 Kazuhisa Uchihashi playing the daxophone at Deutsches Jazzfestival 2015 | |
| Classification | Idiophone |
|---|---|
| Hornbostel–Sachs classification | 132.1 (Friction idiophone with individual plaque (electric)) |
| Inventor(s) | Hans Reichel |
| Developed | 1980s |
| Timbre | Animal-like, vocal |
| Related instruments | |
| Musicians | |
| |
The daxophone, invented by Hans Reichel, is an electric wooden experimental musical instrument of the friction idiophones category.
The dax in daxophone is derived from the German word Dachs, meaning "badger" and referencing the many animal sounds that the daxophone is capable of generating, changed to dax so that the instrument name echoes Adolphe Sax's saxophone. [1]
The first usage of the daxophone in a musical work was the release of Hans Reichel's album The Dawn of Dachsman in 1987. [1] Even with Hans Reichel's second album featuring the daxophone, Shanghaied on Tor Road: The World's 1st Operetta Performed on Nothing but the Daxophone, the instrument had remained very obscure. It was not until after his release of Yuxo: A New Daxophone Operetta that the daxophone began to gain notability through the internet, spawning YouTube videos and inspiring other artists such as Michael Hearst to create their own albums featuring the daxophone. Even today, the daxophone remains fairly obscure, and as such it has not been mass-produced, though a small number of daxophone luthiers sell their own versions of the instrument. Luthier Yuri Landman has designed a simple-to-build daxophone for DIY workshops he regularly gives throughout Europe on academies, art spaces and festivals where participants build their own rudimentary version. Luthier Daniel Fishkin has extended Reichel's original concept considerably, developing several unique soundboards suitable for different types of musicians, from hobbyists to professionals. [2] Daxophone maker Richard van Hoesel has developed a curved soundplate, which significantly improves its ability to stay in contact with tongues as they are bent up and down by the dax and bow. This avoids the unpredictable volume changes and other undesirable effects that otherwise arise with daxophones with flat soundplates unless each tongue is carefully contoured on the underneath side as Hans Reichel suggested. Luthier John C.L. Jansen has created a few extensions to Reichel's original concept, including extended contrabass tongues, and a contoured soundboard. The contoured soundboard was discovered by three independent daxophone builders (Daniel Fishkin, John C.L. Jansen, and Richard van Hoesel) at approximately the same time.
The daxophone consists of a wooden piece called a tongue, approximately 330 mm in length, 30 mm in width, and 5 mm in height, and fixed to a wooden block (often attached to a tripod, but also clamped to a table top), which holds one or more contact microphones. [1] This wooden block has a cavity which is carved with a chisel for the insertion of two contact microphones, and a snakewood soundboard laid on top with the contact microphones glued to it. A wide range of voice-like timbres can be produced, depending on the shape of the tongue and the type of wood. The tongue shape is made with a coping saw, a scroll saw, or bandsaw. Denser woods such as ebony and oak produce a mellower sound than light woods. These sounds are notable for their comical, often human sounds. [3]
Another vital part is the dax, sanded into a curved shape approximately 150 mm long and 50 mm tall, with a custom width tailored to the player's hands, and curved on both sides to allow for frictionless pitch changing. [1] One side of the dax is fretted according to a random logarithmic succession, while the other is left unfretted and covered with a sheet of cardboard for a mellower sound and to preserve the surface. Two large fingerholes are drilled through the sides.
Reichel has documented the construction of the instrument in a way that a skilled woodworker could build their own. Plans are downloadable from his website, with a collection of proven shapes for the tongue delivered in the file format of a font, thus playing on Reichel's other profession as a typeface designer.
Normally, the daxophone is played by bowing the free end with a bow, most commonly a double bass bow, but it can also be struck or plucked, which propagates sound in the same way a ruler halfway off a table does. [4] Vibrations then continue to the wooden-block base, which in turn is amplified by the contact microphone(s) therein. The timbre is adjusted by where it is bowed, and where along its length it is stopped with the dax. One side of the dax is fretted according to a randomly chosen logarithmic succession. [5] The frequency interval between each fret in the succession will change due to the difference in pitch range between tongues, which is why the unfretted side is more frequently used for playing tonally in known compositions.
The 2022 horror film Smile features the daxophone as the lead instrument in its music score. [6]
The 2024 supernatural mystery film The Watchers, directed by Ishana Night Shymalan and scored by Abel Korzeniowski, features daxophone on nearly every track of the score. It is the first time sections of daxophones have been used as an orchestral texture. The daxophones made for this film score were built by luthier John C.L. Jansen, and feature a new type of extended contrabass tongue, developed and built by the request of the composer. [7]
The classical guitar, also known as Spanish guitar, is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern steel-string acoustic and electric guitars, both of which use metal strings. Classical guitars derive from instruments such as the lute, the vihuela, the gittern, which evolved into the Renaissance guitar and into the 17th and 18th-century baroque guitar. Today's modern classical guitar was established by the late designs of the 19th-century Spanish luthier, Antonio Torres Jurado.
The clavichord is a stringed rectangular keyboard instrument that was used largely in the Late Middle Ages, through the Renaissance, Baroque and Classical eras. Historically, it was mostly used as a practice instrument and as an aid to composition, not being loud enough for larger performances. The clavichord produces sound by striking brass or iron strings with small metal blades called tangents. Vibrations are transmitted through the bridge(s) to the soundboard.
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar. It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities from that of an acoustic guitar via amplifier settings or knobs on the guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz, rock and heavy-metal guitar-playing. Designs also exist combining attributes of the electric and acoustic guitars: the semi-acoustic and acoustic-electric guitars.
The guitar is a stringed musical instrument that is usually fretted and typically has six or twelve strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A guitar pick may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant hollow chamber on the guitar, or amplified by an electronic pickup and an amplifier.
A lute is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted.
A mandolin is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of eight strings. A variety of string types are used, with steel strings being the most common and usually the least expensive. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin. Also, like the violin, it is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass.
In musical instrument classification, string instruments or chordophones, are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner.
The bouzouki is a musical instrument popular in Greece. It is a member of the long-necked lute family, with a round body with a flat top and a long neck with a fretted fingerboard. It has steel strings and is played with a plectrum producing a sharp metallic sound, reminiscent of a mandolin but pitched lower. It is the precursor to the Irish bouzouki, an instrument derived from the Greek bouzouki that is popular in Celtic, English, and North American folk music. There are two main types of Greek bouzouki: the trichordo (three-course) has three pairs of strings and the tetrachordo (four-course) has four pairs of strings. The instrument was brought to Greece in the early 1900s by Greek refugees from Anatolia, and quickly became the central instrument to the rebetiko genre and its music branches. It is now an important element of modern Laïko pop Greek music.
The fingerboard is an important component of most stringed instruments. It is a thin, long strip of material, usually wood, that is laminated to the front of the neck of an instrument. The strings run over the fingerboard, between the nut and bridge. To play the instrument, a musician presses strings down to the fingerboard to change the vibrating length, changing the pitch. This is called stopping the strings. Depending on the instrument and the style of music, the musician may pluck, strum or bow one or more strings with the hand that is not fretting the notes. On some instruments, notes can be sounded by the fretting hand alone, such as with hammer ons, an electric guitar technique.
A lamellophone is a member of the family of musical instruments that makes its sound by a thin vibrating plate called a lamella or tongue, which is fixed at one end and has the other end free. When the musician depresses the free end of a plate with a finger or fingernail, and then allows the finger to slip off, the released plate vibrates. An instrument may have a single tongue or a series of multiple tongues.
The Russian guitar (sometimes referred to as a "Gypsy guitar") is an acoustic seven-string guitar that was developed in Russia toward the end of the 18th century: it shares most of its organological features with the Spanish guitar, although some historians insist on English guitar descent. It is known in Russian as the semistrunnaya gitara (семиструнная гитара), or affectionately as the semistrunka (семиструнка), which translates to "seven-stringer". These guitars are most commonly tuned to an open G chord as follows: D2 G2 B2 D3 G3 B3 D4. In classical literature, the lowest string (D) occasionally is tuned down to the C.
A pickguard is a piece of plastic or other material that is placed on the body of a guitar, mandolin or similar plucked string instrument. The main purpose of the pickguard is to protect the guitar's finish from being scratched by the nails of the picking hand, as it was included on guitars not played with a plectrum. The pick does not normally contact that part of the guitar when used correctly.
In Indian classical music, javārī refers to the overtone-rich "buzzing" sound characteristic of classical Indian string instruments such as the tanpura, sitar, surbahar, rudra veena and Sarasvati veena. Javari can refer to the acoustic phenomenon itself, or to the meticulously carved bone, ivory or wooden bridges that support the strings on the sounding board and produce this particular effect. A similar sort of bridge is used on traditional Ethiopian lyres, as well as on the ancient Greek kithara, and the "bray pins" of some early European harps operated on the same principle. A similar sound effect, called sawari, is used on some traditional Japanese instruments as well.
A person who is specialized in the making of stringed instruments such as guitars, lutes and violins is called a luthier.
An experimental musical instrument is a musical instrument that modifies or extends an existing instrument or class of instruments, or defines or creates a new class of instrument. Some are created through simple modifications, such as cracked cymbals or metal objects inserted between piano strings in a prepared piano. Some experimental instruments are created from household items like a homemade mute for brass instruments such as bathtub plugs. Other experimental instruments are created from electronic spare parts, or by mixing acoustic instruments with electric components.
Hans Reichel was a German improvisational guitarist, experimental luthier, inventor, and type designer.
The term Tanbur can refer to various long-necked string instruments originating in Mesopotamia, Southern or Central Asia. According to the New Grove Dictionary of Music and Musicians, "terminology presents a complicated situation. Nowadays the term tanbur is applied to a variety of distinct and related long-necked lutes used in art and folk traditions. Similar or identical instruments are also known by other terms." These instruments are used in the traditional music of Iran, India, Kurdistan, Armenia, Afghanistan, Azerbaijan, Pakistan, Turkey, Tajikistan, Kazakhstan, and Uzbekistan.
The 3rd bridge is an extended playing technique used on the electric guitar and other string instruments that allows a musician to produce distinctive timbres and overtones that are unavailable on a conventional string instrument with two bridges. The timbre created with this technique is close to that of gamelan instruments like the bonang and similar Indonesian types of pitched gongs.
A third bridge can be devised by inserting a rigid preparation object between the strings and the body or neck of the instrument, effectively dividing the string into distinct vibrating segments.
Experimental luthiers are luthiers who take part in alternative stringed instrument manufacturing or create original string instruments altogether.
Daniel Fishkin is a multi-instrumentalist, composer, and instrument designer, most notable for his installation Composing the Tinnitus Suites.
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