The glass marimba is a type of idiophone also known as a vitrephone or crystallophone. Marimba translates to "a xylophone-like instrument" from an African language, probably Bantu. The glass keys are made of either hard glass (plate glass) or soft glass (stained glass). The keys are resonated with either a single open top box or individual resonators for each key. Mallets used to play the marimba can be constructed using a compressed silicone ball (bouncy ball) attached to one end of a wooden or synthetic dowel. These mallets bring out the purest sound from glass marimba. Other types of mallets are used for different effects. The tuning system of a glass marimba can be whatever is desired. Glass marimbas are utilised by the Brazilian percussion ensemble, Uakti.
Glass marimba can be constructed in a variety of ways.
How one resonates the keys governs the construction method and design.
Resonation can be accomplished using a single resonator which all the keys resonate into, such as an open top box, or individual resonators for each key which can be a tube, box, or sphere. Single box resonators can be constructed from wood, glass, or metal among a variety of materials. Individual resonators can be made from gourds, wood, bamboo, clay, glass, pvc, or metal, to name a few.
The keys also govern the design of the marimba due to the fact that the keys are supported at points called nodes and these dictate the shape of the marimba due to the graduated lengths of the keys and how one supports them. Also, the width of the keys, which can be graduated, determines the overall length.
Keys can be made from plate glass or stained glass. With stained glass, two pieces must be fused together in a kiln to obtain the necessary thickness of 1/4" for the most common glass marimba tunings, though thinner and thicker keys can be used for low and high tunings. Tuning is accomplished most commonly by removing glass from the end of the key which causes the note to go up. Removing glass from the bottom of the key will cause the note to go down but is only feasible if one is using opaque glass for the keys.
The keys are best supported on a pad of open cell foam mounted to a thin piece of wood and encased in cloth.
The keys are attached with double sided clear tape. Silicone glue is also used.
An alternate method of attachment is to use posts between each key on one side and a single post going through a hole in the key on the other side.
Another method glues a piece of hook-and-loop hook tape to the bottom of the bars at the node points, and strips of felt along the top of the resonator box.
The guitar is a stringed musical instrument that is usually fretted and typically has six or twelve strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A guitar pick may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant hollow chamber on the guitar, or amplified by an electronic pickup and an amplifier.
The harmonica, also known as a French harp or mouth organ, is a free reed wind instrument used worldwide in many musical genres, notably in blues, American folk music, classical music, jazz, country, and rock. The many types of harmonica include diatonic, chromatic, tremolo, octave, orchestral, and bass versions. A harmonica is played by using the mouth to direct air into or out of one holes along a mouthpiece. Behind each hole is a chamber containing at least one reed. The most common is the diatonic Richter-tuned with ten air passages and twenty reeds, often called the blues harp. A harmonica reed is a flat, elongated spring typically made of brass, stainless steel, or bronze, which is secured at one end over a slot that serves as an airway. When the free end is made to vibrate by the player's air, it alternately blocks and unblocks the airway to produce sound.
The xylophone is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use.
The marimba is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the marimba has a lower range. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone.
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a vibraphonist,vibraharpist, or vibist.
Hornbostel–Sachs or Sachs–Hornbostel is a system of musical instrument classification devised by Erich Moritz von Hornbostel and Curt Sachs, and first published in the Zeitschrift für Ethnologie in 1914. An English translation was published in the Galpin Society Journal in 1961. It is the most widely used system for classifying musical instruments by ethnomusicologists and organologists. The system was updated in 2011 as part of the work of the Musical Instrument Museums Online (MIMO) Project.
A resonator is a device or system that exhibits resonance or resonant behavior. That is, it naturally oscillates with greater amplitude at some frequencies, called resonant frequencies, than at other frequencies. The oscillations in a resonator can be either electromagnetic or mechanical. Resonators are used to either generate waves of specific frequencies or to select specific frequencies from a signal. Musical instruments use acoustic resonators that produce sound waves of specific tones. Another example is quartz crystals used in electronic devices such as radio transmitters and quartz watches to produce oscillations of very precise frequency.
A lamellophone is a member of the family of musical instruments that makes its sound by a thin vibrating plate called a lamella or tongue, which is fixed at one end and has the other end free. When the musician depresses the free end of a plate with a finger or fingernail, and then allows the finger to slip off, the released plate vibrates. An instrument may have a single tongue or a series of multiple tongues.
The marímbula is a plucked box musical instrument of the Caribbean. In Cuba it is common in the changüí genre, as well as old styles of son. In Mexico, where it is known as marimbol is played in son jarocho; in the Dominican Republic, where it is known as marimba, it is played in merengue típico, and in Jamaica it is known as rumba box and played in mento.
Leigh Howard Stevens is a marimba artist best known for developing, codifying, and promoting the Stevens technique or Musser-Stevens grip, a method of independent four-mallet marimba performance based on the Musser grip.
An organ pipe is a sound-producing element of the pipe organ that resonates at a specific pitch when pressurized air is driven through it. Each pipe is tuned to a note of the musical scale. A set of organ pipes of similar timbre comprising the complete scale is known as a rank; one or more ranks constitutes a stop.
A gangsa is a type of metallophone which is used mainly in Balinese and Javanese Gamelan music in Indonesia. In Balinese gong kebyar styles, there are two types of gangsa typically used: the smaller, higher pitched kantilan and the larger pemade. Each instrument consists of several tuned metal bars each placed over an individual resonator. The bars are hit with a wooden panggul, each producing a different pitch. Duration of sound intensity and sound quality factors are generally accomplished by damping the vibration of the bar with the fingers of the free hand. Balinese gong kebyar gangsas, as with other metallophones in gong kebyar ensembles, are played in neighboring pairs with interlocking, rapid-tempo parts that elaborate on the melody of a piece of music ; these pairs are tuned to be dissonant and create certain wavelengths of sympathetic vibrations to create a shimmering tone that travels long distances. The gangsa is very similar to the old gendér and the saron.
A gendèr is a type of metallophone used in Balinese and Javanese gamelan music. It consists of 10 to 14 tuned metal bars suspended over a tuned resonator of bamboo or metal, which are tapped with a mallet made of wooden disks (Bali) or a padded wooden disk (Java). Each key is a note of a different pitch, often extending a little more than two octaves. There are five notes per octave, so in the seven-note pélog scale, some pitches are left out according to the pathet. Most gamelans include three gendèr, one for sléndro, one for pelog pathet nem and lima, and one for pelog pathet barang.
Uakti (WAHK-chee) was a Brazilian instrumental musical group that was composed of Marco Antônio Guimarães, Artur Andrés Ribeiro, Paulo Sérgio Santos, and Décio Ramos. Uakti was known for using custom-made instruments, built by the group itself.
The tro is Cambodia's traditional spike fiddle, a bowed string instrument that is held and played vertically. Spike fiddles have a handle that passes through the resonator, often forming a spike, on the bottom side where it emerges. The family is similar or distantly related to the Chinese erhu or huqin. The instruments have a soundbox at the bottom of the stick, covered with leather or snake skin. Strings run from pegs at the top of the stick and secured at the bottom, running across the soundbox. The larger the soundbox, the lower the pitch range. Instruments in this family include the two-stringed tro ou, tro sau thom, tro sau toch and tro che, as well as the three-stringed tro Khmer spike fiddle. The two-stringed tros are tuned in a fifth, while the three-stringed tro Khmer is tuned in fourths. The tros, with the exception of the tro Khmer, are strung so that the bowstring is permanently placed between the two stings. When the musician plays, the placement of the bow causes the strings to be played at once, one from below and one from above. In contrast, western fiddles are played with the bow pushing on each string from the outside, as is also the case with the tro khmer.
Bass traps are acoustic energy absorbers which are designed to damp low-frequency sound energy with the goal of attaining a flatter low-frequency (LF) room response by reducing LF resonances in rooms. They are commonly used in recording studios, mastering rooms, home theatres and other rooms built to provide a critical listening environment. Like all acoustically absorptive devices, they function by turning sound energy into heat through friction.
The flapamba is a musical instrument in the percussion family. It consists of tuned wooden bars pinched on one side over the node and mounted over resonator boxes. Sliding the bars slightly forward or backward affects their tuning. Unlike the marimba or xylophone, the sound is not as focused tonally. It is a bit more percussive, sounding closer to tuned log drums.
The American composer Harry Partch (1901-1974) composed using scales of unequal intervals in just intonation, derived from the natural Harmonic series; these scales allowed for more tones of smaller intervals than in the standard Western tuning, which uses twelve equal intervals. The tonal system Partch used has 43 tones to the octave. To play this music he invented and built many new instruments, with names such as the Chromelodeon, the Quadrangularis Reversum, and the Zymo-Xyl.
The conservation and restoration of photographic plates is the practice of caring for and maintaining photographic plates to preserve their materials and content. The practice includes the measures that can be taken by conservators, curators, collection managers, and other professionals to conserve the material unique to photographic plate processes. This practice includes understanding the composition and agents of deterioration of photographic plates, as well as the preventive, and interventive conservational measures that can be taken to increase a photographic image's longevity.