vincent Moon and Gaspar Claus. [9] Meanwhile, he continued to build instruments for artists such as These Are Powers, Women and Kate Nash. For his own musical career he develops a 25-meter electric long-string instrument, often featured at his performances.

Besides his output as an inventor and noise musician, he starts to focus on music education, and participatory art. At first Landman started giving musicological lectures at venues, festivals and music related educational institutes. Landman published the essay 3rd Bridge Helix - From Experimental Punk to Ancient Chinese Music & the Universal Physical Laws of Consonance in which he clarifies the relation between this prepared guitar technique and the consonant values present in non-Western scales, especially the musical scale used on the Ancient Chinese musical instrument the guqin. [9] [14] He published an extensive 8 chapter guide on how to prepare a guitar, that was later transformed to the book Nice Noise.

The Home Swinger Home swinger.jpg
The Home Swinger

His lectures and presentations with his instruments prompted a request in 2009 for a practical building workshop. This gave rise to his Home Swinger project, which allowed people to participate in DIY workshops where they could build their own copy of his newly created instrument the Home Swinger. Often this was followed by a rehearsal and ensemble performance, with multiple copies of the Home Swinger, drums, basses, and guitars, in the style of the Rhys Chatham and Glenn Branca compositions. Events took place throughout all European countries and the US. The Home Swinger was selected as one of the instruments for the second Guthman Musical Instrument Competition at Georgia Tech, Atlanta, in February 2010. Along with the Moodswinger, this instrument is included in the permanent collection of the Musical Instrument Museum in Phoenix, Arizona. Soon after the start of the Home Swinger workshops his job as a teacher/artistbecame a full-time activity with an ongoing tour schedule throughout the whole year. He developed a wide of range of workshops with different kinds of instruments, and created this way thousands of DIY kalimbas, triochords, plates with crossed strings, and mallet guitars.

Due to the ongoing tour schedule with the DIY-instrument projects, he discontinued the production of his high-end products for bands, although he makes exceptions such as developing a 42-stringed instrument for Peter James Taylor; nine instruments for Belgian composer Serge Verstockt; instruments for befriended acts such as Lau Nau, Tomoko Sauvage, Hifi Club, Remko Scha, Ritornel, Katharine Klement, Killed by 9V Batteries and Ex-Easter Island Head; and an instrument for the SONS Museum in 2011.[ citation needed ] Because of his touring with the workshops he connects more to the experimental music scene, performing with acts such as Jad Fair, Rhys Chatham, Wu Fei, Noël Akchoté, Action Beat, Dustin Wong (ex Ponytail), Camera,and others.[ citation needed ]

In 2012, he published an album featuring Jad Fair and the French noise artist Philippe Petit. He also started a two piece band called Bismuth with multi-instrumentalist Arnold van de Velde. In the same year he started his Strat Eraser Project and built a series of instruments for direct sale, along with the workshop exclusive models. In November he gave a TEDx talk. Around this time, he began to depart from building stringed instruments. Inspired by the percussive works of Lou Harrison, John Cage, and the Belgian sound artist George Smits, and the sounds of Indonesian Gamelan instruments, he created a collection of metal percussion instruments and amplified them with guitar pickups. These instruments are used on the recordings of Bismuth and in his live performances. Also, he built a set of motor instruments and invented an instrument made from PET bottles.

The March 2013 edition of Premier Guitar featured a cover story written by Landman about a guitar modification he did on request of the magazine. Later that year the documentary Alles, Tot Dit was published. In April 2014 Bismuth released their debut album. This album was published in a limited deluxe edition as well with a special designed instrument called 'Svikt' mounted to the album cover. In the same year he starts his solo performances and collaborates with the Dutch noise rock act Those Foreign Kids, functioning as his backing band on his European solo tours. Occasionally Landman performs together with Dutch sound artist Wessel Westerveld, who has built a collection of replicas of Luigi Russolos Intonarumori. Stichting De Stilte created a dance production with Landman playing live during the dance performances.

Since 2015, he has built a series of kinetic objects made with motors and pendulums that together operate as a sound installation. He exhibits this project in addition to his on stage performances. 2016 Premier Guitar approached him for the second time for a guitar building request, which resulted in an experimental guitar built for Thurston Moore. Similar to the first project the building process was published as an article in Premier Guitar and he did a 20-minute YouTube interview with Thurston when he handed over the guitar. [15] In the same year he developed a DIY daxophone workshop. In May/June 2017 he was artist-in-residence for one month at iii in The Hague where he developed the motorized sound installation Helicopters. [16] For Lee Ranaldos Lost Ideas Festival in Menen, Belgium he developed a harmonic guitar based on a predecessor, invented by Branca in the early 80s, Ranaldo played in Glenn Brancas orchestra. At the invitation of Harman Kardon he built a 24 string drone sonometer for J.Views during a documentary shoot in the spring of 2018. [17] In October 2018 he published an 8-page musicological essay in Soundest #1 in which he states that the configuration of the musical keyboard is mathematically based, rather than a cultural evolutionairy phenomenon. He shows the pattern in several non-Western scales such as the Indian 22 shruti system, the 19-tone scales on the Iranian tar and the Turkish saz, an out-of-place Coptic artifact and his own tuning system applied on the Moodswinger. This explanation of the origin of the keyboard is in conflict with the Western consensus story that the pattern on the keyboard evolved culturally from originally seven white keys, adding one black key, followed by more into the twelve-tone Halberstadt Keyboard from 1361. In December that same year Musical Instrument Museum put on a large overview exhibition of his invented instruments. In 2019 he build a follow up series of rhythmic helicopters as a part of Nora Mulder's '7090 Abstraction Parc' that was exhibited at Gaudeamus Music Week, Open NDSM and several other Dutch festivals.

During the Corona crisis his educational work and live performance stopped and he made a graphic novel after a hiatus of 20 years. [18] In December 2020 he started prepublishing this book in six languages as a daily soap on his Instagram. It was published in a Dutch as well as an English edition in Spring 2021. In Feb '22 he pre-published 90 pages of his next graphic novel 'Dissident in '20-'21' in which he explains Mattias Desmet's mass formation theory. [19]

Musical Theoretical Diagrams

The Moodswinger led to a research on harmonics theory. He published a clarifying 3rd bridge diagram related to this instrument in 2012 (and a more elaborate version of this diagram in 2017). [20] In 2018 he published another microtonal diagram that compares the otonal and utonal scales with the harmonic series and 12TET and also how Partch' tonality diamond is related to the harmonic series when put in a triangular array. [21]

Education

Landman co-wrote Nice Noise (about prepared guitar techniques and guitar modification) with Bart Hopkin. [22] This book was released in 2012 by Experimental Musical Instruments and came along with 60 sound fragments made with a wide range of guitar preparations.

Around 2014 Landman started spreading out instrument collections among a growing group of non-profit organisations focused on education, sound art, electro-acoustic music, media art and avant garde music. Inspired by pioneering sound labs like the BBC Radiophonic Workshop, Philips' NatLab and Studio for Electronic Music (WDR) these collaborations create an infrastructure of sound labs within Europe for experimental artists and builders.

He is a regular guest teacher and lecturer at several academies and universities in Europe.

In 2020 Bloomsbury Publishing published the book ‘’Sound Art’’ by Holger Schulze and Sanne van Krogt. Landman wrote the chapter Pickups and Strings in this academic publication.

Instruments

In the period 2000-2005 Landman created 9 prototype instruments.

Instruments for artists (2006-2009)

DIY Workshop instruments

For Bismuth and his solo performances

Bibliography

Contributions

Essays

Discography

Documentary

Related Research Articles

<span class="mw-page-title-main">Lee Ranaldo</span> American rock musician

Lee Mark Ranaldo is an American guitarist, singer and songwriter, best known as a co-founder of the rock band Sonic Youth. In 2004, Rolling Stone ranked Ranaldo at number 33 on its "Greatest Guitarists of All Time" list. In May 2012, Spin published a staff-selected top 100 guitarist list, ranking Ranaldo and his Sonic Youth bandmate Thurston Moore together at number 1.

The fingerboard is an important component of most stringed instruments. It is a thin, long strip of material, usually wood, that is laminated to the front of the neck of an instrument. The strings run over the fingerboard, between the nut and bridge. To play the instrument, a musician presses strings down to the fingerboard to change the vibrating length, changing the pitch. This is called stopping the strings. Depending on the instrument and the style of music, the musician may pluck, strum or bow one or more strings with the hand that is not fretting the notes. On some instruments, notes can be sounded by the fretting hand alone, such as with hammer ons, an electric guitar technique.

<span class="mw-page-title-main">Electric violin</span>

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<span class="mw-page-title-main">Prepared guitar</span> Musical instrument

A prepared guitar is a guitar that has had its timbre altered by placing various objects on or between the instrument's strings, including other extended techniques. This practice is sometimes called tabletop guitar, because many prepared guitarists do not hold the instrument in the usual manner, but instead place the guitar on a table to manipulate it.

<span class="mw-page-title-main">Gravikord</span> 24 string, electric double bridge-harp

The Gravikord is a 24 string electric double bridge-harp invented by Robert Grawi in 1984, which is closely related to both the West African kora and the mbira. It was designed to employ a separated double tonal array structure making it possible to easily play cross-rhythms in a polyrhythmic musical style in a modern electro-acoustic instrument. The Gravi-kora is a similar instrument, also developed by Grawi, which is tuned identically to a traditional 21 string kora.

The long-string instrument is a musical instrument in which the string is of such a length that the fundamental transverse wave is below what a person can hear as a tone (±20 Hz). If the tension and the length result in sounds with such a frequency, the tone becomes a beating frequency that ranges from a short reverb to longer echo sounds. Besides the beating frequency, the string also gives higher pitched natural overtones. Since the length is that long, this has an effect on the attack tone. The attack tone shoots through the string in a longitudinal wave and generates the typical science-fiction laser-gun sound as heard in Star Wars. The sound is also similar to that occurring in upper electricity cables for trains.

<span class="mw-page-title-main">Harp guitar</span> Guitar-based string instrument

The harp guitar is a guitar-based stringed instrument generally defined as a "guitar, in any of its accepted forms, with any number of additional unstopped strings that can accommodate individual plucking." The word "harp" is used in reference to its harp-like unstopped open strings. A harp guitar must have at least one unfretted string lying off the main fretboard, typically played as an open string.

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<span class="mw-page-title-main">Experimental musical instrument</span> Musical instrument that modifies an existing class of instruments

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<span class="mw-page-title-main">Moodswinger</span>

The Moodswinger is a twelve-string electric zither with an additional third bridge designed by Yuri Landman. The rod which functions as the third bridge divides the strings into two sections to cause an overtone multiphonic sound. One of the copies of the instrument is part of the collection of the Musical Instrument Museum in Phoenix, Arizona.

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<span class="mw-page-title-main">3rd bridge</span>

The 3rd bridge is an extended playing technique used on the electric guitar and other string instruments that allows a musician to produce distinctive timbres and overtones that are unavailable on a conventional string instrument with two bridges. The timbre created with this technique is close to that of gamelan instruments like the bonang and similar Indonesian types of pitched gongs.

A third bridge can be devised by inserting a rigid preparation object between the strings and the body or neck of the instrument, effectively dividing the string into distinct vibrating segments.

<span class="mw-page-title-main">Springtime (guitar)</span>

The Springtime is an experimental electric guitar with seven strings and three outputs. The instrument was created in 2008 by Dutch luthier Yuri Landman for guitar player Laura-Mary Carter of Blood Red Shoes.

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<span class="mw-page-title-main">Home Swinger</span> Musical instrument

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<span class="mw-page-title-main">Experimental luthier</span>

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References

  1. "Moodswinger". Oddmusic. Retrieved 2013-05-21.
  2. de Lange, Nils (21 August 2007). "Moonlander". Spunk (in Dutch). Spunk. Archived from the original on 3 July 2013. Retrieved 21 May 2013.
  3. Experimental Luthier Yuri Landman Introduces the Moodswinger Archived September 10, 2007, at the Wayback Machine
  4. "Yuri Landman". Lambiek Comiclopedia. Retrieved 2013-05-21.
  5. ZozoLala 103 - A copy of the article on [ permanent dead link ], line 7 in the text notices the Prijs van Breda (Breda Prize)
  6. 1 2 3 4 Kivel, Adam (12 June 2011). "Audio Archaeology: Yuri Landman's Hypercustom Guitars". Consequence of Sound. Retrieved 2013-05-21.
  7. Zoppo bio in English on The Dutch Rock & Pop Institute Archived February 27, 2007, at the Wayback Machine
  8. Description of one of Yuri's lectures Archived September 22, 2008, at the Wayback Machine
  9. 1 2 3 4 5 6 7 Pécaud, Sophie (8 February 2009). "Yuri Landman : des guitares et des hommes". Fragil (in French). Archived from the original on 6 June 2013. Retrieved 2013-05-21.
  10. Amsterdam Weekly, Issue 35, Page 15 Archived September 28, 2007, at the Wayback Machine
  11. Modern Guitars Archived October 11, 2008, at the Wayback Machine
  12. Vintage Guitar [ permanent dead link ]
  13. The Dutch Rock & Pop Institute Archived June 15, 2008, at the Wayback Machine
  14. Landman, Yuri (December 2008). "From Experimental Punk to Ancient Chinese Music & the Universal Physical Laws of Consonance". Perfect Sound Forever. Archived from the original on August 24, 2012. Retrieved 2013-05-21.
  15. "DIY: Thurston Moore's Drone Guitar Project". 21 April 2016.
  16. "Residency Archive - instrumentinventors.org". instrumentinventors.org.
  17. Harman Kardon (9 May 2018). "Reflections by Harman Kardon: Amsterdam - Mix of cultures" via YouTube.
  18. "Onrust over partnertoets bij steun voor zelfstandigen: 'Dit raakt hele gezinnen'".
  19. "Dissident in '20-'21 — Yuri Landman". 15 February 2022.
  20. "3rdbridge.jpg (9945×3531)".
  21. "utonaldiagram.jpg (9945×7063)".
  22. Williams, Turner (16 February 2012). "Harmony of The Weirdo-Sphere". Impose. Impose Magazine. Retrieved 2013-05-21.