Verrophone

Last updated


A verrophone ("glass-euphonium") is a musical instrument, invented in 1983 by Sascha Reckert, [1] which, "uses tuned glass tubes," [2] open at one end and arranged in various sizes (usually in a chromatic scale, arranged from large to small, like the pipes of a pipe organ). The sound is made by rubbing one end of one or more of the glass tubes, or also by striking them or rubbing them with a special mallet. The tubes are close together so that chords can be played by rubbing more than one at the same time. The instrument carries more acoustical volume than the glass harmonica and some other glass instruments and generally has a range from G3 to F6 (which can be extended in the higher register with wine glasses, giving it a range up to D7). Every piece composed originally for glass harmonica can be played on the verrophone.

Contents

Predecessors

The term verrophone originally referred to a glass harp. [3] Previous glass instruments include the glass harmonica and arrangements of ordinary drinking glasses (approximately glass tubes closed at one end). The verrophone is capable of louder dynamics than the glass harp due to its larger radiating surfaces. [2]

Modern artists such as Barry Prophet of the Music Gallery have produced glass instruments that work similarly to a glockenspiel or lithophone, i.e. by striking various glass tubes. An example can be heard in a work entitled "Crystal Bones" composed and played on Prophet's microtonally tuned glass instruments.

Notable players

Related Research Articles

<span class="mw-page-title-main">Cymbal</span> Unpitched percussion instrument

A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sound a definite note. Cymbals are used in many ensembles ranging from the orchestra, percussion ensembles, jazz bands, heavy metal bands, and marching groups. Drum kits usually incorporate at least a crash, ride, or crash/ride, and a pair of hi-hat cymbals. A player of cymbals is known as a cymbalist.

<span class="mw-page-title-main">Harmonica</span> Free reed wind musical instrument

The harmonica, also known as a French harp or mouth organ, is a free reed wind instrument used worldwide in many musical genres, notably in blues, American folk music, classical music, jazz, country, and rock. The many types of harmonica include diatonic, chromatic, tremolo, octave, orchestral, and bass versions. A harmonica is played by using the mouth to direct air into or out of one holes along a mouthpiece. Behind each hole is a chamber containing at least one reed. The most common is the diatonic Richter-tuned with ten air passages and twenty reeds, often called the blues harp. A harmonica reed is a flat, elongated spring typically made of brass, stainless steel, or bronze, which is secured at one end over a slot that serves as an airway. When the free end is made to vibrate by the player's air, it alternately blocks and unblocks the airway to produce sound.

<span class="mw-page-title-main">String instrument</span> Class of musical instruments with vibrating strings

String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner.

In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, art music, and pop music.

Tonality or key: Music which uses the notes of a particular scale is said to be "in the key of" that scale or in the tonality of that scale.

Hornbostel–Sachs or Sachs–Hornbostel is a system of musical instrument classification devised by Erich Moritz von Hornbostel and Curt Sachs, and first published in the Zeitschrift für Ethnologie in 1914. An English translation was published in the Galpin Society Journal in 1961. It is the most widely used system for classifying musical instruments by ethnomusicologists and organologists. The system was updated in 2011 as part of the work of the Musical Instrument Museums Online (MIMO) Project.

<span class="mw-page-title-main">Glass harmonica</span> Type of musical instrument

The glass harmonica, also known as the glass armonica, glass harmonium, bowl organ, hydrocrystalophone, or simply the armonica or harmonica, is a type of musical instrument that uses a series of glass bowls or goblets graduated in size to produce musical tones by means of friction. It was invented in 1761 by Benjamin Franklin.

Overblowing is the manipulation of supplied air through a wind instrument that causes the sounded pitch to jump to a higher one without a fingering change or the operation of a slide. Overblowing may involve a change in the air pressure, in the point at which the air is directed, or in the resonance characteristics of the chamber formed by the mouth and throat of the player.

<span class="mw-page-title-main">Hohner</span> German musical instrument manufacturer

Hohner Musikinstrumente GmbH & Co. KG is a German manufacturer of musical instruments, founded in 1857 by Matthias Hohner (1833–1902). The roots of the Hohner firm are in Trossingen, Baden-Württemberg. Since its foundation, and though known for its harmonicas, Hohner has manufactured a wide range of instruments, such as kazoos, accordions, recorder flutes, melodicas, banjos, electric, acoustic, resonator and classical guitars, basses, mandolins and ukuleles.

<span class="mw-page-title-main">Borosilicate glass</span> Glass made of silica and boron trioxide

Borosilicate glass is a type of glass with silica and boron trioxide as the main glass-forming constituents. Borosilicate glasses are known for having very low coefficients of thermal expansion, making them more resistant to thermal shock than any other common glass. Such glass is subjected to less thermal stress and can withstand temperature differentials without fracturing of about 165 °C (300 °F). It is commonly used for the construction of reagent bottles and flasks, as well as lighting, electronics, and cookware.

<span class="mw-page-title-main">Chinese orchestra</span>

The term Chinese orchestra is most commonly used to refer to the modern Chinese orchestra that is found in China and various overseas Chinese communities. This modern Chinese orchestra first developed out of Jiangnan sizhu ensemble in the 1920s into a form that is based on the structure and principles of a Western symphony orchestra but using Chinese instruments. The orchestra is divided into four sections – wind, plucked strings, bowed strings, and percussion, and usually performs modernized traditional music called guoyue. The orchestra may be referred to as Minzu Yuetuan or Minyuetuan in mainland China, Chung Ngok Tuen in Hong Kong, Huayuetuan in Southeast Asia, or Guoyuetuan in Taiwan, all meaning Chinese orchestra.

<span class="mw-page-title-main">Richter-tuned harmonica</span> Musical instrument

The Richter-tuned harmonica, or 10-hole harmonica or blues harp, is the most widely known type of harmonica. It is a variety of diatonic harmonica, with ten holes which offer the player 19 notes in a three-octave range.

There are numerous techniques available for playing the harmonica, including bending, overbending, and tongue blocking.

The chromatic harmonica is a type of harmonica that uses a button-activated sliding bar to redirect air from the hole in the mouthpiece to the selected reed-plate desired. When the button is not pressed, an altered diatonic major scale of the key of the harmonica is available, while depressing the button accesses the same scale a semitone higher in each hole. Thus, the instrument is capable of playing the 12 notes of the Western chromatic scale. The chromatic harmonica can thus be contrasted with a standard harmonica, which can play only the notes in a given musical key.

<span class="mw-page-title-main">Bruno Hoffmann</span>

Bruno Hoffmann was a German glass harpist. Hoffmann is widely acknowledged as the virtuoso who reanimated contemporary interest in the glass harp and glass harmonica.

<span class="mw-page-title-main">Glass harp</span> Musical instrument using glasses

A glass harp is a musical instrument made of upright wine glasses.

<span class="mw-page-title-main">Anne Ford</span> English musician and singer, 1737–1824

Anne or Ann Ford, was an 18th-century English musician and singer, famous in her time for a scandal that attended her struggle to perform in public.

<span class="mw-page-title-main">Friedrich Heinrich Kern</span> Musical artist

Friedrich Heinrich Kern is a German composer, pianist, and glass harmonica player.

<span class="mw-page-title-main">Terpodion</span>

The terpodion or uranion is a keyboard instrument which produces sound using the same friction principle as the glass harmonica.

This family of musical instruments includes those whose primary material is glass. They may be played using percussive techniques, such as striking the glass to produce a sound, or by utilizing friction to generate a resonant sound. Many glass instruments produce an ethereal, otherworldly timbre. A well-known glass instrument is Ben Franklin's glass harmonica.

References

  1. Reckert, Sascha. "Musik in Geschichte und Gegenwart" ["Music Past and Present"], GlasMusik.com. (in German)
  2. 1 2 Rossing, Thomas D. (2000). Science of Percussion Instruments, p.187-8. World Scientific. ISBN   9789810241582.
  3. Kling, Henri (1905). Prof. H. Kling's Modern Orchestration and Instrumentation , p.199. Trans. by Gustav Saenger. C. Fischer. [ISBN unspecified].