 | This article needs additional citations for verification .(February 2011) |
The xylorimba (sometimes referred to as xylo-marimba or marimba-xylophone) is a pitched percussion instrument similar to an extended-range xylophone with a range identical to some 5-octave celestas or 5-octave marimbas, though typically an octave higher than the latter. Despite its name, it is not a combination of a xylophone and a marimba; its name has been a source of confusion, as many composers have called for a 'xylorimba', including Alban Berg, Pierre Boulez and Olivier Messiaen, but for parts requiring only a four-octave xylophone ( Blades and Holland n.d. ). However, Pierre Boulez wrote for two five-octave xylorimbas in Pli selon pli ( Blades and Holland n.d. ).
Like the xylophone and marimba, the xylorimba consists of a series of wooden bars laid out like a piano keyboard "with a compass sufficiently large to embrace the low-sounding bars of the marimba and the highest-sounding bars of the xylophone."[ citation needed ] The lower notes of the xylorimba are described as sounding closer to a xylophone than a marimba, on account of its bars being both thicker and narrower, and due to the different size and shape of its resonators; the size and shape of the bars differs to emphasize different overtones ( Blades and Holland n.d. ).
The xylorimba experienced its greatest popularity in the 1920s and 30s, particularly within vaudeville theatre ( Blades and Holland n.d. ).
